List of avant-garde films of the 1930s
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A list of avant-garde and experimental films made in the 1930s. Unless where noted, all films had sound and were in black and white.
Title | Director | Cast | Nation | Notes | ||
---|---|---|---|---|---|---|
1930 | ||||||
L'Âge d'Or | Luis Buñuel | Gaston Modot, Lya Lys, Max Ernst | France | Surrealist feature, produced by Charles de Noailles[1] | ||
Autour de la fin du monde | Eugène Deslaw | Abel Gance | France | Extraordinary, semi-experimental "making of" documentary shot on set of Abel Gance's "La fin du monde;" silent[2] | ||
Apteka (Pharmacy) | Stefan Themerson, Franciszka Themerson | Poland | Rayographic animation, lost[3] | |||
Aimless Walk | Alexandr Hackenschmied (Alexander Hammid) | Czechoslovakia | City film[4] | |||
Borderline | Kenneth Macpherson | Paul Robeson, H.D. | United Kingdom | Pool film; silent[5] | ||
A City Symphony | Herman G. Weinberg | United States | City film, never shown, disassembled and partly used in Autumn Fire[6] | |||
Crying for the Carolines | Leon Schlesinger, Neil McGuire | Milton Charles | United States | A "Spooney Melodie;" Semi-abstract music short[7][8] | ||
Earth | Oleksandr Dovzhenko | Soviet Union | Silent feature; part of the director's Ukraine Trilogy. | |||
It's a Bird | Harold Mueller | Charles Bowers, Lowell Thomas | United States | Semi-animated short where an egg transforms into an automobile[9] | ||
Ein Lichtspiel: Schwarz/Weiss/Grau | László Moholy-Nagy | Weimar Republic | ||||
Light Rhythms | Francis Brugière, Oswell Blakeston | United Kingdom | Light-oriented, non-animated abstract film[10] | |||
Mechanical Principles | Ralph Steiner | United States | Abstract film based on machinery; sometimes dated to 1933[11] | |||
Mennschen am Sonntag (People on Sunday) | Curt Siodmak, Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann, Rochus Gliese | Erwin Splettstößer, Brigitte Borchert | Weimar Republic | City film, partly written by Billy Wilder; silent[12] | ||
The Power of Suggestion | M.G. MacPherson (director), Jean D. Michelson (editor) | United States | Artkino[13] production; Lost film[14][6] | |||
À propos de Nice | Jean Vigo | France | City film | |||
Romance Sentimentale | Grigory Alexandrov, Sergei Eisenstein | Mara Griy | France | "Étude cinematographique"[15] | ||
The Story of a Nobody | Jo Gerson, Louis Hirshman | United States | Experiment in subjective camerawork, Lost film[16] | |||
Studie(s) Nr. 2-4 | Oskar Fischinger | Weimar Republic | Abstract animations; Nr. 4 Lost[17] | |||
R.5, Ein Spiel in Linien (Studie Nr. 5) | Oskar Fischinger | Weimar Republic | Abstract animation[17] | |||
Studie Nr. 6 | Oskar Fischinger | Weimar Republic | Abstract animation[17] | |||
Such Is Life | Carl Junghans | Vera Baranovskaya, Theodor Pištěk | Czechoslovakia | Czech avant-garde
social realist feature; silent[18] | ||
Tomatos Another Day | James Sibley Watson Jr. | United States | Absurdist comedy written by Alec Wilder[19] | |||
The Trap | M.G. MacPherson (director), Jean D. Michelson (editor) | United States | Artkino[13] production, Lost film[6] | |||
Wochenende (Weekend) | Walter Ruttmann | Weimar Republic | Audio-only film collage; no image[20] | |||
