Jump to content

Pieter Hugo

From Wikipedia, the free encyclopedia

Pieter Hugo
Born (1976-10-29) 29 October 1976 (age 48)
Johannesburg, South Africa
OccupationPhotographer
Years active2002–present
Websitewww.pieterhugo.com

Pieter Hugo (born 1976)[1] is a South African photographer who primarily works in portraiture.[2] He lives in Cape Town.[3]

Hugo has had four monographs published. He has had solo exhibitions at Museu Coleção Berardo, Lisbon (2018), Museum für Kuns und Kulturgeschichte, Dortmund, Kunstmuseum Wolfsburg, Germany, National Portrait Gallery, London, Ludwig Museum, Budapest, Institute of Modern Art, Brisbane, Multimedia Art Museum, Moscow and the South African National Gallery, Cape Town.[citation needed] He has been included in group exhibitions at the National Museum of Modern and Contemporary Art in Seoul, the Rijksmuseum, the Netherlands, Tate Modern, London, DeVos Art Museum, Marquette, Michigan, and Museo de Arte Contemporaneo de Santiago, Chile.[citation needed]

Early life

[edit]

Hugo was born in Johannesburg, South Africa.[1]

Career

[edit]

He began his career working in the film industry in Cape Town, before undertaking a two-year residency at Fabrica research centre, Treviso, Italy.[4]

Hugo has had four monographs published: Pieter Hugo: The Hyena and Other Men (2008), Pieter Hugo: Selected Works (2009), This Must Be the Place (2012), and Pieter Hugo: Between the Devil and the Deep Blue Sea (2017).[citation needed]

He has produced fashion photography features for Arena Homme Plus,[5] Re-Edition Magazine,[6] Document Journal,[7] System Magazine[8] and AnOther Man.[9] He has also collaborated on publications with Louis Vuitton and Hood By Air.[10]

Hugo has contributed to publications such as The New Yorker,[11] Zeit magazine, Le Monde and The New York Times Magazine.[12][citation needed] In May 2015 he was invited to guest edit the supplement DeLuxe for the Dutch newspaper NRC.nl.[13]

In 2011 Hugo collaborated with Michael Cleary, co-directing the music video for South African musician Spoek Mathambo's cover version of Joy Division's "She's Lost Control". For the video, Hugo won the Young Director Award at the Cannes Lions International Festival of Creativity.[14][15] In 2015 he directed the music video for "Dirty", a song by South African musical artists Dookoom.[16]

Work

[edit]

Hugo's work is governed by a self-taught approach to photography.[17][18] He is one of a generation of post-Apartheid photographers that seeks to confront photography's history of representing marginalised and disempowered people. His work aims to challenge preconceptions around the representation of groups of people 'other' to the Western European norm.[19]

Hugo's first major work Looking Aside (2006) depicts portraits of people "whose appearance makes us look aside"[20] – the blind, people with albinism, the aged, his family and himself.[20] Each of these portraits has the subject posed in a sterile studio setting, under crisp light against a blank background.[3]

His Rwanda 2004: Vestiges of a Genocide (2011) was described by the Rwanda Genocide Institute as offering "a forensic view of some of the sites of mass execution and graves that stand as lingering memorials to the many thousands of people slaughtered."[21] Hugo's most recognized work is The Hyena & Other Men (2007), which has received a great deal of attention.[19][22] His series Messina/Mussina (2007) was made in the town of Musina on the border between Zimbabwe and South Africa,[23] after Colors magazine asked Hugo to work on an AIDS story.[23] Nollywood (2009) consists of pictures of the Nigerian film industry.[24] For Permanent Error (2011) Hugo photographed the people and landscape of an expansive dump of obsolete technology in Ghana.[1] There is a Place in Hell for Me and My Friends (2012) depicts Hugo's family and friends from South Africa in digitally manipulated black and white portraits that aim to explore the contradictions of racial classification based on skin colour.[25] Kin (2014) places even greater emphasis on the photographer's family and community[26] which Hugo describes as "an engagement with the failure of the South African colonial experiment and my sense of being 'colonial driftwood'."[27]

