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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements. The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)
    Sonatas and Interludes is a cycle of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–48, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage's finest achievements.

    The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines. (Full article...)
  • Image 2 "Single Ladies (Put a Ring on It)" is a song recorded by American singer and songwriter Beyoncé, from her third studio album, I Am... Sasha Fierce (2008). Columbia Records released "Single Ladies" as a single on October 8, 2008, as a double A-side alongside "If I Were a Boy", showcasing the contrast between Beyoncé and her aggressive onstage alter ego Sasha Fierce. It explores men's unwillingness to propose or commit. In the song, the female protagonist is in a club to celebrate her single status. "Single Ladies" won three Grammy Awards in 2009, including Song of the Year, among other accolades. Several news media sources named it as one of the best songs of 2008, while some considered it one of the best songs of the decade. Rolling Stone ranked it at number 228 on their list of the 500 greatest songs of all time in 2021. It topped the US Billboard Hot 100 chart for four non-consecutive weeks and received a 11x platinum certification by the Recording Industry Association of America (RIAA). The song charted among the top ten within the singles category in several other countries. Globally, it was 2009's seventh best-selling digital single with 6.1 million copies sold. (Full article...)
    "Single Ladies (Put a Ring on It)" is a song recorded by American singer and songwriter Beyoncé, from her third studio album, I Am... Sasha Fierce (2008). Columbia Records released "Single Ladies" as a single on October 8, 2008, as a double A-side alongside "If I Were a Boy", showcasing the contrast between Beyoncé and her aggressive onstage alter ego Sasha Fierce. It explores men's unwillingness to propose or commit. In the song, the female protagonist is in a club to celebrate her single status.

    "Single Ladies" won three Grammy Awards in 2009, including Song of the Year, among other accolades. Several news media sources named it as one of the best songs of 2008, while some considered it one of the best songs of the decade. Rolling Stone ranked it at number 228 on their list of the 500 greatest songs of all time in 2021. It topped the US Billboard Hot 100 chart for four non-consecutive weeks and received a 11x platinum certification by the Recording Industry Association of America (RIAA). The song charted among the top ten within the singles category in several other countries. Globally, it was 2009's seventh best-selling digital single with 6.1 million copies sold. (Full article...)
  • Image 3 "Smells Like Teen Spirit" is a song by the American rock band Nirvana. It is the opening track and lead single from the band's second album, Nevermind (1991), released on DGC Records. The unexpected success of the song propelled Nevermind to the top of several albums charts at the start of 1992, an event often marked as the point when grunge entered the mainstream. It was Nirvana's biggest hit, charting high on music industry charts around the world in 1991 and 1992, and was number one on the charts in Belgium, France, New Zealand and Spain. It was met with wide critical acclaim, and described as an "anthem for apathetic kids" of Generation X. Although Nirvana grew uncomfortable with the mainstream and commercial attention the song brought to them, listeners and critics continue to praise "Smells Like Teen Spirit" as one of the greatest songs of all time. Having sold over 13 Million units worldwide, "Smells Like Teen Spirit" is one of the best selling songs of all time. The music video for the song is based on the concept of a high school pep rally which ends in chaos and riot, inspired by Jonathan Kaplan's 1979 film Over the Edge and the Ramones' film Rock 'n' Roll High School. It won two MTV Video Music Awards, and was in heavy rotation on MTV during the 1990s. In subsequent years Amy Finnerty, formerly of MTV's programming department, claimed the video "changed the entire look of MTV" by giving the channel "a whole new generation to sell to". In 2000, the Guinness World Records named "Smells Like Teen Spirit" the "Most Played Video" on MTV Europe. (Full article...)
    "Smells Like Teen Spirit" is a song by the American rock band Nirvana. It is the opening track and lead single from the band's second album, Nevermind (1991), released on DGC Records. The unexpected success of the song propelled Nevermind to the top of several albums charts at the start of 1992, an event often marked as the point when grunge entered the mainstream. It was Nirvana's biggest hit, charting high on music industry charts around the world in 1991 and 1992, and was number one on the charts in Belgium, France, New Zealand and Spain. It was met with wide critical acclaim, and described as an "anthem for apathetic kids" of Generation X. Although Nirvana grew uncomfortable with the mainstream and commercial attention the song brought to them, listeners and critics continue to praise "Smells Like Teen Spirit" as one of the greatest songs of all time. Having sold over 13 Million units worldwide, "Smells Like Teen Spirit" is one of the best selling songs of all time.

    The music video for the song is based on the concept of a high school pep rally which ends in chaos and riot, inspired by Jonathan Kaplan's 1979 film Over the Edge and the Ramones' film Rock 'n' Roll High School. It won two MTV Video Music Awards, and was in heavy rotation on MTV during the 1990s. In subsequent years Amy Finnerty, formerly of MTV's programming department, claimed the video "changed the entire look of MTV" by giving the channel "a whole new generation to sell to". In 2000, the Guinness World Records named "Smells Like Teen Spirit" the "Most Played Video" on MTV Europe. (Full article...)
  • Image 4 Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks. Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording. (Full article...)
    Alicia is the seventh studio album by American singer-songwriter and pianist Alicia Keys. It was primarily recorded at Oven Studios and Jungle City Studios, both in New York, after her 2016 album Here and her judgeship on the singing competition series The Voice, before being released by RCA Records on September 18, 2020. Written and produced largely by Keys, the album also features songwriting and production contributions from Swizz Beatz, Ryan Tedder, Johnny McDaid, Ed Sheeran, and The-Dream, among others. Keys collaborated with more artists on the recording than in her previous albums, enlisting vocalists such as Sampha, Tierra Whack, Diamond Platnumz, Snoh Aalegra, and Jill Scott for certain tracks.

    Alicia's mostly low-tempo and melodically subtle music reconciles the experimental direction of Here with her earlier work's bass drum-driven R&B and piano-based balladry. Throughout, individual songs incorporate sounds from a wide range of other genres, including orchestral pop, progressive soul, funk, ambient, country, and Caribbean music. Thematically, they explore identity as a multifaceted concept, sociopolitical concerns, and forms of love within the framework of impressionistic lyrics, personal narratives, and self-knowledge. Keys has described the album as therapeutic and reflective of greater introspection in herself, expressing ideas and feelings of hope, frustration, despair, ambivalence, and equanimity shared in her memoir More Myself (2020), which was written during Alicia's recording. (Full article...)
  • Image 5 Stefani in October 2016 Gwen Renée Stefani Shelton (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer-songwriter and fashion designer. She is a co-founder and lead vocalist of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums. During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were "Wind It Up" and "The Sweet Escape", the latter of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. In 2024, she released her fifth studio album Bouquet. (Full article...)

    Stefani in October 2016

    Gwen Renée Stefani Shelton (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer-songwriter and fashion designer. She is a co-founder and lead vocalist of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums.

    During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were "Wind It Up" and "The Sweet Escape", the latter of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. In 2024, she released her fifth studio album Bouquet. (Full article...)
  • Image 6 "City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada. The earliest incarnation of the song was developed during sessions for the band's 1997 album, Pop. The lyrics were written by the band's lead vocalist Bono, taking partial inspiration from his recollection of his first trip to London, and from the band's experience playing in New York City in the aftermath of the September 11 attacks during their Elevation Tour in 2001. Other lyrics refer to Bono's relationship with his wife Ali. The song's underlying theme reflects lost innocence and was inspired by an image Bono saw of himself from the early 1980s. The sound has been compared to the tone of U2's 1984 album, The Unforgettable Fire and their 1987 single "Where the Streets Have No Name". (Full article...)
    "City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada.

