Viatkogorgon is a genus of gorgonopsian (a type of therapsid, the group that includes modern mammals) that lived during the Permian period in what is now Russia. The first fossil was found at the Kotelnich locality near the Vyatka River and was made the holotype of the new genus and speciesV. ivachnenkoi in 1999. The generic name refers to the river and the related genus Gorgonops—the gorgons of Greek mythology are often referenced in the names of the group. The specific name honors the paleontologist Mikhail F. Ivakhnenko. The holotype skeleton is one of the most complete gorgonopsian specimens known and includes rarely preserved elements such as gastralia (abdominal ribs) and a sclerotic ring (a bony ring inside the eye). A larger, but poorly preserved specimen has also been assigned to the species.
The holotype specimen is about 80 cm (31 in) long, including the 14 cm (5.5 in) long skull, making Viatkogorgon a relatively small gorgonopsian. The assigned specimen is larger, with a 17 cm (6.7 in) long skull, and the holotype may have been young. As a gorgonopsian, it would have been skeletally robust with a somewhat dog-like stance, though with outwards-turned elbows. The snout was high, and the teeth were generally recurved (curved backward), pointed, and serrated. The canines (the saber teeth) were much larger than the incisors at the front and postcanines behind but relatively small for a gorgonopsian. Viatkogorgon was characterized by its unusually large eye socket and sclerotic ring. It was distinct from other gorgonopsians in that the lower end of the postorbital bar was narrow, and it had a very large sulcus (or furrow) at the back of the skull on each side. Since gorgonopsians have been described mainly from skulls, it is uncertain how widespread the postcranial features of Viatkogorgon were in other members of the group. The skeleton of Viatkogorgon was unusual in having gastralia, in that the tail was differentiated with a front and hind part, with the former less flexible, and in that some of the foot bones and its digits were reduced in size and interconnected. (Full article...)
The Norslunda Runestone, bearing runic inscription U 419, which mentions the personal name Kylfingr The Kylfings (Old NorseKylfingar; EstonianKalevid; HungarianKölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabical-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also a matter of much debate.
Khrushchev was born in 1894 in a village in western Russia. He was employed as a metal worker during his youth, and he was a political commissar during the Russian Civil War. Under the sponsorship of Lazar Kaganovich, Khrushchev worked his way up the Soviet hierarchy. He originally supported Stalin's purges and approved thousands of arrests. In 1938, Stalin sent him to govern the Ukrainian SSR, and he continued the purges there. During what was known as the Great Patriotic War, Khrushchev was again a commissar, serving as an intermediary between Stalin and his generals. Khrushchev was present at the defense of Stalingrad, a fact he took great pride in. After the war, he returned to Ukraine before being recalled to Moscow as one of Stalin's close advisers. (Full article...)
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A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry. During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.
Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
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Manuscript miniature, part of double portrait with Empress Maria, Vatican Library
Manuel I Komnenos (Greek: Μανουήλ Κομνηνός, romanized: Manouḗl Komnēnós; 28 November 1118 – 24 September 1180), Latinized as Comnenus, also called Porphyrogenitus (Greek: Πορφυρογέννητος; "born in the purple"), was a Byzantine emperor of the 12th century who reigned over a crucial turning point in the history of Byzantium and the Mediterranean. His reign saw the last flowering of the Komnenian restoration, during which the Byzantine Empire experienced a resurgence of military and economic power and enjoyed a cultural revival.
Eager to restore his empire to its past glories as the great power of the Mediterranean world, Manuel pursued an energetic and ambitious foreign policy. In the process he made alliances with Pope Adrian IV and the resurgent West. He invaded the Norman Kingdom of Sicily, although unsuccessfully, being the last Eastern Roman emperor to attempt reconquests in the western Mediterranean. The passage of the potentially dangerous Second Crusade through his empire was adroitly managed. Manuel established a Byzantine protectorate over the Crusader states of Outremer. Facing Muslim advances in the Holy Land, he made common cause with the Kingdom of Jerusalem and participated in a combined invasion of FatimidEgypt. Manuel reshaped the political maps of the Balkans and the eastern Mediterranean, placing the kingdoms of Hungary and Outremer under Byzantine hegemony and campaigning aggressively against his neighbours both in the west and in the east. (Full article...)