The Journey (2014) is a series of infrared images of sleeping passengers taken on a sixteen-hour flight from Johannesburg to Atlanta. Hugo prefaces the work which was presented both as an exhibition (2014) and newspaper format publication (2015)[28] with a reflective monologue on the way that infrared images from the first invasion during the Iraq War have shifted associations with the medium from wildlife photography to conflict zones, and how contemporary surveillance has effectively challenged notions of the privacy and ownership of one's representation.[29]   In the Spring of 2014, Hugo was commissioned by Creative Court[30] to work in Rwanda for its "Rwanda 20 Years: Portraits of Reconciliation" project.[31] The project was displayed in The Hague in the Atrium of The Hague City Hall for the 20th commemoration of the 1994 genocide in Rwanda. A selection of the photos have also been displayed in New York at the exhibition Post-Conflict which was curated by Bradley McCallum, artist in residence for the Coalition for the International Criminal Court.[32][33] The project served as the impetus for the photographic series 1994 (2017) which explores the post-revolutionary era in both South Africa and Rwanda through a series of portraits of children from both countries.[34][35]

Flat Noodle Soup (2016) chronicles Hugo's lengthy engagement with the city of Beijing, exploring how concerns with expressing personal identity within societal norms and pressures are universal and trans-national.[27] La Cucaracha is a 2019 body of work made during four trips to Mexico over a two-year period.[29] The photographic series explores Hugo's perception of the flamboyant and violent environment of Mexico with overt art historical references to the nation's visual canon of precolonial customs and revolutionary ideology.[36]

Personal life

[edit]

As of 2013, Hugo was married to film editor Tamsyn Reynolds, with whom he has two children.[37][38]

Publications

[edit]

Publications by Hugo

[edit]
  • Looking Aside. Punctum, 2006. ISBN 978-88-95410-00-5.
  • The Hyena & Other Men Munich: Prestel, 2007. ISBN 978-3791339603. With an essay by Adetokunbo Abiola.
  • Messina/Musina. Munich: Punctum, 2007. ISBN 978-88-95410-03-6. With a short story by Stacy Hardy, "The Donkey Fuckers", and a conversation between Hugo and Joanna Lehan.
  • Nollywood. Munich: Prestel, 2009. ISBN 978-3791343129. With texts by Chris Abani, Stacy Hardy and Zina Saro-Wiwa.
  • Rwanda 2004: Vestiges of a Genocide. London; Paris: oodee, 2011. ISBN 978-0-9570389-0-5. Edition of 500 copies. With an essay by Linda Melvern.
  • Permanent Error. Munich: Prestel, 2011. ISBN 978-3791345208.
  • This Must Be The Place: Selected Works. Munich: Prestel, 2012. ISBN 978-3791346892. With essays by TJ Demos and Aaron Schuman.
  • J-SEK. London: One League, 2012. Produced by Hugo and Louis Vuitton with an essay by Montle Moorosi.
  • There's a Place in Hell for Me and My Friends. London; Paris: oodee, 2012. ISBN 978-095703-892-9.
  • Kin. New York: Aperture, 2014. ISBN 978-1597113014. With a short story by Ben Okri.
  • The Journey. Self-published, 2015. Newspaper format.
  • Flat Noodle Soup Talk. Paris: Bessard, 2016. ISBN 979-10-91406-48-2. Edition of 500 copies. Photographs made in Beijing.
  • PH&HBA. Pieter Hugo in collaboration with Hood by AIr. 2016. ISBN 9780955084089. London: See W.
  • 1994. Munich: Prestel. 2017. ISBN 978-3-7913-8273-9. With text by Ashraf Jamal.
  • Pieter Hugo. Between the Devil and the Deep Blue Sea. 2017. ISBN 978-3-7913-8384-2 Ralf Beil & Uta Ruhkamp (ed.) Munich: Prestel
  • La Cucaracha. Barcelona: RM, 2019. ISBN 978-84-17975-15-9. With essays by Mario Bellatin and Ashraf Jamal. Edition of 1500 copies.

