Jump to content

Mari Illustrious Makinami

This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia

Mari Illustrious Makinami
Rebuild of Evangelion character
A slim, bespectacled girl in a school uniform
First appearanceEvangelion: 2.0 You Can (Not) Advance (2009)
Created byStudio khara
Voiced by
In-universe information
SpeciesHuman
GenderFemale
AgeUnknown
Eye colorTeal
Notable relativesRyoji Kaji

Mari Illustrious Makinami (真希波・マリ・イラストリアス, Makinami Mari Irasutoriasu) or Maria Iscariot (イスカリオテのマリア, Isukariote no Maria) is a fictional character in the anime film tetralogy Rebuild of Evangelion, based on the television series Neon Genesis Evangelion and introduced in the film Evangelion: 2.0 You Can (Not) Advance (2009). Mari is a pilot for the European branch of the special agency Nerv, founded to counter enemies of humankind known as the Angels. She first appears aboard the mecha Evangelion Unit 05, before fighting on Evangelion Unit 02 in place of Asuka Langley Shikinami. Brave and tenacious on the battlefield, Mari is friendly, lighthearted and humorous with her colleagues. She is originally voiced by Maaya Sakamoto; in the English-language version, she is voiced by Trina Nishimura and Deneen Melody. Besides the Rebuild of Evangelion films, Mari appears in an extra chapter of the Neon Genesis Evangelion manga, written and illustrated by Yoshiyuki Sadamoto, and in several video games.

The character was created after a request by Toshimichi Ōtsuki, producer of the original anime, to introduce a new female character to the Rebuild to attract a new audience. Hideaki Anno, director and main screenwriter of the original series and the films, decided not to meddle in the pilot and replicate the other main characters, all of whom were based on his personality. He entrusted its development to other members of Khara studio, particularly Kazuya Tsurumaki. The concept went through a complex chain of changes and second thoughts; neither Anno nor the others knew what kind of heroine to create, and were undecided until the last minute. Her character design was entrusted to Sadamoto, the series' character designer, who played on stereotypical elements associated with England.

The character had a mixed reception from critics. Reviewers were divided between those who found her overly sexualized and her role insignificant and those who found her a viable alternative to the characterization of the other protagonists. Evangelion: 3.0+1.0 Thrice Upon a Time (2021) revealed more details about Mari, which generated more mixed reviews; some critics noted a lack of explanation of her nature, and others appreciated her psychology and her role in the finale.

Conception

[edit]

For the film Evangelion: 2.0 You Can (Not) Advance (2009), the second installment of the Rebuild of Evangelion saga, King Records representative and former Neon Genesis Evangelion producer Toshimichi Ōtsuki requested a new female character to strengthen its appeal and expand its audience.[1] Director and main screenwriter Hideaki Anno welcomed the idea as a breath of fresh air which would distance the new films from the original work[2] and give its audience fan service. Anno planned to introduce Mari in the film's opening scenes and play on ha (破), a kanji in the film's Japanese title which has the two meanings of "interlude" and "break".[3] Her presence was initially intended to be minor; not speaking, she would be introduced by other characters.[1] Mari's personality, speech and first battle, however, varied during development.[3] Anno was conflicted; as producer and director he wanted to introduce changes to the story through her, but as the original series writer he did not want to make major changes.[2]

Mari was introduced in a promotional poster for the film which was noted by fans.[4] Her first name was revealed in the Nintendo DS game Petit Eva: Evangelion@School,[5] and her surnames were introduced in Eva Extra magazine.[6] Anno, as he did with other characters in Neon Genesis Evangelion, combined two actual warship names.[7] He chose the aircraft carrier HMS Illustrious, lead ship of the British Royal Navy's class of the same name, for Mari's first surname; her second surname was inspired by the Makinami from the Ayanami class destroyer of the Japanese Maritime Self-Defense Force. The kanji nami (波, litt. "wave") played on the names of the series' other two main female characters, Rei Ayanami and Asuka Langley Soryu ("Shikinami Langley" in Rebuild of Evangelion).[8][9] The new pilot was initially planned to be named Mariko (マリコ), an homage to a character by Moyoco Anno, Anno's wife. The director also considered Chizuru (ちづる), in reference to Chizuru Nambara in Combattler V. The name Mari was finally chosen in homage to Mari Sakurano's character in Brave Raideen.[10]

A bespectacled Hideaki Anno in front of a microphone
Neon Genesis Evangelion and Rebuild of Evangelion director Hideaki Anno

Anno struggled with the character, unable to decide on Mari's role and personality.[11] He first feared that he was forcing her into the story to distance Rebuild of Evangelion from the classic series; his early drafts were uneven, and she only appeared in the film's opening scene.[12] Anno rewatched the original anime, trying to come up with original ideas, but was constrained by the main characters' rigid roles. The inclusion of novelty, in his opinion, could have ruined the whole work. Anno was thus vague at first, giving generic directions to his colleagues at studio Khara, such as the new character loving animals.[12] Anno's generic guidance complicated the staff's work; assistant director Kazuya Tsurumaki[13] said that Mari seemed to have "multiple personalities" and was a different character in each scene, and it was difficult to make her consistent.[14] Anno's instructions included, "In this scene, she looks for her glasses"; "She says meow" (にゃ, nya) at the end of the sentence", and "Her breasts need to get bigger".[15] Wanting to make the character foreign, he decided to hang back so she would be different from the existing characters in the classic series and entrusted her creation to others, particularly Tsurumaki.[10][16]

In the first version of Anno's storyline, Mari became active in the third chapter and appeared briefly in the second. The opening scene of 2.0 tried to break with the old Evangelion, with dialogue in Russian and English. The familiar voice of Ryoji Kaji, the first character to interact with Mari, was added to reassure viewers and not be confused by the innovations.[3][17] Anno wanted to avoid exploring her in depth, preferring to emphasize Asuka. After the premiere of Evangelion 1.0: You Are (Not) Alone at Shinjuku Milano, however, a rewrite of the second film began.[3][18] About forty changes were made to the script until the last minute;[10] when the roles of Rei, Asuka, and Misato Katsuragi became clear, Anno still found problems with Mari's.[19] He attempted to create an as-yet-untried character type,[20] but did not know what exactly to do.[21] Due to fan demand, Anno expanded Mari's scenes from the script's first drafts. Some ideas were rejected by other staff members and discarded,[19] such as a scene in which Mari and Asuka would fight in the same Evangelion against the eighth Angel in a nininbaori, a Japanese comedic act where two people wear the same large coat and pretend to be one person.[11][22] Another shelved suggestion saw her in the role of Asuka's European classmate, which would have weakened Asuka's isolation.[12] Other possibilities involved Mari meeting Shinji Ikari near a railroad track[23] and drinking tea on the roof of a school; after several drafts, however, her character was still unclear to Anno.[12]

The end result was a character somewhat similar to Rei, Asuka, and Misato; Tsurumaki remained dissatisfied, believing that he could not detach Evangelion 2.0: You Can (Not) Advance from the original series.[18] He wanted to have Mari do something bizarre, such as parachute from the sky;[24] her meeting with Shinji was storyboarded just in February 2009, while Tsurumaki and other staff members continued to work close to the deadline.[10] To decide on her personality, Anno asked other staff members, including Yoji Enokido, for their opinions. Enokido, remembering harem anime stereotypes, proposed a fighter like Sapphire in Osamu Tezuka's Princess Knight, so a neutral, carefree and innocent character.[25] Anno then came up with a childlike girl similar to Chiyoko Wato in Tezuka's Mitsume ga Tōru, considering her more realistic. Other ideas were proposed; studio staff suggested that Mari belong to a wealthy English family, owns dogs and cats, and has tattoos of her pets' names.[26] Ikko Todoroki suggested making Mari a guest at Hikari Horaki's house[27] and a rival with Asuka for Kaji's attention and control of Unit 02.[28] Another proposal by Enokido included a romantic subplot with Shinji.[3]

