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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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  • Image 1 Bush in 1985 Catherine Bush CBE (born 30 July 1958), publicly known as Kate Bush, is an English singer, songwriter, record producer and dancer. Bush began writing songs at age 11. She was signed to EMI Records after David Gilmour of Pink Floyd helped produce a demo tape. In 1978, at the age of 19, she topped the UK singles chart for four weeks with her debut single "Wuthering Heights", becoming the first female artist to achieve a UK number one with a fully self-written song. Her debut album The Kick Inside was released that year, reaching number three on the UK Albums Chart. Bush has released 25 UK Top 40 singles, including the Top 10 hits "The Man with the Child in His Eyes" (1978), "Babooshka" (1980), "Running Up That Hill" (1985), "Don't Give Up" (a 1986 duet with Peter Gabriel), and "King of the Mountain" (2005). All nine of her studio albums reached the UK Top 10, with all but one reaching the top five, including the number one albums Never for Ever (1980), Hounds of Love (1985) and the greatest hits compilation The Whole Story (1986). Since The Dreaming (1982), she has produced all of her studio albums. She took a hiatus between her seventh and eighth albums, The Red Shoes (1993) and Aerial (2005). In 2011, Bush released the albums Director's Cut and 50 Words for Snow. She drew attention again in 2014 with her concert residency Before the Dawn, her first shows since the Tour of Life in 1979. (Full article...)

    Bush in 1985

    Catherine Bush CBE (born 30 July 1958), publicly known as Kate Bush, is an English singer, songwriter, record producer and dancer. Bush began writing songs at age 11. She was signed to EMI Records after David Gilmour of Pink Floyd helped produce a demo tape. In 1978, at the age of 19, she topped the UK singles chart for four weeks with her debut single "Wuthering Heights", becoming the first female artist to achieve a UK number one with a fully self-written song. Her debut album The Kick Inside was released that year, reaching number three on the UK Albums Chart.

    Bush has released 25 UK Top 40 singles, including the Top 10 hits "The Man with the Child in His Eyes" (1978), "Babooshka" (1980), "Running Up That Hill" (1985), "Don't Give Up" (a 1986 duet with Peter Gabriel), and "King of the Mountain" (2005). All nine of her studio albums reached the UK Top 10, with all but one reaching the top five, including the number one albums Never for Ever (1980), Hounds of Love (1985) and the greatest hits compilation The Whole Story (1986). Since The Dreaming (1982), she has produced all of her studio albums. She took a hiatus between her seventh and eighth albums, The Red Shoes (1993) and Aerial (2005). In 2011, Bush released the albums Director's Cut and 50 Words for Snow. She drew attention again in 2014 with her concert residency Before the Dawn, her first shows since the Tour of Life in 1979. (Full article...)
  • Image 2 Fórmula, Vol. 1 is the debut studio album by American singer Romeo Santos, released on November 8, 2011, by Sony Music Latin. It is Santos's first album as a solo artist following the break-up of American bachata group Aventura, of which he was the lead singer. The record contains fifteen tracks, most of which were composed by Santos and co-produced with Ivan Chevere. The album experiments with the sound of bachata and other genres including R&B and flamenco. It features several Anglophone and Hispanophone guest artists including Usher, Tomatito, Mario Domm, and Lil Wayne. Recording for the album took place in 2011 at The Castle, Fight Klub, and EMG Studios in New York City. A deluxe edition of the album containing five extra tracks was released exclusively in Walmart retail stores in the United States. In the U.S., Formula, Vol. 1 peaked at number one on the Billboard Top Latin Albums and Billboard Tropical Albums charts and was the best-selling Latin album of 2012. It was certified three times platinum (Latin field) by the Recording Industry Association of America (RIAA) for shipping 300,000 copies and had sold 328,000 copies in the U.S. by February 2014. It ranked number thirteen, twenty-six, and seventy-seven on the Argentine, Mexican, and Spanish album charts respectively. (Full article...)
    Fórmula, Vol. 1 is the debut studio album by American singer Romeo Santos, released on November 8, 2011, by Sony Music Latin. It is Santos's first album as a solo artist following the break-up of American bachata group Aventura, of which he was the lead singer. The record contains fifteen tracks, most of which were composed by Santos and co-produced with Ivan Chevere. The album experiments with the sound of bachata and other genres including R&B and flamenco. It features several Anglophone and Hispanophone guest artists including Usher, Tomatito, Mario Domm, and Lil Wayne. Recording for the album took place in 2011 at The Castle, Fight Klub, and EMG Studios in New York City. A deluxe edition of the album containing five extra tracks was released exclusively in Walmart retail stores in the United States.

    In the U.S., Formula, Vol. 1 peaked at number one on the Billboard Top Latin Albums and Billboard Tropical Albums charts and was the best-selling Latin album of 2012. It was certified three times platinum (Latin field) by the Recording Industry Association of America (RIAA) for shipping 300,000 copies and had sold 328,000 copies in the U.S. by February 2014. It ranked number thirteen, twenty-six, and seventy-seven on the Argentine, Mexican, and Spanish album charts respectively. (Full article...)
  • Image 3 Smith performing in 2003 Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter. He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. He had a distinctive vocal style in his solo career after Heatmiser, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies that were usually finger picked and recorded with tape. After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded his final two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for the 1998 Academy Award for Best Original Song. (Full article...)

    Smith performing in 2003

    Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter. He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. He had a distinctive vocal style in his solo career after Heatmiser, characterized by his "whispery, spiderweb-thin delivery", and often used multi-tracking to create vocal layers, textures, and harmonies that were usually finger picked and recorded with tape.

    After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded his final two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for the 1998 Academy Award for Best Original Song. (Full article...)
  • Image 4 Loveless (stylized in lowercase) is the second studio album by the Irish-English rock band My Bloody Valentine. It was released on 4 November 1991 in the United Kingdom by Creation Records and in the United States by Sire Records. The album was recorded between February 1989 and September 1991, with vocalist and guitarist Kevin Shields leading sessions and experimenting with guitar vibrato, non standard tunings, digital sampling, and meticulous production methods. The band recorded at nineteen different studios and hired several engineers during the album's prolonged recording, with its final production cost rumoured to have reached £250,000 (equivalent to £560,000 in 2024). Preceded by the EPs Glider (1990) and Tremolo (1991), Loveless reached number 24 on the UK Albums Chart and was widely praised by critics for its sonic innovations and Shields' "virtual reinvention of the guitar". However, after its release, Creation owner Alan McGee dropped the band from the label as he found Shields too difficult to work with, a factor alleged to have contributed to the label's eventual bankruptcy. My Bloody Valentine struggled to record a follow-up to the album and broke up in 1997, making Loveless their last full-length release until their eventual reunited effort m b v in 2013. (Full article...)
    Loveless (stylized in lowercase) is the second studio album by the Irish-English rock band My Bloody Valentine. It was released on 4 November 1991 in the United Kingdom by Creation Records and in the United States by Sire Records. The album was recorded between February 1989 and September 1991, with vocalist and guitarist Kevin Shields leading sessions and experimenting with guitar vibrato, non standard tunings, digital sampling, and meticulous production methods. The band recorded at nineteen different studios and hired several engineers during the album's prolonged recording, with its final production cost rumoured to have reached £250,000 (equivalent to £560,000 in 2024).