Books and catalogues

[edit]
  • Ewing, William; Nathalie Herschdorfer and Jean-Christophe Blaser. 2005. reGeneration: 50 Photographers of Tomorrow 2005–2006. New York: Aperture. ISBN 978-1931788984.
  • Matt, Gerald et al. 2006. Black, Brown, White: Photography from South Africa. Vienna: Kunsthalle Wien. ISBN 978-3938821336.
  • Ewing, William (ed). 2006. Face: The New Photographic Portrait. London: Thames & Hudson. ISBN 978-0500287323.
  • Yildiz, Adnan et al. 2007. An Atlas of Events. Lisbon: Fundação Calouste Gulbenkian
  • Hug, Alfonso et al. 2008. The Tropics: Views from the Middle of the Globe. Bielefeld: Kerber. ISBN 978-3866781665.
  • Dempsey, Kate (ed). 2008. Presumed Innocence. Lincoln, Massachusetts: DeCordova Museum and Sculpture Park. ISBN 978-0945506560.
  • De Cultura, Área, and Ajuntament de Tarragona (eds). 2009. Pieter Hugo: Selected Works. Tarragona: Tinglado 2. ISBN 978-84-935674-6-0.
  • Cresci, Mario (ed). 2009. Future Images. Milan: 24 ORE Cultura. ISBN 978-8864130170.
  • Blackwell, Lewis. 2009. Photo-wisdom: Master Photographers on Their Art. Auckland: PQ Blackwell. ISBN 9780473150945.
  • Maggia, Filippo et al. 2010. Breaking News: Contemporary Photography from the Middle East and Africa. Milan: Skira. ISBN 978-8857206455.
  • Enwezor, Okwui (ed). 2010. Contemporary African Photography from the Walther Collection. Events of the Self: Portraiture and Social Identity. Göttingen: Steidl. ISBN 978-3-86930-157-0.
  • Celant, Germano and Melissa Harris (eds). 2010. Immagini Inquietanti. Milan: La Triennale di Milano. Exhibition catalogue.
  • Rubenstein, Bonnie, et al. 2011. Figure + Ground. Contact Photography Festival. Toronto: Scotiabank. 2011 Festival Catalogue.
  • Ovesen, Solvej Helweg and Katerina Gregos (eds). 2011. The Eye is a Lonely Hunter: Images of Humankind. 4. Fotofestival Mannheim Ludwigshafen. Heidelberg: Kehrer. ISBN 978-3868282405.
  • Krifa, Michket and Laura Serani (eds). 2011. For A Sustainable World. Rencontres de Bamako African Photography Biennial, 9th Edition. Arles and Paris: Actes Sud and Institut Français. ISBN 978-2330001551.
  • Kemfert, Beate and Christina Leber (eds). 2011. Road Atlas: Street Photography from Helen Levitt to Pieter Hugo. Munich: Hirmer. ISBN 978-3777439617.
  • Herschdorfer, Nathalie. 2011. Afterwards: Contemporary Photography Confronting the Past. London: Thames & Hudson. ISBN 9780500543986.
  • Gavin, Francesca. 2011.100 New Artists. London: Laurence King. ISBN 978-1856697347.
  • Garb, Tamar. 2011. Figures & Fictions: Contemporary South African Photography. Göttingen and London: Steidl and V&A. ISBN 9783869302669.
  • Fabiani, Francesca. 2011. Re-cycle. Strategie per l'architettura, la città e il pianeta. Rome: MAXXI and Elekta. ISBN 978-8837088965.
  • Beckmann, Anne-Marie and Freddy Langer. 2011. XL Photography 4: Art Collection. Deutsche Börse. Ostfildern: Hatje Cantz. ISBN 978-3775728027.
  • Markus Brüderlin (ed.), 2013. Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present, 2013. Exhibition catalogue. Kunstmuseum Wolfsburg. Ostfildern: Hatje Cantz.
  • Nine Weeks. Cape Town: Stevenson, 2016. ISBN 978-0-620-69507-7. Pieter Hugo in conversation with Hansi Momodu-Gordon.
  • Jamal, Ashraf. 2017. 'Giants'. In the World: Essays on Contemporary South African Art. Skira: Milan. ISBN 978-8857235639