Design

[edit]
A number of drawings of Mari
Early designs of Mari by Yoshiyuki Sadamoto

Character designer Yoshiyuki Sadamoto gave Mari a stereotypically English look.[29] Anno tried to influence her design as little as possible, giving very rough guidelines to Sadamoto and Tsurumaki and only checking the completed work.[12] Using the stereotype of a meganekko girl, Sadamoto added Mari eyeglasses.[30] This succeeded in aesthetically differentiating her from the other protagonists; glasses were seldom used for the characters in the classic series to simplify the animators' work.[12] Anno finally chose the sketch with the eyeglasses for Mari's preview in the credits of You Are (Not) Alone, which was later refined by Sadamoto.[31] The only guidelines Sadamoto received from the staff were for a "British-style" girl who was a student at a private Christian institution. When he asked Anno what he meant by a "private Christian institution," however, Anno said that he did not know.[32] Sadamoto imagined Mari with Victorian-era clothes and a parasol[33] before opting for a plaid skirt.[34] Anno gave him photographs of British schoolgirls as a reference, and Sadamoto noticed that most of them wore tights and jackets with colorful borders. First giving Mari a long-sleeved jacket inspired by the protagonists in Danny Boyle's 1996 film Trainspotting, he opted for a simple white shirt and tie because of the anime's summer setting.[32]

The studio required a character who would appeal to a new audience, and Sadamoto had to keep that requirement in mind.[35][36] Merging the characteristics of Asuka and Rei at first, he found that too derivative.[31] To visually distinguish her from the two protagonists of the classic series, he gave Mari straight, dark hair and a thinner head and body than her colleagues.[37] He also designed her with long and well-defined eyes, giving her a cute appearance. Sadamoto then decided to give her two braids; since Asuka has a similar hairstyle, Anno suggested adding a headband. The artist took inspiration from Umemura Hikari, a character from the dorama My Boss, My Hero, played by Yui Aragaki.[31]

Anno decided to have Mari wear two battle suits, one older and one newer, to further distinguish her from the other pilots.[38] During the film's early production, a green, indigo, or yellow plug suit was considered;[39] pink, a popular color in the Japanese animation industry, was ultimately chosen to give Mari a more feminine touch. Sadamoto later noticed that pink had less visual impact than Rei and Asuka's red and white designs, so he designed her an old green suit, a more "outrageous" color stereotypically associated with England,[40] at the suggestion of colorist Kikuchi Kazuko. For Mari's old costume design he took inspiration from the uniforms of the Gamilas in Space Battleship Yamato and from the space suits in the British television series UFO.[37] Cold War Soviet space-suit design inspired Sadamoto to color the lower part of the old plug suit checkered-green.[41] Sadamoto wanted to make the new plug suit more modern than the green one, taking advantage of technology and noting the differences between the first and second series of the Lotus Elise spyder.[41] Anno also decided to give Mari a helmet, covering her face until the end of the first battle for dramatic effect, and Sadamoto took his cue from bicycle helmets. The design of her lower clothing was based on a fencing suit, suggesting membership in the European aristocracy.[37]

Voice

[edit]
A smiling Trina Nishimura with a microphone at a 2018 Arizona comic fest
Trina Nishimura voiced Mari in the first English-language version.

The choice of Mari's voice actress was postponed for a long time, since Anno tried to avoid meddling too much in the character's creation. During a studio party, however, Ōtsuki said that the production was close to recording but the role had not been cast and the director had provided no input. Anno asked the other staff members who they thought would be most suitable.[10] Sadamoto discussed the matter with Tsurumaki, who suggested several actors, including Maaya Sakamoto, who had previously worked with him on Diebuster. Tsurumaki noted that Sakamoto's voice would make Mari more endearing and suggested her to Anno, who immediately accepted.[42][43] Sakamoto, hired without an audition, felt "under pressure" at first; when she began recording, however, the atmosphere changed.[44] With no precise information about Mari, she had to voice her intuitively. Anno immediately stopped Sakamoto's initial exaggerated acting. She synchronized with Mari dubbing her in the first battle, channeling her nervousness into the character,[44] and the staff praised her performance.[45]

Sakamoto wanted further instruction from Anno, who remained vague. She turned to Tsurumaki, who was precise, detailed, and helped her interpret the character. Sakamoto eventually made Mari an "alien" element, breaking with the old Evangelion.[46] Her performance was praised by Sadamoto,[47] and Tsurumaki said that after hearing her voice he began to understand the character for the first time.[15][42] Anno eventually made suggestions to Sakamoto,[48] by giving it the keyword "father of the Shōwa period" (昭和のおやじ, Shōwa no oyaji), so a typical 1970s Japanese parent.[44] She was asked to act like a beast in the scene where Mari uses the Beast mode, lowering her tone of voice until it became hoarse.[49]

By Evangelion: 3.0 You Can (Not) Redo (2012), the third installment of the saga, Sakamoto felt less anxious and as if Mari "had been there [from] the beginning".[44] Unclear about the film's plot, since Mari appears mainly in action scenes and does not interact much with the other characters, she tried not to worry about it and continued delivering an energetic performance.[44] Sakamoto was guided by Anno, who gave her secret instructions she stated to want to take "to the grave".[50] In Evangelion: 3.0+1.0 Thrice Upon a Time (2021), the last chapter of the Rebuild of Evangelion, she tried to play the role simply and convey positivity, joy, and innocence. Mari, who recalled a Showa-era father, had to appear neither old nor young, neither male nor female. Sakamoto adopted this neutral technique for the scene in which Mari talks to Deputy Commander Fuyutusuki, and it worked on her first attempt. She had to do the post-recording nearly alone, without seeing the other voice actors except for Yuko Miyamura, the voice of Asuka.[49]

Trina Nishimura voiced Mari in the first English-language version,[51] while Deneen Melody voiced the character in the Amazon Prime Video release of Rebuild.[52][53]

Appearances

[edit]

Rebuild of Evangelion

[edit]

Mari is a girl of English descent who is introduced in the film Evangelion: 2.0 You Can (Not) Advance. Nothing is revealed about her life or origins, except that she has a mysterious relationship with Ryoji Kaji, apparently her superior.[54] In the first scenes of the film, she boards a mecha named Unit Evangelion 05, or Eva-05,[55] with Kaji's permission. She makes her first sortie in a place named Bethania base, where she faces the third in a series of enemies named Angels.[56] Mari acts instinctively, moving without a clear plan, and says that she does not want to involve adults in her goal.[57] Although she seems to have the worst of it at first, she defeats her enemy.[58] The Angel generates a large explosion, from which Mari escapes.[59]

She parachutes to the roof of the Tokyo-3 Municipal Middle School some time later, colliding and getting acquainted with Evangelion Unit 01 pilot Shinji Ikari. The city is then attacked by the tenth Angel, Zeruel;[60] Mari, unbeknownst to the special agency Nerv, takes control of Evangelion Unit 02, formerly owned by Asuka Langley Shikinami.[61] She uses several weapons to pierce Zeruel's AT Field barrier, repeatedly striking the enemy and demonstrating familiarity with Evangelion units. Despite the attacks, the Angel is unharmed. Mari then activates a mode called the Beast;[62] the mecha begins to walk like a four-legged animal and furiously attacks the target.[63] Zeruel defends itself by cutting off the arms and striking the head of Eva-02, and Rei Ayanami's Evangelion Unit 00 begins to fight it.[64] The Eva-02 bites the enemy's AT Field, which counterattacks; Rei saves Mari by flinging her unit away from the battlefield. Mari's mecha falls on a civilian shelter where Shinji Ikari, intent on abandoning Nerv, is located; Mari lifts him with her mecha hand, and shows him the annihilation of the 00. Shinji boards the Eva-01 and confronts Zeruel to save Rei.[59]

In Evangelion: 3.0 You Can (Not) Redo, set fourteen years after the second chapter in a nearly-unlivable world, Mari is part of an organization formed to destroy Nerv known as Wille. Her body, like that of the other pilots, has remained unchanged due to what is called "the curse of the Evas".[65] She often works with Asuka Shikinami, with whom she has a close relationship, and obeys the orders of Captain Misato Katsuragi. She and Asuka head with Mari's Evangelion Unit 08 into space to intercept and recover 01, with Shinji inside it. Sometime later Asuka's 02 and Mari's 08 faces another Evangelion, the Evangelion-13 with Shinji and Kaworu Nagisa aboard in the Nerv base. Mari covers Asuka during the fight and pulls Shinji out of the robot's cockpit,[66] asking him to save Asuka.[67]

In Evangelion 3.0+1.0: Thrice Upon a Time, the final installment of the saga, Mari prepares with Asuka and Shinji at the Wille and they head to the South Pole, the epicenter of the catastrophic Second Impact. Mari and Asuka, on their respective Evangelions, face a series of enemies known as Mark.07. At the end of the battle, Mari has Shinji board the Eva-01 to confront Gendo Ikari; she enters the ship containing Nerv's deputy commander, Kozo Fuyutsuki,[66] and says goodbye to him. At the end of the film, Mari and Shinji meet on a beach and say goodbye again to the Evangelions. They meet much later on the platform of a train station. Mari removes a collar named DSS Choker[68] from Shinji's neck and they take each other by the hand, ready to live in a new world.[69]