Yamekraw | Murray Roth | Hugo Marianni & His Mediterraneans | United States | Vitaphone "opera film" visualization of tone poem by James Price Johnson, heavily indebted to German expressionism.[21][22][23] | ||
1931 | ||||||
Autumn Fire | Herman G. Weinberg | Erna Bergman, Willy Hildebrand | United States | Cinematic poem; mixed nature and city film[6] | ||
A Bronx Morning | Jay Leyda | United States | City film; silent[24] | |||
City of Contrasts | Irving Browning | United States | City film[25][6] | |||
Dance Film | Ralph Steiner | United States | Dance film[6] | |||
A Day in Santa Fe | Lynn Riggs, James Hughes | United States | City film[10][26] | |||
Douro, Faina Flouval | Manoel de Oliveira | Portugal | City film | |||
Enthusiasm: Symphony of the Donbass | Dziga Vertov | Soviet Union | Documentary film with montage of both visuals and sound | |||
Hearts of the West | Theodore Huff | United States | Genre parody[6] | |||
Imperial Valley | Seymour Stern | United States | Experimental documentary, sometimes dated to 1932 or 1933; Stern taken off production which was finished by others, Lost film[27][28] | |||
Limite | Mário Peixoto | Olga Breno, Raul Schnoor | Brazil | Advertised as 'pure cinema;' first Brazilian avant-garde film[29] | ||
At the Prague Castle | Alexandr Hackenschmied | Czechoslovakia | Semi-documentary[4] | |||
Panther Woman of the Needle Trades, or The Lovely Life of Little Lisa | Ralph Steiner | Elizabeth Hawes, Morris Carnovsky | United States | Satire, print extant at MOMA[6] | ||
Portrait of a Young Man in Three Movements | Henwar Rodakiewicz | United States | Feature length experimental film, begun in 1925[30][31] | |||
Studie(s) Nr. 7-9 | Oskar Fischinger | Weimar Republic | Abstract animation[17] | |||
Surf and Seaweed | Ralph Steiner | United States | Photographic abstract film, sometimes dated to 1930.[32] | |||
The Light Penetrates the Darkness | Otakar Vávra, František Pilát | Czechoslovakia | Photographic abstract film[33] | |||
Taris, roi de l'eau | Jean Vigo | France | Documentary about a swimming champion | |||
1932 | ||||||
Blood of a Poet | Jean Cocteau | Lee Miller, Pauline Carton, Odette Talazacuez | France | Surrealist feature, produced by Charles de Noailles; often misdated to 1930–31[34] | ||
Burleska | Jan Kučera | Czechoslovakia | Experimental short; Kučera's only film[35] | |||
Destiny | Josef Berne | United States | Dated "ca. 1932"[6] | |||
Europa | Stefan Themerson, Franciszka Themerson | Poland | Abstract animation, based on the poem by Anatol Stern; lost, but partially reconstructed in 1984[3] | |||
The Fortune Teller | Jerome Hill | United States | Tinting and hand-coloring added in the 1960s[36][37] | |||
Granite, a.k.a. The Quarry | Ralph Steiner | United States | [6] | |||
Harbor Scenes | Ralph Steiner | United States | [6] | |||
Histoire du soldat inconnu | Henri Storck | Belgium | ||||
L'idée | Berthold Bartosch | France | Surreal animation; music by Arthur Honegger | |||
Koloraturen (Coloratura) | Oskar Fischinger | Weimar Republic | Abstract animation[17] | |||
Kuhle Wampe | Bertolt Brecht, Slatan Dudow | Weimar Republic | Agitprop film, written by Bertolt Brecht with music by Hanns Eisler. | |||
Land of the Sun | Seymour Stern | United States | Experimental documentary[38][27] | |||
Little Geezer | Theodore Huff | United States | Genre parody[6][39] | |||
Ornament Sound Experiments | Oskar Fischinger | Weimar Republic | Synthetic sound experiments[17] | |||