Exhibitions

[edit]

Solo exhibitions

[edit]

Group exhibitions

[edit]

References

[edit]
  1. ^ a b c "Pieter Hugo". Pieter Hugo. Retrieved 1 February 2016.
  2. ^ Hugh Montgomery (9 April 2011). "Africa united: Photographer Pieter Hugo casts a new light on tired stereotypes of his home continent | Features | Culture". The Independent. Archived from the original on 26 May 2022. Retrieved 1 February 2016.
  3. ^ a b Leah Ollman (9 February 2007), Photography that goes only skin deep Los Angeles Times.
  4. ^ "Pieter Hugo on artnet". Artnet.com. Retrieved 1 February 2016.
  5. ^ "Arena Homme + – Pieter Hugo". We Folk. Retrieved 5 July 2019.
  6. ^ "Re-Edition Magazine with Ellie Grace Cumming – Pieter Hugo". We Folk. Retrieved 5 July 2019.
  7. ^ "Pieter Hugo Archives". Document Journal. Retrieved 5 July 2019.
  8. ^ "System Magazine issue No. 5". System Magazine. Retrieved 5 July 2019.
  9. ^ "Another Man X Nike- Pieter Hugo – Morocco". Baker Kent. Retrieved 5 July 2019.
  10. ^ "We Folk". Archived from the original on 22 August 2016. Retrieved 30 July 2016.
  11. ^ "Search | The New Yorker". The New Yorker. Retrieved 5 July 2019.
  12. ^ "Pieter Hugo on designer Garth Walker". Aperture Foundation NY. Retrieved 5 July 2019.
  13. ^ "Pieter Hugo Afrika in foto's". Issuu. Retrieved 5 July 2019.
  14. ^ Van Wyk, Lisa (24 June 2011). "Pieter Hugo wins Young Director Award at Cannes". Mail & Guardian. Retrieved 10 December 2018.
  15. ^ "Spoek Mathambo "Control"". Young Director Award. 2011. Retrieved 10 December 2018.
  16. ^ "Texx and the City interview Dookoom about 'Dirty' music video (directed by Pieter Hugo)". 20 October 2015.
  17. ^ "Pieter Hugo". Widewalls. Retrieved 10 July 2019.
  18. ^ O'Hagan, Sean (19 July 2008). "Africa as you've never seen it". The Observer. ISSN 0029-7712. Retrieved 5 July 2019.
  19. ^ a b Sean O'Hagan. "Africa as you've never seen it | Art and design". The Guardian. Retrieved 1 February 2016.
  20. ^ a b "Looking Aside". Archived from the original on 6 June 2011. Retrieved 7 June 2011.
  21. ^ "Rwanda 2004: Vestiges of a Genocide". Archived from the original on 29 May 2011. Retrieved 7 June 2011.
  22. ^ "5B4: The Hyena & Other Men by Pieter Hugo". 5b4.blogspot.com. 30 November 2007. Retrieved 1 February 2016.
  23. ^ a b "Messina/Musina". Pieter Hugo. Archived from the original on 21 May 2011. Retrieved 7 June 2011.
  24. ^ "Nollywood". Pieter Hugo. Archived from the original on 6 June 2011. Retrieved 7 June 2011.
  25. ^ "Pieter Hugo and Damien Poulain compile a striking book of undead friends". It's Nice That. 11 December 2012. Retrieved 5 July 2019.
  26. ^ LensCulture, Fondation Henri Cartier-Bresson |. "Pieter Hugo: Kin – Photographs by Pieter Hugo". LensCulture. Retrieved 5 July 2019.
  27. ^ a b STEVENSON. "STEVENSON". STEVENSON. Retrieved 5 July 2019.
  28. ^ "PIETER HUGO, THE JOURNEY, 2015". Retrieved 16 July 2020.
  29. ^ a b c "STEVENSON | Pieter Hugo". archive.stevenson.info. Retrieved 10 July 2019.
  30. ^ "Creative Court". Creative Court. Retrieved 1 February 2016.
  31. ^ "Creativecourt". Rwanda20years.org. Retrieved 1 February 2016.