Neon Genesis Evangelion manga

[edit]

Mari appears in an extra chapter in the last volume of the Neon Genesis Evangelion manga, written and drawn by Yoshiyuki Sadamoto between 1994 and 2013, in which she is introduced as a sixteen-year-old student enrolled at Kyoto University, the same school attended by researcher Yui Ikari, who plays the role of her senpai and spiritual guide. The rector summons her to his office, proposing an internship in England; Mari is uncomfortable with Gendo Rokubungi, a colleague who has recently become romantically involved with Yui. Mari declares her feelings to Yui at the end of the story, wishing her a happy life with Gendo.[70]

According to Sadamoto, the chapter should be understood as separate from the feature story; it was conceived and developed without input from the Khara studio staff.[71] The artist made it as an homage to Mari and an opportunity to explore unusual aspects of the character, such as her habit of calling Gendo "Gendo-kun" and singing songs from the Showa period, representing as a young woman in love with Yui. The manga artist assumed that Mari is part of the same generation as Shinji's mother and became a pilot, never growing up.[71][72] Some fans similarly speculated that Mari's physique remained unchanged due to the Eva curse.[73] Megumi Ogata, Shinji Ikari's Japanese voice actress, provided a similar interpretation about her true age.[74]

Other media

[edit]

Mari is featured in Neon Genesis Evangelion: Anima, a light novel by series mecha designer Ikuto Yamashita set three years after the events of the original animated series. In the light novel, Mari is a seven-year-old girl artificially created by the North American branch of Nerv to become a pilot for a unit called US Evangelion/Wolfpac (US エヴァンゲリオン/ウルフパツク).[75] Due to hybrid genes used in her development, Mari has feline traits,[76] loves animals and is a close friend of Rei Six, a clone of Ayanami.[77] Chibi versions of Mari and her Eva-05 also appear in the Petit Eva: Evangelion@School comic strip, a parody of the original series.[78] In addition to the video[79] and pachinko games from the original animated series,[80][81] Mari has appeared outside the Evangelion franchise, such as in the video games Puyopuyo!! Quest,[82] The Battle Cats,[83] Monster Strike,[84] Tales of Zestiria,[85] Puzzle & Dragons,[86] Million Arthur,[87] Hortensia Saga,[88] Keri hime sweets, Summons Board,[89][90] Othellonia,[91] Final Gear[92][93] and the RPG Kotodaman.[94]

Characterization

[edit]

No matter what circumstances she was living under, Mari is fundamentally an optimist and does not worry too much. She may have her own worries, but she's not the type to show them, and she always seems to be having fun. I think that's what makes her such a contrast to Shinji and the other characters. She has no two faces, so I tried to play the role with as few complex nuances as possible. No matter how desperate the scene may seem, Mari believes that things are going in the right direction, and she is happy, which is the nuance of joy I tried to convey in my voice.

–Maaya Sakamoto[49]

Mari is a cheerful,[95] outgoing, ironic, self-confident,[96] absent-minded and eccentric girl. She seems to have no regard for the limits of her strength or her Eva unit,[97] piloting it with enthusiasm. Mari is distinguished by her casual and sensual ways.[98] Unlike her colleagues, who are emotionally addicted to the Evangelions or intimidated by confrontations with enemies, she demonstrates strength and self-confidence. In the fight with the tenth Angel, Mari activates the Beast mode without worrying about mental contamination. Her Eva unleashes an animalistic force, biting off the enemy's AT Field. She has a wry, contemptuous smile, even in seemingly-hopeless situations.[99] Mari is also clear and forthright; Anno explained to voice actress Maaya Sakamoto her psychology, saying she "does exactly what she says".[44]

In 3.0+1.0 Mari reveals to love literature, having collected many books with the dream of reading all books written in the whole history of humanity.[69][100] According to Yoji Enokido, a staff member of You Can (Not) Advance, Mari differed in several respects from Asuka and Rei Ayanami, the two female protagonists of the classic series: "She is not practical like Asuka, but thinks about 'deep' things, like one of those people who can see mysterious things, such as those related to the gods".[26] He also compared her to a miko, a young woman who works at Shinto temples and channels deities.[26] Enokido also emphasized that Mari was very talkative, different from Rei's otherworldly air.[26]

Assistant director Kazuya Tsurumaki described her as an "irresponsible," shrewd, and stubborn young woman, the kind of girl who "uses her apparent frivolity to her advantage".[101] She is portrayed as an "irresponsible," cunning, and stubborn young woman. Her eccentric character is reflected in her colloquial, expressive, and ironic way of speaking; in the original version, Mari calls Asuka "princess" (姫, hime) and Shinji Ikari "puppy" (ワンコ君, wanko-kun). She maintains that attitude with elders, using the honorific suffix kun (君) for Gendō Ikari, typically used in confidential and informal situations. Mari ends sentences with the onomatopoeic nya, stereotypically associated with cats and kawaii characters in manga and anime. Sakamoto described her as a simple person who does things her way and does not care about the rest,[44] happy to pilot an Eva. According to the actress, Mari "really likes people", particularly Shinji and Asuka; Asuka treats Mari coldly but she still calls her "princess," respecting and protecting her "as if she were a special person".[49]

Cultural references and themes

[edit]

In the opening scenes of Evangelion 2.0, Anno decided to have Mari sing 365 no march (三百六十五歩のマーチ, litt. "the 365-step march"), a 1968 song originally performed by Kiyoko Suizenji to which he listened as a child and which was meant to depict her connection to the Showa period.[102] The song was intended to induce a "feeling of ease" and relaxation. In the battle against the tenth Angel, Anno had Mari say dokkoisho (ドッコイショ) – typical of traditional Sōran Bushi dance, to conveying the idea of an "old man" from the era.[10] Similarly, in the early scenes of Evangelion 3.0 Mari hums the opening theme of Arrow Emblem: Hawk of the Grand Prix, an anime aired from 1977 to 1978.[44] Other songs related to and sung by the character are Mamikazumichi no māchi (真実一路のマーチ) by Suizenji, Sekai ha futari no tameni (世界は二人のために) by Naomi Sagara and Hitori janai no (ひとりじゃないの) by Mari Amachi.[103] Moreover, in Evangelion 3.0+1.0, Sakamoto was asked to imitate Chosuke Ikariya, a Japanese comedian and actor who was the leader of the 1960s musical group The Drifters.[49]

19th-century painting of Mary Magdalene, in contemporary dress, kneeling before Jesus
Painting of the Virgin Mary and the infant Jesus in a forest
Two young Shinto priestesses walking
Mari has been compared by critics and studio staff to religious figures such as Mary Magdalene, the Virgin Mary and Shinto mikos.

In Evangelion: 2.0, Mari clashes with Shinji on the roof of the Tokyo-3 school; the boy's Digital Audio Tape, which in the classic series is stuck on tracks 25 and 26, advances to track 27. According to Anno, "the connection between Shinji's S-DAT starting to act up" and Mari's fall to the rooftop was "the result of casuality"; the scene was rewritten many times, and originally conceived to be inserted after a scene in which the Eva-02 is sealed.[10]

Mari has been interpreted as a representation of the Other, since she is the only character who was not created by Anno.[104] Other fans have interpreted her as an alter ego of Moyoco Anno, the director's wife; the parallel was mentioned by Toshio Okada, co-founder of Gainax and an old acquaintance of Anno. Khara staff, however, denied the comparison.[105] Moyoco herself commented on the issue, asking not to be likened to the character.[106]

In 3.0+1.0, Professor Fuyutsuki calls Mari "Maria Iscariot"; the name has been interpreted as a reference to Judas Iscariot, the apostle who betrayed and handed over Jesus to the Jewish authorities[107] and Mary Magdalene.[108]

Japanese critic Naoya Fujita, noting that Mari can activate the Beast mode, described her as an "animalistic" character, a symbol of the affirmation of life, humanity, the body, and desire. According to Fujita, Mari would also represent a philosophy different from that of the TV anime. In 2.0, Mari urges Shinji to escape from Nerv; this, for Fujita, would make her the first person in the Evangelion universe to affirm "the need to run away".[109] He wrote that Mari is "a being who does not suffer from the Christian sense of original sin or modern self-awareness", and compared her sensuality to that of the protagonist of Cutie Honey, a 2004 film directed by Anno.[109] Blu-ray.com reviewer Jeffrey Kauffman found elements of Asuka in the character.[110] Comic Book Resources saw potential romance in the relationship between them, seeing a bisexual subtext in their interaction.[111] Shinji Higuchi called Mari a female version of Kaworu Nagisa, another character in the classic series.[112] Kazuya Tsurumaki described her as a decisive pilot, similar to Captain Tatsumi Tashiro or Koichirō Outa in Gunbuster.[113] According to Khara staff, Mari "has Tsurumaki's libido in her" and seems to have come from his FLCL series;[105] Tsurumaki said that he had tried to create a character who was "not from Evangelion", representing "common ground" between himself and Anno, and did not intend to reproduce a character similar to those in his previous series.[114]