    The earliest incarnation of the song was developed during sessions for the band's 1997 album, Pop. The lyrics were written by the band's lead vocalist Bono, taking partial inspiration from his recollection of his first trip to London, and from the band's experience playing in New York City in the aftermath of the September 11 attacks during their Elevation Tour in 2001. Other lyrics refer to Bono's relationship with his wife Ali. The song's underlying theme reflects lost innocence and was inspired by an image Bono saw of himself from the early 1980s. The sound has been compared to the tone of U2's 1984 album, The Unforgettable Fire and their 1987 single "Where the Streets Have No Name". (Full article...)
  • Image 7 3 of Hearts is the eponymous debut studio album by American girl group 3 of Hearts. It was released on July 24, 2001, through the record label RCA Nashville. 3 of Hearts is a teen pop and country music album, though according to some music critics, it leans more towards pop music. The album was managed by American producer Byron Gallimore; its marketing focused on the group's crossover appeal to target a teenaged and young-adult audience. 3 of Hearts performed on two national tours sponsored by Seventeen magazine and Walmart respectively, and the singers were featured in several marketing campaigns. Reviews of 3 of Hearts were mixed; some critics praised the group's vocals and public image, but others criticized the songs as generic and lacking an authentic country sound. The album peaked at number 45 on Billboard's Top Country Albums chart. Two singles – "Love Is Enough" and "Arizona Rain" – were released and made appearances on the Country Airplay Billboard chart. The album's low sales and lack of appeal to country radio audiences led to RCA dropping the group. (Full article...)
    3 of Hearts is the eponymous debut studio album by American girl group 3 of Hearts. It was released on July 24, 2001, through the record label RCA Nashville. 3 of Hearts is a teen pop and country music album, though according to some music critics, it leans more towards pop music. The album was managed by American producer Byron Gallimore; its marketing focused on the group's crossover appeal to target a teenaged and young-adult audience. 3 of Hearts performed on two national tours sponsored by Seventeen magazine and Walmart respectively, and the singers were featured in several marketing campaigns.

    Reviews of 3 of Hearts were mixed; some critics praised the group's vocals and public image, but others criticized the songs as generic and lacking an authentic country sound. The album peaked at number 45 on Billboard's Top Country Albums chart. Two singles – "Love Is Enough" and "Arizona Rain" – were released and made appearances on the Country Airplay Billboard chart. The album's low sales and lack of appeal to country radio audiences led to RCA dropping the group. (Full article...)
  • Image 8 Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album. Preceded by the hit single "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and the title track. He named the album after the major American highway which connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi. (Full article...)
    Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

    Preceded by the hit single "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and the title track. He named the album after the major American highway which connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi. (Full article...)
  • Image 9 Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject. Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
    Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject.

    Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
  • Image 10 Smashing Pumpkins performing in 2019; left to right: Jimmy Chamberlin, Billy Corgan, and James Iha The Smashing Pumpkins (also simply known as Smashing Pumpkins) is an American alternative rock band from Chicago. Formed in 1988 by frontman and guitarist Billy Corgan, guitarist James Iha, bassist D'arcy Wretzky and drummer Jimmy Chamberlin, the band has undergone several line-up changes since their reunion in 2006, with Corgan being the primary songwriter and sole constant member since its inception. The current lineup consists of Corgan, Chamberlin, and Iha. The band has a diverse, densely layered sound, which evolved throughout their career and has contained elements of gothic rock, heavy metal, grunge, psychedelic rock, progressive rock, shoegaze, dream pop, and electronica. The band's first album, Gish (1991), became an underground success. In the advent of alternative rock's mainstream breakthrough, their second album Siamese Dream (1993) established the band's popularity. Despite a tumultuous recording process, the album received acclaim and has been lauded as one of the best albums in the genre. Their third album, Mellon Collie and the Infinite Sadness (1995), furthered the band's popularity; it debuted atop the Billboard 200, received diamond certification by the Recording Industry Association of America (RIAA), and received various critical plaudits. After the release of Adore (1998) and a two-part project in 2000—Machina and Machina II—the group disbanded due to internal conflicts, drug use, and diminishing sales by the end of the 1990s. With 30 million albums sold worldwide, the Smashing Pumpkins were among the most critically and commercially successful bands of the 1990s, often cited as a cultural touchstone of Generation X and an important act in the popularization of alternative rock. (Full article...)

    Smashing Pumpkins performing in 2019; left to right: Jimmy Chamberlin, Billy Corgan, and James Iha

    The Smashing Pumpkins (also simply known as Smashing Pumpkins) is an American alternative rock band from Chicago. Formed in 1988 by frontman and guitarist Billy Corgan, guitarist James Iha, bassist D'arcy Wretzky and drummer Jimmy Chamberlin, the band has undergone several line-up changes since their reunion in 2006, with Corgan being the primary songwriter and sole constant member since its inception. The current lineup consists of Corgan, Chamberlin, and Iha. The band has a diverse, densely layered sound, which evolved throughout their career and has contained elements of gothic rock, heavy metal, grunge, psychedelic rock, progressive rock, shoegaze, dream pop, and electronica.

    The band's first album, Gish (1991), became an underground success. In the advent of alternative rock's mainstream breakthrough, their second album Siamese Dream (1993) established the band's popularity. Despite a tumultuous recording process, the album received acclaim and has been lauded as one of the best albums in the genre. Their third album, Mellon Collie and the Infinite Sadness (1995), furthered the band's popularity; it debuted atop the Billboard 200, received diamond certification by the Recording Industry Association of America (RIAA), and received various critical plaudits. After the release of Adore (1998) and a two-part project in 2000—Machina and Machina II—the group disbanded due to internal conflicts, drug use, and diminishing sales by the end of the 1990s. With 30 million albums sold worldwide, the Smashing Pumpkins were among the most critically and commercially successful bands of the 1990s, often cited as a cultural touchstone of Generation X and an important act in the popularization of alternative rock. (Full article...)
  • Image 11 The Wiggles lineup in 2022 (L–R: Tsehay Hawkins, Caterina Mete, Lachlan Gillespie, Lucia Field, Simon Pryce, Evie Ferris, Anthony Field, John Pearce) The Wiggles are an Australian children's music group formed in Sydney in 1991. As of 2022, the group members are Anthony Field, Lachlan Gillespie, Simon Pryce, Tsehay Hawkins, Evie Ferris, John Pearce, Caterina Mete and Lucia Field. The Wiggles were founded in 1991 by Anthony Field, Murray Cook, Jeff Fatt, Greg Page and Phillip Wilcher. Wilcher left the group after their first album. Page retired in 2006 due to ill health and was replaced by understudy Sam Moran, but returned in 2012, replacing Moran. At the end of 2012, Cook, Fatt and Page retired and were replaced by Gillespie, Pryce and Emma Watkins. Cook and Fatt retained their shareholding in the group and all three continued to have input into its creative and production aspects, while engaging in occasional reunion performances. Watkins departed the group in 2021, with the group subsequently adopting an expanded line-up of eight members. Field and Fatt were members of the Australian pop band the Cockroaches in the 1980s, and Cook was a member of several bands before meeting Field and Page at Macquarie University, where they were studying to become pre-school teachers. In 1991, Field was inspired to create an album of children's music based upon concepts of early childhood education, and he enlisted Cook, Page, and Fatt to assist him. They began touring to promote the album and became so successful, they quit their teaching jobs to perform full-time. The group augmented their act with costumed characters Dorothy the Dinosaur, Henry the Octopus and Wags the Dog, as well as the human character Captain Feathersword, played by Paul Paddick since 1993. Shirley Shawn the Unicorn was later introduced. They originally travelled with a small group of dancers, which later grew into a larger troupe. The group's albums, DVDs and television programs have been produced independently since their inception. The height of their popularity came in the early 2000s, after they broke into the American market. (Full article...)