  32. ^ "Coalition launches Arts Initiative to enrich dialogue on global justice |". Ciccglobaljustice.wordpress.com. 8 April 2014. Retrieved 1 February 2016.
  33. ^ "Kinz + Tillou Fine Art – RECENT: Bradley McCallum PORTRAITS OF JUSTICE & Post Conflict Exhibition – RECENT: Bradley McCallum PORTRAITS OF JUSTICE & Post Conflict". Ktfineart.com. Archived from the original on 15 February 2015. Retrieved 1 February 2016.
  34. ^ LensCulture, Pieter Hugo |. "Children Facing the Future: Pieter Hugo's "1994" – Photographs by Pieter Hugo". LensCulture. Retrieved 5 July 2019.
  35. ^ "Pieter Hugo 1994". Prestel Publishing (in German). Retrieved 5 July 2019.
  36. ^ O'Toole, Sean (15 September 2019). "Mexico, According to Mr Hugo" (PDF). The Sunday Times. 15 September 2019: 36.
  37. ^ "Pieter Hugo: Melancholy etched in the flesh". Mail & Guardian. 17 October 2013. Retrieved 14 July 2020.
  38. ^ "KIN – Pieter Hugo". pieterhugo.com. Retrieved 14 July 2020.
  39. ^ "Event View – Calendar – Iziko Museums". Iziko.org.za. Archived from the original on 3 December 2013. Retrieved 1 February 2016.
  40. ^ "2008: Year in Review". Foam Fotografiemuseum Amsterdam. Retrieved 11 July 2018.
  41. ^ "Herzliya Museum of Contemporary Art – pieter Hugo". Herzliyamuseum.co.il. Archived from the original on 2 April 2012. Retrieved 1 February 2016.
  42. ^ Pieter Hugo. "Multimedia Art Museum, Moscow | Exhibitions | Pieter Hugo – The Hyena and Other Men". Mamm-mdf.ru. Retrieved 1 February 2016.
  43. ^ "e x t r a s p a z i o". Extraspazio.it (in Italian). Retrieved 1 February 2016.
  44. ^ "Exhibitions". Institute of Modern Art. Archived from the original on 22 February 2011. Retrieved 7 June 2011.
  45. ^ "Pieter Hugo – Portraits". Ffotogallery.org. 19 October 2008. Retrieved 1 February 2016.
  46. ^ "Tinglado 2 Espai d'art contemporani". Tinglado2.tarragona.cat. Retrieved 1 February 2016.
  47. ^ "Yossi Milo Gallery – Pieter Hugo". www.yossimilo.com.
  48. ^ "Forest Centre Culturel". PDN Photo of the Day. 26 August 2010. Retrieved 1 February 2016.
  49. ^ Scotiabank CONTACT Festival. "Scotiabank CONTACT Photography Festival". Scotiabankcontactphoto.com. Archived from the original on 11 March 2016. Retrieved 1 February 2016.
  50. ^ "Pieter Hugo: This Must Be The Place – Válogatott munkák 2003–2012 | LUDWIG MÚZEUM – Kortárs Művészeti Múzeum". Ludwigmuseum.hu. 20 January 2013. Retrieved 1 February 2016.
  51. ^ "South African Art Times". Archived from the original on 1 April 2016. Retrieved 26 May 2016.
  52. ^ "News Release: TAYLOR WESSING PHOTOGRAPHIC PORTRAIT PRIZE ANNOUNCES CHANGES FOR 2015...UNSEEN PIETER HUGO PHOTOGRAPHS FORM FIRST IN FOCUS DISPLAY – National Portrait Gallery". www.npg.org.uk.
  53. ^ "Portrait intime de l'Afrique du Sud par Pieter Hugo" par Stéphanie Pioda dans Artistik Rezo 19 janvier 2015.
  54. ^ "Pieter Hugo: Between the Devil and the deep blue Sea – Kunstmuseum Wolfsburg". www.kunstmuseum-wolfsburg.de. Retrieved 7 July 2019.
  55. ^ "Exhibition Between the Devil and the Deep Blue Sea - artist, news & exhibitions - photography-now.com". photography-now.com. Retrieved 7 July 2019.