Cultural impact

[edit]

Public response

[edit]

Mari was received positively in Japan; although she appeared in only a few scenes, she immediately attracted public attention.[115] She became popular, and appeared in the monthly polls of readers' favorite animated characters in the magazine Newtype; she placed third in September 2009, months after the debut of Evangelion 2.0.[116][117] Mari was ranked 24th on Newtype's March 2010 list of the best female characters of the 2000s.[118] She topped the list in July of that year, and finished eighth in August.[119] In June 2021, in conjunction with the release of Evangelion: 3.0+1.0 Thrice Upon a Time, the character returned to Newtype's monthly polls in third place.[120][121]

Yahoo! Japan asked in 2009 to anime fans which animated heroine they would like to marry; Mari finished first, with 11,348 votes.[122] In 2013, the website AnimeOne asked its users to name the best female character with glasses in the history of Japanese animation; Mari finished 37th, with about two hundred votes.[123] Similar polls were also taken by the website Goo Ranking[124] in which she ranked among the best glasses-wearing characters for several years,[125][126] and was listed among Sakamoto's most memorable roles.[127][128] In popularity polls of Neon Genesis Evangelion characters, Mari consistently placed in the top ten[129][130][131] but usually the lowest Eva pilot.[132][133]

Critical reception

[edit]

Mari received mixed critical reviews. Her erotic fan-service scenes were criticized, and some critics noted the lack of explanation of her character.[134] In The Anime Encyclopedia, Jonathan Clements and Helen McCarthy wrote that Mari seemed to be inserted into the franchise as a "cynical exercise in justifying new action figures" but "making it clear this story was diverging far from the original".[135] Mark Sombillo of Anime News Network[136] and Nicole MacLean of THEM Anime Reviews agreed; Browne, appreciating hints about Mari's role in the Rebuild storyline, criticized the character's lack of depth and absurdly complicated English dialogue which made her seem out of place.[137] Rehan Fontes of Comic Book Resources saw Mari as futile and flat, existing only for fan service and to pander to the otaku fan base.[138] Morgan Lewis of VGCultureHQ, who had favorably reviewed You Can (Not) Advance, disliked Mari because of the fan service and the scene in which she talks to Shinji before he decides to re-board his own Eva detracting from Kaji's character.[139]

Mari's liveliness and enthusiasm cuts such a sharp contrast to the established Eva pilots that her addition feels incongruous, but that is likely the point: she is intended to shake up the status quo and show that one does not have to be socially maladjusted to pilot an Eva. Though she plays an important role in two of the movies' big fight scenes, she does not get enough screen time here for viewers to figure out much about her motives or purpose, but she is the breath of fresh air that the franchise needs and helps restore the sense of mystery inherent in the original series.

—Martin Theron (Anime News Network)[140]

Mari's role in Evangelion: 3.0 was also criticized for the same reasons,[141][142] with Anime Reign magazine describing her as a superfluous character who contributes nothing noteworthy to the plot.[143] Nicole MacLean of T.H.E.M. Anime Reviews called her entertaining, but enigmatic and underdeveloped.[144] Chris Homer of The Fandom Post gave Mari an honorable mention in his 2019 list of the ten best British characters in Japanese animation, praising her lighthearted and combative attitude. He found the character underdeveloped, however, and apparently included for fan service.[145]

Other reviewers praised Mari and her introduction.[140] Bryan Morton of The Fandom Post liked her personality, describing her as a welcome dose of uncertainty in a familiar story.[146] Josh Tolentino of Japanator listed her among the best British anime characters and liked the fact that, unlike the other pilots, she seemed happy to board an Eva; this made her "more interesting" than the franchise's other characters.[147] Anime News Network's Martin Theron wrote, "She is the breath of fresh air that the franchise needs and helps restore the sense of mystery inherent in the original series".[140]

Evangelion 3.0+1.0, the final chapter in the Rebuild saga, also received mixed reviews. Some fans were puzzled by the final scene in which Mari takes Shinji's hand in Ube Station; the gesture was interpreted as indicating a romantic relationship between them, contradicting the idea that the young man would get involved with Asuka.[148] Several English-speaking reviewers criticized the character, finding her role underdeveloped[149] and noting the lack of explanation about her.[150] Other critics praised the character and her role in the latest film. Henrique Padula of IGN, calling her the shallowest of the saga's pilots, nevertheless appreciated the clarity of her role.[151] Raul Velazquez of Game Rant praised her battle scenes, saying that she may deserves as much cosplay as Rei and Asuka.[152] Rebuen Baron of Comic Book Resources called her uninteresting compared to the characters in the classic series, but "she actually serves more of a purpose beyond simple fan service"; Baron wrote that her stability positively affects Shinji, a factor "extremely important to make the ending work as well as it does".[153] Comic Book Resources colleague Daniel Kurland said that Mari would be a vital element in the growth of Shinji and the other characters and, interpreting her as a metaphor for Anno's wife, described her as an "even more poignant and important" element for the protagonist.[154]

Legacy

[edit]
A purple taxi decorated with Mari
A cab decorated with Mari's picture in Sapporo

Mari has been used for merchandising items,[155][156] including dolls,[157] action figures,[158][159] Nendoroids,[160] pins, and a variety of collectible models.[161] Clothing lines[162] and articles of clothing were produced with the character, including sweatshirts,[163] bags,[164] kimonos,[165] jerseys,[166][167] replica clothing,[168][169] boots[170] and underwear.[171] Other merchandise included glasses,[172] necklaces,[173] jewelry,[174] lighters,[175] iPhone stickers,[176] coffee,[177] alcohol and other drinks.[178] Mari's glasses were particularly popular.[179]

A life-size reproduction of the character was displayed at Fuji-Q HighLand amusement park in 2011 with other Evangelion-themed installations.[180] Her picture appeared the following year on buses in Hakone, near the series' fictional Tokyo-3.[181] In the same city, Panasonic installed electric-vehicle charging stations in 2013 with her picture and those of other characters from the Rebuild of Evangelion.[182] The interactive attraction "Evangelion The Real 4D" was unveiled in 2016 to commemorate the original series' twentieth anniversary, recreating the battle against the tenth Angel from Mari's point of view.[183] "Evangelion The Flight", a ride with seats covered by a screen showing a sightseeing trip to Mount Fuji guided by Mari, was announced in 2020.[184] For the last chapter of Rebuild, one million copies of two A4 posters of Mari and Kaworu were distributed to Japanese cinemas in June 2021.[185][186]

Mari, Rei and Asuka became popular cosplay characters.[187] A number of celebrities have cosplayed her, including idol Jurina Matsui, former member of the group AKB48,[188] Airi Shimizu,[189] singer Shoko Nakagawa,[190] First Summer Uika,[191] Tenka Hashimoto,[192] Mea Shimotsuki,[193] Ayana Tsubaki[194] and actress Natsuki Kato.[195] In 2010, in conjunction with the Blu-ray release of You Can (Not) Advance, a cosplayer dressed as Mari appeared at the Animate's store in Tokyo's Akihabara district.[196][197] The song "365 no march", which Mari hummed in her introductory scene, again became popular.[198] D.Va's character in Overwatch has been compared to Mari; critics noted that D.Va also owns a pink robot, an armed drone known as Meka.[199] There is also a reference to Mari in an episode of Wotakoi: Love is Hard for Otaku.[200]

