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Rainer Ganahl

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Rainer Ganahl
Ganahl in 2015
Born
Bludenz, Austria
Known forManhattan Marxism
MovementRomanticism
Websitewww.ganahl.info Edit this at Wikidata

Rainer Ganahl (born October 18, 1961, in Bludenz) is an Austrian-American conceptual artist who lives and works in New York. His work has been widely exhibited, including the Kunsthaus Bregenz, Austria; The Wallach Art Gallery, Columbia University, New York; the Gesellschaft für Aktuelle Kunst, Bremen, Germany; and the 48th Venice Biennale. He is the subject and author of several published catalogues, among them, Reading Karl Marx (London: Book Works, 2001),[1] Ortsprache—Local Language (Kunsthaus Bregenz, 1998),[2] and Rainer Ganahl: Educational Complex (Vienna: Generali Foundation, 1997).[3]

Life

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From 1986 until 1991, he studied at the University of Applied Arts Vienna (Peter Weibel) and the Kunstakademie Düsseldorf (Nam June Paik). He was a member of the 1990/91 Whitney Museum Independent Study Program in New York City. He was a professor of visual arts at the State Academy of Fine Arts Stuttgart.

Work

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Ganahl started his career exploring computer based art, a pioneering field for its time. His first exhibition in this area was demonstrated at Philomene Magers in 1990.

His best known work, S/L (Seminars/Lectures), is an ongoing series of photographs, begun in 1995, of well-known cultural critics addressing audiences.[4] The photographs, taken in university class rooms and lecture halls, not only show the lecturer but also the listeners and students in the audience. In a similar way, he documented his own process of learning an "exotic" language (e. g., Basic Japanese) into an art project.

In his Imported-Reading Seminars held from 1995 onward, the group study of theoretical works from specific countries were documented on video. His exhibition "El Mundo" at Kai Matsumiya was recently listed as one of the top exhibitions of 2014 by the New York Times,[5] and the film was subsequently acquired in the permanent collections at the Whitney Museum of American Art and the Hirschorn Collection at the Smithsonian.[6]

Besides his photographic work and media art, Ganahl has been painting throughout his career, often integrating current news coverage into his pictures.[7]

Ganahl represented Austria at the 48th Venice Biennale.[8]

In 2013, Ganahl founded the fashion brand COMME des MARXISTS, which merges fashion, art, and Marxist theory.[9][10] The brand critiques capitalism and explores class struggles, cultural commentary, and sustainability in the fashion industry. The brand has been exhibited in numerous international galleries and museums, contributing to dialogues on capitalism and sustainability in both fashion and art.[11][12]

Personal Life

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Rainer Ganahl has two children: a son, Edgar Ganahl, born in 2008, and a daughter, Isadora Ganahl, born in 2011.

Bibliography

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  • Rainer Ganahl, DISASTER CAPITALISM - Paintings and Fashion, Independently published, New York, 2024. ISBN 979-8334700307
  • Rainer Ganahl, Manhattan Marxism, Published by Sternberg Press, Berlin, 2018. ISBN 978-3-95679-411-7
  • Rainer Ganahl, Ubu Trump: A tragi-comic play, 2018. ISBN 978-1986003353
  • Hartle, Johan F., and Rainer Ganahl. DadaLenin. Stuttgart: Edition Taube, 2013. ISBN 9783981451849
  • Rainer Ganahl: Use a bicycle, Rainer Ganahl, Der Lehrling in der Sonne. The Apprentice in the Sun, L'apprenti dans le soleil, 2007. Revolver Verlag, Frankfurt, Kunstmuseum Stuttgart. ISBN 978-3-86588-386-5
  • Rainer Ganahl: MONEY AND DREAMS: COUNTING THE LAST DAYS OF THE SIGMUND FREUD BANKNOTE. Putnam, CT: Spring Publications, 2005. ISBN 0-88214-565-7
  • Rainer Ganahl, Road to War, Published by MUMOK (Museum of Modern Art Vienna), and Verlag der Buchhandlung Walther König, Cologne. 240 pages, 2005. ISBN 3-88375-959-7
  • William Kaizen, "Please, teach me" - Rainer Ganahl and the Politics of Learning, 2005
  • Rainer Ganahl, NEXT TARGET - Versteinerte Politik / Petrified Politics, 2004. Published by GAK (Gesellschaft für Aktuelle Kunst, Bremen), and Revolver, Frankfurt. ISBN 3-86588-039-8
  • Rainer Ganahl, lueneburger-heide-sprechen, revolver, Frankfurt 2003. ISBN 3-934823-56-4
  • Rainer Ganahl, Reading Karl Marx, Book Works, London, 2001. ISBN 1-870699-57-2
  • Rainer Ganahl (ed), IMPORTED - A Reading Seminar, Semiotext(e), New York 1998. ISBN 1-57027-076-7

References

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  1. ^ Ganahl, Rainer (2001). Reading Karl Marx. London: Book Works. ISBN 978-1-870699-57-0.
  2. ^ Köb, Edelbert (1998). Local language (in German). Bregenz: Kunsthaus. ISBN 978-3-85298-053-9.
  3. ^ "Rainer Ganahl: Educational Complex — 2008-03-01". ZKM. March 1, 2008. Retrieved October 14, 2023.
  4. ^ Schwendener, Martha (February 2003). "Rainer Ganahl: Base - Reviews: Florence". ArtForum.
  5. ^ Smith, Roberta (April 23, 2010). "Rainer Ganahl 'Language of Emigration and Pictures of Emigration". New York Times.
  6. ^ "Hirshhorn New Acquisitions: Rainer Ganahl - Newsdesk". Smithsonian. March 17, 2015. Retrieved March 28, 2016.
  7. ^ "Rainer ganahl paintings".
  8. ^ "Wallach Art Gallery Features Rainer Ganahl, the Politics of Learning". Columbia News. Columbia University. November 4, 2005. Retrieved March 28, 2016.
  9. ^ "RAINER GANAHL's "COMME DES MARXISTS" at White Columns — Musée Magazine". Musée Magazine. November 8, 2013. Retrieved September 24, 2024.
  10. ^ "RAINER GANAHL – "COMME DES MARXISTS"". White Columns. November 3, 2013. Retrieved September 24, 2024.
  11. ^ "After a Controversial Performance in Italy, Artist Rainer Ganahl Is Staging His Political Fashion Shows in London and Vienna". Artnet. February 27, 2021. Retrieved September 24, 2024.
  12. ^ "COMME des MARXISTS". Centre for Sustainable Fashion. February 27, 2021. Retrieved September 24, 2024.
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