  56. ^ "Pieter Hugo. Between the Devil and the Deep Blue Sea". en.museuberardo.pt. Retrieved 7 July 2019.
  57. ^ Magazine, Wallpaper* (11 December 2018). "Pieter Hugo's fascinating photographs bring Mexican culture to life". Wallpaper*. Retrieved 29 June 2020.
  58. ^ "Pieter Hugo：Africa To China". Pekin Fine Arts. Retrieved 7 July 2019.
  59. ^ O'Hagan, Sean (2 February 2020). "The big picture: Pieter Hugo turns his camera on Mexico". The Guardian. ISSN 0261-3077. Retrieved 29 June 2020 – via www.theguardian.com.
  60. ^ "Life Less Ordinary: Performance and Display in South African Art". Ffotogallery.org. 19 June 2010. Retrieved 1 February 2016. [verification needed]
  61. ^ "Event View – Calendar – Iziko Museums". Iziko.org.za. Retrieved 1 February 2016. [verification needed]
  62. ^ "After A". Reportage Atri Festival. Archived from the original on 21 June 2010. Retrieved 13 September 2011. [verification needed]
  63. ^ "Triennale di Milano – Home". Triennale.org. Retrieved 1 February 2016. [verification needed]
  64. ^ "Counterlives". Ackland Art Museum. Archived from the original on 26 March 2012. Retrieved 13 September 2011. [verification needed]
  65. ^ "Today | What's On | Victoria and Albert Museum". Vam.ac.uk. 16 June 2015. Retrieved 1 February 2016. [verification needed]
  66. ^ Gevisser, Mark (23 April 2011). "Figures & Fictions at the V&A". The Guardian. London. Retrieved 28 February 2017. [verification needed]
  67. ^ isabelwilcox (14 November 2011). "Les Rencontres de Bamako". Happening Africa. Retrieved 10 July 2019.
  68. ^ "The Global Contemporary. Art Worlds After 1989 – Announcements – e-flux". www.e-flux.com. Retrieved 10 July 2019.
  69. ^ "2011: The Eye is a Lonely Hunter, Images of Humankind". Ravi Agarwal. 24 January 2018. Retrieved 10 July 2019.
  70. ^ "ARS 11 at KIASMA will Change Your Perceptions About Africa and Contemporary Art". artdaily.com. Retrieved 10 July 2019.
  71. ^ ""Il corpo metafora di un'esperienza": a Foligno fino al 12 giugno". LaStampa.it (in Italian). Retrieved 10 July 2019.
  72. ^ "Ten Contact shows to see". Retrieved 10 July 2019.
  73. ^ "Beguiling: The Self and the Subject Opens Saturday at Cape Town's Irma Stern Museum". Sunday Times Books LIVE @ Sunday Times Books LIVE. Retrieved 10 July 2019.
  74. ^ "[lang_de]Alles Kannibalen? [lang_de] [lang_en] All Cannibals? [lang_en]". me Collectors Room Berlin. 26 May 2011. Retrieved 10 July 2019.
  75. ^ "Rio de Janeiro : Paraty em Foco Photo Festival". The Eye of Photography Magazine. 26 September 2011. Retrieved 10 July 2019.
  76. ^ "Bienal de Fotografía de Lima (FOLI), presentan el FOLILAB". Serperuano.com. 28 March 2012. Retrieved 10 July 2019.
  77. ^ "Press". fototriennale.dk. Retrieved 10 July 2019.
  78. ^ "Exhibition Photobiennale Moscow 2012 - artist, news & exhibitions - photography-now.com". photography-now.com. Retrieved 10 July 2019.
  79. ^ "The National Art Gallery, A Shining Gem on Rwesero Hill : Rozenberg Quarterly". Retrieved 10 July 2019.
  80. ^ "art-agenda". www.art-agenda.com. Retrieved 10 July 2019.
  81. ^ Times, The PasseNger (3 January 2013). "Pieter Hugo /best photographers" (in Italian). Retrieved 10 July 2019.