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Marshal Mortier at the battle of Durenstein in 1805, Auguste Sandoz
The Battle of Dürenstein (German: Schlacht bei Dürnstein; also known as Dürrenstein, Dürnstein and Diernstein) or the Battle of Krems (Russian: Сражение при Кремсе), on 11 November 1805, was an engagement in the Napoleonic Wars during the War of the Third Coalition. Dürenstein (modern Dürnstein), Austria, is located in the Wachau valley, on the river Danube, 73 kilometers (45 mi) upstream from Vienna, Austria. The river makes a crescent-shaped curve between Dürnstein and nearby Krems an der Donau, and the battle was fought in the flood plain between the river and the mountains.
At Dürenstein, a combined force of Russian and Austrian troops trapped a French division commanded by Théodore Maxime Gazan. The French division was part of the newly created VIII Corps, the so-called Corps Mortier, under command of Édouard Mortier. In pursuing the Austrian retreat from Bavaria, Mortier had over-extended his three divisions along the north bank of the Danube. Mikhail Kutuzov, commander of the Coalition force, enticed Mortier to send Gazan's division into a trap and French troops were caught in a valley between two Russian columns. They were rescued by the timely arrival of a second division, under command of Pierre Dupont de l'Étang. The battle extended well into the night, after which both sides claimed victory. The French lost more than a third of their participants, and Gazan's division experienced over 40 percent losses. The Austrians and Russians also had heavy losses—close to 16 percent—but perhaps the most significant was the death in action of Johann Heinrich von Schmitt, one of Austria's most capable chiefs of staff. (Full article...)
Dubnium does not occur naturally on Earth and is produced artificially. The Soviet Joint Institute for Nuclear Research (JINR) claimed the first discovery of the element in 1968, followed by the American Lawrence Berkeley Laboratory in 1970. Both teams proposed their names for the new element and used them without formal approval. The long-standing dispute was resolved in 1993 by an official investigation of the discovery claims by the Transfermium Working Group, formed by the International Union of Pure and Applied Chemistry and the International Union of Pure and Applied Physics, resulting in credit for the discovery being officially shared between both teams. The element was formally named dubnium in 1997 after the town of Dubna, the site of the JINR. (Full article...)
The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. Le Sacre du printemps was the third such major project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original, which saw only eight performances. Massine's was the forerunner of many innovative productions directed by the world's leading choreographers, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles. (Full article...)
The sculpture depicts a female personification of Russia, commonly referred to as Mother Russia. She wears a windswept shawl resembling wings, and holds a sword aloft in her right hand. Her left hand is extended outward, as she calls upon the Soviet people to battle. The statue was originally planned to be made of granite and to stand only 30 metres (98 ft) tall, with a design consisting of a Red Army soldier genuflecting and placing a sword before Mother Russia holding a folded banner. However, the design was changed in 1961 to be a large concrete structure at nearly double the height, a decision that was subject to criticism from Soviet military officials and writers. It was inspired by the Winged Victory of Samothrace, an ancient Greek sculpture of the goddess of victory, Nike. (Full article...)