    Preceded by the EPs Glider (1990) and Tremolo (1991), Loveless reached number 24 on the UK Albums Chart and was widely praised by critics for its sonic innovations and Shields' "virtual reinvention of the guitar". However, after its release, Creation owner Alan McGee dropped the band from the label as he found Shields too difficult to work with, a factor alleged to have contributed to the label's eventual bankruptcy. My Bloody Valentine struggled to record a follow-up to the album and broke up in 1997, making Loveless their last full-length release until their eventual reunited effort m b v in 2013. (Full article...)
  • Image 5 This Side of the Moon is the third studio album by American singer Elizabeth Cook, released on May 17, 2005, by Hog Country Production. Cook based the album on her experience with the Warner Bros. record label, which had released her second studio album, Hey Y'all in 2002. Initially signed to AOL-Time Warner, she was transferred to Warner Bros. and experienced problems with the label, including an album delay. Hey Y'all was commercially unsuccessful and was not heavily promoted; its songs were not played on country radio. Cook voluntarily left Warner Bros. in 2003, and used her disappointment working in Nashville's Music Row as inspiration for her follow-up album. A country album, This Side of the Moon features lyrics about love and heartbreak. Before being packaged as an album, the songs were recorded independently, with the assistance of five producers in eight Tennessee recording studios. Most of the songs were written by Cook and songwriter Hardie McGehee, both of whom worked for music publisher Sis 'N Bro Music. Critics likened Cook's vocals to those of country artists such as Loretta Lynn and Dolly Parton. (Full article...)
    This Side of the Moon is the third studio album by American singer Elizabeth Cook, released on May 17, 2005, by Hog Country Production. Cook based the album on her experience with the Warner Bros. record label, which had released her second studio album, Hey Y'all in 2002. Initially signed to AOL-Time Warner, she was transferred to Warner Bros. and experienced problems with the label, including an album delay. Hey Y'all was commercially unsuccessful and was not heavily promoted; its songs were not played on country radio. Cook voluntarily left Warner Bros. in 2003, and used her disappointment working in Nashville's Music Row as inspiration for her follow-up album.

    A country album, This Side of the Moon features lyrics about love and heartbreak. Before being packaged as an album, the songs were recorded independently, with the assistance of five producers in eight Tennessee recording studios. Most of the songs were written by Cook and songwriter Hardie McGehee, both of whom worked for music publisher Sis 'N Bro Music. Critics likened Cook's vocals to those of country artists such as Loretta Lynn and Dolly Parton. (Full article...)
  • Image 6 Slayer at Hellfest 2017. From left to right: Gary Holt, Tom Araya and Kerry King. Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's final lineup consisted of King, Araya, drummer Paul Bostaph and guitarist Gary Holt, who initially joined as a touring member in 2011 before joining the band permanently after Hanneman's death in 2013. Drummer Jon Dette was also a member of the band. In the original lineup, King, Hanneman and Araya contributed to the band's lyrics, and all of the band's music was written by King and Hanneman. The band's lyrics and album art, which cover topics such as serial killers, torture, genocide, organized crime, secret societies, occultism, terrorism, religion or antireligion, fascism, racism and war, have generated album bans, delays, lawsuits and criticism from religious groups. However, its music has been highly influential, being cited by many bands as an influence musically, visually and lyrically; the band's third album, Reign in Blood (1986), has been described as one of the heaviest and most influential thrash metal albums. (Full article...)

    Slayer at Hellfest 2017. From left to right: Gary Holt, Tom Araya and Kerry King.

    Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's final lineup consisted of King, Araya, drummer Paul Bostaph and guitarist Gary Holt, who initially joined as a touring member in 2011 before joining the band permanently after Hanneman's death in 2013. Drummer Jon Dette was also a member of the band.

    In the original lineup, King, Hanneman and Araya contributed to the band's lyrics, and all of the band's music was written by King and Hanneman. The band's lyrics and album art, which cover topics such as serial killers, torture, genocide, organized crime, secret societies, occultism, terrorism, religion or antireligion, fascism, racism and war, have generated album bans, delays, lawsuits and criticism from religious groups. However, its music has been highly influential, being cited by many bands as an influence musically, visually and lyrically; the band's third album, Reign in Blood (1986), has been described as one of the heaviest and most influential thrash metal albums. (Full article...)
  • Image 7 Narayan in 2010 Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player. Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. He moved to Delhi following the partition of India in 1947, but wishing to go beyond accompaniment and frustrated with his supporting role, Narayan moved to Mumbai in 1949 to work in Indian cinema. (Full article...)

    Narayan in 2010

    Ram Narayan (IPA: [raːm naːˈɾaːjəɳ]; 25 December 1927 – 9 November 2024), often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.

    Narayan was born near Udaipur and learned to play the sarangi at an early age. He studied under sarangi players and singers and, as a teenager, worked as a music teacher and travelling musician. All India Radio, Lahore, hired Narayan as an accompanist for vocalists in 1944. He moved to Delhi following the partition of India in 1947, but wishing to go beyond accompaniment and frustrated with his supporting role, Narayan moved to Mumbai in 1949 to work in Indian cinema. (Full article...)
  • Image 8 Flea performing with Red Hot Chili Peppers in 2016 Michael Peter Balzary (born October 16, 1962), known professionally as Flea, is an American musician and actor. He is a founding member and bassist of the rock band Red Hot Chili Peppers and, along with the vocalist Anthony Kiedis, appears on every one of their albums. Flea was born on October 16, 1962, in Melbourne, Victoria, Australia; his family moved to Rye, New York, when he was 4. After his parents divorced, Flea spent his childhood in the United States and Australia before settling in California. In 1983, he formed the Red Hot Chili Peppers with his schoolfriend Kiedis. Flea is also a member of the supergroups Atoms for Peace, Antemasque, Pigface, and Rocket Juice & the Moon, and has played with acts including the Mars Volta, Johnny Cash, Tom Waits, Alanis Morissette, Young MC, Nirvana, What Is This?, Fear, and Jane's Addiction. (Full article...)

