Second Bureau (1936 film)

Second Bureau
Second Bureau
	Anthony Eustrel and Marta Labarr in a still from the film
Directed by	Victor Hanbury
Written by	Charles Robert-Dumas (novel); Reginald Long; Ákos Tolnay;
Produced by	John Stafford
Starring	Marta Labarr; Charles Oliver; Arthur Wontner; Meinhart Maur;
Cinematography	James Wilson
Edited by	Ralph Thomas
Music by	Jack Beaver
Production; company	John Stafford Productions
Distributed by	RKO Pictures
Release date	December 1936;
Running time	75 minutes
Country	United Kingdom
Language	English

Second Bureau is a 1936 British spy romance film directed by Victor Hanbury and starring Marta Labarr, Charles Oliver and Arthur Wontner.^[1] It was made at Shepperton Studios^[2] and based on the 1934 novel Second Bureau by Charles Robert-Dumas. It was a remake of a 1935 French film of the same name.

The film's title refers to the French military intelligence outfit Deuxième Bureau.

Plot

A French spy, Captain Paul Benoit, manages to steal some German secrets. The Germans send Erna Fielder, an agent of their own, after him, but the two spies end up falling in love.

Cast

Marta Labarr as Erna Fielder
Charles Oliver as Paul Benoit
Arthur Wontner as Col. Gueraud
Meinhart Maur as Gen. von Raugwitz
Fred Groves as Sgt. Colleret
Joan White as Dorothy Muller
Anthony Eustrel as Lt. von Stranmer
G. H. Mulcaster as Yvanne Brosilow
Leo de Pokorny as Dr. Weygelmann
Fewlass Llewellyn as Director of Schaffingen
Bruno Barnabe as Commissaire of Police

Reception

The Monthly Film Bulletin wrote: "The photography is very clear, and there are some excellent atmospheric shots of a small German frontier-town. The grim opening sequence is also very well conceived, with naturalistic noises considerably enhancing the effect. The continuity at the beginning, however, is distinctly confused, and for a short while there is even some difficulty in determining which of the characters is which, particularly as we know that at any given moment they may be endeavouring to disguise their identities. ... The sequence of events, as one might expect in this type of story, is not always outstandingly logical; and at times one feels that the treatment might with advantage have been more circumstantial. The pace now and then seems definitely too slow for the subject-matter."^[3]

Kine Weekly wrote: "At first ragged continuity and the jumbled accents of the English and continental players are a little disturbing, but once the love interest is clearly established the story tightens its hold and from thence on the play never ceases to grip. Great pains have been taken to cultivate convincing atmosphere, all the exteriors are obviously the real thing, and the good technical work is augmented by a carefully graduated and fascinating performance by Marta Labarr in the lead. The polish of the best continental production is very much in evidence, and allied to this is the power and popularity of the eternal espionage theme. The film is a sound job of work, one calculated to appeal strongly to the masses and feminine audiences."^[4]

References

^ "Second Bureau". British Film Institute Collections Search. Retrieved 12 October 2024.
^ Wood, Linda (1986). British Films, 1927–1939 (PDF). British Film Institute. p. 85.
^ "Second Bureau". The Monthly Film Bulletin. 3 (25): 14. 1 January 1936 – via ProQuest.
^ "Second Bureau". Kine Weekly. 238 (1547): 37. 10 December 1936 – via ProQuest.

External links

Second Bureau at IMDb

[BFIsearch-1] "Second Bureau". British Film Institute Collections Search. Retrieved 12 October 2024.

[2] Wood, Linda (1986). British Films, 1927–1939 (PDF). British Film Institute. p. 85.

[3] "Second Bureau". The Monthly Film Bulletin. 3 (25): 14. 1 January 1936 – via ProQuest.

[4] "Second Bureau". Kine Weekly. 238 (1547): 37. 10 December 1936 – via ProQuest.

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