References

[edit]
  1. ^ a b Khara (2010), 『序』の公開直後に大きいな転換点へ
  2. ^ a b Khara (2010), エヴァの構造を強固にする存在とは?
  3. ^ a b c d e Khara (2010), pp. 352–353, 大きく変えたきっかけは『序』次回予告の反響
  4. ^ "Anno's Evangelion 2.0 Film Slated for June 27 in Japan (Update 2)". Anime News Network. 19 February 2009. Archived from the original on 23 July 2017. Retrieved 13 February 2021.
  5. ^ "Hideaki Anno Told Evangelion Voice Actor Secrets She Says She'll Take To Her Grave". Kotaku. 30 June 2021. Archived from the original on 27 August 2021. Retrieved 31 August 2021.
  6. ^ From the film's Complete Record Collection, pp. 387-388.
  7. ^ "Maaya Sakamoto to Play New Character in Eva: 2.0 Film (Updated)". Anime News Network. 17 April 2009. Archived from the original on 6 December 2018. Retrieved 13 February 2021.
  8. ^ "『ヱヴァンゲリヲン新劇場版：破』新美少女キャラは、めがねっ子の真希波・マリ・イラストリアス！" (in Japanese). 20 April 2009. Archived from the original on 20 January 2021. Retrieved 13 February 2021.
  9. ^ Daryl Harding (7 April 2021). "Spoiler-filled review: Talking About That Evangelion 3.0+1.0 Ending". Crunchyroll. Archived from the original on 22 August 2021. Retrieved 31 August 2021.
  10. ^ a b c d e f g Khara (2010), ギリギリまで粘って変更したマリの出番
  11. ^ a b Khara (2010), マリの登場シーン増加で発生したこと
  12. ^ a b c d e f Khara (2010), p. 355, なかなか異物として入っていかないマリ
  13. ^ Khara (2010), p. 357, 庵野秀明 interview
  14. ^ Khara (2010), キャラクターを貫く声の存在感
  15. ^ a b Khara (2010), p. 340, 鶴卷和哉 interview
  16. ^ "Kazuya Tsurumaki". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan: Kadokawa Shoten. 2021. ASIN B08Y85RJ9Q.
  17. ^ Khara (2010), 庵野 秀明 interview: メインキャラにも様々な変化が
  18. ^ a b Khara (2010), p. 324, 鶴卷和哉 interview
  19. ^ a b Khara (2010), pp. 353–354, 改稿に改稿を重ね、難航したシナリオ
  20. ^ Khara (2010), p. 356, 庵野秀明 interview
  21. ^ Khara (2010), p. 349, 鶴卷和哉 interview
  22. ^ CUT-0549.
  23. ^ Khara (2010), p. 311
  24. ^ Khara (2010), p. 341
  25. ^ Khara (2010), p. 233, 榎戸洋司 interview
  26. ^ a b c d Khara (2010), 榎戸 洋司 interview
  27. ^ "Evangelion New Theatrical Edition: Break", Screenplay Retreat Memo, 2007/10/31--11/2 Atami.
  28. ^ Evangelion New Theatrical Edition: Break, Organizational Plan Draft, 2007/10/13 Yōji ENOKIDO.
  29. ^ Evangelion 2.22 You Can (Not) Advance - DVD Booklet. Khara. 2010.
  30. ^ From the Yoshiyuki Sadamoto interview in "Osada-bon 2009". Young Ace (in Japanese) (3). Kadokawa Shoten. 2009..
  31. ^ a b c Khara (2010), p. 222
  32. ^ a b "Mr. Sadamoto Yoshiyuki - Interview". Archived from the original on 4 March 2012. Retrieved 14 February 2021.
  33. ^ Khara (2010), p. 23-24
  34. ^ "Interview with Mr. Sadamoto Yoshiyuki (PART2)". Archived from the original on 4 March 2012. Retrieved 14 February 2021.
  35. ^ "Milano Manga Festival: Reportage dei Sadamoto Days" (in Italian). AnimeClick.it. 11 July 2013. Archived from the original on 12 July 2014. Retrieved 9 December 2013.
  36. ^ "Intervista a Yoshiyuki Sadamoto" (in Italian). 11 July 2013. Archived from the original on 28 October 2018. Retrieved 29 August 2021.
  37. ^ a b c Khara (2010), pp. 223–224
  38. ^ Khara (2010), 『破』で変化するEVAのデザイン
  39. ^ Khara (2010), p. 28
  40. ^ "Mr. Sadamoto Yoshituki - Interview". Sekai-seifuku.org. Archived from the original on 4 March 2012. Retrieved 4 December 2013.
  41. ^ a b "Yoshiyuki Sadamoto Young Ace interview". Archived from the original on 25 November 2009. Retrieved 31 August 2021.
  42. ^ a b "鶴卷和哉 Interview". 『ヱヴァンゲリヲン新劇場版:破』パンフレット (in Japanese). Khara. 2009.
  43. ^ Khara (2010), p. 339
  44. ^ a b c d e f g h ヱヴァンゲリヲン新劇場版:Q 記録集 (in Japanese). 17 November 2012. pp. 55–57.
  45. ^ "特集:『破』が教える、エヴァンゲリオンは生き続ける". CUT (in Japanese) (251): 18–39. August 2009.
  46. ^ "Maaya Sakamoto as Makinami mari Illustraious". Newtype (in Japanese). Tokyo: Kadokawa Shoten. July 2009. p. 91. Archived from the original on 23 December 2013.
  47. ^ Khara (2010), p. 227, 貞本義行 interview
  48. ^ Khara (2010), p. 374, 庵野秀明 interview
  49. ^ a b c d e "Maaya Sakamoto". Evangelion 3.0+1.0 Theatrical Pamphlet. Japan: Kadokawa Shoten. 2021. ASIN B08Y85RJ9Q.
  50. ^ "坂本真綾、マリ役を理解する苦悩語る！庵野秀明監督からのヒントは「墓場まで持っていきます」" (in Japanese). Cinema Today. 27 June 2021. Archived from the original on 11 July 2021. Retrieved 31 August 2021.
  51. ^ "A Conversation With Trina Nishimura". The Otaku's Study. 25 October 2019. Archived from the original on 29 June 2021. Retrieved 26 February 2021.
  52. ^ Lauren Massuda (7 August 2021). "'Rebuild of Evangelion' Movies Get New English Dub Cast Ahead of Prime Video Release". Collider. Archived from the original on 12 August 2021. Retrieved 4 September 2021.
  53. ^ "Mari Illustrious Makinami". Behind Voice Actors. Archived from the original on 2 June 2022. Retrieved 2 June 2022.
  54. ^ Evangelion Chronicle (in Japanese). Vol. 40. Sony Magazines. pp. 3–4.
  55. ^ Evangelion Chronicle (in Japanese). Vol. 33. Sony Magazines. pp. 15–16.
  56. ^ Evangelion Chronicle (in Japanese). Vol. 38. Sony Magazines. pp. 11–12.
  57. ^ "『ヱヴァンゲリヲン新劇場版：破』がこれまでの『エヴァンゲリオン』を破壊したポイントとは？【「金曜ロードSHOW!」地上波放送記念】" (in Japanese). Animate Times. 22 January 2021. Archived from the original on 26 February 2021. Retrieved 31 August 2021.
  58. ^ Evangelion Chronicle (in Japanese). Vol. 38. Sony Magazines. p. 7.
  59. ^ a b Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2009). Evangelion: 2.0 You Can (Not) Advance (Film). Studio Khara.
  60. ^ Evangelion Chronicle (in Japanese). Vol. 40. Sony Magazines. pp. 15–16.
  61. ^ Evangelion Chronicle (in Japanese). Vol. 35. Sony Magazines. pp. 15–16.
  62. ^ Evangelion Chronicle (in Japanese). Vol. 40. Sony Magazines. p. 8.
  63. ^ Evangelion Chronicle (in Japanese). Vol. 37. Sony Magazines. pp. 13–14.
  64. ^ Evangelion Chronicle (in Japanese). Vol. 34. Sony Magazines. p. 20.
  65. ^ Daniel Kurland (31 October 2020). "Rebuild Of Evangelion: 10 Questions We Need Answered By The Fourth Movie". Comic Book Resources. Archived from the original on 2 September 2021. Retrieved 31 August 2021.
  66. ^ a b "エヴァンゲリオンQ｜ネタバレ解説考察と感想評価。最後ラストシーンで希望の"前進"を描くシンジとファンの"qual"の物語｜終わりとシンの狭間で4" (in Japanese). Cinemarche. 21 January 2021. Archived from the original on 30 June 2021. Retrieved 31 August 2021.
  67. ^ Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2013). Evangelion: 3.0 You Can (Not) Redo (Film). Studio Khara.
  68. ^ "Rebuild Of Evangelion Has Given Me The Happy Ending I've Always Wanted". The Gamer. 17 August 2021. Archived from the original on 17 August 2021. Retrieved 31 August 2021.
  69. ^ a b Hideaki Anno, Kazuya Tsurumaki, Katsuichi Nakayama, Mahiro Maeda (directors) (2021). Evangelion: 3.0+1.0 Thrice Upon a Time (Film). Studio Khara.