    Flea performing with Red Hot Chili Peppers in 2016

    Michael Peter Balzary (born October 16, 1962), known professionally as Flea, is an American musician and actor. He is a founding member and bassist of the rock band Red Hot Chili Peppers and, along with the vocalist Anthony Kiedis, appears on every one of their albums.

    Flea was born on October 16, 1962, in Melbourne, Victoria, Australia; his family moved to Rye, New York, when he was 4. After his parents divorced, Flea spent his childhood in the United States and Australia before settling in California. In 1983, he formed the Red Hot Chili Peppers with his schoolfriend Kiedis. Flea is also a member of the supergroups Atoms for Peace, Antemasque, Pigface, and Rocket Juice & the Moon, and has played with acts including the Mars Volta, Johnny Cash, Tom Waits, Alanis Morissette, Young MC, Nirvana, What Is This?, Fear, and Jane's Addiction. (Full article...)
  • Image 9 Walter Bache Walter Bache (/ˈbeɪtʃ/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned. Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
    A man in his forties, balding and with a mustache, wearing a dark suit and a tie
    Walter Bache

    Walter Bache (/ˈbeɪtʃ/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned.

    Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
  • Image 10 Tchaikovsky, c. 1888 Pyotr Ilyich Tchaikovsky (/tʃaɪˈkɒfski/ chy-KOF-skee; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that Tchaikovsky received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed. (Full article...)

    Tchaikovsky, c. 1888

    Pyotr Ilyich Tchaikovsky (/tʃaɪˈkɒfski/ chy-KOF-skee; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.

    Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that Tchaikovsky received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five with whom his professional relationship was mixed. (Full article...)
  • Image 11 Poster from 2007 Philadelphia production A Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia and Washington, D.C. Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the Church's history of litigation. This led Timbers and Jarrow to insert the word Unauthorized into the title, upon the advice of legal counsel. During the Los Angeles production, representatives of the Church of Scientology visited the production staff in the midst of rehearsals and handed out documentation of successful litigation against critics of Scientology. Parents of some of the Los Angeles cast members also received phone calls from Scientologists in the entertainment industry, asking them not to allow their children to perform in the musical. (Full article...)

    Poster from 2007 Philadelphia production

    A Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia and Washington, D.C.

    Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the Church's history of litigation. This led Timbers and Jarrow to insert the word Unauthorized into the title, upon the advice of legal counsel. During the Los Angeles production, representatives of the Church of Scientology visited the production staff in the midst of rehearsals and handed out documentation of successful litigation against critics of Scientology. Parents of some of the Los Angeles cast members also received phone calls from Scientologists in the entertainment industry, asking them not to allow their children to perform in the musical. (Full article...)
  • Image 12 The Fightin' Texas Aggie Band (also known as the Noble Men of Kyle or just the Aggie Band) is the official marching band of Texas A&M University. Composed of over 400 men and women from the school's Corps of Cadets, it is the largest military marching band in the United States. The band's complex straight-line marching maneuvers are performed exclusively to traditional marches. Since its inception in 1894, its members eat together, sleep in the same dormitories, and practice up to forty hours per week on top of a full academic schedule. The Aggie Band performs at all home football games, some away games, and university and Corps functions throughout the year. The band has also participated in inauguration parades for many United States presidents and Texas governors, major annual parades across the country, and the dedication ceremony for the George H. W. Bush Presidential Library. (Full article...)

    The Fightin' Texas Aggie Band (also known as the Noble Men of Kyle or just the Aggie Band) is the official marching band of Texas A&M University. Composed of over 400 men and women from the school's Corps of Cadets, it is the largest military marching band in the United States. The band's complex straight-line marching maneuvers are performed exclusively to traditional marches.

    Since its inception in 1894, its members eat together, sleep in the same dormitories, and practice up to forty hours per week on top of a full academic schedule. The Aggie Band performs at all home football games, some away games, and university and Corps functions throughout the year. The band has also participated in inauguration parades for many United States presidents and Texas governors, major annual parades across the country, and the dedication ceremony for the George H. W. Bush Presidential Library. (Full article...)
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  • Image 1 Running with Scissors is the tenth studio album by the American parody musician "Weird Al" Yankovic, released on June 29, 1999. It was the fourth studio album self-produced by Yankovic, and his first album for Volcano Records after its acquisition of Scotti Brothers. The musical styles on the album are built around parodies and pastiches of pop and rock music of the late 1990s, largely targeting alternative rock and hip-hop. The album's lead single, "The Saga Begins", however, was a parody of the 1971 single "American Pie" by Don McLean, and it recounts the plot of the film Star Wars: Episode I – The Phantom Menace, which was released around the same time. None of the album's singles charted domestically, although "Pretty Fly for a Rabbi", a parody of "Pretty Fly (For a White Guy)" by the Offspring, charted at number 67 in Australia. The album featured five parodies. Aside from the aforementioned "The Saga Begins" and "Pretty Fly for a Rabbi", the album also contains lampoons of "One Week" by Barenaked Ladies, "It's All About the Benjamins" by Puff Daddy, and "Zoot Suit Riot" by Cherry Poppin' Daddies. The other half of the album is original material, featuring many "style parodies", or musical imitations of existing artists. These style parodies include imitations of specific artists like Nine Inch Nails and the Rugburns, as well as imitations of different musical genres like zydeco, third-wave ska, and truck-driving country. (Full article...)
    Running with Scissors is the tenth studio album by the American parody musician "Weird Al" Yankovic, released on June 29, 1999. It was the fourth studio album self-produced by Yankovic, and his first album for Volcano Records after its acquisition of Scotti Brothers. The musical styles on the album are built around parodies and pastiches of pop and rock music of the late 1990s, largely targeting alternative rock and hip-hop. The album's lead single, "The Saga Begins", however, was a parody of the 1971 single "American Pie" by Don McLean, and it recounts the plot of the film Star Wars: Episode I – The Phantom Menace, which was released around the same time. None of the album's singles charted domestically, although "Pretty Fly for a Rabbi", a parody of "Pretty Fly (For a White Guy)" by the Offspring, charted at number 67 in Australia.

