Pier Francesco Mazzucchelli
Pier Francesco Mazzucchelli (commonly known as il Morazzone; 1573–1626[1]) was an Italian painter and draughtsman who was active in Milan. He is mainly known for his altarpieces, but his outstanding achievements are large decorative frescoes for the Sacro Monte di Varese and the Sacro Monte di Varallo.[2]
Life
[edit]He was born in Morazzone, near Varese, Lombardy, the son of a mason, who soon after his birth moved to Rome. There he was influenced by Ventura Salimbeni and Cavalier D'Arpino and began to work in a Mannerist style. In Rome, he painted some canvases and also his first frescoes (Adoration by the Magi and a Visitation) in San Silvestro in Capite (1596). His style also shows exposure to another pupil of D'Arpino, Caravaggio. His depictions of martyrdom and ecstasy are imbued with the morbid religiosity characteristic of Lombardy in his age.
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He relocated to Milan in 1597. In Lombardy, he painted frescoes for the Cappella del Rosario in San Vittore in Varese (1599), and worked in some of the Sacri Monti of the Alps. This activity began with the Ascent to Calvary (1602–1606) chapel in the Sacro Monte of Varallo where he was influenced by Gaudenzio Ferrari and developed a more dramatic style. In 1608-1609 he completed the Flagellation chapel in the Sacro Monte of Varese then returned to Varallo for the Ecce Homo chapel (1610–13). The last of this series is the Porziuncola chapel (1616–20) in the Sacro Monte di Orta. His other frescoes include the Cappella della Buona Morte in San Gaudenzio in Novara, the altarpiece with the Virgin of the Rosary in the Certosa di Pavia[3] and the depiction of some of the Prophets frescoed for the nave of the Piacenza Cathedral, completed after his death by the Bolognese painter Guercino.
He also painted altarpieces for many churches in Northern Italy and canvases for private collectors. He collaborated with Giovanni Battista Crespi (Il Cerano) and Giulio Cesare Procaccini in the painting of the Quadroni of San Carlo Borromeo for the Duomo of Milan. Among the pupils and followers of il Morazzone were Francesco Cairo, Stefano & Gioseffo Danedi, Isidoro Bianchi, Giovanni Paolo & Giovanni Battista Recchi, Paolo Caccianiga, Tommaso Formenti, Giambatista Pozzi, and Cristoforo Martinolli della Rocca.[4]
References
[edit]- ^ Herbermann, Charles, ed. (1913). . Catholic Encyclopedia. New York: Robert Appleton Company.
- ^ Alberto Bertoni. "Morazzone." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 Feb. 2017
- ^ "Sesta cappella a destra". Museo Certosa di Pavia. 23 January 2013. Retrieved 8 September 2022.
- ^ Le glorie dell'arte lombarda, by Luigi Malvezzi, 1882, page 248.
Sources
[edit]
- Wittkower, Rudolf (1993). "Art and Architecture Italy, 1600-1750". Pelican History of Art. 1980. Penguin Books. pp. 98–102.
- Stoppa, Jacopo (2003). Il Morazzone.
- Lanzi, Luigi (1822). Storia Pittorica della Italia dal Risorgimento delle Belle Arti Fin Presso al Fini del XVIII Secolo. Vol. 4 (4th ed.). Florence: Presso Filippo Marchini. pp. 204–205.
External links
[edit]
Media related to Pier Francesco Mazzucchelli at Wikimedia Commons
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