  70. ^ "Extra Stage". Neon Genesis Evangelion (in Japanese). Vol. 14. Kadokawa Shoten. 1995. ISBN 978-4-04-101932-0.
  71. ^ a b Josh Dunham (21 February 2017). "The Current Status of Gainax". Archived from the original on 24 February 2017. Retrieved 23 February 2017.
  72. ^ "Entrevista a Yoshiyuki Sadamoto" (in Spanish). Alfa Beta. Archived from the original on 20 January 2021. Retrieved 4 September 2021.
  73. ^ Henrique Padula (16 August 2021). "Evangelion 3.0 + 1.0: Final Explicado" (in Portuguese). IGN. Archived from the original on 1 September 2021. Retrieved 4 September 2021.
  74. ^ "「エヴァ」が終わった感覚がない――「シン・エヴァンゲリオン劇場版」碇シンジ役緒方恵美インタビュー" (in Japanese). Web Newtype. 21 May 2021. Archived from the original on 24 May 2021. Retrieved 4 September 2021.
  75. ^ Neon Genesis Evangelion: Anima, sec. 2, chapter 19.
  76. ^ Neon Genesis Evangelion: Anima, sec. 2, chapter 28.
  77. ^ Neon Genesis Evangelion: Anima, sec. 2, chapter 22.
  78. ^ Evangelion Chronicle (in Japanese). Vol. 40. Sony Magazines. pp. 17–18.
  79. ^ Sean Murray (9 March 2020). "Evangelion Meets Skylanders In New Game From Gitaroo Man Creator". The Gamer. Archived from the original on 8 June 2020. Retrieved 4 September 2021.
  80. ^ Evangelion Chronicle (in Japanese). Vol. 35. Sony Magazines. p. 21.
  81. ^ Evangelion Chronicle (in Japanese). Vol. 37. Sony Magazines. pp. 21–24.
  82. ^ "セガゲームス、『ぷよぷよ!!クエスト』で「エヴァンゲリオン」コラボを開始！ 「葛城ミサト」役・三石琴乃さんナレーションのテレビCMも放映中" (in Japanese). 10 August 2018. Archived from the original on 11 September 2018. Retrieved 12 September 2018.
  83. ^ "Crossover Event: The Battle Cats Join Forces with Evangelion". Anime News Network. 20 April 2018. Archived from the original on 3 November 2020. Retrieved 29 August 2021.
  84. ^ "【モンスト】「エヴァンゲリオン」コラボ第3弾が開催！限定ガチャや「葛城ミサト」も新登場" (in Japanese). 5 October 2017. Archived from the original on 12 June 2018. Retrieved 4 June 2018.
  85. ^ ""Evangelion" Costume Set for "Tales of Zestiria" Offered in America and Europe". 12 November 2015. Archived from the original on 12 June 2018. Retrieved 7 June 2018.
  86. ^ "Puzzle And Dragons Gets Collaborative With Neon Genesis Evangelion Content". Cinema Blend. 17 March 2014. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  87. ^ "Gendo Finally Steps Up as Support Character in Kai-Ri-Sei Million Arthur Mobile Game". Anime News Network. 15 June 2016. Archived from the original on 31 October 2018. Retrieved 29 August 2021.
  88. ^ "Hortensia Saga's Evangelion Collaboration Holds Shinji Twitter Campaign". Anime News Network. 29 October 2017. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  89. ^ "『ケリ姫スイーツ』と『エヴァンゲリオン』コラボが復活！「第13号機 疑似シン化」などの新キャラクターが登場" (in Japanese). 25 November 2016. Archived from the original on 9 December 2017. Retrieved 9 July 2017.
  90. ^ "『サモンズボード』に使徒、再び！『エヴァンゲリオン』コラボ情報まとめ" (in Japanese). 19 October 2016. Archived from the original on 9 December 2017. Retrieved 9 July 2017.
  91. ^ "DeNA、『逆転オセロニア』で3月8日からエヴァコラボを開催 RTキャンペーンで豪華報酬も手に入る！！" (in Japanese). Gamebiz. 6 March 2019. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  92. ^ "ビリビリの『ファイナルギア』がApp Store売上ランキングでトップ30に復帰 開催中の「エヴァ」で新たに「渚カヲル」らのピックアップ募集を開始で" (in Japanese). Gamebiz. 6 January 2021. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  93. ^ "『エヴァンゲリオン』×『ファイナルギア』コラボキャラの入手方法は？" (in Japanese). Gamebiz. 23 December 2020. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  94. ^ "『エヴァンゲリオン』×『コトダマン』コラボに役立つ『エヴァンゲリオン』ワードを一挙公開！" (in Japanese). Famitsu. 28 April 2019. Archived from the original on 27 January 2021. Retrieved 29 August 2021.
  95. ^ Angelo Delos Trinos (3 November 2020). "Evangelion 3.0 + 1.0: 10 Burning Questions The Final Film Needs To Answer". cbr.con. CBR. Archived from the original on 4 September 2021. Retrieved 30 March 2021.
  96. ^ Ethan Gilsdorf (4 March 2011). "Evangelion 2.0: You Can (Not) Advance". Boston.com. Archived from the original on 30 November 2017. Retrieved 30 March 2021.
  97. ^ Justin Sevakis (24 November 2009). "Evangelion: 2.0 You Can [Not] Advance - Review". Anime News Network. Archived from the original on 17 June 2018. Retrieved 31 March 2001.
  98. ^ Andrew Hamlin (20 January 2011). ""Evangelion 2.0" worthy of its predecessor". North West Asian Weekly. Archived from the original on 12 July 2016. Retrieved 31 March 2021.
  99. ^ Evangelion Chronicle (in Japanese). Vol. 31. Sony Magazines. pp. 3–4.
  100. ^ Ikuto Yamashita (30 April 2021). "山下いくと@エヴァンゲリオンANIMA全5巻" (in Japanese). Twitter. Archived from the original on 6 September 2021. Retrieved 4 September 2021.
  101. ^ Khara (2010), 鶴巻 和哉 Interview
  102. ^ Khara (2010), p. 342, 鶴卷和哉interview
  103. ^ "エヴァンゲリオンでマリが歌っていた曲は何？シン・エヴァ・Q・破まで一挙に紹介" (in Japanese). UtaTen. 31 March 2021. Archived from the original on 17 July 2021. Retrieved 4 September 2021.
  104. ^ "エヴァの｢マリ｣TV版にはいなかったキャラの正体" (in Japanese). Toyokeizai Online. 10 July 2021. Archived from the original on 15 July 2021. Retrieved 4 September 2021.
  105. ^ a b "『シン･エヴァ』公式ラジオでスタッフが岡田斗司夫を実名でぼろくそに批判する・・・なぜこんなに扱いが悪いのか" (in Japanese). 9 June 2021. Archived from the original on 11 June 2021. Retrieved 4 September 2021.
  106. ^ "【シンエヴァ】安野モヨコ「私をマリと照らし合わせたりしないで」 メルマガ" (in Japanese). 3 April 2021. Archived from the original on 28 July 2021. Retrieved 4 September 2021.
  107. ^ "【シン・エヴァンゲリオン】マリの正体「イスカリオテのマリア」とは？なぜマリエンド？" (in Japanese). BiBi. 28 July 2021. Archived from the original on 8 September 2021. Retrieved 4 September 2021.
  108. ^ Reuben Baron (21 August 2021). "Evangelion 3.0+1.01: Mari Illustrious Makinami's True Purpose, Explained". Comic Book Resources. Archived from the original on 22 August 2021. Retrieved 4 September 2021.
  109. ^ a b "エヴァの｢マリ｣TV版にはいなかったキャラの正体" (in Japanese). Toyokeizai Online. 10 July 2021. Archived from the original on 15 July 2021. Retrieved 4 September 2021.
  110. ^ Jeffrey Kauffman (6 April 2011). "Evangelion: 2.22 You Can (Not) Advance Blu-ray". Archived from the original on 5 March 2018. Retrieved 4 September 2021.
  111. ^ Reuben Baron (16 August 2021). "Evangelion: 3.0+1.01 Casually Confirms a Major Character as LGBTQIA+". Comic Book Resources. Archived from the original on 18 August 2021. Retrieved 4 September 2021.
  112. ^ Khara (2010), 樋口 真嗣 Interview
  113. ^ Khara (2010), p. 348, 鶴卷和哉interview
  114. ^ "あれから10年……『フリクリ』ブルーレイ化記念、鶴巻和哉監督が語る作品の魅力" (in Japanese). My Navi News. 16 October 2010. Archived from the original on 10 March 2021. Retrieved 4 September 2021.
  115. ^ "【腥闻】性感白丝沙滩排球！EVA真希波福利COS~". Sohu (in Chinese). 1 December 2016. Archived from the original on 15 April 2018. Retrieved 31 August 2021.
  116. ^ Newtype (in Japanese). Tokyo: Kadokawa Shoten. February 2010. p. 94.
  117. ^ "MONTHLY LINE UP". Newtype (in Japanese). Tokyo: Kadokawa Shoten: 148. September 2009.