    The Wiggles lineup in 2022 (L–R: Tsehay Hawkins, Caterina Mete, Lachlan Gillespie, Lucia Field, Simon Pryce, Evie Ferris, Anthony Field, John Pearce)

    The Wiggles are an Australian children's music group formed in Sydney in 1991. As of 2022, the group members are Anthony Field, Lachlan Gillespie, Simon Pryce, Tsehay Hawkins, Evie Ferris, John Pearce, Caterina Mete and Lucia Field. The Wiggles were founded in 1991 by Anthony Field, Murray Cook, Jeff Fatt, Greg Page and Phillip Wilcher. Wilcher left the group after their first album. Page retired in 2006 due to ill health and was replaced by understudy Sam Moran, but returned in 2012, replacing Moran. At the end of 2012, Cook, Fatt and Page retired and were replaced by Gillespie, Pryce and Emma Watkins. Cook and Fatt retained their shareholding in the group and all three continued to have input into its creative and production aspects, while engaging in occasional reunion performances. Watkins departed the group in 2021, with the group subsequently adopting an expanded line-up of eight members.

    Field and Fatt were members of the Australian pop band the Cockroaches in the 1980s, and Cook was a member of several bands before meeting Field and Page at Macquarie University, where they were studying to become pre-school teachers. In 1991, Field was inspired to create an album of children's music based upon concepts of early childhood education, and he enlisted Cook, Page, and Fatt to assist him. They began touring to promote the album and became so successful, they quit their teaching jobs to perform full-time. The group augmented their act with costumed characters Dorothy the Dinosaur, Henry the Octopus and Wags the Dog, as well as the human character Captain Feathersword, played by Paul Paddick since 1993. Shirley Shawn the Unicorn was later introduced. They originally travelled with a small group of dancers, which later grew into a larger troupe. The group's albums, DVDs and television programs have been produced independently since their inception. The height of their popularity came in the early 2000s, after they broke into the American market. (Full article...)
  • Image 12 "Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex. When it was first released, "Touch Me I'm Sick" was a hit on college radio. Its heavily distorted and fuzzy guitars, snarling vocals, blunt bass line and energetic drumming contributed to a dirty sound that influenced many local musicians, and helped develop the nascent Seattle grunge scene. According to AllMusic, "the song's raw, primal energy made it an instant anthem which still stands as one of [grunge's] all-time classics". A staple of Mudhoney's live shows, it remains the band's most recognizable song. (Full article...)
    "Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex.

    When it was first released, "Touch Me I'm Sick" was a hit on college radio. Its heavily distorted and fuzzy guitars, snarling vocals, blunt bass line and energetic drumming contributed to a dirty sound that influenced many local musicians, and helped develop the nascent Seattle grunge scene. According to AllMusic, "the song's raw, primal energy made it an instant anthem which still stands as one of [grunge's] all-time classics". A staple of Mudhoney's live shows, it remains the band's most recognizable song. (Full article...)
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Born this day

Birthdays in Music: December 18
  • Murphy Lee, (born Tohri Murphy Lee Harper) American rapper, turns 41.
  • YBN Nahmir (born Nicholas Simmons), American rapper and songwriter, turns 25.
  • Billie Eilish, American singer and songwriter, turns 23.


  • DMX (Record production, 1970 –April 9, 2021), American rapper, would have turned 54 this year.
  • Randy Castillo (Record production, 1950 –March 26, 2002), American drummer, would have turned 74 this year.
  • Deke Leonard (Record production, 1944 –January 31, 2017), Welsh guitarist with Man, would have turned 80 this year.
  • Bobby Keys (Record production, 1943 –December 02, 2014), American saxophonist, would have turned 81 this year.
  • Chas Chandler (Record production, 1938 –July 17, 1996), Brit bassist for The Animals, would have turned 86 this year.
  • Joel Hirschhorn (Record production, 1938 –September 18, 2005), American songwriter and composer, would have turned 86 this year.
  • Al Jones (1930 – 1976), American drummer, would have turned 94.
  • Don Heckman (Record production, 1930–November 18, 2020), American clarinetist and music critic, would have turned 94 this year.
  • Nick Stabulas (Record production, 1929 –February 06, 1973), American drummer, would have turned 95 this year.
  • Ira Gitler (Record production, 1928 –February 23, 2019), American music historian and critic, would have turned 96 this year.
  • Big Miller (Record production, 1922 –June 09, 1992), (born Clarence Horatio Miller) American trombonist, would have turned 102 this year.
  • Barry Galbraith (Record production, 1919 –January 13, 1983), American guitarist, would have turned 105 this year.
  • Pee Wee Crayton (Record production, 1914 –June 25, 1985), American guitarist and vocalist, would have turned 110 this year.
  • Fletcher Henderson (Record production, 1897 –December 28, 1952), American bandleader and pianist, would have turned 127 this year.
  • Sam Morgan (Record production, 1887 –February 25, 1936), American trumpeter, would have turned 137 this year.
  • Augusta Holmès (Record production, 1847 –January 28, 1903), French composer, would have turned 177 this year.
  

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 Flashback is the fifth studio album by Puerto Rican reggaetón recording artist Ivy Queen, released on October 4, 2005 through Univision and on September 15, 2007 as Greatest Hits in Germany and Spain. It is often considered as a studio-compilation release due to the amount of the album being previously released material. Queen began working on Flashback after the moderate success of Real in early 2005. Featuring content dating back to 1995, when she was still a part of the all-male group The Noise, the album includes four new pieces of work all produced by Rafi Mercenario, the genre's most requested record producer at the time. The four tracks were written and recorded after the end of Queen's nine-year marriage to Omar Navarro, months before the album's release. Lyrically, the remaining sixteen tracks tell stories of female empowerment, love and heartbreak and sociopolitical criticism. Following an international tour of South America which began in 2004 and presentations in the United States, Ivy Queen partnered with the co-founder of Perfect Image Records, José Guadalupe, to form her own record label Filtro Musik and signed a distribution deal with Univision Music Group in 2005. She was previously signed to Guadalupe's independent label Perfect Image Records which was distributed by Universal Music Latino. The Flashback Tour was launched in September 2005 to promote the album. (Full article...)
    Flashback is the fifth studio album by Puerto Rican reggaetón recording artist Ivy Queen, released on October 4, 2005 through Univision and on September 15, 2007 as Greatest Hits in Germany and Spain. It is often considered as a studio-compilation release due to the amount of the album being previously released material. Queen began working on Flashback after the moderate success of Real in early 2005. Featuring content dating back to 1995, when she was still a part of the all-male group The Noise, the album includes four new pieces of work all produced by Rafi Mercenario, the genre's most requested record producer at the time.