    The album featured five parodies. Aside from the aforementioned "The Saga Begins" and "Pretty Fly for a Rabbi", the album also contains lampoons of "One Week" by Barenaked Ladies, "It's All About the Benjamins" by Puff Daddy, and "Zoot Suit Riot" by Cherry Poppin' Daddies. The other half of the album is original material, featuring many "style parodies", or musical imitations of existing artists. These style parodies include imitations of specific artists like Nine Inch Nails and the Rugburns, as well as imitations of different musical genres like zydeco, third-wave ska, and truck-driving country. (Full article...)
  • Image 2 Hail to the Thief is the sixth studio album by the English rock band Radiohead. It was released on 9 June 2003 through Parlophone internationally and a day later through Capitol Records in the United States. It was the last album released under Radiohead's record contract with EMI, the parent company of Parlophone and Capitol. After transitioning to a more electronic style on their albums Kid A (2000) and Amnesiac (2001), which were recorded through protracted studio experimentation, Radiohead sought to work more spontaneously, combining electronic and rock music. They recorded most of Hail to the Thief in two weeks in Los Angeles with their longtime producer, Nigel Godrich, focusing on live takes rather than overdubs. (Full article...)
    Hail to the Thief is the sixth studio album by the English rock band Radiohead. It was released on 9 June 2003 through Parlophone internationally and a day later through Capitol Records in the United States. It was the last album released under Radiohead's record contract with EMI, the parent company of Parlophone and Capitol.

    After transitioning to a more electronic style on their albums Kid A (2000) and Amnesiac (2001), which were recorded through protracted studio experimentation, Radiohead sought to work more spontaneously, combining electronic and rock music. They recorded most of Hail to the Thief in two weeks in Los Angeles with their longtime producer, Nigel Godrich, focusing on live takes rather than overdubs. (Full article...)
  • Image 3 Joyas Prestadas: Pop and Joyas Prestadas: Banda (Borrowed Jewels) are the 11th and final studio albums by recording artist Jenni Rivera, released on November 21, 2011, by Fonovisa Records. Joyas Prestadas consists of a double album with eleven cover songs, each recorded with two distinct styles of music. The first half being recorded in pop, while the second was recorded in the Regional Mexican subgenre of banda. The album was produced by Enrique Martinez. According to Rivera, the songs she chose to cover were those she was enamored with while working as a cashier in a record store. Joyas Prestadas: Pop reached number one on the Mexican Albums Chart and number one on the Billboard Top Latin Albums chart in the United States while Joyas Prestadas: Banda peaked at number three on the Mexican Albums Chart and number two on the Billboard Top Latin Albums chart. Three singles were released from the album: "¡Basta Ya!", "A Cambio de Qué", and "Detrás de Mi Ventana". David Jeffries of Allmusic gave the album a positive review and called the productions "polished". (Full article...)
    Joyas Prestadas: Pop and Joyas Prestadas: Banda (Borrowed Jewels) are the 11th and final studio albums by recording artist Jenni Rivera, released on November 21, 2011, by Fonovisa Records. Joyas Prestadas consists of a double album with eleven cover songs, each recorded with two distinct styles of music. The first half being recorded in pop, while the second was recorded in the Regional Mexican subgenre of banda. The album was produced by Enrique Martinez. According to Rivera, the songs she chose to cover were those she was enamored with while working as a cashier in a record store.

    Joyas Prestadas: Pop reached number one on the Mexican Albums Chart and number one on the Billboard Top Latin Albums chart in the United States while Joyas Prestadas: Banda peaked at number three on the Mexican Albums Chart and number two on the Billboard Top Latin Albums chart. Three singles were released from the album: "¡Basta Ya!", "A Cambio de Qué", and "Detrás de Mi Ventana". David Jeffries of Allmusic gave the album a positive review and called the productions "polished". (Full article...)
  • Image 4 Live Concert at the Forum (retitled Barbra Streisand Live in Canada) is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989. The concert setlist and between-song patter was brought forward from Streisand's December 1971 – January 1972 residency at the Las Vegas Hilton. Streisand's medley of "Sweet Inspiration" and "Where You Lead", medley of "Sing" and "Make Your Own Kind of Music", and "Didn't We" were released as the album's three singles, all throughout 1972. The lead single was nominated for Best Female Pop Vocal Performance at the 15th Annual Grammy Awards in 1973. Music critics responded well to the album, with many commending Streisand's strong vocal performance. Commercially, Live Concert at the Forum peaked at numbers 17 and 19 on the album charts in Canada and the United States, respectively, and received a Platinum certification from the Recording Industry Association of America for shipments exceeding one million copies. (Full article...)
    Live Concert at the Forum (retitled Barbra Streisand Live in Canada) is the second live album by American singer Barbra Streisand, released physically on October 1, 1972, by Columbia Records. Produced by long-time collaborator Richard Perry, it was recorded at The Forum in Inglewood, part of Greater Los Angeles, on April 15, 1972, during Four for McGovern, a concert held in benefit for George McGovern's 1972 presidential campaign. A CD version of Live Concert at the Forum was released on September 6, 1989.

    The concert setlist and between-song patter was brought forward from Streisand's December 1971 – January 1972 residency at the Las Vegas Hilton. Streisand's medley of "Sweet Inspiration" and "Where You Lead", medley of "Sing" and "Make Your Own Kind of Music", and "Didn't We" were released as the album's three singles, all throughout 1972. The lead single was nominated for Best Female Pop Vocal Performance at the 15th Annual Grammy Awards in 1973. Music critics responded well to the album, with many commending Streisand's strong vocal performance. Commercially, Live Concert at the Forum peaked at numbers 17 and 19 on the album charts in Canada and the United States, respectively, and received a Platinum certification from the Recording Industry Association of America for shipments exceeding one million copies. (Full article...)
  • Image 5 Jaws 3-D (titled Jaws III in its 2-D form) is a 1983 American horror film directed by Joe Alves and starring Dennis Quaid, Bess Armstrong, Simon MacCorkindale and Louis Gossett Jr. As the second sequel to Steven Spielberg's Jaws it was the third installment in the Jaws franchise. The film follows the Brody children from the previous films to SeaWorld, a Florida marine park with underwater tunnels and lagoons. As the park prepares for opening, a young great white shark infiltrates the park from the sea, seemingly attacking and killing the park's employees. Once the shark is captured, it becomes apparent that a second, much larger shark also entered the park and was the real culprit. The film made use of 3D during the revived interest in the technology in the 1980s, amongst other horror films such as Friday the 13th Part III and Amityville 3-D. Cinema audiences could wear disposable cardboard polarized 3D glasses to create the illusion that elements penetrate the screen. Several shots and sequences were designed to utilize the effect, such as the shark's destruction. Since 3D was ineffective in home viewing until the advent of 3D televisions in the late 2000s, the alternative title Jaws III is used for television broadcasts and home media. (Full article...)
    Jaws 3-D (titled Jaws III in its 2-D form) is a 1983 American horror film directed by Joe Alves and starring Dennis Quaid, Bess Armstrong, Simon MacCorkindale and Louis Gossett Jr. As the second sequel to Steven Spielberg's Jaws it was the third installment in the Jaws franchise. The film follows the Brody children from the previous films to SeaWorld, a Florida marine park with underwater tunnels and lagoons. As the park prepares for opening, a young great white shark infiltrates the park from the sea, seemingly attacking and killing the park's employees. Once the shark is captured, it becomes apparent that a second, much larger shark also entered the park and was the real culprit.

