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Portal:Slovakia

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The Slovakia Portal

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Slovakia, officially the Slovak Republic, is a landlocked country in Central Europe. It is bordered by Poland to the north, Ukraine to the east, Hungary to the south, Austria to the west, and the Czech Republic to the northwest. Slovakia's mostly mountainous territory spans about 49,000 square kilometres (19,000 sq mi), hosting a population exceeding 5.4 million. The capital and largest city is Bratislava, while the second largest city is Košice.

The Slavs arrived in the territory of the present-day Slovakia in the 5th and 6th centuries. From the late 6th century, parts of modern Slovakia were incorporated in the Avar Khaghanate. In the 7th century, the Slavs played a significant role in the creation of Samo's Empire. In the 9th century, the Avar Khaghanate dissolved, and the Slavs established the Principality of Nitra, which was later conquered by the Principality of Moravia, leading to the formation of Great Moravia. In the 10th century, after the dissolution of Great Moravia, the territory was integrated into the Principality of Hungary, which then became the Kingdom of Hungary in 1000. In 1241 and 1242, after the Mongol invasion of Europe, much of the territory was destroyed, but was recovered largely thanks to Béla IV. During the 16th and 17th centuries, southern portions of present-day Slovakia were incorporated into provinces of the Ottoman Empire.

After World War I and the dissolution of the Austro-Hungarian Empire, the state of Czechoslovakia was established, incorporating Slovakia. In the lead up to World War II, local fascist parties gradually came to power in the Slovak lands, and the first Slovak Republic was established as a clerical fascist client state under the control of Nazi Germany. In 1940, the country joined the Axis when its leaders signed the Tripartite Pact. The local Jewish population was heavily persecuted, with almost 70,000 Jews being murdered or deported. Internal opposition to the fascist government's policies culminated in the Slovak National Uprising, itself triggered by the Nazi German occupation of the country. Although the uprising was eventually suppressed, partisan resistance continued, and Czechoslovak independence was re-established after the country's liberation at the end of the war. (Full article...)

The cinema of Slovakia encompasses a range of themes and styles typical of European cinema. Yet there are a certain number of recurring themes that are visible in the majority of the important works. These include rural settings, folk traditions, and carnival. Even in the field of experimental film-making, there is frequently a celebration of nature and tradition, as for example in Dušan Hanák's Pictures of the Old World (Obrazy starého sveta, 1972). The same applies to blockbusters like Juraj Jakubisko's A Thousand-Year Old Bee (Tisícročná včela, 1983). The percentage of comedies, adventures, musicals, sci-fi films and similar genres has been low by comparison to dramas and historical films that used to include a notable subset of social commentaries on events from the decade or two preceding the film. One of them, Ján Kadár's and Elmar Klos' The Shop on Main Street (Obchod na korze, 1965), gave Slovak (as well as Czech and generally Czechoslovak) filmmaking its first Oscar. Children's films were a perennial genre from the 1960s through the 1980s produced mainly as low-budget films by Slovak Television Bratislava. The themes of recent films have been mostly contemporary.

The center of Slovak filmmaking has been the Koliba studio (whose formal name changed several times) in Bratislava. Some films conceived at the Barrandov Studios in Prague have had Slovak themes, actors, directors, and occasionally language, while Prague-based filmmakers and actors have sometimes worked in Slovakia. In line with Slovak, Hungarian, and Czech histories, their past sharing of the Kingdom of Hungary and Czechoslovakia, there is early overlap between Slovak and Hungarian film, and later between Slovak and Czech film. Some films are easily sorted out as one or the other, some films belong meaningfully to more than one national cinema. (Full article...)

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