    The four tracks were written and recorded after the end of Queen's nine-year marriage to Omar Navarro, months before the album's release. Lyrically, the remaining sixteen tracks tell stories of female empowerment, love and heartbreak and sociopolitical criticism. Following an international tour of South America which began in 2004 and presentations in the United States, Ivy Queen partnered with the co-founder of Perfect Image Records, José Guadalupe, to form her own record label Filtro Musik and signed a distribution deal with Univision Music Group in 2005. She was previously signed to Guadalupe's independent label Perfect Image Records which was distributed by Universal Music Latino. The Flashback Tour was launched in September 2005 to promote the album. (Full article...)
  • Image 2 The Cherrytree Sessions is the first extended play by American singer Lady Gaga. It consists of three acoustic versions of "Poker Face", "Just Dance", and "Eh, Eh (Nothing Else I Can Say)". The EP was released on February 3, 2009, initially released only through Borders stores and via digital download, and was later reissued on CD in August 2010. The Cherrytree Sessions received generally positive reviews from critics, who praised Gaga's vocal abilities and the instrumentation of the three tracks, including their unusual incorporation of styles such as cabaret and beatboxing. It reached number 32 on the Mexican Albums Chart. (Full article...)
    The Cherrytree Sessions is the first extended play by American singer Lady Gaga. It consists of three acoustic versions of "Poker Face", "Just Dance", and "Eh, Eh (Nothing Else I Can Say)". The EP was released on February 3, 2009, initially released only through Borders stores and via digital download, and was later reissued on CD in August 2010.

    The Cherrytree Sessions received generally positive reviews from critics, who praised Gaga's vocal abilities and the instrumentation of the three tracks, including their unusual incorporation of styles such as cabaret and beatboxing. It reached number 32 on the Mexican Albums Chart. (Full article...)
  • Image 3 Yellow Submarine is the tenth studio album by the English rock band the Beatles, released in January 1969. It is the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" and "All You Need Is Love". The remainder of the album is a re-recording of selections from the film's orchestral soundtrack by the band's producer, George Martin. The project was regarded as a contractual obligation by the Beatles, who were asked to supply four new songs for the film. Some were written and recorded specifically for the soundtrack, while others were unreleased tracks from other projects. The album was recorded before – and issued two months after – the band's self-titled double LP (also known as the "White Album") and was not viewed by the band as a significant release. An EP containing only the new songs had been considered, and was mastered, but left unreleased. The original mono mixes were later included in the 2009 compilation Mono Masters. (Full article...)
    Yellow Submarine is the tenth studio album by the English rock band the Beatles, released in January 1969. It is the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" and "All You Need Is Love". The remainder of the album is a re-recording of selections from the film's orchestral soundtrack by the band's producer, George Martin.

    The project was regarded as a contractual obligation by the Beatles, who were asked to supply four new songs for the film. Some were written and recorded specifically for the soundtrack, while others were unreleased tracks from other projects. The album was recorded before – and issued two months after – the band's self-titled double LP (also known as the "White Album") and was not viewed by the band as a significant release. An EP containing only the new songs had been considered, and was mastered, but left unreleased. The original mono mixes were later included in the 2009 compilation Mono Masters. (Full article...)
  • Image 4 The Sweet Escape is the second solo studio album by American singer Gwen Stefani, released on December 1, 2006, by Interscope Records. Having originally intended to return to No Doubt after her debut solo album, Love. Angel. Music. Baby. (2004), Stefani decided to record a second album as a way to release some of the material left over from the Love. Angel. Music. Baby. writing sessions. The album musically resembles its predecessor while exploring more modern pop sounds. It was released to generally mixed reviews from contemporary music critics, receiving criticism for its strong similarities to Love. Angel. Music. Baby. It was preceded by the lead single "Wind It Up", which charted moderately across the world, and produced the follow-up single "The Sweet Escape", which proved to be more successful worldwide. The Sweet Escape reached the top five in the United States, Canada, and Australia and peaked inside the top 20 in the United Kingdom. The album's supporting tour, The Sweet Escape Tour, kicked off in April 2007, covering North America, Colombia, Australia, Asia, and Europe. (Full article...)
    The Sweet Escape is the second solo studio album by American singer Gwen Stefani, released on December 1, 2006, by Interscope Records. Having originally intended to return to No Doubt after her debut solo album, Love. Angel. Music. Baby. (2004), Stefani decided to record a second album as a way to release some of the material left over from the Love. Angel. Music. Baby. writing sessions. The album musically resembles its predecessor while exploring more modern pop sounds. It was released to generally mixed reviews from contemporary music critics, receiving criticism for its strong similarities to Love. Angel. Music. Baby.

    It was preceded by the lead single "Wind It Up", which charted moderately across the world, and produced the follow-up single "The Sweet Escape", which proved to be more successful worldwide. The Sweet Escape reached the top five in the United States, Canada, and Australia and peaked inside the top 20 in the United Kingdom. The album's supporting tour, The Sweet Escape Tour, kicked off in April 2007, covering North America, Colombia, Australia, Asia, and Europe. (Full article...)
  • Image 5 Christmas Queens 2 is a holiday compilation album by various artists. It was released by Producer Entertainment Group on November 11, 2016. Consisting of 30 tracks, the album is a sequel to Christmas Queens (2015) and features RuPaul's Drag Race contestants alongside Jackie Beat, Michelle Visage, and Carnie Wilson performing mostly original material; exceptions include ensemble covers of "Deck the Halls" and "Auld Lang Syne, as well as Visage's rendition of "O Holy Night". The compilation was promoted by a music video for "Working Holiday", which features Alaska Thunderfuck and Manila Luzon, a web series entitled Christmas Queens, and a tour by various artists with December 2016 shows in the United Kingdom, Canada, and the United States. It received mixed reviews from music critics and peaked at number two on Billboard's Comedy Albums chart. (Full article...)
    Christmas Queens 2 is a holiday compilation album by various artists. It was released by Producer Entertainment Group on November 11, 2016. Consisting of 30 tracks, the album is a sequel to Christmas Queens (2015) and features RuPaul's Drag Race contestants alongside Jackie Beat, Michelle Visage, and Carnie Wilson performing mostly original material; exceptions include ensemble covers of "Deck the Halls" and "Auld Lang Syne, as well as Visage's rendition of "O Holy Night". The compilation was promoted by a music video for "Working Holiday", which features Alaska Thunderfuck and Manila Luzon, a web series entitled Christmas Queens, and a tour by various artists with December 2016 shows in the United Kingdom, Canada, and the United States. It received mixed reviews from music critics and peaked at number two on Billboard's Comedy Albums chart. (Full article...)
  • Image 6 The Fame Monster is a reissue of American singer Lady Gaga's debut studio album, The Fame (2008), and was released on November 18, 2009, through Interscope Records. Initially planned solely as a deluxe edition reissue of The Fame, Interscope later decided to release the eight new songs as a standalone EP in some territories. The decision was also because Gaga believed the re-release was too expensive and that the albums were conceptually different, describing them as yin and yang. The deluxe edition is a double album featuring the eight new songs on the first disc and The Fame on the second disc. A super deluxe edition was released on December 15, 2009, holding additional merchandise, including a lock from Gaga's wig. An electropop record, The Fame Monster has influences of disco, glam rock, and synth-pop music of the 1970s and 1980s, as well as industrial and gothic music. The album was also inspired by fashion shows and runways. According to Gaga, the album deals with the darker side of fame, with its theme lyrically expressed through a monster metaphor. The album's two covers were shot by Hedi Slimane. One of the covers has a Gothic theme and was declined for release by her record company, but Gaga persuaded them. (Full article...)
    The Fame Monster is a reissue of American singer Lady Gaga's debut studio album, The Fame (2008), and was released on November 18, 2009, through Interscope Records. Initially planned solely as a deluxe edition reissue of The Fame, Interscope later decided to release the eight new songs as a standalone EP in some territories. The decision was also because Gaga believed the re-release was too expensive and that the albums were conceptually different, describing them as yin and yang. The deluxe edition is a double album featuring the eight new songs on the first disc and The Fame on the second disc. A super deluxe edition was released on December 15, 2009, holding additional merchandise, including a lock from Gaga's wig.

