Jump to content

Popovi Da

Add links
From Wikipedia, the free encyclopedia
Popovi Da
Born
Antonio Martinez

(1923-05-10)May 10, 1923
San Ildefonso Pueblo
DiedOctober 17, 1971(1971-10-17) (aged 48)
Santa Fe, New Mexico
NationalityPueblo of San Ildefonso, American
Styleblack-on-black ware and polychrome pottery, painting
SpouseAnita Da
ChildrenTony Da (1940–2008)
Parents
ElectedGovernor of San Ildefonso Pueblo
Polychrome Avanyu plate, signed Maria/Popovi (pot: Maria Martínez, painting: Popovi Da), 1969

Popovi Da (1923–1971)[1] was a San Ildefonso Pueblo Native American potter. He was also known as Tony Martinez.[2] As an artist he worked as a collaborative team with his mother, the noted Tewa potter, Maria Martínez, and also independently on his own works.[3] He served six terms as Governor of San Ildefonso Pueblo beginning in 1952.

Life

[edit]

Popovi Da was born Antonio Martinez at San Ildefonso Pueblo in Northern New Mexico to noted potters Maria Martínez and Julían Martínez.[4] He served in the Army during the Second World War as part of the Special Engineer Detachment. He later went on to become a machinist for the Manhattan Project in Los Alamos National Laboratories in 1944–45. After WWII ended, he legally changed his name to his pueblo name, Popovi Da, which means "Red Fox" in the Tewa language.[5] He and his wife, Anita Da had four children, Tony Da, Bernard Kahrahrah, and two daughters Joyce Da and Janice Da.[6]

Career

[edit]
Black-on-black ware bowl with Avanyu design by Maria Martínez and Popovi Da, 1958

During the 1940s he began working with his mother Maria Martinez. He gathered clay and made paints that were used for her pottery. He and his wife, Anita Da (née Cata) of Santa Clara Pueblo founded the Popovi Da Studio of Indian Art at the pueblo. He attended the Santa Fe Indian School, graduating in 1939,[7] and later began collaborating with his mother. He specialized in painting the decorative motifs on her pottery.[8] They worked together as collaborators for 20 years. Together they revived the traditional San Ildefonso pottery style.[9]

As an artist, Popovi Da has been described as an "extraordinary experimentalist" who "stood in a moment between a revival of the past and the innovations of the future." He became known for the perfect gunmetal-like burnished surfaces on his pots. He worked at a time when it was not entirely culturally acceptable for men to make pottery, as their role at the time was to assist the women matriarchal potters. After his father died, he began assisting his mother with her pottery in 1956, before developing his own pottery innovations in 1962. Beginning in 1956, the pots he made with his mother were signed Maria/Popovi.[4]

He began inlaying turquoise into his pots in the 1960s, and also produced a series of works using scraffito and shallow carving to incise designs on the surfaces. He developed a technique of creating black and sienna ombre-like color fades by selectively shielding parts of his pots during the oxidation firing process. In the 1970s he began collaborating with his son, Tony Da (1940–2008), who also became a notable potter.[10]

In 1952 Da was elected Governor of San Ildefonso Pueblo[11] and served six terms. He also served as the Chairman of the All Pueblo Council of Governors (formerly the All-Indian Pueblo Council).[7]

An archive of his papers, reviews, exhibition catalogs and other ephemera is held in the collection of Smithsonian Institution.[12]

Collections

[edit]

Popovi Da's work is held in the collection of the Museum of Modern Art,[3] the Museum of the Art Institute of Chicago,[13] the Seattle Art Museum,[2] the National Museum of the American Indian,[14] the McNay Art Museum,[1] among others.

See also

[edit]

References

[edit]
  1. ^ a b "Popovi Da (b.1923, d.1971)". McNay Art Museum. Retrieved 30 December 2021.
  2. ^ a b "POPOVI DA (ANTHONY MARTINEZ) AMERICAN, SAN ILDEFONSO PUEBLO, 1922 -1971". Seattle Art Museum. Retrieved 30 December 2021.
  3. ^ a b "Maria Martinez, Popovi Da, Jar 1960". Museum of Modern Art. Retrieved 30 December 2021.
  4. ^ a b King, Charles S. (2017). Spoken Through Clay:Native Pottery of the Southwest. Albuquerque: Museum of New Mexico Press. pp. 120–123. ISBN 9780890136249.
  5. ^ "Popovi Da". Atomic Heritage Foundation. Retrieved 30 December 2021.
  6. ^ "The Past 100 Years". Santa Fe New Mexican. Retrieved 30 December 2021.
  7. ^ a b "Rare Redware Pottery Jar by Popovi Da". Adobe Gallery. Retrieved 30 December 2021.
  8. ^ "Popovi Da". Maria Martinez Pottery. Retrieved 30 December 2021.
  9. ^ Conroy, Sarah Booth (9 April 1978). "An American Potter Hands Down Her Art". Washington post. Retrieved 30 December 2021.
  10. ^ Peterson, Susan (1977). The Living Tradition of Maria Martinez. Tokyo, New York, London: Kodansha International. p. 265. ISBN 0-87011-497-2.
  11. ^ Snodgrass, Jeanne O. (1968). American Indian Painters: A Biographical Directory (PDF). National Museum of the American Indian, Heye Foundation. pp. 43–44. Retrieved 30 December 2021.
  12. ^ "Da, Popovi , 1923-1971". Smithsonian Institution. Retrieved 30 December 2021.
  13. ^ "Popovi Da". Art Institute of Chicago. Retrieved 30 December 2021.
  14. ^ "Popovi Da (Tony Martinez), San Ildefonso Pueblo, 1923-1971". National Museum of the American Indian. Retrieved 30 December 2021.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Popovi_Da&oldid=1242939789"