    The film made use of 3D during the revived interest in the technology in the 1980s, amongst other horror films such as Friday the 13th Part III and Amityville 3-D. Cinema audiences could wear disposable cardboard polarized 3D glasses to create the illusion that elements penetrate the screen. Several shots and sequences were designed to utilize the effect, such as the shark's destruction. Since 3D was ineffective in home viewing until the advent of 3D televisions in the late 2000s, the alternative title Jaws III is used for television broadcasts and home media. (Full article...)
  • Image 6 Untitled (stylized as untitled) is the debut EP by Los Angeles, California rapper Hodgy Beats, member of hip-hop collective Odd Future. It was released on February 24, 2012. It is Hodgy Beats' first solo release since his 2009 debut mixtape, The Dena Tape. Announced on February 20, 2012, the EP was released on the 25th of the same month. The project features production by Juicy J, The Alchemist and Flying Lotus. Lyrically the record deals with thoughts about self-reflection, the contemplation of death, and a struggle with drugs. The EP received mostly positive reviews from music critics. (Full article...)
    Untitled (stylized as untitled) is the debut EP by Los Angeles, California rapper Hodgy Beats, member of hip-hop collective Odd Future. It was released on February 24, 2012. It is Hodgy Beats' first solo release since his 2009 debut mixtape, The Dena Tape. Announced on February 20, 2012, the EP was released on the 25th of the same month. The project features production by Juicy J, The Alchemist and Flying Lotus. Lyrically the record deals with thoughts about self-reflection, the contemplation of death, and a struggle with drugs. The EP received mostly positive reviews from music critics. (Full article...)
  • Image 7 The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" (both 1977) and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno. Both Low and "Heroes" experiment with electronic and ambient music, with conventional tracks on side one and instrumental pieces on side two. Lodger features a wide variety of musical styles with more accessible songs throughout; both sides are split thematically by the lyrics. King Crimson guitarists Robert Fripp and Adrian Belew contributed lead guitar to "Heroes" and Lodger, respectively. During the period, Bowie also co-wrote and produced Iggy Pop's debut solo album The Idiot (1977) and follow-up Lust for Life (also 1977); the former features a sound similar to that which Bowie explored on the trilogy. (Full article...)
    The Berlin Trilogy consists of three studio albums by English musician David Bowie: Low, "Heroes" (both 1977) and Lodger (1979). Bowie recorded the albums in collaboration with English musician Brian Eno and American producer Tony Visconti. The trilogy originated following Bowie's move from Los Angeles to Europe with American singer Iggy Pop to rid themselves of worsening drug addiction. Influences included the German krautrock scene and the recent ambient releases of Eno.

    Both Low and "Heroes" experiment with electronic and ambient music, with conventional tracks on side one and instrumental pieces on side two. Lodger features a wide variety of musical styles with more accessible songs throughout; both sides are split thematically by the lyrics. King Crimson guitarists Robert Fripp and Adrian Belew contributed lead guitar to "Heroes" and Lodger, respectively. During the period, Bowie also co-wrote and produced Iggy Pop's debut solo album The Idiot (1977) and follow-up Lust for Life (also 1977); the former features a sound similar to that which Bowie explored on the trilogy. (Full article...)
  • Image 8 Tomahawk is the debut studio album by American experimental rock band Tomahawk. Recorded after a meeting between vocalist Mike Patton and guitarist Duane Denison, the album features members of Faith No More, The Jesus Lizard, Helmet and Melvins. The band toured with Tool in support of the record. Released on October 30, 2001, through Patton's record label Ipecac Recordings, Tomahawk has received positive attention from critics, with most appraisals drawing attention to the versatility of Patton's vocals. The album charted in both Australia and the United States, reaching a peak of number 20 in the Billboard Independent Albums countdown. (Full article...)
    Tomahawk is the debut studio album by American experimental rock band Tomahawk. Recorded after a meeting between vocalist Mike Patton and guitarist Duane Denison, the album features members of Faith No More, The Jesus Lizard, Helmet and Melvins. The band toured with Tool in support of the record.

    Released on October 30, 2001, through Patton's record label Ipecac Recordings, Tomahawk has received positive attention from critics, with most appraisals drawing attention to the versatility of Patton's vocals. The album charted in both Australia and the United States, reaching a peak of number 20 in the Billboard Independent Albums countdown. (Full article...)
  • Image 9 Ciao Italia: Live from Italy (credited as Madonna: Ciao, Italia! Live from Italy in the video sequence) is a video album by American singer-songwriter Madonna and was released by Warner Reprise Video and Sire Records on May 24, 1988. It contained footage from a previous TV special of the Who's That Girl World Tour, Madonna in Concerto, broadcast in Europe in 1987, filmed at the Stadio Comunale in Turin, Italy. The video release also contained footage from shows recorded in Florence, Italy and Tokyo, Japan, the latter having previously been released as a Japanese TV special and home video release, Who's That Girl: Live in Japan. The decision to release Ciao Italia was spurred by the fact that this previous release became a commercial success in Japan. A re-release of the video took place in 1999, when it was released in DVD format, with a stereo soundtrack containing the songs only. The video received positive reviews from critics, who noted Madonna's showmanship and her skills as a performer. They also complimented the camera work in the video, for enhancing the visual aspects of the tour. Ciao Italia topped the Music Video sales chart of Billboard, and became the second best-selling music video cassette of 1988. It was certified platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies. (Full article...)
    Ciao Italia: Live from Italy (credited as Madonna: Ciao, Italia! Live from Italy in the video sequence) is a video album by American singer-songwriter Madonna and was released by Warner Reprise Video and Sire Records on May 24, 1988. It contained footage from a previous TV special of the Who's That Girl World Tour, Madonna in Concerto, broadcast in Europe in 1987, filmed at the Stadio Comunale in Turin, Italy. The video release also contained footage from shows recorded in Florence, Italy and Tokyo, Japan, the latter having previously been released as a Japanese TV special and home video release, Who's That Girl: Live in Japan. The decision to release Ciao Italia was spurred by the fact that this previous release became a commercial success in Japan. A re-release of the video took place in 1999, when it was released in DVD format, with a stereo soundtrack containing the songs only.

    The video received positive reviews from critics, who noted Madonna's showmanship and her skills as a performer. They also complimented the camera work in the video, for enhancing the visual aspects of the tour. Ciao Italia topped the Music Video sales chart of Billboard, and became the second best-selling music video cassette of 1988. It was certified platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies. (Full article...)
  • Image 10 Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become. Recorded in three distinct sessions and partially refined from pre-Godflesh demos, Streetcleaner is a weighty, bleak album that blends heavy metal with industrial music by means of production-emphasised bass, distorted guitar and, most importantly, machine percussion. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical. Streetcleaner was supported by a series of concerts where Godflesh played alongside Napalm Death, and it was on the North American leg of the tour that the band began to gain significant international traction. (Full article...)
    Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.