    An electropop record, The Fame Monster has influences of disco, glam rock, and synth-pop music of the 1970s and 1980s, as well as industrial and gothic music. The album was also inspired by fashion shows and runways. According to Gaga, the album deals with the darker side of fame, with its theme lyrically expressed through a monster metaphor. The album's two covers were shot by Hedi Slimane. One of the covers has a Gothic theme and was declined for release by her record company, but Gaga persuaded them. (Full article...)
  • Image 7 Ven Conmigo (English: Come with Me) is the second studio album by American singer Selena, released on November 12, 1990, by EMI Latin. The singer's brother, A.B. Quintanilla III remained her principal record producer and songwriter after her debut album's moderate success. Selena's Los Dinos band composed and arranged seven of the album's ten tracks; local songwriter Johnny Herrera also provided songs for Selena to record. Ven Conmigo contains half cumbias and half rancheras, though the album includes other genres. Its musical compositions are varied and demonstrate an evolving maturity in Selena's basic Tejano sound. The album's structure and track organization were unconventional compared with other Tejano music albums. The songs on Ven Conmigo are mostly love songs or songs following a woman's struggles after many failed relationships. After Ven Conmigo's release, the band hired guitarist Chris Pérez who introduced his hard rock sound to the band's music and performances, and further diversified Selena's repertoire. Her promotional tour for the album attracted upwards of 60,000 attendees to her shows, and critics praised the singer's stage presence. The album's single, "Baila Esta Cumbia" was the most played song on local Tejano music radio stations for over a month and helped Selena to tour in Mexico. Ven Conmigo peaked at number three on the US Billboard Regional Mexican Albums chart, her then-highest peaking album. It received critical acclaim, bringing Selena recognition as a Tejano singer and establishing her as a commercial threat. (Full article...)
    Ven Conmigo (English: Come with Me) is the second studio album by American singer Selena, released on November 12, 1990, by EMI Latin. The singer's brother, A.B. Quintanilla III remained her principal record producer and songwriter after her debut album's moderate success. Selena's Los Dinos band composed and arranged seven of the album's ten tracks; local songwriter Johnny Herrera also provided songs for Selena to record. Ven Conmigo contains half cumbias and half rancheras, though the album includes other genres. Its musical compositions are varied and demonstrate an evolving maturity in Selena's basic Tejano sound. The album's structure and track organization were unconventional compared with other Tejano music albums. The songs on Ven Conmigo are mostly love songs or songs following a woman's struggles after many failed relationships.

    After Ven Conmigo's release, the band hired guitarist Chris Pérez who introduced his hard rock sound to the band's music and performances, and further diversified Selena's repertoire. Her promotional tour for the album attracted upwards of 60,000 attendees to her shows, and critics praised the singer's stage presence. The album's single, "Baila Esta Cumbia" was the most played song on local Tejano music radio stations for over a month and helped Selena to tour in Mexico. Ven Conmigo peaked at number three on the US Billboard Regional Mexican Albums chart, her then-highest peaking album. It received critical acclaim, bringing Selena recognition as a Tejano singer and establishing her as a commercial threat. (Full article...)
  • Image 8 Revelation is the ninth studio album by American Christian rock band Third Day, released on July 29, 2008. The album was produced by Howard Benson, who had decided to work with the band after rock singer Chris Daughtry drew attention to lead singer Mac Powell's vocal ability. Although they were initially uncomfortable working with Benson, Third Day achieved a positive working relationship with Benson, who felt that their different religious beliefs made them challenge each other in a way reflected in the record. In recording Revelation, Third Day aimed to produce a southern rock album while being more creative musically; the band felt the result was their best record to date. As a whole, the album is noted as adopting a heavier and edgier rock sound than Third Day's previous adult contemporary-projects such as Wherever You Are (2005), while the album's lyrics reflect Christian themes. The album features guest appearances from Chris Daughtry, Lacey Mosley of alternative metal band Flyleaf, and pedal steel guitarist Robert Randolph. (Full article...)
    Revelation is the ninth studio album by American Christian rock band Third Day, released on July 29, 2008. The album was produced by Howard Benson, who had decided to work with the band after rock singer Chris Daughtry drew attention to lead singer Mac Powell's vocal ability. Although they were initially uncomfortable working with Benson, Third Day achieved a positive working relationship with Benson, who felt that their different religious beliefs made them challenge each other in a way reflected in the record.

    In recording Revelation, Third Day aimed to produce a southern rock album while being more creative musically; the band felt the result was their best record to date. As a whole, the album is noted as adopting a heavier and edgier rock sound than Third Day's previous adult contemporary-projects such as Wherever You Are (2005), while the album's lyrics reflect Christian themes. The album features guest appearances from Chris Daughtry, Lacey Mosley of alternative metal band Flyleaf, and pedal steel guitarist Robert Randolph. (Full article...)
  • Image 9 Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become. Recorded in three distinct sessions and partially refined from pre-Godflesh demos, Streetcleaner is a weighty, bleak album that blends heavy metal with industrial music by means of production-emphasised bass, distorted guitar and, most importantly, machine percussion. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical. Streetcleaner was supported by a series of concerts where Godflesh played alongside Napalm Death, and it was on the North American leg of the tour that the band began to gain significant international traction. (Full article...)
    Streetcleaner is the debut studio album by English industrial metal band Godflesh. It was released on 13 November 1989 through Earache Records and was reissued with a second disc of previously unreleased material on 21 June 2010. The album is widely acclaimed by critics and is often cited as a landmark release in industrial metal; though not the genre's first release, Streetcleaner helped define what industrial metal would become.

    Recorded in three distinct sessions and partially refined from pre-Godflesh demos, Streetcleaner is a weighty, bleak album that blends heavy metal with industrial music by means of production-emphasised bass, distorted guitar and, most importantly, machine percussion. Unlike many metal albums, guitar is employed to create screeching noise rather than discrete riffs, and the drums and bass are louder than is typical. Streetcleaner was supported by a series of concerts where Godflesh played alongside Napalm Death, and it was on the North American leg of the tour that the band began to gain significant international traction. (Full article...)
  • Image 10 No Jacket Required is the third solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 18 February 1985 by Virgin Records in the UK and by Atlantic and WEA internationally. After finishing touring commitments with Genesis and working with Eric Clapton in 1984, Collins resumed his solo career and started work on a new album. He made a conscious decision to write more uptempo and dance-oriented songs, as much of his previous material was influenced by matters surrounding his first divorce. The album features Helen Terry, Peter Gabriel, and Sting as guest backing vocalists. Some songs, like "Don't Lose My Number" and "Sussudio", were based around improvisation, and others, like "Long Long Way to Go", had a political message. (Full article...)
    No Jacket Required is the third solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 18 February 1985 by Virgin Records in the UK and by Atlantic and WEA internationally.

