Les fêtes de l'Hymen et de l'Amour
Les fêtes de l’Hymen et de l’Amour, ou Les dieux d'Egypte is an opéra-ballet in three entrées and a prologue by the French composer Jean-Philippe Rameau. The work was first performed on March 15, 1747, at the La Grande Ecurie, Versailles, and is set to a libretto by Louis de Cahusac. The opera was originally composed as part of the celebrations for the Dauphin’s marriage to Maria Josepha of Saxony. Les fêtes de l’Hymen proved to be a popular work and by the March 1776 it had been performed exactly 106 times. The librettist, Cahusac, was especially pleased with the ways in which he had succeeded in giving especial import to the supernatural elements of the work—the plot is based on Egyptian mythology—and to allow particular use of impressive large-scale stage machinery, which was much admired by the audience. The opera contains seven ballets, a consequence of Cahusac’s desire to further integrate dance and drama, which grew from the typical French devotion to ballet, particularly when allied with opera.
Roles
[edit]| Role | Voice type | Premiere Cast |
|---|---|---|
| Prologue | ||
| L'Amour (Cupid) | soprano | Marie-Angélique Coupée (or Coupé or Couppée) |
| Un plaisir (A pleasure) | soprano | Mlle Rotisset de Romainville |
| L'Hymen (The god Hymen) | haute-contre | François Poirier |
| Chorus:Les Graces, les Plaisirs, les Jeux, les Ris (The Graces, Pleasures, Games and Laughters); Les Vertus (the Virtues) | ||
| First entrée: Osiris | ||
| Myrrine, Amazone sauvage (A wild Amazon) | soprano[1] | Louise Gondré |
| Orthésie, reine d'un peuple d'Amazones sauvages (Queen of a nation of wild Amazons) | soprano | Marie-Jeanne Fesch, "M.lle Chevalier |
| Osiris | haute-contre | Pierre Jélyotte |
| Chorus: Followers of Osiris, Orthésie and Mirrine | ||
| Second entrée: Canope | ||
| Canope (Canopus) | basse-taille (bass-baritone) | François Le Page |
| Agéris | haute-contre | Jean-Paul Spesoller called de La Tour (or Latour) |
| Memphis, jeune nymphe (A young nymph) | soprano | Mlle Mets |
| Le Grand-Prêtre du Dieu Canope (The High Priest of the God Canopus) | basse-taille (bass-baritone) | M Albert |
| Chorus: Gods and Naiads, Egyptian men and women | ||
| Third entrée: Aruéris, ou Les Isies | ||
| Aruéris, Dieu des Arts (God of the Arts) | haute-contre | Pierre Jélyotte |
| Orie, jeune nymphe (A young nymph) | soprano | Marie Fel |
| Un Égyptien (An Egyptian) | basse-taille (bass-baritone) | François Le Page |
| Un berger égyptien (An Egyptian shepherd) | haute-contre | François Poirier |
| Un troisième égyptien (A third Egyptian) | basse-taille (bass-baritone) | M Albert |
| Une bergère égyptienne (An Egyptian shepherdess) | soprano | Marie-Angélique Coupée |
| Une égyptienne (An Egyptian woman) | soprano | Mlle d'Alière |
| Chorus: Egyptian men and women | ||
Synopsis
[edit]Prologue
[edit]Cupid, the god of love, is in despair because he cannot subject Hymen, the god of marriage, to his power. Not even the Graces, Games, Laughters and the Pleasures can lighten his mood. Hymen appears at Cupid's palace followed by the Virtues. He says that this time he wants Cupid to triumph. Cupid is appeased and the Graces, Pleasures and Virtues dance together for the two gods.
First entrée: Osiris
[edit]Mirrine, a wild Amazon, tells her queen, Orthésie, that she objects to the arrival of Osiris in their realm and urges war against him. Osiris, however, has come in peace and he presents a ballet of the Seasons to Orthésie. Mirrine is furious when the queen and her followers are charmed by the dancing. Osiris now presents a ballet of the Muses, showing the perfection of the arts. Orthésie is won over by Osiris, but Mirrine and a band of rebels suddenly burst in. Before Mirrine can strike Osiris, Orthésie manages to disarm her. The queen announces she is willing to marry Osiris. Osiris gives thanks to Cupid and his followers celebrate with the Amazons.
Second entrée: Canope
[edit]The Egyptians celebrate the festival of the water god Canopus by the banks of the River Nile. Canopus is in love with a local Egyptian girl and has been wooing her in the guise of an ordinary Egyptian called Nilée. However, the priests are planning to sacrifice Memphis to the god at the height of the festival. As the high priest's knife is about to strike Memphis, Canopus intervenes and makes the Nile flood. He appears in person in a chariot pulled by crocodiles. He tells the people to drive away the priests and free Memphis. Canopus unties Memphis, reveals his true identity and tells her of his love for her. She begs him to have mercy on her people. Canopus consents and decrees that from now on the nearby town shall be known as "Memphis".
Third entrée: Aruéris, ou Les Isies
[edit]Aruéris (Horus), the god of the arts, announces that with the help of Cupid he will found a festival of the arts, named "Isies" in honour of his mother Isis. He encourages his love Orie to enter in spite of her lack of confidence. Competitions are held in singing, dancing and playing musical instruments. By unanimous consent, Orie wins the singing contest and her prize is marriage to Aruéris himself.
Recording
[edit]- Les fêtes de l’Hymen et de l’Amour Chorus and Orchestra of Le Concert Spirituel, conducted by Hervé Niquet (Glossa, 2014)
References
[edit]- Notes
- ^ In fact, Rousseau praised Mlle Gondré as "a very fine bas-dessus" (mezzo-soprano), a type of voice, however, to which French baroque opera had rarely explicit recourse (Lionel Sawkins, Bas-dessus, in Sadie, Stanley (ed.), The New Grove Dictionary of Opera, Grove (Oxford University Press), New York, 1997, I, pp. 336-337. ISBN 978-0-19-522186-2).
- Sources
- Sadler, Graham, "Les fêtes de l’Hymen et de l’Amour"", Grove Music Online ed L. Macy (Accessed 3 January 2007), grovemusic.com, subscription access.
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