  118. ^ "2000's". Newtype (in Japanese). Tokyo: Kadokawa Shoten: 35. March 2010.
  119. ^ "Ranking". Newtype (in Japanese). Tokyo: Kadokawa Shoten. August 2010.
  120. ^ "Ranking". Newtype (in Japanese). Tokyo: Kadokawa Shoten. June 2010.
  121. ^ "Evangelion 3.0 + 1.0: i protagonisti dominano le classifiche come migliori personaggi" (in Italian). 17 June 2021. Archived from the original on 19 August 2021. Retrieved 19 August 2021.
  122. ^ "最想娶回家新娘2009版,秋山澪第3真希波夺冠" (in Chinese). 8 December 2009. Archived from the original on 15 April 2018. Retrieved 31 August 2021.
  123. ^ "POLL: Best Female Character With Glasses". Crunchyroll. 1 September 2013. Archived from the original on 1 October 2019. Retrieved 29 August 2021.
  124. ^ "メガネ姿が可愛いアニメの女子キャラクター（2011年以降）ランキング 1位から10位" (in Japanese). Goo Raking. 5 December 2015. Archived from the original on 29 August 2021. Retrieved 31 August 2021.
  125. ^ "一番眼鏡が似合ってる女性アニメキャラランキング 11位から20位" (in Japanese). Goo Raking. 8 May 2018. Archived from the original on 28 August 2021. Retrieved 31 August 2021.
  126. ^ "一番眼鏡が似合ってると思う女性アニメキャラは？" (in Japanese). Goo Raking. Archived from the original on 27 August 2021. Retrieved 31 August 2021.
  127. ^ "声優・坂本真綾のハマり役だったアニメキャラランキング 1位から10位" (in Japanese). Goo Raking. 5 October 2017. Archived from the original on 31 August 2021. Retrieved 31 August 2021.
  128. ^ "声優・坂本真綾のハマり役だったアニメキャラは？" (in Japanese). Goo Raking. Archived from the original on 31 August 2021. Retrieved 31 August 2021.
  129. ^ "【新世紀エヴァンゲリオン】一番好きなキャラクターランキング 1位から10位" (in Japanese). Goo Ranking. 29 December 2020. Archived from the original on 31 August 2021. Retrieved 31 August 2021.
  130. ^ "一番好きな新世紀エヴァンゲリオンのキャラクターは？" (in Japanese). Goo Ranking. Archived from the original on 31 August 2021. Retrieved 31 August 2021.
  131. ^ "Neon Genesis Evangelion Poll Confirms Asuka Really Is Our Favorite". Comic Book. 20 May 2020. Archived from the original on 3 June 2020. Retrieved 31 August 2021.
  132. ^ "女子が好きな『新世紀エヴァンゲリオン』キャラクターTOP3/ 1位はなんとあの脇役！" (in Japanese). 24 July 2019. Archived from the original on 30 September 2019. Retrieved 30 September 2019.
  133. ^ "Evangelion: qual è il pilota più amato?" (in Italian). Animeclick. 24 February 2019. Archived from the original on 1 September 2021. Retrieved 31 August 2021.
  134. ^ Angelo Delos Trinos (23 March 2021). "10 Ways The Rebuild Movies Made Evangelion Worse". Comic Book Resources. Archived from the original on 3 April 2021. Retrieved 31 August 2021.
  135. ^ Clements, Jonathan; McCarthy, Helen (2015). "Neon Genesis Evangelion". The Anime Encyclopedia, 3rd Revised Edition: A Century of Japanese Animation. Stone Bridge Press. p. 237. ISBN 9781611729092.
  136. ^ Mark Sombillo (7 June 2011). "Evangelion: 2.22 - You Can (Not) Advance". Anime News Network. Archived from the original on 15 March 2018. Retrieved 29 August 2021.
  137. ^ Nicole MacLean. "Evangelion 2.0: You Can (Not) Advance". T.H.E.M. Anime Reviews. Archived from the original on 5 July 2021. Retrieved 29 August 2021.
  138. ^ Rehan Fontes (25 November 2019). "Rebuild Of Evangelion: 5 Ways It Improves On The Original Anime (& 5 Ways It Doesn't)". Comic Book Resources. Archived from the original on 23 October 2020. Retrieved 29 August 2021.
  139. ^ Morgan Lewis (2 July 2019). "Evangelion 3.0+1.0 Anime Expo Screening Time Revealed". VGCultureHQ. Archived from the original on 15 June 2021. Retrieved 29 August 2021.
  140. ^ a b c Martin Theron (31 March 2011). "Evangelion 2.22: You Can (Not) Advance". Anime News Network. Archived from the original on 15 June 2018. Retrieved 29 August 2021.
  141. ^ "Evangelion 3.0 is (Not) the Film You Were Expecting". Kotaku. 19 November 2012. Archived from the original on 12 July 2021. Retrieved 31 August 2021.
  142. ^ Dan Barnett (24 February 2016). "Evangelion 3.33: You Can (Not) Redo". UK Anime Review. Archived from the original on 20 April 2021. Retrieved 2 June 2022.
  143. ^ "Evangelion 3.0 You Can (Not) Redo". Anime Reign Magazine (2). World Anime Club: 32. 2013.
  144. ^ Nicole MacLean. "Evangelion 3.0: You Can (Not) Redo". T.H.E.M. Anime Reviews. Archived from the original on 7 March 2019. Retrieved 29 August 2021.
  145. ^ Chris Homer (26 April 2015). "Top 10 British Characters In Anime". The Fandom Post. Archived from the original on 2 October 2019. Retrieved 29 August 2021.
  146. ^ Bryan Morton (12 August 2011). "Evangelion 2.22: You Can (Not) Advance UK Anime Blu-ray Review". Archived from the original on 23 March 2012. Retrieved 31 August 2021.
  147. ^ Josh Tolentino (29 April 2011). "JapanaTen: The 10 best British anime characters". Japanator. Archived from the original on 5 December 2017. Retrieved 31 August 2021.
  148. ^ "エヴァの｢マリ｣TV版にはいなかったキャラの正体" (in Japanese). Toyo Keizai Online. 10 July 2021. Archived from the original on 15 July 2021. Retrieved 31 August 2021.
  149. ^ kyler Allen (23 August 2021). "Evangelion 3.0+1.0 Thrice Upon A Time Anime Movie Review". The Fandom Post. Archived from the original on 28 August 2021. Retrieved 2 June 2022.
  150. ^ Richard Eisenbeis (9 March 2021). "Evangelion: 3.0+1.0: Thrice Upon A Time". Anime News Network. Archived from the original on 10 March 2021. Retrieved 31 August 2021.
  151. ^ Henrique Padula (14 August 2021). "Evangelion 3.0 + 1.0: Thrice Upon a Time - Review" (in Portuguese). IGN. Archived from the original on 18 August 2021. Retrieved 31 August 2021.
  152. ^ Raul Velazquez (13 August 2021). "Evangelion 3.0+1.0: Thrice Upon A Time Review". Game Rant. Archived from the original on 1 September 2021. Retrieved 31 August 2021.
  153. ^ Reuben Baron (15 August 2021). "Evangelion: 3.0 + 1.01 Thrice Upon A Time Justifies the Rebuild Movies' Existence". Comic Book Resources. Archived from the original on 28 August 2021. Retrieved 31 August 2021.
  154. ^ Daniel Kurland (24 August 2021). "NGE: 5 Ways End Of Evangelion Was A Perfect Finale (& Why Thrice Upon A Time Is Better)". Comic Book Resources. Archived from the original on 2 September 2021. Retrieved 31 August 2021.
  155. ^ Evangelion Chronicle (in Japanese). Vol. 31. Sony Magazines. p. 30.
  156. ^ Evangelion Chronicle (in Japanese). Vol. 39. Sony Magazines. pp. 23–24.
  157. ^ "Mari Illustrious Makinami Gets Sword-Wielding Kimono Doll". Anime News Network. 16 October 2015. Archived from the original on 29 August 2021. Retrieved 19 August 2021.
  158. ^ "Figma Mari Makinami Illustrious". Anime News Network. 20 February 2011. Archived from the original on 25 January 2021. Retrieved 19 August 2021.
  159. ^ Evangelion Chronicle (in Japanese). Vol. 38. Sony Magazines. p. 24.