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Largest European specimen, a male at Südostbayerisches Naturkunde- und Mammut-Museum, Siegsdorf
The woolly mammoth (Mammuthus primigenius) is an extinct species of mammoth that lived from the Middle Pleistocene until its extinction in the Holocene epoch. It was one of the last in a line of mammoth species, beginning with the African Mammuthus subplanifrons in the early Pliocene. The woolly mammoth began to diverge from the steppe mammoth about 800,000 years ago in Siberia. Its closest extant relative is the Asian elephant. The Columbian mammoth (Mammuthus columbi) lived alongside the woolly mammoth in North America, and DNA studies show that the two hybridised with each other. Mammoth remains had long been known in Asia before they became known to Europeans. The origin of these remains was long a matter of debate and often explained as being remains of legendary creatures. The mammoth was identified as an extinct species of elephant by Georges Cuvier in 1796.
The appearance and behaviour of this species are among the best studied of any prehistoric animal because of the discovery of frozen carcasses in Siberia and North America, as well as skeletons, teeth, stomach contents, dung, and depiction from life in prehistoric cave paintings. The woolly mammoth was roughly the same size as modern African elephants. Males reached shoulder heights between 2.67 and 3.49 m (8 ft 9 in and 11 ft 5 in) and weighed between 3.9 and 8.2 t (3.8 and 8.1 long tons; 4.3 and 9.0 short tons). Females reached 2.3–2.6 m (7 ft 7 in – 8 ft 6 in) in shoulder heights and weighed between 2.8–4 t (2.8–3.9 long tons; 3.1–4.4 short tons). A newborn calf weighed about 90 kg (200 lb). The woolly mammoth was well adapted to the cold environments present during glacial periods, including the last ice age. It was covered in fur, with an outer covering of long guard hairs and a shorter undercoat. The colour of the coat varied from dark to light. The ears and tail were short to minimise frostbite and heat loss. It had long, curved tusks and four molars, which were replaced six times during the lifetime of an individual. Its behaviour was similar to that of modern elephants, and it used its tusks and trunk for manipulating objects, fighting, and foraging. The diet of the woolly mammoth was mainly grasses and sedges. Individuals could probably reach the age of 60. Its habitat was the mammoth steppe, which stretched across northern Eurasia and North America. (Full article...)
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King Władysław II Jagiełło, detail of the Triptych of Our Lady of Sorrows in the Wawel Cathedral, Kraków
Jogaila was the last pagan ruler of medieval Lithuania. After he became King of Poland, as a result of the Union of Krewo, the newly formed Polish-Lithuanian union confronted the growing power of the Teutonic Order. The allied victory at the Battle of Grunwald in 1410, followed by the Peace of Thorn, secured the Polish and Lithuanian borders and marked the emergence of the Polish–Lithuanian alliance as a significant force in Europe. The reign of Władysław II Jagiełło extended Polish frontiers and is often considered the beginning of Poland's Golden Age. (Full article...)
In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. (Full article...)
The Last Day of Pompeii is an oil painting on canvas completed by the Russian artist Karl Bryullov between 1830 and 1833. The painting is based on sketches the artist completed in 1828 while visiting Pompeii, a city destroyed by the eruption of Mount Vesuvius in 79 AD. It is now held in the State Russian Museum.
A Boyar Wedding Feast is an oil-on-canvas painting created by Russian artist Konstantin Makovsky in 1883. The boyars were members of the highest rank of the feudal aristocracy of Russia in the 16th and 17th centuries, and a wedding was an important social event. In this painting, the guests are depicted toasting a newlywed couple. They stand at the head of the table, where the groom sees his bride without her veil for the first time; she appears timid and bashful as the men toast for the first kiss. Behind the couple, the Lady of Ceremony gently urges on the bride. A roasted swan is being brought in on a large platter, the last dish to be served before the couple retires to the bedroom. The work is in the collection of the Hillwood Estate, Museum & Gardens, in Washington, D.C.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
The Sukhoi Superjet 100 is a modern fly-by-wiretwin-engineregional jet with 8 to 108 passenger seats. Development began in 2000; the aircraft had its maiden flight on 19 May 2008 and entered commercial service on 21 April 2011. This aircraft is seen flying off the coast of Italy near Sanremo.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
The Chesme Column is a victory column in the Catherine Park at the Catherine Palace, a former Russian royal residence in Tsarskoye Selo, a suburb of Saint Petersburg. It was erected to commemorate three Russian naval victories in the 1768–1774 Russo-Turkish War, including the Battle of Chesma in 1770. The column is made from three pieces of white-and-pink marble; decorated with the rostra of three ships' bows, and crowned by a triumphal bronze statue depicting a Russian eagle trampling a crescent moon, the symbol of Turkey. Bronze plaques on three sides of the pedestal depict scenes from the battles, and the campaign is described on the plaque on the fourth side.
