Jump to content

Rebecca Mead

From Wikipedia, the free encyclopedia

Rebecca Mead (born 24 September 1966) is an English writer and journalist.

Early life and education

[edit]

Rebecca Mead was born in London, England.[1] When she was three years old she relocated with her family to the seaside town of Weymouth in Dorset, where she grew up.[1] Mead's father was a civil servant.[2][3] As a teenager she became interested in left-wing politics.[4]

Mead studied English literature at the University of Oxford.[4]

After graduating from Oxford she won a full scholarship to study for a master's degree in journalism at New York University.[3]

Career

[edit]

While at NYU, Mead was employed as an intern by New York Magazine.[1] After graduation the magazine employed her as a fact checker.[1] After a few years she was promoted to features writer.[4] She joined The New Yorker as a staff writer in 1997.[5]

Mead published My Life In Middlemarch (The Road to Middlemarch in the UK) in 2014. A personal study of George Eliot's best-known novel, it received mixed reviews.[6][7][8]

Personal life

[edit]

Mead was naturalised as an American citizen in 2011[3] and moved back to the United Kingdom in 2018.[3][9][10]

Bibliography

[edit]

Books

[edit]
  • Mead, Rebecca (2007). One perfect day : the selling of the American wedding. New York: Penguin Press.
  • — (2014). The road to Middlemarch : my life with George Eliot. Granta Publications.
  • — (2022). Home/land : a memoir of departure and return.
Chapters

Essays, reporting and other contributions

[edit]

———————

Notes
  1. ^ Online version is titled "A hip-hop interpretation of the Founding Fathers".
  2. ^ Online version is titled "Happy ugly feet".
  3. ^ Title in the online table of contents is "Marlis Petersen ends on a high note".
  4. ^ Title in the online table of contents is "'Custody,' a film of Family Court".
  5. ^ Online version is titled "A protest musical for the Trump era".
  6. ^ Online version is titled "When kids philosophize".
  7. ^ Online version is titled "Terence Davies’s poetic melancholy".
  8. ^ Online version is titled "Joanna Hogg's self-portrait of a lady".
  9. ^ Title in the online table of contents is "Harris Reed’s gender-fluid fashion".
  10. ^ Online version is titled "Transforming trees into skyscrapers".
  11. ^ Online version is titled "Anish Kapoor's material values".
  12. ^ Online version is titled "Oldest living aristocratic widow tells all".

References

[edit]
  1. ^ a b c d iTunes (14 January 2019). "Always Take Notes". Always Take Notes (Podcast). Always Take Notes.
  2. ^ Mead, Rebecca (2014). The road to Middlemarch : my life with George Eliot. Granta Publications. p. 178.
  3. ^ a b c d Mead, Rebecca (20 August 2018). "A New Citizen Decides to Leave the Tumult of Trump's America". The New Yorker. Retrieved 10 February 2019.
  4. ^ a b c Mead, Rebecca (28 February 2014). "George Eliot, Middlemarch and me". The Guardian. Retrieved 10 February 2019.
  5. ^ "Rebecca Mead". The New Yorker. Retrieved 10 February 2019.
  6. ^ Cooke, Rachel (16 March 2014). "The Road to Middlemarch review – Rebecca Mead's overly earnest thoughts on a masterpiece". The Observer. Retrieved 10 February 2019.
  7. ^ Wilson, Frances (24 March 2014). "The Road to Middlemarch by Rebecca Mead, review". The Daily Telegraph. Retrieved 10 February 2019.
  8. ^ Oates, Joyce Carol (23 January 2014). "Deep Reader". The New York Times. Retrieved 10 February 2019.
  9. ^ Rothfeld, Becca (8 February 2022). "Politics Drove Rebecca Mead From Her Adopted Home and Into Her Next Book". New York Times. Retrieved 25 February 2022.
  10. ^ Hayes, Stephanie (23 February 2022). "Moving Back Home Isn't Just a Fallback Plan". The Atlantic. Retrieved 25 February 2022.