Shifty Henry
 | This article needs additional citations for verification. (November 2010) |
John Willie "Shifty" Henry (4 October 1921 – 30 November 1958)[1] was an American musician, double bass and bass guitar player, and blues songwriter. He also played flute, violin, viola, saxophone, and oboe and was in demand as a session musician and arranger in Los Angeles in the 1940s and 1950s. He was also active in Los Angeles' live jazz scene on Central Avenue.
Career
[edit]Born in Edna, Texas, Henry received a degree in music from the Prairie View A&M University near Houston, Texas. He played center on the football team, and the football coach gave him his nickname for his speed and agility. He generally performed and recorded as Shifty Henry, but he used a number of transparent pseudonyms for songwriting and producing, including Baron Von Shifte, Esq., Shifte Henri, Shifte' Henre, S. Henry, and Shifti Henri.
His best known song is "Let Me Go Home, Whiskey", which was a hit in the early 1950s for Amos Milburn, was later revived by Asleep at the Wheel, and later performed by Jerre Maynard and his Greazy Gravy Blues Band. Another Henry song, "Hypin' Women Blues", recorded in 1945 for the Enterprise label, later recorded by T-Bone Walker in 1947 for the Black & White label was sampled by DJ Mr. Scruff for his song "Get a Move On", which was used in several TV commercials. This led to a revival of interest in Henry's compositions.
Henry recorded with and arranged for the elite of jazz and rhythm and blues, including Dinah Washington, Billy Eckstine, Dizzy Gillespie, Charles Mingus, The Treniers, Illinois Jacquet, and Miles Davis. Henry maintained strong social as well as professional relations throughout the city and the music industry. The Shifty Henry All-Stars played regularly at New Year's Eve balls thrown by socialite Dorothy Chandler and her husband Otis, publisher of the Los Angeles Times.
He is mentioned by name in a verse of "Jailhouse Rock" by Jerry Leiber and Mike Stoller: "Shifty Henry said to Bugs, for heaven's sake, no one's looking, now's a chance to make a break."[2]
Leo Fender selected Henry to receive an early electric Fender Precision Bass, and Henry ("Shifte Henri") appears in a 1954 Fender advertisement.[3][4] Henry appeared in the film noir movie, D.O.A. in 1950 as a string bass player in a jazz club. He also played in the house band for the Martin and Lewis television show.
He died in Los Angeles at the age of 37.
References
[edit]- ^ IMDb.com
- ^ Gettherhythm.com Archived October 10, 2008, at the Wayback Machine
- ^ Wright, Brian F. (2024). The bastard instrument: a cultural history of the electric bass. Tracking pop. Michigan Publishing (University of Michigan). Ann Arbor: University of Michigan Press. p. 29. ISBN 978-0-472-07681-9.
- ^ "Fender Fine Instruments are the Choice of These Outstanding Artists." International Musician, October 1954. (back cover)
External links
[edit]- Biography and lengthy sample of "Let Me Go Home, Whiskey". Site maintained by the firm that manages Henry's song rights
- IMDB biography
| International | |
|---|---|
| National | |
| Artists | |
- American jazz bass guitarists
- American male bass guitarists
- Songwriters from Texas
- American music arrangers
- American male violinists
- American violists
- American flautists
- American oboists
- American male oboists
- American male saxophonists
- American jazz bandleaders
- African-American guitarists
- Prairie View A&M University alumni
- People from Edna, Texas
- 1921 births
- 1958 deaths
- 20th-century American violinists
- 20th-century American bass guitarists
- 20th-century American saxophonists
- Guitarists from Texas
- Jazz musicians from Texas
- 20th-century American male musicians
- American male jazz musicians
- African-American songwriters
- 20th-century African-American musicians
- American male songwriters
- 20th-century American violists
- 20th-century American flautists
- 20th-century American songwriters