Poem 8 | Emlen Etting | Mary Binney Montgomery, Caresse Crosby | United States | Dance film, shot in 8mm, silent[40] | ||
Před maturitou (Before Matriculation) | Svatopluk Innemann, Vladislav Vančura | Jindřich Plachta, František Smolík | Czechoslovakia | Semi-experimental feature film[35][41] | ||
Qué vivá México! | Sergei Eisenstein, Grigori Alexandrov | Félix Balderas, Martín Hernández | Mexico | Begun in 1931, never completed by Eisenstein; edited into numerous other films[42] | ||
Studie(s) Nr. 10-11 | Oskar Fischinger | Weimar Republic | Abstract animation[17] | |||
Studie Nr. 12 | Oskar Fischinger, Hans Fischinger | Weimar Republic | Abstract animation[17] | |||
Sur les bords de la caméra (Pictures on the Sideline) | Henri Storck | Belgium | ||||
Visions of Lourdes | Charles Dekeukeleire | Belgium | ||||
1933 | ||||||
7 till 5 | Norman McLaren | United Kingdom | Amateur city film[43] | |||
Dawn to Dawn | Josef Berne, Seymour Stern | Julie Haydon, Ole M. Ness, Frank Eklof | United States | a.k.a. "Black Dawn," short, Naturalist melodrama[44][6][45] | ||
Deserter | Vsevolod Pudovkin | Boris Livanov, Vasili Kovrigin | Soviet Union | Asynchronous use of sound and image[46] | ||
Drobiazg Melodyjny (Moment Musical) | Stefan Themerson, Franciszka Themerson | Poland | Rayographic animation, Lost[3] | |||
Footnote to Fact | Lewis Jacobs | United States | City film[47] | |||
G-3 | Ralph Steiner | United States | Also dated to 1932[6][48] | |||
Las Hurdes: Tierra Sin Pan | Luis Buñuel | Abel Jacquin, Alexandre O'Neill | Spain | Documentary, co-written by Buñuel and Surrealist poet Pierre Unik, with music by Darius Milhaud | ||
In the Icy Wastes of Dialectical Materialism | Luis Buñuel, Charles de Noailles | France | Re-edited section of L'age d'or, rendered as comedy and shown in leftist theaters in Eastern Europe; lost.[49] | |||
Lot in Sodom | James Sibley Watson Jr., Melville Webber | Friedrich Haak, Hildegarde Watson | United States | Experimental short based on Biblical story[50] | ||
Mr. Motorboat's Last Stand | John Flory, Theodore Huff | Leonard Stirrup | United States | Satire[6][45] | ||
On the Sunny Side | Vladislav Vančura | Filip Balek-Brodský, Hana Bečková | Czechoslovakia | Didactic feature film[35][51] | ||
Une nuit sur le mont chauve | Alexandre Alexieff, Claire Parker | France | First pinscreen animation, also dated to 1934, 1931[52] | |||
Oil—A Symphony in Motion | M.G. MacPherson (director), Jean D. Michelson (editor) | United States | Only extant Artkino[13] production[6][37][53][54][55][56] | |||
Oramunde | Emlen Etting | Caresse Crosby, Mary Binney Montgomery | United States | Dance film[37][57] | ||
Poslovi konzula Dorgena (Consul Dorgen's Business) | Oktavijan Miletić | Šime Marov, Ivan Alpi-Rauch | Yugoslavia | Experimental dramatic short; won a prize awarded by Louis Lumière[58][59] | ||
Prostoy sluchay (A Simple Case) | Vsevolod Pudovkin | Aleksandr Baturin, Mariya Belousova | Soviet Union | Naturalist drama, begun in 1931; silent[60] | ||
Pueblo | Seymour Stern | United States | Experimental documentary; never finished, Lost film[27] | |||
Synchromy | Mary Ellen Bute, Lewis Jacobs, Joseph Schillinger | United States | Abstract animation, never completed[61] | |||
Tilly Losch in the Dance of Her Hands | Norman Bel Geddes | Tilly Losch | United States | Dance film, dated 1930–33[37] | ||
