The Allmusic review by Eugene Chadbourne awarded the album 2½ stars, stating: "For Paul Bley to comment that this 1983 recording is the best collection of his music to emerge since 1961 is a provocative statement unless, knowing Bley, he's just kidding around. Since this is even more spaced-out than some of his famous "slow" recordings such as Ballads, does that mean he really wanted those recordings to be even more minimal than they were?... The demanding listener may not forgive Bley for having tapped a vein of boredom, but perhaps this enigmatic jazz figure was trying to prove that there is no such thing."[2]
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