    After finishing touring commitments with Genesis and working with Eric Clapton in 1984, Collins resumed his solo career and started work on a new album. He made a conscious decision to write more uptempo and dance-oriented songs, as much of his previous material was influenced by matters surrounding his first divorce. The album features Helen Terry, Peter Gabriel, and Sting as guest backing vocalists. Some songs, like "Don't Lose My Number" and "Sussudio", were based around improvisation, and others, like "Long Long Way to Go", had a political message. (Full article...)
  • Image 11 A Moon Shaped Pool is the ninth studio album by the English rock band Radiohead. It was released digitally on 8 May 2016, with a retail release on 17 June 2016 through XL Recordings. It was produced by Radiohead's longtime collaborator Nigel Godrich. Radiohead recorded A Moon Shaped Pool in RAK Studios in London, their studio in Oxford, and the La Fabrique studio in Saint-Rémy-de-Provence, France. It features strings and choral vocals arranged by the guitarist Jonny Greenwood and performed by the London Contemporary Orchestra. Several songs, such as "True Love Waits" and "Burn the Witch", were written years earlier. The lyrics address climate change, groupthink and heartbreak. Many critics saw them as a response to the split of the singer, Thom Yorke, from his wife, Rachel Owen. Radiohead's longtime collaborator Stanley Donwood created the abstract cover by exposing his paintings to weather. (Full article...)
    A Moon Shaped Pool is the ninth studio album by the English rock band Radiohead. It was released digitally on 8 May 2016, with a retail release on 17 June 2016 through XL Recordings. It was produced by Radiohead's longtime collaborator Nigel Godrich.

    Radiohead recorded A Moon Shaped Pool in RAK Studios in London, their studio in Oxford, and the La Fabrique studio in Saint-Rémy-de-Provence, France. It features strings and choral vocals arranged by the guitarist Jonny Greenwood and performed by the London Contemporary Orchestra. Several songs, such as "True Love Waits" and "Burn the Witch", were written years earlier. The lyrics address climate change, groupthink and heartbreak. Many critics saw them as a response to the split of the singer, Thom Yorke, from his wife, Rachel Owen. Radiohead's longtime collaborator Stanley Donwood created the abstract cover by exposing his paintings to weather. (Full article...)
  • Image 12 One Fierce Beer Coaster is the second studio album by American band Bloodhound Gang, released on December 3, 1996. Produced by Jimmy Pop, it was the band's first release on Geffen Records, and the first to feature "Evil" Jared Hasselhoff on bass guitar, and DJ Q-Ball on the turntables. The music of One Fierce Beer Coaster encompasses a number of genres and its lyrics are rife with toilet humor. One Fierce Beer Coaster was initially released by the independent label Republic Records before being re-released by Geffen Records due to underground popularity. The album has received mixed to moderately favorable reviews. Three singles were released from the album including "Fire Water Burn", "I Wish I Was Queer So I Could Get Chicks" and "Why's Everybody Always Pickin' on Me?" The first single, "Fire Water Burn", was a modern rock hit, landing on nine national charts. (Full article...)
    One Fierce Beer Coaster is the second studio album by American band Bloodhound Gang, released on December 3, 1996. Produced by Jimmy Pop, it was the band's first release on Geffen Records, and the first to feature "Evil" Jared Hasselhoff on bass guitar, and DJ Q-Ball on the turntables. The music of One Fierce Beer Coaster encompasses a number of genres and its lyrics are rife with toilet humor.

    One Fierce Beer Coaster was initially released by the independent label Republic Records before being re-released by Geffen Records due to underground popularity. The album has received mixed to moderately favorable reviews. Three singles were released from the album including "Fire Water Burn", "I Wish I Was Queer So I Could Get Chicks" and "Why's Everybody Always Pickin' on Me?" The first single, "Fire Water Burn", was a modern rock hit, landing on nine national charts. (Full article...)
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  Featured lists - load new batch

Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.
  • Image 1 Chris Stapleton's "Tennessee Whiskey" went straight to number one after an acclaimed awards show performance. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay, not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2015, 10 different songs topped the Hot Country Songs chart and 39 different songs topped Country Airplay in 52 issues of the magazine. In the first issue of Billboard of the year, Craig Wayne Boyd entered the Hot Country Songs chart at number one with "My Baby's Got a Smile on Her Face". Boyd, winner of the seventh season of NBC's reality TV singing competition The Voice, was only the second artist in the chart's 57-year history to enter at number one. The following week, however, the song dropped off the chart completely, meaning that its entire chart run consisted of a single week at number one. In addition to Boyd, one other artist was a first-time chart-topper on Hot Country Songs. Following a critically acclaimed performance at the 49th Country Music Association Awards, Chris Stapleton's version of "Tennessee Whiskey", which had spent a single week at number 46 six months earlier, re-entered at number one, despite never having been officially released as a single or serviced to radio. Nine acts gained their first career country number ones by topping the airplay listing. Ashley Monroe made her first appearance at number one under her own name when she featured on Blake Shelton's hit "Lonely Tonight", although she had previously reached the top spot as part of the group Pistol Annies, who had been featured on another of Shelton's songs two years earlier. Between May and August, Tyler Farr, Kelsea Ballerini, Canaan Smith, Michael Ray, and the band A Thousand Horses were all first-time chart-toppers, as was Grace Potter, who was featured on veteran country star Kenny Chesney's song "Wild Child". Later in the year, the band Old Dominion and the duo Dan + Shay made their first appearances at number one. (Full article...)
    A man with long hair and a beard, wearing a cowboy hat, singing into a microphone and playing a guitar
    Chris Stapleton's "Tennessee Whiskey" went straight to number one after an acclaimed awards show performance.

    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay, not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2015, 10 different songs topped the Hot Country Songs chart and 39 different songs topped Country Airplay in 52 issues of the magazine.

    In the first issue of Billboard of the year, Craig Wayne Boyd entered the Hot Country Songs chart at number one with "My Baby's Got a Smile on Her Face". Boyd, winner of the seventh season of NBC's reality TV singing competition The Voice, was only the second artist in the chart's 57-year history to enter at number one. The following week, however, the song dropped off the chart completely, meaning that its entire chart run consisted of a single week at number one. In addition to Boyd, one other artist was a first-time chart-topper on Hot Country Songs. Following a critically acclaimed performance at the 49th Country Music Association Awards, Chris Stapleton's version of "Tennessee Whiskey", which had spent a single week at number 46 six months earlier, re-entered at number one, despite never having been officially released as a single or serviced to radio. Nine acts gained their first career country number ones by topping the airplay listing. Ashley Monroe made her first appearance at number one under her own name when she featured on Blake Shelton's hit "Lonely Tonight", although she had previously reached the top spot as part of the group Pistol Annies, who had been featured on another of Shelton's songs two years earlier. Between May and August, Tyler Farr, Kelsea Ballerini, Canaan Smith, Michael Ray, and the band A Thousand Horses were all first-time chart-toppers, as was Grace Potter, who was featured on veteran country star Kenny Chesney's song "Wild Child". Later in the year, the band Old Dominion and the duo Dan + Shay made their first appearances at number one. (Full article...)
  • Image 2 "(We're Gonna) Rock Around the Clock" by Bill Haley & His Comets was the first single to sell 1 million copies in the UK. The definition of a million-selling single, as regarded by the Official Charts Company (OCC), has changed in line with new technology for music consumption. Originally only physical record sales were counted since the start of the UK Singles Chart in November 1952. Digital downloads of a track were included from 2004 onwards and from 2014 onwards BPI-certified awards (Silver, Gold and Platinum) and the weekly charts include audio streaming. In 2017, the OCC included streaming in their definition of a million-seller and published a full list of the 311 songs which had achieved this. Certified awards can also include shipments (sales to trade). The OCC and Music Week regularly announce when a record becomes a million seller. (Full article...)
    "(We're Gonna) Rock Around the Clock" by Bill Haley & His Comets was the first single to sell 1 million copies in the UK.