The Earth Sings | Karel Plicka, Alexandr Hackenschmied | Czechoslovakia | Experimentally edited ethnographic semi-documentary, with music score[4] | |||
Zéro de conduite | Jean Vigo | France | ||||
1934 | ||||||
Atoms of Eternity | Čeněk Zahradníček | Czechoslovakia | ||||
Beyond This Open Road | B. Vivian Braun | United Kingdom | ||||
Café Universal | Ralph Steiner | United States | Satire featuring members of The Group Theatre[6] | |||
Camera Makes Whoopee | Norman McLaren | United Kingdom | Amateur film; montage experiments[62] | |||
La Joie de vivre | Anthony Gross, Hector Hoppin | France | Stylized, surreal animated film[63] | |||
The Furies | Slavko Vorkapich | United States | Surreal special effects insert for feature, "Crime without Passion"[64] | |||
Hands | Ralph Steiner, Willard Van Dyke | United States | Sponsored by the Works Project Administration; also dated 1936-7 and edited into later films[65][16] | |||
Happiness | Aleksandr Medvedkin | Petr Zinoviev, Elena Egorova | Soviet Union | Soviet satire; stylized, silent[66] | ||
The Hearts of Age | William Vance, Orson Welles | Virginia Nicolson, Orson Welles | United States | Amateur experimental film, made at the Todd School, Chicago[37] | ||
Kreise (Circles) | Oskar Fischinger | Weimar Republic | Abstract animation, exists in two versions, color[17] | |||
Liebesspiel | Oskar Fischinger | Nazi Germany | Abstract animation, first exhibited posthumously; silent[17] | |||
Man of Aran | Robert J. Flaherty | Ireland | Fictionalised documentary | |||
Marijka nevěrnice (Faithless Maritza) | Vladislav Vančura | Hana Maria Pravda | Czechoslovakia | Semi-experimental feature[35][67] | ||
Muratti Greift Ein (Muratti Gets in the Act) | Oskar Fischinger | Nazi Germany | Dancing cigarette animation, Gasparcolor[17] | |||
Prisoner | Roman Freulich | George Sari, Jack Rockwell | United States | Expressionistic short, made in Hollywood, lost film[6] | ||
Quadrate (Squares) | Oskar Fischinger | Nazi Germany | Abstract animation, silent, Gasparcolor[17] | |||
Rhythm in Light | Mary Ellen Bute | United States | Abstract animation[68] | |||
Ein Spiel in Farben (A Play in Colors) | Oskar Fischinger | Nazi Germany | Abstract animation, a.k.a. Studie No. 11a, color[17] | |||
Studie Nr. 13 (Coriolan Fragment) | Oskar Fischinger | Nazi Germany | Abstract animation, unfinished[17] | |||
Sweet Land of Liberty | Leo Hurwitz | United States | Satirical documentary; Lost film[69] | |||
Žijeme v Praze (We Live in Prague) | Otakar Vávra | Czechoslovakia | City film[70] | |||
1935 | ||||||
A Colour Box | Len Lye | United Kingdom | ||||
Colour Cocktail | Norman McLaren | United Kingdom | Abstract animation; lost film[71] | |||
Ghost Town: The Story of Fort Lee | Theodore Huff, Mark Borgatte | United States | Semi-documentary[25][72] | |||
Gypsy Night | Josef Berne, Harold Hecht | United States | Musical short, set in a Gypsy camp, color[73] | |||
The Hands on Tuesday | Čeněk Zahradníček | Czechoslovakia | [74][35] | |||
Hollywood | Vic Kandel, Robert Del Duca | United States | Satire, Lost film[69] | |||
Kinetic Molpai | Ted Shawn | Ted Shawn and his Men Dancers | United States | Modern dance film[75] | ||
Komposition in Blau (Composition in Blue) | Oskar Fischinger | Nazi Germany | Abstract animation in Gasparcolour[17] | |||