  82. ^ "Africa, there and back at Folkwang Museum Essen - Artmap.com". artmap.com. Retrieved 10 July 2019.
  83. ^ "New Photography Book Depicts the South African Social Landscape". africasacountry.com. Retrieved 10 July 2019.
  84. ^ "Deutsche Börse Photography Prize 2012". www.deutscheboersephotographyfoundation.org. Retrieved 10 July 2019.
  85. ^ Cotter, Holland (24 January 2013). "'Distance and Desire': 'Encounters With the African Archive' '(Part II: Contemporary Reconfigurations)'". The New York Times. ISSN 0362-4331. Retrieved 10 July 2019.
  86. ^ "Nothing to declare? – Weltkarten der Kunst nach '89". www.adk.de (in German). Retrieved 12 July 2019.
  87. ^ "Aesthetica Magazine – Nothing to declare? World maps of art since '89 at Akademie der Künste in Berlin". Aesthetica Magazine. Retrieved 12 July 2019.
  88. ^ "Aesthetica Magazine – Landmark: the Fields of Photography, London". Aesthetica Magazine. Retrieved 12 July 2019.
  89. ^ "Either / Or | www.nikolajkunsthal.dk". www.nikolajkunsthal.dk. Retrieved 12 July 2019.
  90. ^ "Jasper de Beijer | THE GLORIOUS RISE AND FALL....(AND SO ON)". Retrieved 12 July 2019.
  91. ^ "Distance and Desire: Encounters with the African Archive | Contemporary And". www.contemporaryand.com (in German). Retrieved 12 July 2019.
  92. ^ d'Arles, Les Rencontres. "TRANSITION, SOCIAL LANDSCAPE". www.rencontres-arles.com. Retrieved 12 July 2019.
  93. ^ "Present Tense: Photos from the South of Africa – Announcements – e-flux". www.e-flux.com. Retrieved 12 July 2019.
  94. ^ Böhme, Hartmut; Brüderlin, Markus; Brock, Bazon; Gordon, Beverly; Heinen, Ulrich; Martin, Jean-Hubert; Petit, Emmanuel; Ruhkamp, Uta; Salm-Salm, Marie-Amélie zu (2013). Art & textiles fabric as material and concept in modern art from Klimt to the present. Ostfildern: Hatje Cantz. ISBN 9783775736275. OCLC 917156688.
  95. ^ "Public Intimacy at Yerba Buena Center San Francisco - Artmap.com". artmap.com. Retrieved 12 July 2019.
  96. ^ "Apartheid & After". Huis Marseille. Retrieved 12 July 2019.
  97. ^ "Present Tense: Fotografias do sul de Africa | COLECTIVA | ARTECAPITAL.NET". www.artecapital.net. Retrieved 12 July 2019.
  98. ^ "Here Africa / Ici l'Afrique at Château de Penthes – Announcements – e-flux". www.e-flux.com. Retrieved 12 July 2019.
  99. ^ ARTEINFORMADO (30 June 2014). "Animalis, Exposición, Fotografía, jul 2014". ARTEINFORMADO (in Spanish). Retrieved 12 July 2019.
  100. ^ Mahdil, Maison. "T.R.I.P.: Travel Routes in Photography | BAB". eng.babelmed.net. Retrieved 12 July 2019.
  101. ^ Clark, Ed; Locke, Hew; Arni, Claire; N, Pushpamala; Hugo, Pieter (4 October 2014). "Prospect.3: Notes for Now". Southern Review. 50 (4): 594–602. ISSN 2168-5541.
  102. ^ agence, GAYA-La nouvelle. "Prix Pictet 2015 – " Disorder "". www.mam.paris.fr (in French). Retrieved 12 July 2019.
  103. ^ "Venues announced for Prix Pictet Disorder global tour | Prix Pictet | The global award in photography and sustainability". www.prixpictet.com. Retrieved 12 July 2019.
  104. ^ "I Will Go There, Take Me Home | The MAC Belfast". themaclive.com. Retrieved 12 July 2019.