The Solovetsky Monastery is a Russian Orthodox monastery in Solovetsky, Arkhangelsk, Russia. Founded in 1436 by the monk Zosima, the monastery grew in power into the 16th century, becoming an economic and political center of the White Sea region and eventually hosting 350 monks. After the Bolshevik Revolution, Soviet authorities closed down the monastery and incorporated many of its buildings into Solovki prison camp, one of the earliest forced-labor camps of the gulag system. The camp closed after the region's trees had been harvested. Today the monastery has been re-established, and also serves as a museum.
Kikin Hall, commissioned by Alexander Kikin in 1714, is one of the oldest buildings in Saint Petersburg. Incomplete at the time of Kikin's execution, the building was seized by the Russian crown and used for a variety of purposes. In the 1950s, Irina Benois arranged for the restoration of the dilapidated building. It is now home to a music school.
Hotel Astoria is a five-star hotel located on Saint Isaac's Square in Saint Petersburg. Commissioned in 1910 by the Palace Hotel Company to host visitors to the Romanov tercentenary, the hotel was designed by Fyodor Lidval and first opened in 1912. After the October Revolution, it continued to be used as a state-operated hotel, though during World War II it was also a field hospital. The hotel, now owned by Rocco Forte Hotels, has been renovated several times, most recently in 2012.
An Alaskan parchment scrip banknote in the denomination of 1 ruble, printed on vellum or parchment by the Russian-American Company. On the obverse, the horizontal text immediately beneath the double-headed eagle reads "Seal of the Russian American Company". The oval text reads "under august protection of His Imperial Majesty", and under the oval is the value of the note "one ruble".
Alaskan parchment scrip was used as a form of company scrip in Alaska when it was a possession of the Russian Empire. In circulation from 1816 to 1867, such scrip could be printed on vellum, parchment, or pinniped skin. Denominations of 10, 25, 50 kopecks and 1, 5, 10, and 25 rubles were issued.
... that the obedience to orders and dogged resistance of the Russian infantry at the Battle of Golymin in 1806 greatly impressed Napoleon and his army?
November 19, 1825 - Alexander I of Russia died of typhus. The army swore allegiance to his eldest brother, the Grand Duke Konstantin Pavlovich. Constantine, however, following Alexander's choice of successor, swore allegiance to his younger brother, Nicholas I.
Khrushchev was born in 1894 in a village in western Russia. He was employed as a metal worker during his youth, and he was a political commissar during the Russian Civil War. Under the sponsorship of Lazar Kaganovich, Khrushchev worked his way up the Soviet hierarchy. He originally supported Stalin's purges and approved thousands of arrests. In 1938, Stalin sent him to govern the Ukrainian SSR, and he continued the purges there. During what was known as the Great Patriotic War, Khrushchev was again a commissar, serving as an intermediary between Stalin and his generals. Khrushchev was present at the defense of Stalingrad, a fact he took great pride in. After the war, he returned to Ukraine before being recalled to Moscow as one of Stalin's close advisers. (Full article...)
... that Michael S. Farbman's reporting of the Russian Civil War in winter 1917–18 was described by The Observer as "one of the outstanding successes of the time in special correspondence"?
... that the Russian and Belarusian military exercise Zapad 2013 was officially described as counterterrorist, but international observers concluded that it was a preparation for a conventional war?
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