November | Otakar Vávra, Alexandr Hackenschmied | Czechoslovakia | [70][35] | |||
Muratti Privat | Oskar Fischinger | Nazi Germany | Dancing cigarette animation, black and white[17] | |||
Pie in the Sky | Ralph Steiner, Elia Kazan, Molly Day Thatcher, Irving Lerner | Elia Kazan, Russell Collins | United States | Satire[76] | ||
Pink Guards On Parade | Oskar Fischinger | Nazi Germany | Abstract advertisement, Gasparcolor, unfinished; recreation on video made in 2000 by William Moritz[17] | |||
Poison | Man Ray | Man Ray, Meret Oppenheim | France | Double "portrait" film of Ray and Oppenheim[77] | ||
Polychrome Phantasy | Norman McLaren | Canada | Abstract animation, color[78] | |||
Synchromy No. 2 | Mary Ellen Bute, Ted Nemeth | United States | Abstract animation[79] | |||
Zwarcie (Short Circuit) | Stefan Themerson, Franciszka Themerson | Poland | Abstract animation, music by Witold Lutoslawski, Lost[3] | |||
1936 | ||||||
145 W 21 | Rudy Burckhardt | Paul Bowles, Aaron Copland | United States | [80] | ||
The Birth of the Robot | Len Lye | United Kingdom | ||||
Black and White Rhapsody | Martin Frič | Czechoslovakia | City film[35] | |||
Dada | Mary Ellen Bute, produced by Ted Nemeth | United States | Abstract animation, black and white[81] | |||
Hell Unlimited | Helen Biggar, Norman McLaren | United Kingdom | Anti-war political short[82] | |||
The New Architecture and the London Zoo | László Moholy-Nagy | United Kingdom | ||||
Redes | Emilio Gómez Muriel, Fred Zinnemann | Silvio Hernández, Rafael Hinojosa | Mexico | Cinematography by Paul Strand, music by Silvestre Revueltas; Eisenstein-influenced revolutionary film[83] | ||
Rose Hobart | Joseph Cornell | Rose Hobart | United States | Collage film[84] | ||
1937 | ||||||
Even—As You and I | LeRoy Robbins, Harry Hay | Hy Hirsh | United States | |||
Escape | Mary Ellen Bute, produced by Ted Nemeth | United States | Abstract animation, color[81] | |||
Monsieur Fantômas | Ernst Moerman | Belgium | ||||
An Optical Poem | Oskar Fischinger | United States | Abstract animation, distributed by MGM, color[17] | |||
Parabola | Mary Ellen Bute, Ted Nemeth, Bill Nemeth, Rutherford Boyd | United States | Abstract animation[85] | |||
Przygoda Czlowieka Poczciwego (The Adventure of a Good Citizen) | Stefan Themerson, Franciszka Themerson | Poland | Satire[3] | |||
Seeing the World No. 1: A Trip to New York CIty | Rudy Burckhardt | United States | City film[10] | |||
Silnice spívá (The Highway Sings) | Elmar Klos, Alexandr Hackenschmied | Czechoslovakia | Experimental advertising film[4] | |||
1938 | ||||||
Bookstalls | Joseph Cornell | United States | Collage film, title added posthumously; Silent[10][86] | |||
Carousel: Animal Opera | Joseph Cornell | United States | Collage film[10] | |||
The Children's Jury | Joseph Cornell | United States | Collage film, Silent[10] | |||
The Children's Trilogy: Cotillion, The Midnight Party, The Children's Party | Joseph Cornell | United States | Collage film, put into a final form by Larry Jordan ca. 1967–70, Silent[10] | |||
Family Film | José Val del Omar | Spain | ||||
Fragment from Caroland's Mansion | Frank Stauffacher | United States | [87] | |||
Jack's Dream | Joseph Cornell | United States | Collage film, put into a final form by Larry Jordan ca. 1970[10] | |||
N or NW | Len Lye | United Kingdom | ||||
Thimble Theater | Joseph Cornell | United States | Collage film, title added posthumously; Silent[10] | |||