    Recorded in three distinct sessions and partially refined from pre-Godflesh demos, Streetcleaner is a weighty, bleak album that blends heavy metal with industrial music by means of production-emphasised bass, distorted guitar and, most importantly, machine percussion. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical. Streetcleaner was supported by a series of concerts where Godflesh played alongside Napalm Death, and it was on the North American leg of the tour that the band began to gain significant international traction. (Full article...)
  • Image 11 Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson. The album was recorded in late 1971, featuring music composed by Anderson and arranged with the contribution of all band members. The album was the band's first to include drummer Barrie "Barriemore" Barlow, replacing the band's previous drummer Clive Bunker. The live show promoting the album included the playing of the full suite, with various comic interludes. Thick as a Brick is considered by critics to be the first Jethro Tull release to entirely consist of progressive rock music. It received mixed reviews upon its release, but was a commercial success and topped various charts in 1972. Today it is regarded as a classic of progressive rock, and has received several accolades. Anderson produced a follow-up to the album in 2012, focusing on the adult life of the fictional Gerald Bostock, and being released as Anderson's solo album instead of as Jethro Tull's album. (Full article...)
    Thick as a Brick is the fifth studio album by the British rock band Jethro Tull, released on 3 March 1972. The album contains one continuous piece of music, split over two sides of an LP record, and is intended as a parody of the concept album genre. The original packaging, designed as a 12-page newspaper, claims the album to be a musical adaptation of an epic poem by fictional eight-year-old genius Gerald Bostock, though the lyrics were actually written by the band's frontman, Ian Anderson.

    The album was recorded in late 1971, featuring music composed by Anderson and arranged with the contribution of all band members. The album was the band's first to include drummer Barrie "Barriemore" Barlow, replacing the band's previous drummer Clive Bunker. The live show promoting the album included the playing of the full suite, with various comic interludes. Thick as a Brick is considered by critics to be the first Jethro Tull release to entirely consist of progressive rock music. It received mixed reviews upon its release, but was a commercial success and topped various charts in 1972. Today it is regarded as a classic of progressive rock, and has received several accolades. Anderson produced a follow-up to the album in 2012, focusing on the adult life of the fictional Gerald Bostock, and being released as Anderson's solo album instead of as Jethro Tull's album. (Full article...)
  • Image 12 Goodies is the debut studio album by American singer Ciara. It was released on September 28, 2004, via Jazze Pha's Sho'nuff Records and LaFace Records. After writing songs for several established acts, Ciara's talents were noticed by Jazze Pha, and she began to work on what became Goodies. The album's conception came through the title track, produced by Lil Jon and created as a female crunk counterpart to other singles produced by Lil Jon such as Usher's "Yeah!" and Petey Pablo's "Freek-a-Leek". Ciara worked with additional writers and producers on the album, including Jazze Pha, Bangladesh, R. Kelly, Johntá Austin, Sean Garrett, and Keri Hilson, among others. With Goodies, Ciara was referred to as the "Princess" or "First Lady of Crunk&B". The album uses dance music while utilizing pop, R&B, and hip-hop influences. Critics gave the album positive to mixed reviews, commending the "Goodies"-esque songs, while deeming others as unoriginal and noting Ciara's limited vocal abilities. Most critics compared the work to late singer Aaliyah, and also said it had qualities of Destiny's Child. (Full article...)
    Goodies is the debut studio album by American singer Ciara. It was released on September 28, 2004, via Jazze Pha's Sho'nuff Records and LaFace Records. After writing songs for several established acts, Ciara's talents were noticed by Jazze Pha, and she began to work on what became Goodies. The album's conception came through the title track, produced by Lil Jon and created as a female crunk counterpart to other singles produced by Lil Jon such as Usher's "Yeah!" and Petey Pablo's "Freek-a-Leek". Ciara worked with additional writers and producers on the album, including Jazze Pha, Bangladesh, R. Kelly, Johntá Austin, Sean Garrett, and Keri Hilson, among others.

    With Goodies, Ciara was referred to as the "Princess" or "First Lady of Crunk&B". The album uses dance music while utilizing pop, R&B, and hip-hop influences. Critics gave the album positive to mixed reviews, commending the "Goodies"-esque songs, while deeming others as unoriginal and noting Ciara's limited vocal abilities. Most critics compared the work to late singer Aaliyah, and also said it had qualities of Destiny's Child. (Full article...)
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  • Image 1 "Good Morning" by PJ Morton & Susan Carol is the most recent recipient The Grammy Award for Best Traditional R&B Performance is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally named the Gramophone Awards, to performers of quality traditional R&B vocal performances. The award was first given in 1999; until 2003, only albums were nominated, now just singles or tracks are. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." As of the 67th Annual Grammy Awards, the eligibility criteria for the category was amended to "more accurately represent recordings that embody the classical elements of R&B/soul music, distinguishing them from contemporary interpretations of the genre". Between 1999 and 2002, this accolade was originally known as Best Traditional R&B Vocal Album. It was renamed in 2003 as Best Traditional R&B Vocal Performance. Since 2012, the category has been known as Best Traditional R&B Performance. (Full article...)

    "Good Morning" by PJ Morton & Susan Carol is the most recent recipient

    The Grammy Award for Best Traditional R&B Performance is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally named the Gramophone Awards, to performers of quality traditional R&B vocal performances. The award was first given in 1999; until 2003, only albums were nominated, now just singles or tracks are. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." As of the 67th Annual Grammy Awards, the eligibility criteria for the category was amended to "more accurately represent recordings that embody the classical elements of R&B/soul music, distinguishing them from contemporary interpretations of the genre".

