Jump to content

Paris Sex-Appeal

Edit links
From Wikipedia, the free encyclopedia

Paris Sex-Appeal
Paris Sex-Appeal, cover, July 1934
EditorHenri François
FrequencyMonthly
PublisherHenri François
Total circulationunknown
Founded1933
CountryFrance
Based inParis
LanguageFrench
ISSN2727-5795

Paris Sex-Appeal was a monthly French erotic magazine published in Paris by Henri Francois from 1933 to 1951, though it was suspended during World War II. It featured light French fiction and articles. Illustrations throughout were erotic nudes. Each issue featured a single colour plate.

Publisher

[edit]

The editorial office in Paris was at 47 avenue Philippe-Auguste, Paris. This address is that of the publishing and printing works of Henri François who owned photogravure machines. He published many technical brochures, posters and aviation magazines. The magazine Mon Paris, son visage sa vie ardente, which appeared in November 1935, had the same address and shared contributors and advertisements with Paris sex-appeal appear there.[1] Meyers also associates with the magazine "Jean Mézerette,[2] an obscure, self-published author of gossipy books denigrating both Hitler and Mussolini whom Paris police files identified as a ‘‘publicist’’ and ‘‘manager of the publication Paris Sex-Appeal.’’[3]

Title

[edit]

In reference to the origin of its title should be noted that from May 1932, Marie Dubas was all the rage in a “futuristic” show entitled Sex-Appeal Paris 32 at the Casino de Paris produced by Henri Varna with sets by Paul Colin.[4] It was subtitled for a time “the most Parisian magazine”. Agret notes that

In its title, Paris Sex-Appeal appropriates the Anglo-Saxon concept of sex appeal to turn it into a typically gallic quality [to] conform to the French art of seduction and the capital’s reputation as a city of love and flirtation. The word ‘Paris’ hangs at the top of the cover page where it is repeated nine times, like a flashing neon light. It acts less as an indication of a place than as the guarantee of a certain form of licentiousness. Paris becomes identified with sex appeal which is personified, every month, by a different woman on the cover of the magazine.[5]

The title can be seen, in turn, to have had a reverse influence on publications in English; for example, one of the first uses of the phrase 'sex appeal' in Vogue was in an article on the new Paris collections 'Vogue's Eyeview of Paris Sex Appeal,' in the September 1937 issue.[6]

Content

[edit]

Naughty and light, it played on the stereotype of the "Parisian woman" and on the city of Paris, renowned for its "hot spots", to appeal to a male audience.[7] Its contents were not pornographic. It presented a succession of 'advertorial' articles promoting publications, photographs, films and places referring unambiguously to the world of the night and its pleasures. There are also fictional texts often authored pseudonymously (Pierre Mac Orlan as Sadie Blackeyes,[8] for example, and Ernest de Gengenbach's 'La Satanisme moderne' as 'Jehan Silvius'),[9] and illustrated with photographs and drawings, most credited, in which usually athletic women, and some muscular men, appear more or less naked. Never banned or restricted it was available on newsstands as evidenced by its legal deposit[10] and was distributed by the Nouvelles Messageries de la presse parisienne (NMPP).

Contributors

[edit]

Among the notable writers and illustrators credited with their true names on the contents page, are Paul Dufau, Henri Falk, Maurice de Lambert, Pit, Paul Reboux, André Salmon and André Warnod, and photographers Jean Moral, Pierre Boucher (photographer) [fr] René Zuber, Serge de Sazo, Maria Eisner, Roger Schall, Nora Dumas, André Steiner and the agencies including Schostal and Alliance Photo. Following his Paris de nuit Brassaï published in Paris Sex-Appeal pictures from his Paris intime ("Secret Paris") made in cafés and brothels and backstage at revues and theatres, though the full project was only published in 1976 as The Secret Paris of the 30's.[11]

Influence

[edit]

The magazine provided surrealist artists with material for their collages;[5][12][13] Francis Picabia’s Printemps of 1942-3 was for a long time thought to portray Suzanne and Max Romain, but actually Paris Sex-Appeal was the source of this image,[14] and also as for his Les Baigneuses of 1942,[15] and Georges Hugnet's 1935 The Architect of Magus likewise uses a nude from the magazine,[16][12] as do others of his collages made in 1947 but not published until 1969.[17][18] Paris Sex-Appeal was an inspiration also to Hans Bellmer.[19] Clovis Trouille's 1946 reclining nude shown from behind is entitled Oh! Calcutta, Calcutta!; a pun in French from pronunciation of the phrase "oh quel cul t'as" ("oh what a lovely arse you have")[20] and is a close copy in paint from a small reproduction of André Steiner's nude photograph in the July 1935 issue of the magazine.[21]

Demise

[edit]

Suspended during the war, Paris Sex-Appeal reappeared in 1950, only to be discontinued the following year.