Tree Trunk to Head | Lewis Jacobs | Chaim Gross | United States | Semi-documentary, silent[88] | ||
1939 | ||||||
The City | Ralph Steiner, Willard Van Dyke | United States | City film for New York World's Fair, written by Pare Lorentz[89] | |||
Dance of the Colors | Hans Fischinger | Germany | Abstract animation, color[17] | |||
Haiti | Rudy Burckhardt | United States | [90][91][92] | |||
Love on the Wing | Norman McLaren | United Kingdom | Abstract animation, color[93] | |||
Scherzo | Norman McLaren | United Kingdom | Abstract animation, color[94] | |||
Spare Time | Humphrey Jennings | United Kingdom | Short documentary about British people at leisure, inspired by Mass Observation | |||
Spook Sport | Mary Ellen Bute, Ted Nemeth, Norman McLaren | United States | Abstract animation, color, animation by McLaren[81] | |||
Stars and Stripes | Norman McLaren | United Kingdom | Abstract animation, color[94] | |||
Time in the Sun | Marie Seton | United Kingdom | Composite film, made of footage shot by Sergei Eisenstein for Qué vivá México![95] |
Bibliography
[edit]- Jan Christopher Horak, ed. Lovers of Cinema: The First American Avant-Garde, University of Wisconsin Press, Madison WI 1995
- Lovers of Cinema: The First American Avant-Garde, 1919–1945. University of Wisconsin Press, 1998. ISBN 978-0-299-14684-9
- Paul Rotha and Roger Manvell, "Movie Parade: A Pictorial Survey of the Cinema" London: The Studio, 1936
- Parker Tyler, "Underground Film: A Critical History" New York: Da Capo Press, 1995 (originally published in 1969)
- David Curtis, "Experimental Cinema" New York: Universe Books, 1970
- Bruce Posner, ed. Unseen Cinema: Early American Avant-Garde Film, Black Thistle Press/Anthology Film Archives, NYC 2001
References
[edit]- ^ "L'Age d'Or (1930)". IMDb.
- ^ "DVD Savant Review: La fin du monde (The End of the World) (1931)". dvdtalk.com.
- ^ Jump up to: a b c d e "Untitled Document".
- ^ Jump up to: a b c d "Alexandr Hackenschmied – Monoskop". monoskop.org.
- ^ "Borderline (1930)". IMDb.
- ^ Jump up to: a b c d e f g h i j k l m n o p q r Jan Christopher Horak, ed. Lovers of Cinema: The First American Avant-Garde, University of Wisconsin Press, Madison WI 1995
- ^ "Crying for the Carolines (1930)". IMDb.
- ^ "SM001 Crying For The Carolines (Dec., 1930)" – via YouTube.
- ^ "It's a Bird (1930)". IMDb.
- ^ Jump up to: a b c d e f g h i Unseen Cinema Program
- ^ "Mechanical Principles (1931)". IMDb.
- ^ "People on Sunday (1930)". IMDb.
- ^ Jump up to: a b c
"Unseen cinema. 1, The mechanized eye. Episode 16, "Oil" : a symphony in motion / Cineric, Inc. presents; by Jean Michelson and M.G. MacPherson for Artkino; direction, M.G. MacPherson". catalog.library.vanderbilt.edu. Retrieved 29 January 2022.
Unrelated to the U.S. distributor of Soviet films, Artkino was the name chosen by two amateur movie enthusiasts, Jean D. Michelson and M.G. McPherson, from Burbank, California. In the late 1920s and early 1930s they completed several fiction shorts, which they shot in 35mm, including "War Under the Sea" (1929), "The Trap" (1930), and "Oil" (1930–33). —JAN-CHRISTOPHER HORAK
- ^ Jan-Christoper Horak, ed., Lovers of Cinema: the first American film avant-garde, 1919–1945. University of Wisconsin Press, 1998. ISBN 978-0-299-14684-9
- ^ "Sentimental Romance (1930)". IMDb.
