Siete canciones populares españolas
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Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs.
The set was dedicated to Madame Ida Godebska, a patron of music who Falla met while living in Paris. Falla returned to Spain in 1914 and in January the following year the work was premiered at the Ateneo in Madrid by Luisa Vela with Falla at the piano.[1] Luisa Vela was a well known zarzuela singer of the time who had sung in the Spanish premiere of La vida breve the previous year.
The styles and provenance of the songs are strikingly diverse. They are from different parts of Spain: an asturiana is from Asturias, in the north; the seguidilla, a type of flamenco, from Murcia, in the southeast, "Jota" is from Aragón in the northeast.
Lyrics
[edit]All the texts deal with love and the courting process, whether playfully, seriously, or tragically.[2] The first song, for example, clearly alludes to the importance of virginity to a girl's value on the marriage market[citation needed].[3] "Nana" is a lullaby: it deals with love's outcome. "Polo" expresses a wild desire for revenge on an unfaithful lover.
Song list
[edit]- 1. El paño moruno (The Moorish Cloth)
- 2. Seguidilla murciana
- 3. Asturiana
- 4. Jota
- 5. Nana
- 6. Canción
- 7. Polo
Arrangements
[edit]Falla and Paul Kochanski arranged six of the songs (omitting No. 2 and changing the order) for violin as Suite populaire Espagnole. This arrangement has been further adapted, by Maurice Maréchal for cello and piano, and by Werner Thomas-Mifune for an ensemble of six celli. They have been arranged for guitar by Miguel Llobet and for orchestra by Ernesto Halffter, student and friend of Falla, and Luciano Berio.
Recordings
[edit]Falla recorded the work with Maria Barrientos, a coloratura soprano who had retired from the operatic stage to concentrate on concert performances.[4] Other singers to have recorded the work include
- Victoria de los Ángeles soprano; Gerald Moore, piano
- the mezzo-soprano Teresa Berganza in the 1960s and with Juan Antonio Álvarez Parejo in 1986[5]
- the cantaora Estrella Morente with Javier Perianes. Morante's 2016 disc also features Canciones españolas antiguas, a similar folksong collection by Falla's friend and collaborator Federico García Lorca.[6]
Norwegian trumpet soloist Tine Thing Helseth recorded them on trumpet on her self-titled album "Tine[7]" (2013), employing a cup mute in at the end of No. 4 and throughout No. 5.
References
[edit]- ^ "Madrid 1915". manueldefalla.com. Retrieved 9 July 2023.
- ^ "Siete Canciones Populares Espanolas (The LiederNet Archive: Texts and Translations to Lieder, mélodies, canzoni, and other classical vocal music)". www.lieder.net.
- ^ Lyrics: The Moorish Cloth. On the delicate fabric in the shop, there fell a stain. It sells for less for it has lost its value Ay! https://www.oxfordlieder.co.uk/song/761
- ^ "María Barrientos y las Siete canciones populares de Falla". RTVE (in Spanish).
- ^ "The great mezzo Teresa Berganza has died". Gramophone. 2022.
- ^ Maddocks, Fiona (September 2016). "Falla; Lorca: Encuentro CD review – tender fusion of flamenco and classical".
- ^ "Tine - Tine Thing Helseth, Kathryn Stott | Songs, Reviews, Credits". AllMusic. Retrieved 2018-12-12.
Further reading
[edit]- Jihyun Park, "A Study of Siete canciones populares españolas by Manuel de Falla." Ph.D. dissertation, University of Kansas, 2013.
External links
[edit]Siete canciones populares: Scores at the International Music Score Library Project
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