Rhythm of the People
Rhythm of the People | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1993 | |||
Studio | Arlyn | |||
Genre | R&B, blues | |||
Label | Black Top[1] | |||
Producer | Hammond Scott | |||
Robert Ward chronology | ||||
|
Rhythm of the People is an album by the American musician Robert Ward, released in 1993.[2][3]
Production
[edit]Produced by Hammond Scott, the majority of the album was recorded at Arlyn Studios, in Austin, Texas.[4][5] "I Found a Love" was recorded in New Orleans, with bass player George Porter Jr.[5] The Kamikaze Horns played on some of the songs.[6] Ward's wife Roberta sang on some of the gospel-influenced tracks.[7] Ward used his Magnatone amp on the album.[8] The musician felt that Rhythm of the People was a better representation of his musical interests than his previous album, Fear No Evil.[9]
Critical reception
[edit]The Edmonton Journal noted that "Ward's taste for fast, gutsy, clear, making-every-note-count attacks on the fingerboard was an influence on Stevie Ray Vaughan and others."[6] The Chicago Tribune stated that "a couple of alleged originals borrow too heavily from vintage R & B sources."[8] The Denver Post opined that "the element of surprise is gone—and some of Ward's new songs are a little preachy... But there still are enough beautiful classic-soul moments."[16]
The Gazette determined that "a tastier mix of contemporary soul, gospel and R&B is hard to imagine."[17] The Los Angeles Times concluded that "Ward seems so re-energized that he occasionally pushes his voice too hard, but the music is punchier and its gospel-rooted flavor and message are even more in evidence."[13] The Toronto Sun deemed the album "essential for anyone who's ever thrilled to the sounds of Stax-Volt, Motown, or '60s soul and R & B in general."[15]
AllMusic wrote that Ward's "vocals don't sound nearly as hearty this time around, and a some of the songs just aren't up to par."[10]
Track listing
[edit]No. | Title | Length |
---|---|---|
1. | "A Good Man" | |
2. | "The Real Deal" | |
3. | "Say What You Mean" | |
4. | "White Fox" | |
5. | "You Can't Stop My Lovin' Now" | |
6. | "Children of the World (Don't Forget to Pray)" | |
7. | "All Proud Races" | |
8. | "I Do What I Want" | |
9. | "What a Friend We Have In Jesus" | |
10. | "Some Things" | |
11. | "Soap Opera Blues" | |
12. | "I Found a Love" | |
13. | "Twiggs County" |
References
[edit]- ^ Komara, Edward (2006). Encyclopedia of the Blues. Routledge. p. 1049.
- ^ "Robert Ward Biography, Songs, & Albums". AllMusic. Archived from the original on 2018-06-21. Retrieved 2022-10-17.
- ^ "Obituary: Robert Ward". The Guardian. March 4, 2009. Archived from the original on October 17, 2022. Retrieved October 17, 2022.
- ^ "Rhythm of the People by Robert Ward". Billboard. Vol. 105, no. 18. May 1, 1993. p. 50.
- ^ a b Point, Michael (15 Apr 1993). "Taste a sample of the blues". Austin American-Statesman. p. C13.
- ^ a b Levesque, Roger (10 May 1993). "Blues". Edmonton Journal. p. B7.
- ^ a b Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 8. MUZE. p. 508.
- ^ a b c Dahl, Bill (13 May 1993). "Robert Ward Rhythm of the People". Tempo. Chicago Tribune. p. 7.
- ^ Dahl, Bill (17 Sep 1993). "Fear Not: Guitarist Robert Ward Is On the Way Back". Friday. Chicago Tribune. p. S.
- ^ a b "Robert Ward Rhythm of the People". AllMusic. Archived from the original on 2022-10-17. Retrieved 2022-10-17.
- ^ "Robert Ward". Robert Chrisgau. Archived from the original on 2022-10-17. Retrieved 2022-10-17.
- ^ Hadley, Frank-John (Jul 1993). "Blues hoodoo". DownBeat. Vol. 60, no. 7. p. 42.
- ^ a b Snowden, Don (9 Jan 1994). "Finding America's Lost R&B Masters". Calendar. Los Angeles Times. p. 60.
- ^ MusicHound Blues: The Essential Album Guide. Visible Ink Press. 1998. p. 383.
- ^ a b Sakamoto, John (May 16, 1993). "Robert Ward Rhythm of the People". Toronto Sun. p. S7.
- ^ Rosen, Steven (June 11, 1993). "Robert Ward's 'Fear No Evil' album was the blues/R&B treasure of 1991...". The Denver Post. p. 26.
- ^ Lamey, Mary (3 Sep 1993). "Spectrum ranges from Glaswegian blues to Iroquoian pop". The Gazette. Montreal. p. C4.