- ^ Jump up to: a b Bruce Posner, ed. Unseen Cinema: Early American Avant-Garde Film, Black Thistle Press/Anthology Film Archives, NYC 2001
- ^ Jump up to: a b c d e f g h i j k l m n o p q r s [Moritz, William. Optical Poetry, filmography]
- ^ "BAM/PFA Film Program". Archived from the original on 7 July 2013.
- ^ "Tomatos Another Day (1930)". IMDb.
- ^ Jesse Shapins, "Walter Ruttmann's Weekend" Archived 15 August 2011 at the Wayback Machine
- ^ "Keep (it) Swinging: Yamekraw – a rhapsody in black and white".
- ^ Jennifer Fleeger – Sounding American: Hollywood, Opera and Jazz. Oxford University Press, Oxford/New York, 2014 ppg. 44–51
- ^ Richard Koszarski – Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff. Rutgers University Press, Piscataway, NJ 2008, ppg. 155–159
- ^ "A Bronx Morning (1931)". IMDb.
- ^ Jump up to: a b Unseen Cinema program
- ^ "A Day in Santa Fe (1931)". IMDb.
- ^ Jump up to: a b c Ira H. Gallen, Seymour Stern: American Film Critic, Guardian and Prophet SEYMOUR STERN: AMERICAN FILM CRITIC, GUARDIAN and PROPHET by D.W. GRIFFITH – DIRECTOR on Myspace
- ^ "Imperial Valley (1931)". IMDb.
- ^ "Mário Peixoto (1908–1992)". gildasattic.com.
- ^ "Portrait of a Young Man in Three Movements (1931)". IMDb.
- ^ Memory, The Art Of (18 March 2007). "the art of memory: henwar rodakiewicz, water, light and the mechanized eye".
- ^ "Surf and Seaweed (1931)". IMDb.
- ^ "The Light Penetrates the Dark (1931)". IMDb.
- ^ "The Blood of a Poet (1932)". IMDb.
- ^ Jump up to: a b c d e f g Peter Hames: Czech and Slovak Cinema: Theme and Tradition, Edinburgh University Press, 2009
- ^ "La cartomancienne (1932)". IMDb.
- ^ Jump up to: a b c d e Unseen Cinema program
- ^ Lewis Jacobs, Experimental Cinema in America Part One: 1921–1941, Hollywood Quarterly Vol.3 No. 2, Winter 1947–48
- ^ "Little Geezer (1932)". IMDb.
- ^ "Poem 8 (1932)". IMDb.
- ^ "Pred maturitou (1932)". IMDb.
- ^ Herman G. Weinberg, Unanswered Question: Eisenstein's Qué vivá México! in Bruce Posner, ed. Unseen Cinema: Early American Avant-Garde Film, Black Thistle Press/Anthology Film Archives, NYC 2001
- ^ "7 Till 5 (1933)". IMDb.
- ^ "Dawn to Dawn (1933)". IMDb.
- ^ Jump up to: a b "Mr. Motorboat's Last Stand (1933)". IMDb.
- ^ "Soviet Films blog".
- ^ "Footnote to Fact (1933)". IMDb.
- ^ First Light: Steiner
- ^ "L'Age d'Or (1931) – Luis Buñuel | Review | AllMovie". AllMovie.
- ^ "Lot in Sodom (1933)". IMDb.
- ^ "Na slunecní strane (1933)". IMDb.
- ^ "A Night on Bald Mountain (1938)". IMDb.
- ^ "Oil: A Symphony in Motion – ARTKINO". Canyon Cinema. Retrieved 29 January 2022.
- ^ "Oil: A Symphony in Motion (1933)". UCLA Film & Television Archive. cinema.ucla.edu. Retrieved 29 January 2022.
