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Maria Calegari

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This article is about the ballet dancer. For the composer, see Maria Cattarina Calegari.

Maria Calegari
Born (1957-03-30) March 30, 1957 (age 67)
New York, U.S.
EducationSchool of American Ballet
Occupations
  • ballet dancer
  • teacher
  • répétiteur
SpouseBart Cook
Career
Former groupsNew York City Ballet

Maria Calegari (born March 30, 1957) is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.

Early life and training

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Calegari was born on March 30, 1957, in New York.[1] She was raised in Bayside, Queens.[2] She received her ballet training locally before entering the School of American Ballet in 1971, when she was 13, and was taught by Alexandra Danilova.[1] In 1974, at the school's annual workshop performance, she danced excerpts from Danilova's staging of Petipa's Paquita.[3][4]

Career

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Calegari joined the New York City Ballet in 1974.[1] Within a few years, she started being cast in principal and solo roles, several by George Balanchine, including the first movement in his Tschaikovsky Suite No. 3,[a][4] and a televised performance of Divertimento No. 15.[6] She also started understudying roles for principal dancers.[7] In 1981, she originated a role in Peter Martins' Suite From Histoire du Soldat,[8] then was promoted to soloist that spring.[7] Later that year, at the company's Tchaikovsky Festival, she originated roles for Jerome Robbins and Joseph Duell, in Piano Pieces and Introduction and Fugue respectively.[9][10] In the former, Suzanne Farrell was originally cast in her role but she did not have time to rehearse due to scheduling conflict with other ballets at the festival, therefore Calegari created the role and performed it on opening night.[7] Towards the end of the festival, two principal women were injured, so Calegari took over many roles danced by them, in addition to roles she was already cast in.[7] On one weekend at the end of the season, she danced principal roles in every ballet performed.[7] In 1982, she originated a role in Robbins' The Gershwin Concerto.[11]

Calegari was promoted to principal dancer in 1983,[1] though Balanchine died the same year.[4] She originated roles in Robbins' Glass Pieces (1983), Antique Epigraphs (1984), Eight Lines (1985), Ives, Songs (1988), Robbins and Twyla Tharp's Brahms/Handel (1984) and La Fosse's Waltz Trilogy (1991).[1][12] She danced lead roles in various Balanchine ballets, including Agon, Serenade, Swan Lake,[4] Chaconne,[13] Jewels, Mozartiana,[14] Union Jack,[15] Apollo, Symphony in C, Liebeslieder Walzer[16] Vienna Waltzes, Robert Schumann's Davidsbündlertänze,[2] Western Symphony,[17] Brahms-Schoenberg Quartet,[18] Variations Pour une Porte et un Soupir,[19] and A Midsummer Night's Dream as Titania.[20] She also danced Robbins' In the Night,[4] Afternoon of a Faun,[21] Dances at a Gathering[2] and The Cage,[22] as well as Helgi Tómasson's Menuetto.[17] She also performed principal roles in televised performances of Balanchine's Apollo, Vienna Waltzes, Union Jack and A Midsummer Night's Dream.[6][20]

Calegari left the New York City Ballet in 1994. She then gave occasional performances, including with the Suzanne Farrell Ballet, until 2004.[1][23] She also began teaching ballet, including at her Connecticut-based school between 2002 and 2004.[1] She began staging works on behalf of the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively,[1] including for the Royal Ballet,[24] American Ballet Theatre,[25] San Francisco Ballet[26] and Boston Ballet.[27] In 2010, she and Bart Cook opened CaleCo Ballet Studio in North Salem, New York.[28] In 2011, she was among 30 ballerinas awarded the Jerome Robbins Award.[29]

Personal life

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Calegari is married to Bart Cook, also a New York City Ballet principal dancer.[1]

Explanatory notes

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  1. ^ At the New York City Ballet, the composer's last name is spelled "Tschaikovsky" rather than "Tchaikovsky" as he used the former spelling during a visit to New York in 1891.[5]

