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Portal:Nudity

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Introduction

Naturists in a river, 2014

Nudity is the state of being in which a human is without clothing. While estimates vary, for the first 90,000 years of pre-history, anatomically modern humans were naked, having lost their body hair and living in hospitable climates. As humans became behaviorally modern, body adornments such as jewelry, tattoos, body paint and scarification became part of non-verbal communications, indicating a person's social and individual characteristics. Indigenous peoples in warm climates used clothing for decorative, symbolic or ceremonial purposes but were often nude, having neither the need to protect the body from the elements nor any conception of nakedness being shameful. In many societies, both ancient and contemporary, children might be naked until the beginning of puberty. Women may not cover their breasts if they were associated with nursing babies more than with sexuality.

In the ancient civilizations of the Mediterranean, from Mesopotamia to the Roman Empire, proper attire was required to maintain social standing. The lower classes might possess a single piece of cloth that was wrapped or tied to cover the lower body; the lowest classes including slaves might be naked. However, through much of Western history until the modern era, people of any status were also unclothed by necessity or convenience when engaged in labor and athletics; or when bathing or swimming. Such functional nudity occurred in groups that were usually but not always segregated by sex. Although improper dress might be socially embarrassing, the association of nudity with sin regarding sexuality began with Judeo-Christian societies, spreading through Europe in the post-classical period. Traditional clothing in temperate regions worldwide also reflect concerns for maintaining social status and order, as well as by necessity due to the colder climate. However, societies such as Japan and Finland maintain traditions of communal nudity based upon the use of baths and saunas that provided alternatives to sexualization.

The spread of Western concepts of modest dress was part of colonialism, and continues today with globalization. Contemporary social norms regarding nudity reflect cultural ambiguity towards the body and sexuality, and differing conceptions of what constitutes public versus private spaces. Norms relating to nudity are different for men than they are for women. Individuals may intentionally violate norms relating to nudity; those without power may use nudity as a form of protest, and those with power may impose nakedness on others as a form of punishment. (Full article...)

Selected general article

Michelangelo's David
David (1504)
"And what barbarous judge is there that cannot understand that the foot of a man is more noble than his shoe? His skin than that of the sheep from which his clothes are made?"
Michelangelo

The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.

In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their nude sculptures, which comprise about 10% of the temple decorations, a minority of them being erotic. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in the West. Through each era, the nude has reflected changes in cultural attitudes regarding sexuality, gender roles, and social structure.

One often cited book on the nude in art history is The Nude: a Study in Ideal Form by Lord Kenneth Clark, first published in 1956. The introductory chapter makes (though does not originate) the often-quoted distinction between the naked body and the nude. Clark states that to be naked is to be deprived of clothes, and implies embarrassment and shame, while a nude, as a work of art, has no such connotations. (Full article...)

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