  160. ^ "エヴァからアスカ＆レイのフィギュアがねんどろいどで登場、さらにプラグスーツ姿からジャージを着こなした私服姿まで盛りだくさん" (in Japanese). Gigazine. 28 July 2019. Archived from the original on 29 August 2021. Retrieved 19 August 2021.
  161. ^ "Robotech, Evangelion, & Sailor Moon Added to Udon's NYCC Collectible Line Up". Anime News Network. 27 September 2019. Archived from the original on 29 August 2021. Retrieved 20 August 2021.
  162. ^ Katy Kelly (11 July 2020). "Evangelion teams up with fashion brand glamb to bring us seriously cool street art apparel". SoraNews24. Archived from the original on 15 August 2021. Retrieved 20 August 2021.
  163. ^ Lynzee Loveridge (22 April 2015). "Toddler Evangelion Rody Rompers Now Come in More Colors". Anime News Network. Archived from the original on 5 February 2017. Retrieved 20 August 2021.
  164. ^ Evangelion Chronicle (in Japanese). Vol. 37. Sony Magazines. p. 30.
  165. ^ Lynzee Loveridge (14 October 2016). "Tokyo Otaku Mode Launches Full-Graphic Evangelion Kimono Project". Anime News Network. Archived from the original on 29 August 2021. Retrieved 20 August 2021.
  166. ^ "エヴァンゲリオン マリ&8号機 Tシャツ（COSPA）" (in Japanese). Archived from the original on 19 August 2021. Retrieved 20 August 2021.
  167. ^ Evangelion Chronicle (in Japanese). Vol. 32. Sony Magazines. p. 27.
  168. ^ "【受注生産品】真希波・マリ・イラストリアス制服（CONOMi）【初回特典ピンバッチ付】". Archived from the original on 20 August 2021. Retrieved 20 August 2021.
  169. ^ Brian Ashcraft (17 October 2011). "Got $6,000? Like Rubber Suits?". Kotaku. Archived from the original on 29 August 2021. Retrieved 20 August 2021.
  170. ^ "アスカ、マリ、レイがモチーフ 「ヱヴァンゲリヲン新劇場版」のブーティ登場" (in Japanese). 30 September 2014. Archived from the original on 19 January 2021. Retrieved 20 August 2021.
  171. ^ "Rei, Asuka, and Mari's Plug Suits Inspire Official Lingerie". Anime News Network. 5 August 2015. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  172. ^ Bamboo Dong (30 December 2013). "Own Gendo's Visor and Misato's Sunglasses from Evangelion". Anime News Network. Archived from the original on 17 June 2018. Retrieved 20 August 2021.
  173. ^ Bamboo Dong (21 October 2013). "30 Evangelion-Branded Things That Have No Reason to Be Evangelion-Branded". Anime News Network. Archived from the original on 5 February 2017. Retrieved 20 August 2021.
  174. ^ Kara Dennison (25 October 2017). "Wear a Plug Suit (Around Your Neck) with New "Eva" Jewelry". Crunchyroll. Archived from the original on 29 August 2021. Retrieved 20 August 2021.
  175. ^ Evangelion Chronicle (in Japanese). Vol. 34. Sony Magazines. p. 32.
  176. ^ "Evangelion Bling Buttons Revealed for iPhones". Anime News Network. 23 November 2012. Archived from the original on 25 January 2021. Retrieved 29 August 2021.
  177. ^ Evangelion Chronicle (in Japanese). Vol. 35. Sony Magazines. pp. 31–32.
  178. ^ Jennifer Sherman (7 November 2011). "Evangelion Energy Drinks with 12 Character Labels Offered". Anime News Network. Archived from the original on 1 October 2019. Retrieved 20 August 2021.
  179. ^ "メガネ姿が可愛いアニメの女子キャラクターランキング" (in Japanese). Ranking Goo. 5 December 2015. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  180. ^ "Neon Genesis Evangelion's Most Illustrious Character Recreated". Kotaku. 4 May 2011. Archived from the original on 1 October 2019. Retrieved 29 August 2021.
  181. ^ "Take a Tour of Tokyo-3 on an Evangelion Bus". Anime News Network. 27 April 2014. Archived from the original on 30 April 2021. Retrieved 29 August 2021.
  182. ^ "Juice Up Your Electric Car at an Evangelion Charging Station". Anime News Network. 27 November 2013. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  183. ^ "Toole Japan Part II: Attack on Titan and Evangelion at Universal Studios Japan". Anime News Network. 23 March 2016. Archived from the original on 26 January 2021. Retrieved 29 August 2021.
  184. ^ "Neon Genesis Evangelion: L'Attacco dell'Angelo in un'esperienza mozzafiato sul Monte Fuji" (in Italian). Everyeye.it. 27 June 2020. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  185. ^ "『シン・エヴァンゲリオン劇場版』最後の入場者プレゼントが6月26日より配布決定。マリ、カヲルのキャストサイン入りミニポスターが100万名に配布" (in Japanese). Famitsu. 21 June 2021. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  186. ^ "【コラム／細野真宏の試写室日記】どこよりも早い「夏休み映画」の総括。勝ち組ランキング・ベスト9は？" (in Japanese). New Yahoo. 27 August 2021. Archived from the original on 27 August 2021. Retrieved 29 August 2021.
  187. ^ "「エヴァ」コスプレを厳選20連発！『シン・エヴァンゲリオン劇場版』公開でコスプレ人気も爆上げ？" (in Japanese). Goo. 2 January 2021. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  188. ^ "SKE48's Jurina Matsui Cosplayed As Evangelion's Mari For A Handshake Event". Anime News Network. 14 October 2014. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  189. ^ "ピチピチのヒップが超セクシー！人気Hカップグラドル・清水あいりのエヴァ"真希波マリ"コスプレに歓喜の声「めちゃくちゃいいピッチリ感」" (in Japanese). Nico Nico Video. 14 November 2017. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  190. ^ "Idol Shoko Nakagawa Models Evangelion-Themed Wetsuit". Anime News Network. 14 October 2010. Archived from the original on 25 January 2021. Retrieved 29 August 2021.
  191. ^ "ファーストサマーウイカ、『エヴァ』"真希波マリ"コスプレに絶賛集まる「めっちゃいい」" (in Japanese). Yahoo News. 22 August 2021. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  192. ^ "てんちむ、「エヴァ」真希波・マリのコス姿が"3次元優秀賞"モノ スラッとした腰のくびれに「鼻血出そう」" (in Japanese). 25 May 2021. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  193. ^ "「似合いすぎ…」 霜月めあの「真希波マリ」コスプレにファンため息" (in Japanese). 13 July 2021. Archived from the original on 12 July 2021. Retrieved 29 August 2021.
  194. ^ Evangelion Chronicle (in Japanese). Vol. 40. Sony Magazines. pp. 31–32.
  195. ^ "加藤夏希、エヴァの新キャラ"真希波・マリ・イラストリアス"のコスプレ姿で登場！まさかのまだ観ていません！" (in Japanese). Cinema Today. 26 May 2010. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  196. ^ "真希波眼镜娘Cos当街卖萌，为「EVA：破」发售造势~" (in Chinese). 28 May 2010. Archived from the original on 15 April 2018. Retrieved 31 August 2021.
  197. ^ "完美再现EVA眼镜娘！美女COS真希波系列照片奉上" (in Chinese). 7 June 2010. Archived from the original on 15 April 2018. Retrieved 31 August 2021.
  198. ^ "阿宅钱多超好骗!!Gainax真希波红色眼镜上市" (in Chinese). 24 August 2010. Archived from the original on 15 April 2018. Retrieved 31 August 2021.
  199. ^ "Overwatch Anniversary event brings returning modes, legendary skins". 20 May 2019. Archived from the original on 29 August 2021. Retrieved 29 August 2021.
  200. ^ Angelo Delos Trinos (16 September 2021). "10 Anime That Referenced Neon Genesis Evangelion". Comic Book Resources. Archived from the original on 25 September 2021. Retrieved 20 October 2021.

Sources

[edit]
  • Khara (2010). ヱヴァンゲリヲン新劇場版：破 全記録全集 (in Japanese). Ground Works. ISBN 978-4-905033-00-4.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mari_Illustrious_Makinami&oldid=1260938946"