References

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  1. ^ a b c d e f g h i Craine, Debra; Mackrell, Judith (August 19, 2010). The Oxford Dictionary of Dance. p. 85. ISBN 978-0199563449.
  2. ^ a b c Dunning, Jennifer (January 11, 1991). "Critic's Choice". The New York Times.
  3. ^ Barnes, Clive (May 23, 1974). "The Dance: Rising Stars". The New York Times.
  4. ^ a b c d e Dunning, Jennifer (January 24, 1985). "A Young Ballerina On The Rise". The New York Times.
  5. ^ Macaulay, Alastair (September 25, 2014). "A Four-Work Leap Into the Forefront of Classical Ballet". The New York Times.
  6. ^ a b Greskovic, Robert (2005). Ballet 101: A Complete Guide to Learning and Loving the Ballet. p. 584. ISBN 9780879103255.
  7. ^ a b c d e Switzer, Ellen (1982). Dancers!: Horizons in American Dance. pp. 159–162. ISBN 9780689309434.
  8. ^ January 31, 1981. "Ballet: 'Historic Soldat,' New Work By Martins". The New York Times.{{cite news}}: CS1 maint: numeric names: authors list (link)
  9. ^ Kisselgoff, Anna (June 13, 1981). "Ballett: Robbins Creates 'Piano Pieces For Festival". The New York Times.
  10. ^ Kisselgoff, Anna (June 14, 1981). "Ballet: Premieres Of 2 Works By Duell". The New York Times.
  11. ^ Kisselgoff, Anna (February 6, 1982). "City Ballet:New Robbins 'Gershwin'". The New York Times.
  12. ^ Kisselgoff, Anna (February 4, 1984). "Ballet: A Robbins World Premiere". The New York Times.
  13. ^ Kisselgoff, Anna (January 15, 1988). "City Ballet: 'Chaconne' With Maria Calegari". The New York Times.
  14. ^ Kisselgoff, Anna (January 21, 1983). "Dance: Revised 'Apollo'". The New York Times.
  15. ^ "Maria Calegari, Westport CT: New York City Ballet Principal". Westport Magazine. 2015. Archived from the original on July 20, 2015.
  16. ^ Kisselgoff, Anna (May 22, 1984). "City Ballet: Changes In Cast". The New York Times.
  17. ^ a b Kisselgoff, Anna (December 1, 1984). "Dance: The City Ballet". The New York Times.
  18. ^ Anderson, Jack (May 25, 1986). "Dance: Brahms Qyartet". The New York Times.
  19. ^ Anderson, Jack (January 23, 1988). "City Ballet: Balanchine's 'Variations'". The New York Times.
  20. ^ a b Segal, Lewis (May 27, 1986). "New York City Ballet in 'Midsummer' On PBS". Los Angeles Times.
  21. ^ Anderson, Jack (February 21, 1984). "City Ballet: Maria Calegari in 'Faun'". The New York Times.
  22. ^ Anderson, Jack (June 25, 1985). "Dance: Robbin's 'Cage At City Ballet". The New York Times.
  23. ^ Kisselgoff, Anna (October 23, 1995). "Dance Review;Many Ways to Perform Balanchine, via Farrell". The New York Times.
  24. ^ Macaulay, Alastair (December 10, 2007). "'Emeralds,' 'Rubies' and 'Diamonds' Reveal Facets of a Company's Style". The New York Times.
  25. ^ Kisselgoff, Anna (May 26, 2004). "Ballet Theater Review; Recalling Balanchine Before City Ballet". The New York Times.
  26. ^ Macaulay, Alastair (March 5, 2013). "A Lyrical Tour Through Europe Starts on the West Coast". The New York Times.
  27. ^ Macaulay, Alastair (March 2, 2009). "In Balanchine's 'Jewels,' Individuals Have Their Chance to Sparkle". The New York Times.
  28. ^ Fuhrer, Margaret (November 18, 2010). "Call Board". Pointe Magazine.
  29. ^ "The Jerome Robbins Award". Jerome Robbins. Retrieved May 17, 2021.
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