    Between 1999 and 2002, this accolade was originally known as Best Traditional R&B Vocal Album. It was renamed in 2003 as Best Traditional R&B Vocal Performance. Since 2012, the category has been known as Best Traditional R&B Performance. (Full article...)
  • Image 2 Enrique Iglesias's debut single "Si Tú Te Vas" became his first song to reach number one on the Latin Pop Airplay chart in 1996. He also had the best-performing song of the year with "Por Amarte". Latin Pop Airplay is a chart that ranks the top-performing songs (regardless of genre or language) on Latin pop radio stations in the United States, published by Billboard magazine based on weekly airplay data compiled by Nielsen's Broadcast Data Systems. It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. In 1996, 16 songs topped the chart, in 52 issues of the magazine. The first number one of the year was "Más Allá" by Gloria Estefan, which had been in the top spot since the issue dated December 30, 1995, and spent a total of three weeks at this position. Enrique Iglesias, Cristian Castro, Luis Miguel, and Soraya were the only acts to have more than one chart-topper in 1996. Iglesias's debut single, "Si Tú Te Vas", became his first chart-topper and spent two weeks at number one. He also had the best-performing Latin pop song of the year with "Por Amarte" despite it only spending one week at number one. Castro's self-penned track, "Amor", held the top spot for the longest in 1996 with 10 weeks. "Sueña", which spent four weeks at number one, is the Spanish-language adaptation of "Someday" from Disney's 1996 film The Hunchback of Notre Dame, which Miguel recorded for the Latin American edition of the movie's soundtrack. Soraya achieved her only number ones with "De Repente" and "Amor en Tus Ojos". (Full article...)
    A man wearing a cap and a dark green shirt is holding a microphone on his left hand
    Enrique Iglesias's debut single "Si Tú Te Vas" became his first song to reach number one on the Latin Pop Airplay chart in 1996. He also had the best-performing song of the year with "Por Amarte".

    Latin Pop Airplay is a chart that ranks the top-performing songs (regardless of genre or language) on Latin pop radio stations in the United States, published by Billboard magazine based on weekly airplay data compiled by Nielsen's Broadcast Data Systems. It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. In 1996, 16 songs topped the chart, in 52 issues of the magazine.

    The first number one of the year was "Más Allá" by Gloria Estefan, which had been in the top spot since the issue dated December 30, 1995, and spent a total of three weeks at this position. Enrique Iglesias, Cristian Castro, Luis Miguel, and Soraya were the only acts to have more than one chart-topper in 1996. Iglesias's debut single, "Si Tú Te Vas", became his first chart-topper and spent two weeks at number one. He also had the best-performing Latin pop song of the year with "Por Amarte" despite it only spending one week at number one. Castro's self-penned track, "Amor", held the top spot for the longest in 1996 with 10 weeks. "Sueña", which spent four weeks at number one, is the Spanish-language adaptation of "Someday" from Disney's 1996 film The Hunchback of Notre Dame, which Miguel recorded for the Latin American edition of the movie's soundtrack. Soraya achieved her only number ones with "De Repente" and "Amor en Tus Ojos". (Full article...)
  • Image 3 Marty Robbins spent 10 weeks at number one with "Don't Worry". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1961, nine different singles topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. Each of the nine number ones during the year was by a different artist. In the first issue of 1961, dated January 9,[A] Johnny Horton reached number one with "North To Alaska", replacing Ferlin Husky's "Wings Of A Dove", the final chart-topper of 1960. Horton's single spent five weeks at number one before Husky's song returned to the top of the chart for two further weeks. "North to Alaska" was a posthumous number one for Horton, who had died in an automobile accident the previous November. Following Husky's spell in the top spot, Marty Robbins had the longest unbroken run at number one of the year, spending ten consecutive weeks atop the chart with "Don't Worry". Immediately after this run, Faron Young had a nine-week spell atop the listing with "Hello Walls", an early songwriting success for Willie Nelson, who would go on to be one of the most successful and celebrated singers in country music history. Despite continuing to chart regularly, Young would not reach number one again until 1972. (Full article...)
    A dark-haired man wearing a cardigan sweater, smiling broadly
    Marty Robbins spent 10 weeks at number one with "Don't Worry".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1961, nine different singles topped the chart, which at the time was published under the title Hot C&W Sides, C&W being an abbreviation for country and western. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Each of the nine number ones during the year was by a different artist. In the first issue of 1961, dated January 9,[A] Johnny Horton reached number one with "North To Alaska", replacing Ferlin Husky's "Wings Of A Dove", the final chart-topper of 1960. Horton's single spent five weeks at number one before Husky's song returned to the top of the chart for two further weeks. "North to Alaska" was a posthumous number one for Horton, who had died in an automobile accident the previous November. Following Husky's spell in the top spot, Marty Robbins had the longest unbroken run at number one of the year, spending ten consecutive weeks atop the chart with "Don't Worry". Immediately after this run, Faron Young had a nine-week spell atop the listing with "Hello Walls", an early songwriting success for Willie Nelson, who would go on to be one of the most successful and celebrated singers in country music history. Despite continuing to chart regularly, Young would not reach number one again until 1972. (Full article...)
  • Image 4 Waylon Jennings had the longest-running number one of 1977. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1977, 31 different singles topped the chart, which was at the time published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. Waylon Jennings spent the most weeks at number one, with eight, including a run of six weeks at the top with "Luckenbach, Texas (Back to the Basics of Love)"; no single since 1967 had spent longer at number one. Crystal Gayle and Dolly Parton came closest to Jennings's total number of weeks at number one, each spending five weeks in the top spot. Parton's time at number one comprised a five-week run with "Here You Come Again", the second-longest running chart-topper of 1977, in the issues of Billboard dated December 3 through December 31. Conway Twitty was the only artist to take three different songs to the top of the chart. Thanks to the prevalence of crossover-friendly country pop, several country number ones of 1977 also charted highly on Billboard's all-genres singles chart, the Hot 100, including Glen Campbell's "Southern Nights", which reached number one on the Hot 100 in the issue of Billboard dated April 30, the second time that Campbell had taken a song to the top of both charts. Crystal Gayle's "Don't It Make My Brown Eyes Blue" reached number 2 on the Hot 100 and Dolly Parton's "Here You Come Again" made number 3. (Full article...)
    A man with long dark hair and a beard
    Waylon Jennings had the longest-running number one of 1977.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1977, 31 different singles topped the chart, which was at the time published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Waylon Jennings spent the most weeks at number one, with eight, including a run of six weeks at the top with "Luckenbach, Texas (Back to the Basics of Love)"; no single since 1967 had spent longer at number one. Crystal Gayle and Dolly Parton came closest to Jennings's total number of weeks at number one, each spending five weeks in the top spot. Parton's time at number one comprised a five-week run with "Here You Come Again", the second-longest running chart-topper of 1977, in the issues of Billboard dated December 3 through December 31. Conway Twitty was the only artist to take three different songs to the top of the chart. Thanks to the prevalence of crossover-friendly country pop, several country number ones of 1977 also charted highly on Billboard's all-genres singles chart, the Hot 100, including Glen Campbell's "Southern Nights", which reached number one on the Hot 100 in the issue of Billboard dated April 30, the second time that Campbell had taken a song to the top of both charts. Crystal Gayle's "Don't It Make My Brown Eyes Blue" reached number 2 on the Hot 100 and Dolly Parton's "Here You Come Again" made number 3. (Full article...)
  • Image 5 "Sweet Home Chicago" performed at the White House with Barack Obama joining B.B. King on the chorus Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (Full article...)
    Color photo of Barack Obama singing into a microphone with B.B. King and other musicians and guests.
    "Sweet Home Chicago" performed at the White House with Barack Obama joining B.B. King on the chorus

    Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast.

    Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (Full article...)
  • Image 6 The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
    Two grey-haired men wearing cowboy hats, standing in front of the sea at sunset
    The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
  • Image 7 Michael Peterson achieved his first number one in December. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1997, 23 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine. Chart rankings were based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. At the start of the year, the number one song was "One Way Ticket (Because I Can)" by LeAnn Rimes, which had reached the top of the chart in the issue of Billboard dated December 28, 1996. It remained at the top for one further week in 1997 before Kevin Sharp began a four-week run at the top with his debut single, a cover version of R&B singer Tony Rich's song "Nobody Knows". This would prove to be the only number-one hit for Sharp, who died in 2014 at age 43. Three other vocalists achieved their first number-one country songs in 1997. Rick Trevino spent one week in the top spot in March with "Running Out of Reasons to Run", which would also prove to be his only number one. Trace Adkins achieved the feat with "(This Ain't) No Thinkin' Thing" in April, and Michael Peterson scored his first and only chart-topper in December with "From Here to Eternity". (Full article...)
    A middle-aged man in a cowboy hat and a leather jacket, playing a guitar and singing into a microphone in front of the American flag
    Michael Peterson achieved his first number one in December.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1997, 23 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine. Chart rankings were based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    At the start of the year, the number one song was "One Way Ticket (Because I Can)" by LeAnn Rimes, which had reached the top of the chart in the issue of Billboard dated December 28, 1996. It remained at the top for one further week in 1997 before Kevin Sharp began a four-week run at the top with his debut single, a cover version of R&B singer Tony Rich's song "Nobody Knows". This would prove to be the only number-one hit for Sharp, who died in 2014 at age 43. Three other vocalists achieved their first number-one country songs in 1997. Rick Trevino spent one week in the top spot in March with "Running Out of Reasons to Run", which would also prove to be his only number one. Trace Adkins achieved the feat with "(This Ain't) No Thinkin' Thing" in April, and Michael Peterson scored his first and only chart-topper in December with "From Here to Eternity". (Full article...)
  • Image 8 Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2000, 19 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. Singer Faith Hill's song "Breathe" was at number one at the start of the year, having risen to the top in the issue dated December 25, 1999. The song remained at number one for six consecutive weeks until it was knocked off by "Cowboy Take Me Away", performed by the girl group the Dixie Chicks, in the issue dated February 5. "Breathe" was also named the most successful single of the year on the magazine's main singles chart, the Hot 100. Hill returned to the top of the country charts with her next single, "The Way You Love Me", which spent four weeks at number one in May and June. Only two other acts, Lonestar and Hill's husband Tim McGraw, had more than one Hot Country Songs number one during the year. Other singles with extended runs at number one include "How Do You Like Me Now?!" by Toby Keith, "I Hope You Dance" by Lee Ann Womack featuring Sons of the Desert and "That's the Way" by Jo Dee Messina, each of which topped the chart for five weeks. "How Do You Like Me Now?!" was ranked number one on Billboards year-end chart of the most popular country songs. ('Full article...)

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2000, 19 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    Singer Faith Hill's song "Breathe" was at number one at the start of the year, having risen to the top in the issue dated December 25, 1999. The song remained at number one for six consecutive weeks until it was knocked off by "Cowboy Take Me Away", performed by the girl group the Dixie Chicks, in the issue dated February 5. "Breathe" was also named the most successful single of the year on the magazine's main singles chart, the Hot 100. Hill returned to the top of the country charts with her next single, "The Way You Love Me", which spent four weeks at number one in May and June. Only two other acts, Lonestar and Hill's husband Tim McGraw, had more than one Hot Country Songs number one during the year. Other singles with extended runs at number one include "How Do You Like Me Now?!" by Toby Keith, "I Hope You Dance" by Lee Ann Womack featuring Sons of the Desert and "That's the Way" by Jo Dee Messina, each of which topped the chart for five weeks. "How Do You Like Me Now?!" was ranked number one on Billboards year-end chart of the most popular country songs. ('Full article...)
  • Image 9 Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year. The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
    Reba McEntire
    Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year.

    The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
  • Image 10 Madonna had six number ones during the 1980s. The UK Singles Chart is the official record chart in the United Kingdom. Until 1983, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a two-week break each Christmas. The BMRB used motorcycle couriers to collect the sales figures taken up to the close of trade on Saturday. This data was compiled on Monday and given to the BBC on Tuesday to be announced on BBC Radio 1 at lunchtime and later published in Music Week. On 4 January 1983, the chart was taken over by Gallup who expanded the chart from the Top 75 to the Top 100 and began the introduction of computerised tills which automated the data collection process. The chart was based entirely on sales of physical singles from retail outlets and announced on Tuesday until October 1987, when the Top 40 was revealed each Sunday, due to the new automated process. During the 1980s there were a total of 191 singles which took the UK chart number 1 spot. In terms of number-one singles, Madonna was the most successful single act of the decade, as six of her singles reached the top spot. George Michael had significant involvement with eight number-one singles; with two number-one singles as a solo artist, four as a member of pop duo Wham!, one as a duet with Aretha Franklin and one as a member of charity supergroup Band Aid. The longest duration of a single at number one was nine weeks, achieved by Frankie Goes to Hollywood's "Two Tribes" in 1984. (Full article...)
    Madonna had six number ones during the 1980s.

    The UK Singles Chart is the official record chart in the United Kingdom. Until 1983, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a two-week break each Christmas. The BMRB used motorcycle couriers to collect the sales figures taken up to the close of trade on Saturday. This data was compiled on Monday and given to the BBC on Tuesday to be announced on BBC Radio 1 at lunchtime and later published in Music Week. On 4 January 1983, the chart was taken over by Gallup who expanded the chart from the Top 75 to the Top 100 and began the introduction of computerised tills which automated the data collection process. The chart was based entirely on sales of physical singles from retail outlets and announced on Tuesday until October 1987, when the Top 40 was revealed each Sunday, due to the new automated process.

    During the 1980s there were a total of 191 singles which took the UK chart number 1 spot. In terms of number-one singles, Madonna was the most successful single act of the decade, as six of her singles reached the top spot. George Michael had significant involvement with eight number-one singles; with two number-one singles as a solo artist, four as a member of pop duo Wham!, one as a duet with Aretha Franklin and one as a member of charity supergroup Band Aid. The longest duration of a single at number one was nine weeks, achieved by Frankie Goes to Hollywood's "Two Tribes" in 1984. (Full article...)
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