  105. ^ "Beastly / Tierisch, 30. May 2015 – 4. Oct 2015, Fotomuseum Winterthur". en.artoffer.com. Retrieved 12 July 2019.
  106. ^ "Strange Worlds – Fondazione Fotografia". www.fondazionefotografia.org. Retrieved 12 July 2019.
  107. ^ "'A Closer Look' at more of Paul Allen's art collection at Pivot". The Seattle Times. 8 December 2016. Retrieved 12 July 2019.
  108. ^ "Regarding Africa: Contemporary Art and Afro-Futurism, Tel Aviv Museum of Art". Regarding Africa: Contemporary Art and Afro-Futurism. Retrieved 12 July 2019.
  109. ^ "Regarding Africa: Contemporary Art and Afro-Futurism – Tel Aviv Museum of Art". www.tamuseum.org.il. Retrieved 12 July 2019.
  110. ^ "MAST Foundation : Work in Motion Exhibition". mast.org. 12 July 2019.
  111. ^ "Good Hope. South Africa and The Netherlands from 1600 – Exhibitions – past – What's on". Rijksmuseum. Retrieved 12 July 2019.
  112. ^ "10 years old – Fondazione Fotografia". www.fondazionefotografia.org. Retrieved 12 July 2019.
  113. ^ "Fotografia Europea 2017 | Fabrica Photography". Retrieved 12 July 2019.
  114. ^ Bria, Ginevra (2017). Africa, raccontare un mondo = Africa, telling a world. ISBN 9788836637553. OCLC 1002281292.
  115. ^ "AFRICA. Telling a world | Contemporary And". www.contemporaryand.com (in German). Retrieved 12 July 2019.
  116. ^ "opening of the exhibitions: Dangerous Art". Haifa Museums – Six Museums in One Frame. Retrieved 12 July 2019.
  117. ^ "Another Kind of Life: Photography on the Margins | Barbican". www.barbican.org.uk. Retrieved 12 July 2019.
  118. ^ "Events Detail". seattleartmuseum.org. Retrieved 12 July 2019.
  119. ^ "Troubled Intentions Ahead: Confusing Public and Private – 3rd Beijing Photo Biennial | exhibition | ARTLINKART | Chinese contemporary art database". www.artlinkart.com. Retrieved 12 July 2019.
  120. ^ "Confusing Public and Private：The 3rd Beijing Photo Biennial CAFA Art Museum". www.cafamuseum.org. Retrieved 12 July 2019.
  121. ^ "Exhibition Civilization: The Way We Live Now - artist, news & exhibitions - photography-now.com". photography-now.com. Retrieved 12 July 2019.
  122. ^ douw (26 February 2019). "Hacer Noche/Crossing Night / Afro-Mexican". Art Africa Magazine. Retrieved 12 July 2019.
  123. ^ "Recent Histories". Huis Marseille. Retrieved 12 July 2019.
  124. ^ "Unseen: 35 Years of Collecting Photographs". Getty Museum. Retrieved 29 June 2020.
  125. ^ "Here we are today A View of the World in Photography & Video Art | Bucerius Kunst Forum". www.buceriuskunstforum.de. Retrieved 12 July 2019.
  126. ^ "CROSSING NIGHT: REGIONAL IDENTITIES x GLOBAL CONTEXT". MOCAD. 5 February 2020. Retrieved 29 June 2020.
  127. ^ "Incarnations". BOZAR. Retrieved 29 June 2020.
  128. ^ "Through an African Lens: Sub-Saharan Photography from the Museum's Collection". The Museum of Fine Arts, Houston. Retrieved 13 June 2020.
  129. ^ "Civilisation, Photography, Now". Auckland Art Gallery. Retrieved 9 July 2020.
  130. ^ "MUSAC". musac.es. Retrieved 9 July 2020.
  131. ^ "Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Collection". pamm.org. Retrieved 9 July 2020.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Pieter_Hugo&oldid=1243621536"