[edit]

References

[edit]
  1. ^ Mon Paris, notice bibliographique du Catalogue général de la BNF.
  2. ^ "au="Mezerette, Jean" - Search Results". www.worldcat.org. Retrieved 2023-04-20.
  3. ^ Meyers, Mark (2006). "Feminizing Fascist Men: Crowd Psychology, Gender, and Sexuality in French Antifascism, 1929-1945". French Historical Studies (29): 129. ISSN 0016-1071. OCLC 193649132.
  4. ^ Paris-Soir, 17 août 1932, p. 6 — sur Gallica.
  5. ^ a b Agret, Alix (2019). The seen, the scene and the obscene: eroticism in photographically illustrated magazines in France, 1931-1939 (Thesis) (PhD thesis ed.). Royal College of Art.
  6. ^ Ferreira, Lucy Moyse (2022). Danger in the path of chic : violence in fashion between the wars. London. ISBN 978-1-350-12628-2. OCLC 1224517918.{{cite book}}: CS1 maint: location missing publisher (link)
  7. ^ Blower, Brooke Lindy (2011). Becoming Americans in Paris : transatlantic politics and culture between the World Wars. New York: Oxford University Press. p. 167. ISBN 978-0-19-973781-9. OCLC 639939552.
  8. ^ Rifkin, Adrian (1995). Street noises : Parisian pleasure, 1900-40. Manchester: Manchester University Press. p. 106. ISBN 0-7190-4589-4. OCLC 48866037.
  9. ^ "Paris sex-appeal : le magazine le plus parisien : revue mensuelle". Gallica. 1934. Retrieved 2023-04-20.
  10. ^ Notice d'enregistrement : années 1937-1938, Catalogue général de la BNF.
  11. ^ Panzer, Mary (June 2001). "Brassai by night: A new edition of Paris by Night reveals the secrets that lie in the dark-and in an artist's eye". American Photo. xii (3).
  12. ^ a b Agret, Alix (2022). Eroticism and Photography in 1930s French Magazines Risqué Shop Windows. Milton: Taylor & Francis Group. ISBN 978-1-000-21357-7. OCLC 1344538508.
  13. ^ Donkin, Hazel (2010). Surrealism, photography and the periodical press: an investigation into the use of photography in surrealist publications (1924-1969) with specific reference to themes of sexuality and their interaction with commercial photographic images of the period (doctoral) (Thesis ed.). University of Northumbria at Newcastle.
  14. ^ Verdier, Aurelie (2016). "[Sic] Picabia: Ego, Reaction, Reuse". October. 157 (157): 63–89. doi:10.1162/OCTO_a_00259. S2CID 57559685.
  15. ^ Picabia, Francis (1998). Francis Picabia : les nus et la méthode : 17 octobre 1997-3 janvier 1998. Serge Lemoine, Musée de Grenoble. [Grenoble]: Musée de Grenoble. ISBN 2-7118-3755-6. OCLC 40836420.
  16. ^ Eram, Cosana (2013-10-16), Posman, Sarah; Reverseau, Anne; Ayers, David; Bru, Sascha (eds.), "Georges Hugnet's Surrealist Monsters and Women", The Aesthetics of Matter, DE GRUYTER, pp. 359–369, doi:10.1515/9783110317534.359, ISBN 978-3-11-031737-4, retrieved 2023-04-20
  17. ^ Hugnet, Georges (1969). Huit jours à Trébaumec : journal de vacances orné de 82 photographies prises par láuteur en 1947 (in French). Paris: Mercher. OCLC 122565391.
  18. ^ "Georges Hugnet, poète du photomontage". Le Monde.fr (in French). 2004-01-09. Retrieved 2023-04-20.
  19. ^ Lichtenstein, Therese (2001). Behind closed doors : the art of Hans Bellmer. International Center of Photography. Berkeley: University of California Press. p. 90. ISBN 0-520-20984-2. OCLC 45136724.
  20. ^ Turmel, Jean-Pierre, ... (2012). Sordide sentimental. Volume 2, Gouffres & cimes (in French). Vol. 2. Rosières-en-Haye: Camion blanc. Impr. ACORT (Europe). pp. n.p. ISBN 978-2-35779-209-8. OCLC 826805173.{{cite book}}: CS1 maint: multiple names: authors list (link)
  21. ^ Dunan, René; Steiner, André (July 1935). "Au Pays de la Prostitution". Paris Sex-Appeal (24): 43.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Paris_Sex-Appeal&oldid=1229101766"