The Lambeth Choirbook – also known as the Arundel Choirbook – is an illuminatedchoirbook dating to the sixteenth century. It contains music for 7 Masses, 4 Magnificats, and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford; between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them, but five other pieces are known as his; these, along with two by Ludford, are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book:
Vidi aquam egredientem de templo (antiphon at the Aspersion before Mass during Eastertide).
No concordances for any of these have been traced, and it seems possible that further works by Fayrfax and Ludford might exist among them. The book also contains music by older composers, such as Edmund Stourton and Walter Lambe, whose music may also be found in the Eton Choirbook.
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Warren, Edwin B.: Life and Works of Robert Fayrfax, Musicological Studies and Documents vol. 22 (American Institute of Musicology, 1969), 42, 59–60, passim
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Lyon, Margaret Elizabeth: Early Tudor Church Music: The Lambeth and Caius Manuscripts, Unpublished Ph.D. dissertation, University of California at Berkeley (1957), I–II
Westrup, J. A., et al. (eds.): New Oxford History of Music (London, New York, and Toronto, 1954–), 3, 308, 321ff
Blume, Friedrich (ed.): Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (Kassel, 1949–79) [cited by volume and column number], 2, 1347; 6, 378; 8, 1173
Collins, H. B.: "Latin Church Music by Early English Composers", Proceedings of the Royal Musical Association39 (1912–13), 55–83; 43 (1916–17), 97–121 (XLIII), at 98–101, 104–6
Frere, Walter Howard: Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland (London, 1894–1932; reprint Hildesheim, 1967), 1, 4