    The definition of a million-selling single, as regarded by the Official Charts Company (OCC), has changed in line with new technology for music consumption. Originally only physical record sales were counted since the start of the UK Singles Chart in November 1952. Digital downloads of a track were included from 2004 onwards and from 2014 onwards BPI-certified awards (Silver, Gold and Platinum) and the weekly charts include audio streaming. In 2017, the OCC included streaming in their definition of a million-seller and published a full list of the 311 songs which had achieved this. Certified awards can also include shipments (sales to trade). The OCC and Music Week regularly announce when a record becomes a million seller. (Full article...)
  • Image 3 Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1975, 43 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. Merle Haggard had the most number ones in 1975, taking four different singles to the top spot. The four singles spent a total of five weeks at number one, tying Haggard with Freddy Fender for the highest number of weeks spent atop the chart by a single artist in 1975. When Fender reached number one with "Before the Next Teardrop Falls" in the issue of Billboard dated March 15, he achieved the feat of topping the Hot Country chart with his first hit. The Tex-Mex-influenced song went on to be a crossover success, topping Billboard's all-genre singles chart, the Hot 100, in May. Five other singles released in 1975 reached number one on both charts: "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" by B.J. Thomas, "Rhinestone Cowboy" by Glen Campbell, both "Thank God I'm a Country Boy" and "I'm Sorry" by John Denver, and "Convoy" by C.W. McCall. "Rhinestone Cowboy" spent three non-consecutive weeks atop the country listing, the only song to spend more than two weeks in the top spot. (Full article...)

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1975, 43 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Merle Haggard had the most number ones in 1975, taking four different singles to the top spot. The four singles spent a total of five weeks at number one, tying Haggard with Freddy Fender for the highest number of weeks spent atop the chart by a single artist in 1975. When Fender reached number one with "Before the Next Teardrop Falls" in the issue of Billboard dated March 15, he achieved the feat of topping the Hot Country chart with his first hit. The Tex-Mex-influenced song went on to be a crossover success, topping Billboard's all-genre singles chart, the Hot 100, in May. Five other singles released in 1975 reached number one on both charts: "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" by B.J. Thomas, "Rhinestone Cowboy" by Glen Campbell, both "Thank God I'm a Country Boy" and "I'm Sorry" by John Denver, and "Convoy" by C.W. McCall. "Rhinestone Cowboy" spent three non-consecutive weeks atop the country listing, the only song to spend more than two weeks in the top spot. (Full article...)
  • Image 4 Garth Brooks achieved four number ones in 1991. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1991, 30 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. George Strait's song "I've Come to Expect It from You" began the year at number one, having held the top position for the last four weeks of 1990. The next week, Garth Brooks achieved the first of his eventual four number ones of the year with his song "Unanswered Prayers". Brooks' four was the most number ones for the year by any act, though Alan Jackson and George Strait would each have three songs reach the top of the chart. Ricky Van Shelton reached number one twice as a solo performer, and once in collaboration with Dolly Parton on her song "Rockin' Years". Three songs spent three weeks each at the top of the chart, the most of any song for the year: "Down Home" by Alabama, "Don't Rock the Jukebox" by Alan Jackson, and "You Know Me Better Than That" by George Strait. (Full article...)
    Garth Brooks performing on stage, while holding a guitar.
    Garth Brooks achieved four number ones in 1991.


    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1991, 30 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    George Strait's song "I've Come to Expect It from You" began the year at number one, having held the top position for the last four weeks of 1990. The next week, Garth Brooks achieved the first of his eventual four number ones of the year with his song "Unanswered Prayers". Brooks' four was the most number ones for the year by any act, though Alan Jackson and George Strait would each have three songs reach the top of the chart. Ricky Van Shelton reached number one twice as a solo performer, and once in collaboration with Dolly Parton on her song "Rockin' Years". Three songs spent three weeks each at the top of the chart, the most of any song for the year: "Down Home" by Alabama, "Don't Rock the Jukebox" by Alan Jackson, and "You Know Me Better Than That" by George Strait. (Full article...)
  • Image 5 Tanya Tucker had her first chart-topper in 1973 at the age of 14. Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
    A young woman with long blonde hair
    Tanya Tucker had her first chart-topper in 1973 at the age of 14.

    Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
  • Image 6 "Sweet Home Chicago" performed at the White House with Barack Obama joining B.B. King on the chorus Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (Full article...)
    Color photo of Barack Obama singing into a microphone with B.B. King and other musicians and guests.
    "Sweet Home Chicago" performed at the White House with Barack Obama joining B.B. King on the chorus

    Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast.

    Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted:Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. (Full article...)
  • Image 7 The UK Singles Chart is the official record chart in the United Kingdom. Record charts in the UK began life in 1952 when Percy Dickins from New Musical Express (NME) imitated an idea started in American Billboard magazine and began compiling a hit parade. Prior to this, a song's popularity was measured by the sales of sheet music. Initially, Dickins telephoned a sample of around 20 shops asking for a list of the 10 best-selling songs. These results were then aggregated to give a Top 12 chart published in NME on 14 November 1952. The number-one single was "Here in My Heart" by Al Martino. According to The Official Charts Company and Guinness' British Hit Singles & Albums, the NME is considered the official British singles chart before 10 March 1960. However, until 15 February 1969, when the British Market Research Bureau chart was established, there was no universally accepted chart. Other charts existed and different artists may have placed at number one in charts by Record Mirror, Disc or Melody Maker. Alternatively, some considered the BBC's Pick of the Pops, which averaged all these charts, to be a better indicator of the number-one single. (Full article...)
    The UK Singles Chart is the official record chart in the United Kingdom. Record charts in the UK began life in 1952 when Percy Dickins from New Musical Express (NME) imitated an idea started in American Billboard magazine and began compiling a hit parade. Prior to this, a song's popularity was measured by the sales of sheet music. Initially, Dickins telephoned a sample of around 20 shops asking for a list of the 10 best-selling songs. These results were then aggregated to give a Top 12 chart published in NME on 14 November 1952. The number-one single was "Here in My Heart" by Al Martino.

