Michael Hastings (playwright)
Michael Hastings | |
|---|---|
| Born | Michael Gerald Hastings 2 September 1938 London, England, United Kingdom |
| Died | 19 November 2011 (aged 73) United Kingdom |
| Occupation(s) | Writer, playwright |
Michael Gerald Hastings (2 September 1938 – 19 November 2011)[1] was a British playwright, screenwriter, and occasional novelist and poet.
He is best known for his 1984 stage play and 1994 screenplay Tom & Viv, about the poet T.S. Eliot and his wife Vivienne Haigh-Wood.
Biography
[edit]Hastings was born in London, UK. His early plays – Don't Destroy Me (1956), Yes And After (1957) – reflected the influence of the Angry Young Men movement and his brief involvement with the circle surrounding Colin Wilson.[2][3]
Hastings later enjoyed mainstream West End success with Gloo Joo (1978), a farce about a West Indian threatened with deportation from the United Kingdom, which won the Evening Standard Comedy of the Year Award in 1979. He wrote numerous stage plays, television screen plays, and in addition to the Tom & Viv film, scripts for two motion pictures, The American (1998) and The Nightcomers (1971, based on the Henry James novella The Turn of the Screw and starring Marlon Brando). Hastings also wrote two libretti for Michael Nyman: Man and Boy: Dada (2003, assisted by Victoria Hardie) and Love Counts (2005).[1]
Hastings' 1950s play The Cutting of the Cloth saw its world premiere at the Southwark Playhouse in London, from 11 March till 4 April 2015. The cast were Alexis Caley, Andy de la Tour, James El-Sharawy, Paul Rider and Abigail Thaw, directed by Tricia Thorns.[4]
Hastings published his first novel, The Game in 1957, followed by The Frauds. His 1970 novel Tussy Is Me – about Eleanor Marx – won him the Somerset Maugham Award. As a poet, he published one collection, Love Me, Lambeth, and Other Poems, in 1961, and his work appeared in Michael Horovitz's 1969 anthology Children of Albion: Poetry of the Underground in Britain.[5]
Hastings died aged 73 on 19 November 2011.[1]
Selected works
[edit]Theatre
[edit]- Don't Destroy Me (1956)
- Yes And After (1957)
- The World's Baby (1964)
- For the West (Congo) (1965)
- Blue as His Eyes the Tin Helmet He Wore (1966)
- Lee Harvey Oswald: A Far Mean Streak of Independence Brought on by Negleck (also known as The Silence of Lee Harvey Oswald) (1967)
- The Silence of Saint-Just (1972)
- The Cutting of the Cloth (written 1973)
- For the West (Uganda) (1977)
- Gloo Joo (1978)
- Full Frontal (1979)
- Carnival War a Go Hot (1979)
- Murder Rap (1980)
- Midnight at the Starlight (1980)
- Tom & Viv (1984)
- Calico (2004)
Television
[edit]- Gloo Joo (1979)
Books
[edit]- Fiction
- The Game (1957)
- The Frauds (1960)
- Tussy Is Me (1970)
- The Nightcomers (1971; based on his own screenplay)
- And in the Forest the Indians (1975)
- Bart's Mornings and Other Tales of Modern Brazil (1975) (short stories)
- Non-fiction
- Rupert Brooke: The Handsomest Young Man in England (1967)
- Sir Richard Burton: A Biography (1978)
- Poetry
- Love Me, Lambeth, and Other Poems (1961)
References
[edit]- ^ a b c "Michael Hastings". The Daily Telegraph. London. 22 November 2011. Retrieved 22 November 2011.
- ^ Kenneth Allsop, The Angry Decade, London: Peter Owen (1964), p. 132.
- ^ Sidney Campion, The World of Colin Wilson, F. Muller (1962), p. 147.
- ^ Southwark Playhouse playbill, 2015.
- ^ Robert Sheppard, The Poetry of Saying: British Poetry and Its Discontents 1950-2000, Liverpool University Press, 2005, p. 42.
External links
[edit]- Michael Hastings' home page at the Wayback Machine (archived 5 October 2011)
- Michael Hastings Papers at the Harry Ransom Center
- Profile at Doollee.com
- Michael Hastings at IMDb
- Michael Hastings at the British Film Institute[better source needed]
