Sacred Ground (Sweet Honey in the Rock album)
| Sacred Ground | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1995 | |||
| Genre | A capella, gospel | |||
| Label | EarthBeat![1] | |||
| Producer | Bernice Johnson Reagon, Toshi Reagon | |||
| Sweet Honey in the Rock chronology | ||||
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Sacred Ground is an album by the American a capella group Sweet Honey in the Rock, released in 1995.[2][3] The group supported the album with a North American tour.[4]
Production
[edit]The album was produced by Bernice Johnson Reagon and her daughter, Toshi Reagon.[5] It was inspired by the group's work locating religious songs for NPR's "Wade in the Water" program.[6] Eight of the songs are originals; of the covers, one dates to the late 1940s, while the others are traditional gospel songs with unclear authorship.[7] The group recorded the album over a period of more than six months, beginning in December 1994.[8]
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [9] |
| The Encyclopedia of Popular Music | [10] |
| MusicHound World: The Essential Album Guide | [1] |
| Pittsburgh Post-Gazette | [11] |
| The Sydney Morning Herald | [12] |
The Washington Post concluded: "On Sacred Ground, Sweet Honey in the Rock turns its attention to an older approach that stresses smoother, longer vocal phrases, gentler rhythms and fuller, more sustained harmonies. On both the traditional 'Jordan River' and Aisha Kahlil's 'Mystic Oceans', the group's voices actually imitate the overlapping ripples of water."[7] The St. Petersburg Times wrote that the album "traces a capella gospel's progression from ancient cotton fields to modern-day urban landscapes."[6]
The Pittsburgh Post-Gazette thought that "the songs resonate with a spiritual respect and are universal: identifying with the struggle against slavery everywhere and on any level."[11] The Sydney Morning Herald called the album "the most emotionally persuasive recording the group has released so far... Voices rise and fall, cry out, whisper, pulsate with the rhythms, harmonise with rare unity of purpose and rejoice in a sense of shared optimism."[12]
AllMusic wrote that, "rooted in spiritual music and steeped in African-American tradition without being preachy or heavy-handed, Sacred Ground pulls from the various faiths and life experiences of the women of Sweet Honey in the Rock."[9]
Track listing
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "I Remember, I Believe" | |
| 2. | "No More Auction Block" | |
| 3. | "Would You Harbor Me" | |
| 4. | "Prayer" | |
| 5. | "Sing Oh Barren One" | |
| 6. | "Mystic Oceans" | |
| 7. | "Jordan River" | |
| 8. | "Stay on the Battlefield" | |
| 9. | "Can't Hide Sinner" | |
| 10. | "Jesus Is All" | |
| 11. | "Inner Voices" | |
| 12. | "Prayer to the One" | |
| 13. | "Balm in Gilead" | |
| 14. | "We Are" |
References
[edit]- ^ a b MusicHound World: The Essential Album Guide. Visible Ink Press. 2000. p. 747.
- ^ Solomon, Asali (December 1995 – January 1996). "Revolutions". Vibe. Vol. 3, no. 10. p. 155.
- ^ "Their Music – Their History – Rolls Along". Feature. Daily Hampshire Gazette. October 3, 1995.
- ^ "Sweet Honey keeps right on singing". The Philadelphia Tribune. March 22, 1996. p. 11E.
- ^ Simmons, Carol (March 29, 1996). "Sweet Honey Used to Selling Out". Go!. Dayton Daily News. p. 8.
- ^ a b Deggans, Eric (February 23, 1996). "Sweet spirit, Sweet sound, Sweet Honey". Weekend. St. Petersburg Times. p. 3.
- ^ a b "Sweet Honey Pours Smooth Harmonies". The Washington Post. Retrieved November 21, 2021.
- ^ Marcel, Joyce (October 5, 1995). "Sweet Honey: songs of heart and conscience". The Republican. p. D1.
- ^ a b "Sacred Ground". AllMusic.
- ^ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 7. MUZE. p. 877.
- ^ a b Walton, Allan (November 3, 1995). "Great Pretenders". Arts & Entertainment. Pittsburgh Post-Gazette. p. 21.
- ^ a b Elder, Bruce (January 1, 1996). "Magic in wonderland". The Guide. The Sydney Morning Herald. p. 7.