    According to The Official Charts Company and Guinness' British Hit Singles & Albums, the NME is considered the official British singles chart before 10 March 1960. However, until 15 February 1969, when the British Market Research Bureau chart was established, there was no universally accepted chart. Other charts existed and different artists may have placed at number one in charts by Record Mirror, Disc or Melody Maker. Alternatively, some considered the BBC's Pick of the Pops, which averaged all these charts, to be a better indicator of the number-one single. (Full article...)
  • Image 8 The Beatles released 18 of the best-selling songs of the 1960s. A single is a type of music release defined by the British Official Charts Company (OCC) as having no more than four tracks and not lasting longer than 25 minutes. On 31 May 2010, a retrospective record chart was broadcast on BBC Radio 2 that listed the 60 biggest-selling singles in the United Kingdom during the 1960s. The programme, entitled The Top 60 Best Selling Records of the 60s, was hosted by British DJ Tony Blackburn. The chart was compiled by the OCC, and was based on sales of singles from 1 January 1960 to 31 December 1969. The most represented act in the chart is the Beatles, who feature on the list with 18 releases, seven of which are in the top twenty. Similarly, the most represented record label is Parlophone, who released music from the Beatles between 1962 and 1968 in the UK. The most represented act after the Beatles is the Rolling Stones, who have five singles in the list. The highest-placed solo female artist on the list is Cilla Black at number 27, with her 1964 single "Anyone Who Had a Heart", which was also distributed by Parlophone. Of the 60 discs in the chart, more than half (44) are by British acts. (Full article...)
    Composite image of four black-and-white photographs showing the faces of the Beatles.
    The Beatles released 18 of the best-selling songs of the 1960s.


    A single is a type of music release defined by the British Official Charts Company (OCC) as having no more than four tracks and not lasting longer than 25 minutes. On 31 May 2010, a retrospective record chart was broadcast on BBC Radio 2 that listed the 60 biggest-selling singles in the United Kingdom during the 1960s. The programme, entitled The Top 60 Best Selling Records of the 60s, was hosted by British DJ Tony Blackburn. The chart was compiled by the OCC, and was based on sales of singles from 1 January 1960 to 31 December 1969.

    The most represented act in the chart is the Beatles, who feature on the list with 18 releases, seven of which are in the top twenty. Similarly, the most represented record label is Parlophone, who released music from the Beatles between 1962 and 1968 in the UK. The most represented act after the Beatles is the Rolling Stones, who have five singles in the list. The highest-placed solo female artist on the list is Cilla Black at number 27, with her 1964 single "Anyone Who Had a Heart", which was also distributed by Parlophone. Of the 60 discs in the chart, more than half (44) are by British acts. (Full article...)
  • Image 9 Katy Perry (pictured)'s "I Kissed a Girl" topped the chart for nine consecutive weeks, tying Madonna's "4 Minutes" for the joint-longest-running number-one single of the year. The Canadian Hot 100 is a chart that ranks the best-performing singles of Canada. Published by Billboard magazine, its data are similar to Billboard's U.S.-based Hot 100 in that it compiles Nielsen SoundScan based collectively on each single's weekly physical and digital sales, as well as airplay. Canada's airplay chart is compiled with information collected from monitoring more than 100 stations that represent rock, country, adult contemporary and contemporary hit radio genres. The online version of the chart features the Canadian flag next to tracks that qualify as Canadian content. In 2008, 11 singles topped the chart. Although 12 singles claimed the top spot in 52 issues of the magazine, Timbaland's "Apologize" featuring OneRepublic began its peak position in late 2007, and is thus excluded. Katy Perry and Lady Gaga each earned two number-one singles as a lead artist. Two number-one singles tied for the longest-running chart-topping single of 2008, for nine weeks: Madonna's "4 Minutes" featuring Justin Timberlake and Katy Perry's "I Kissed a Girl", although the former had a non-consecutive run. Other chart-topping singles from 2008 include Flo Rida's "Low" featuring T-Pain, which stayed at number one for eight straight weeks. Rihanna's "Take a Bow" is noted for its jump from seventieth to first place on the Canadian Hot 100, which was the largest upward movement to number one at the time. (Full article...)
    Katy Perry singing in a concert, wearing a green dress and pink sunglasses with heart-shaped rims
    Katy Perry (pictured)'s "I Kissed a Girl" topped the chart for nine consecutive weeks, tying Madonna's "4 Minutes" for the joint-longest-running number-one single of the year.

    The Canadian Hot 100 is a chart that ranks the best-performing singles of Canada. Published by Billboard magazine, its data are similar to Billboard's U.S.-based Hot 100 in that it compiles Nielsen SoundScan based collectively on each single's weekly physical and digital sales, as well as airplay. Canada's airplay chart is compiled with information collected from monitoring more than 100 stations that represent rock, country, adult contemporary and contemporary hit radio genres. The online version of the chart features the Canadian flag next to tracks that qualify as Canadian content.

    In 2008, 11 singles topped the chart. Although 12 singles claimed the top spot in 52 issues of the magazine, Timbaland's "Apologize" featuring OneRepublic began its peak position in late 2007, and is thus excluded. Katy Perry and Lady Gaga each earned two number-one singles as a lead artist. Two number-one singles tied for the longest-running chart-topping single of 2008, for nine weeks: Madonna's "4 Minutes" featuring Justin Timberlake and Katy Perry's "I Kissed a Girl", although the former had a non-consecutive run. Other chart-topping singles from 2008 include Flo Rida's "Low" featuring T-Pain, which stayed at number one for eight straight weeks. Rihanna's "Take a Bow" is noted for its jump from seventieth to first place on the Canadian Hot 100, which was the largest upward movement to number one at the time. (Full article...)
  • Image 10 Madonna had six number ones during the 1980s. The UK Singles Chart is the official record chart in the United Kingdom. Until 1983, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a two-week break each Christmas. The BMRB used motorcycle couriers to collect the sales figures taken up to the close of trade on Saturday. This data was compiled on Monday and given to the BBC on Tuesday to be announced on BBC Radio 1 at lunchtime and later published in Music Week. On 4 January 1983, the chart was taken over by Gallup who expanded the chart from the Top 75 to the Top 100 and began the introduction of computerised tills which automated the data collection process. The chart was based entirely on sales of physical singles from retail outlets and announced on Tuesday until October 1987, when the Top 40 was revealed each Sunday, due to the new automated process. During the 1980s there were a total of 191 singles which took the UK chart number 1 spot. In terms of number-one singles, Madonna was the most successful single act of the decade, as six of her singles reached the top spot. George Michael had significant involvement with eight number-one singles; with two number-one singles as a solo artist, four as a member of pop duo Wham!, one as a duet with Aretha Franklin and one as a member of charity supergroup Band Aid. The longest duration of a single at number one was nine weeks, achieved by Frankie Goes to Hollywood's "Two Tribes" in 1984. (Full article...)
    Madonna had six number ones during the 1980s.

    The UK Singles Chart is the official record chart in the United Kingdom. Until 1983, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a two-week break each Christmas. The BMRB used motorcycle couriers to collect the sales figures taken up to the close of trade on Saturday. This data was compiled on Monday and given to the BBC on Tuesday to be announced on BBC Radio 1 at lunchtime and later published in Music Week. On 4 January 1983, the chart was taken over by Gallup who expanded the chart from the Top 75 to the Top 100 and began the introduction of computerised tills which automated the data collection process. The chart was based entirely on sales of physical singles from retail outlets and announced on Tuesday until October 1987, when the Top 40 was revealed each Sunday, due to the new automated process.

    During the 1980s there were a total of 191 singles which took the UK chart number 1 spot. In terms of number-one singles, Madonna was the most successful single act of the decade, as six of her singles reached the top spot. George Michael had significant involvement with eight number-one singles; with two number-one singles as a solo artist, four as a member of pop duo Wham!, one as a duet with Aretha Franklin and one as a member of charity supergroup Band Aid. The longest duration of a single at number one was nine weeks, achieved by Frankie Goes to Hollywood's "Two Tribes" in 1984. (Full article...)
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