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Paul B. Jaskot

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Paul B. Jaskot (born 1963)[1] is a historian and professor at Duke University. His research interests include architectural history, urban planning, and Nazi Germany.[2]

Works

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  • Jaskot, Paul B. (2002). The Architecture of Oppression: The SS, Forced Labor and the Nazi Monumental Building Economy. Routledge. ISBN 978-1-134-59461-0.[3][4][5]
  • Rosenfeld, Gavriel D.; Jaskot, Paul B., eds. (2008). Beyond Berlin: Twelve German Cities Confront the Nazi Past. University of Michigan Press. ISBN 978-0-472-03631-8.[6]
  • Jaskot, Paul B. (2012). The Nazi Perpetrator: Postwar German Art and the Politics of the Right. University of Minnesota Press. ISBN 978-1-4529-4822-5.[7][8][9][10][11][12]

References

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  1. ^ http://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Jaskot%2C%20Paul%20B%2E%2C%201963%2D
  2. ^ "Paul B. Jaskot | Art, Art History & Visual Studies". aahvs.duke.edu. Retrieved 27 January 2021.
  3. ^ Frank, Hartmut (2002). "P. B. Jaskot, The Architecture of Oppression. The SS, Forced Labour and the Nazi Monumental Building Economy, 2000". Francia. 29 (3). doi:10.11588/fr.2002.3.63110.
  4. ^ Rollins, William H. (2002). "Review of The Architecture of Oppression. The SS, Forced Labor and the Nazi Monumental Building Economy". German Politics & Society. 20 (3 (64)): 128–131. ISSN 1045-0300. JSTOR 23740758.
  5. ^ Geyer, Michael (2003). "Review: The Architecture of Oppression: The SS, Forced Labor and the Nazi Monumental Building Economy by Paul B. Jaskot". Journal of the Society of Architectural Historians. 62 (2): 271–272. doi:10.2307/3592487. JSTOR 3592487.
  6. ^ Swett, Pamela E. (2010). "Beyond Berlin: Twelve German Cities Confront the Nazi Past . Edited by Gavriel D. Rosenfeld and Paul B. Jaskot. Social History, Popular Culture, and Politics in Germany. Edited by, Geoff Eley. Ann Arbor: University of Michigan Press, 2008. Pp. x+321. $70.00". The Journal of Modern History. 82 (1): 240–242. doi:10.1086/649485.
  7. ^ Loeffel, R. (2014). "Nazi Perpetrator: Post-war German Art and the Politics of the Right". German History. 32 (1): 173–175. doi:10.1093/gerhis/ght072.
  8. ^ Pickford, Henry W. (2014). "Review of The Nazi Perpetrator: Postwar German Art and the Politics of the Right". The German Quarterly. 87 (1): 139–141. ISSN 0016-8831. JSTOR 42751622.
  9. ^ Potter, Pamela M. (2014). "Review of The Nazi Perpetrator: Postwar German Art and the Politics of the Right". Monatshefte. 106 (3): 526–528. doi:10.1353/mon.2014.0087. ISSN 0026-9271. JSTOR 24550068. S2CID 219194409.
  10. ^ Potter, P. M. (2014). "The Nazi Perpetrator: Postwar German Art and the Politics of the Right. By Paul B. Jaskot. Minneapolis: University of Minnesota Press, 2013. ix + 275 pages + 63 b/w and 13 color illustrations. $30.00". Monatshefte. 106 (3): 526–528. doi:10.1353/mon.2014.0087. S2CID 219194409.
  11. ^ Luke, Megan R. (2015). "Paul B. Jaskot, The Nazi Perpetrator: Postwar German Art and the Politics of the Right; Alex Potts, Experiments in Modern Realism: World Making, Politics and the Everyday in Postwar European and American Art; Hannah Feldman, From a Nation Torn: Decolonizing Art and Representation in France, 1945–1962: Minneapolis: University of Minnesota Press, 2012. 288 pp.; 13 color ills., 63 b/w. $90.00; $30.00 paper; New Haven: Yale University Press, 2013. 488 pp.; 60 color ills., 120 b/w. $60.00; Durham, N.C.: Duke University Press, 2014. 336 pp.; 21 color ills., 63 b/w. $99.95; $ 27.95 paper". The Art Bulletin. 97 (2): 231–234. doi:10.1080/00043079.2015.1009735.
  12. ^ "Whalen on Jaskot, 'The Nazi Perpetrator: Postwar German Art and the Politics of the Right' | H-War | H-Net". networks.h-net.org. Retrieved 27 January 2021.


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