Oil was produced by a Los Angeles collective of amateur filmmakers, called "Artkino," who here attempted a lyric documentary from the point of view of the oil itself. Cinematographer: Jean Michelson.
- ^ "disc 1: THE MECHANIZED EYE". Unseen Cinema. Retrieved 29 January 2022.
one of a seven-DVD series exploring American avant-garde cinema from 1894–1941.
- ^ "Unseen Cinema Complete Program". The Ballet mécanique Project. Retrieved 29 January 2022.
- ^ "Oramunde (1933)". IMDb.
- ^ http://www.europafilmtreasures.eu/PY/362/see-the-film-consul_dorgens_business Europa film treasures] Archived 4 January 2013 at the Wayback Machine
- ^ "Poslovi konzula Dorgena (1933)". IMDb.
- ^ "Soviet Films blog".
- ^ "Synchromy No. 1 (1934)". IMDb.
- ^ "Camera Makes Whoopee (1935)". IMDb.
- ^ La Joie de Vivre – 1934 – Europa Film Treasures Archived 21 October 2012 at the Wayback Machine
- ^ Unseen Cinema on DVD
- ^ NARA entry
- ^ Russian Film Symposium essay
- ^ "Marijka nevernice (1934)". IMDb.
- ^ "Rhythm in Light (1935)". IMDb.
- ^ Jump up to: a b "Film and Photo League Filmography compiled by Russell Campbell and William Alexander". ejumpcut.org.
- ^ Jump up to: a b "Otakar Vávra – Monoskop". monoskop.org.
- ^ "Colour Cocktail (1935)". IMDb.
- ^ Mallory, Mary (9 September 2016). "52nd Cinecon Offers Something for Everyone". ladailymirror.com.
"Ghost Town: The Story of Fort Lee" (1935, Theodore Huff) played after lunch Monday afternoon, a sad and moving documentary about the disappearing or destroyed silent film studios of Fort Lee, a metaphor for the Great Depression and the United States' financial collapse.
- ^ "Gypsy Night (1935)". IMDb.
- ^ "Čeněk Zahradníček – Monoskop". monoskop.org.
- ^ "100 Dance Treasures: Ted Shawn".
- ^ "Pie in the Sky". IMDb.
- ^ "Man Ray – 3 Short Films and a Documentary". ikono.org. Archived from the original on 31 January 2014.
- ^ "Polychrome Fantasy (1935)". IMDb.
- ^ "Synchromy No. 2 (1936)". IMDb.
- ^ "Rudy Burckhardt Films DVD".
- ^ Jump up to: a b c "Mary Ellen Bute". Center for Visual Music, Los Angeles.
- ^ "Hell Unltd (1936)". IMDb.
- ^ "Redes". The Criterion Collection.
- ^ Frye, Brian L. "Rose Hobart – Senses of Cinema".
- ^ "Parábola (1937)". IMDb.
- ^ "Film Notes: Bookstalls. n.d. A collage by Joseph Cornell". 10 July 2010.
- ^ Unseen Cinema program #11
- ^ "Tree Trunk to Head (1938)". IMDb.
- ^ "The City (1939)". IMDb.
- ^ Bartone, Richard. "A Simple Representation of What Is: Rudy Burckhardt; Notes on Four Films by Rudolph Burckhardt".
- ^ "Table of contents". Millennium Film Journal. 1 (3). Winter–Spring 1979. Retrieved 29 January 2022.
Film/Theatre/Compositional Matrix
- ^ "Film / Theater / Compositional Matrix". Millennium Film Journal. 1 (3). Winter–Spring 1979. Retrieved 29 January 2022.
- ^ "Love on the Wing (1939)". IMDb.
- ^ Jump up to: a b "Stars and Stripes (1939)". IMDb.
- ^ "Movie Review - - THE SCREEN; 'Time in the Sun,' a Documentary of Mexico, Based on Eisenstein's Material, at the Fifth Avenue - NYTimes.com". The New York Times. Retrieved 20 August 2017.