The album was well received among music critics. Barry Walters from The Advocate wrote, "Rozalla takes a far more catholic approach, tackling house music, disco, R&B, sleaze, and hi-NRG, all without abandoning her club roots." He also comlimented the singers' "dramatic dance reinterpration" of R.E.M.'s "Losing My Religion", as well as "respectful renderings" of "I Love Music" and "I Don't Even Know If I Should Call You Baby". He concluded, "More important, the new compositions are every bit as compelling."[2] Paul Verna from Billboard viewed the album as "a richly diverse, smartly song-driven collection that comfortably places radio-friendly pop/R&B tunes with the expected dance fare." He also noted that "she displays a newly broadened vocal range, as well as a far more interesting phrasing style."[3]
Adele Sulcas from Elle declared Rozalla as a "killer-vocal dance diva".[4] Dimitri Ehrlich from Entertainment Weekly described it as a "club-friendly second album, which hopscotches from ecumenical dance to belly-rubbing soul with laid-back virtuosity."[5] Pan-European magazine Music & Media stated, "She has really matured" is one of record executives' most used clichés. But believe us, it is true here. [...] "If Love Is A Dream" with its high pop and swing quotient is our favourite."[6] Al Weisel from Rolling Stone remarked the fact that two songs, "Work Me" and "Do You Believe?", were written by Rozalla, viewing them among the best tracks on the album, "proving once again that a talented female singer isn't necessarily the mouthpiece of her producers."[7]
