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Robert B. Simon

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Robert B. Simon
EducationColumbia University (BA, MA, PhD)
Occupation(s)art dealer, art historian
Known forrediscovering Da Vinci's Salvator Mundi

Robert B. Simon (born 27 November 1952, New York) is an American art historian and art dealer most known for rediscovering Leonardo da Vinci's picture, Salvator Mundi.[1][2]

Education

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Simon received his B.A., M.A., M.Phil., and Ph.D. degrees, all from Columbia University,[3] where his doctoral thesis focused on Bronzino’s portraits of Cosimo I de’ Medici.[4][5][6]

Career in art

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After graduating from Columbia, he worked as an art appraiser, researcher, and consultant of Old Master paintings.[1] In 1997, he sold a watercolor by Richard Dadd and opened an art gallery on Upper East Side.[2][7] Simon has been described as part of an elite group of curators and dealers, known as the "eyes," who carry a unique instinct that can distinguish authentic paintings from copies and spot lost treasures.[8]

Salvator Mundi

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In 2005, Simon, with his friend and colleague, art speculator Alexander Parish, acquired Da Vinci's original Salvator Mundi, then thought to be lost, from a New Orleans auction gallery for $1,175.[9] He brought the painting to New York University professor Dianne Dwyer Modestini for a detailed restoration, and sent it to numerous scholars for verification that the painting had belonged to Da Vinci, including Metropolitan Museum of Art curator Keith Christiansen and National Gallery director Nicholas Penny. After it was authenticated, Simon loaned the painting to a few museums before putting it on sale, only to be frustrated by museums that balked at the $100 million price tag. Eventually, Simon sold the painting to Swiss art dealer Yves Bouvier for a sum of $80 million, who then sold the painting to Russian businessman Dmitry Rybolovlev for $127.5 million.[9][10]

Simon co-authored Leonardo’s Salvator Mundi and the Collecting of Leonardo in the Stuart Courts with art historians Martin Kemp and Margaret Dalivalle.[10] The book was by Oxford University Press in 2019.[11] He was also featured in the 2021 documentary, The Lost Leonardo.[12][13]

See also

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References

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  1. ^ a b "Meet the man who found the da Vinci that sold for a record US$450 million". South China Morning Post. 2018-05-12. Retrieved 2022-02-22.
  2. ^ a b "The Rich Pageantry of the Old Masters Is on Full View at Robert Simon Fine Art". 1stDibs Introspective. 2021-04-02. Retrieved 2022-02-22.
  3. ^ "Bookshelf". Columbia College Today. 2021-09-13. Retrieved 2022-02-22.
  4. ^ "Robert B. Simon '73CC, '75M.A., '76M.Phil, '82 Ph.D. (GSAS) : The Hunt for da Vinci's Lost Salvator MundiColumbia Club of New York". Columbia Club of New York. Retrieved 2022-02-22.
  5. ^ "Finding Salvation: The Saga of da Vinci's Salvator Mundi with Robert Simon". www.sarahlawrence.edu. 17 February 2022. Retrieved 2022-02-22.
  6. ^ Simon, Robert B. (1983). "Bronzino's Portrait of Cosimo I in Armour". The Burlington Magazine. 125 (966): 527–539. ISSN 0007-6287. JSTOR 881272.
  7. ^ "Robert Simon Fine Art, New York". Sotheby's. June 12, 2020. Retrieved February 21, 2022.
  8. ^ Costamagna, Philippe (2018-08-14). The Eye: An Insider's Memoir of Masterpieces, Money, and the Magnetism of Art. New Vessel Press. ISBN 978-1-939931-70-2.
  9. ^ a b Shaer, Matthew (2019-04-14). "How a $1,000 Art-Auction Bet Turned Into a $450 Million 'Da Vinci'". Vulture. Retrieved 2022-02-22.
  10. ^ a b "OXFORD UNRAVELS SALVATOR MUNDI". www.alumni.ox.ac.uk. Retrieved 2022-02-22.
  11. ^ "New book on Leonardo's Salvator Mundi aims to be a definitive study—but it's not the last word on the controversial painting". The Art Newspaper - International art news and events. 2019-10-16. Retrieved 2022-02-22.
  12. ^ Cascone, Sarah; Kinsella, Eileen (2021-08-27). "7 Unbelievable and Contentious Takeaways From a New Documentary About 'Salvator Mundi,' the $450 Million 'Lost Leonardo'". Artnet News. Retrieved 2022-02-22.
  13. ^ "'Savior For Sale: Da Vinci's Lost Masterpiece?' and Our Obsession With Scandal". Observer. 2021-10-08. Retrieved 2022-02-22.
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