Keiichi Yano (sound designer)
Keiichi Yano | |
|---|---|
| 矢野 桂一 | |
| Born | April 8, 1957 Fukuoka Prefecture, Japan |
| Occupations | |
| Years active | Since 1975 |
| Known for |
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Keiichi Yano (矢野 桂一, Yano Keiichi, born April 8, 1957) is a Japanese sound designer and music programmer. Since 1978, he has been in charge of sound at the Tokyo branch of the Yamaha Music Foundation. He is best known for his works in the sport of figure skating.
Career
[edit]Keiichi Yano was born on April 8, 1957, in Fukuoka Prefecture. In 1957, at 18 years old, he entered the business of sound design and music editing. Three years later, he joined the Tokyo branch of the Yamaha Music Foundation and has been in charge of sound since then.[1][2] At the 1985 World Championships in Tokyo and the 1985 NHK Trophy in Kobe, he got involved in the sport of figure skating for the first time.[1][3] The following years, he worked as a sound director at various national and international skating competitions, including the 1998 Winter Olympics in Nagano.[2] Yano's first involvement in the musical arrangement for a figure skating program was the short program "Fantastic Tango" of Japanese skater Midori Ito in the 1988–89 season, which contributed to her victory at the 1989 World Championships.[3] In 2002, Shizuka Arakawa, the 2006 Olympic champion in women's singles, reached out to him with a request for another major program edit and music adjustment. Since then, Yano has worked with elite skaters across Japan, including the world champions Daisuke Takahashi and Shoma Uno.[1][3] He also joined the sound department at various domestic ice shows like Fantasy on Ice and Dreams on Ice.[2]
One of Yano's most notable collaborations in music editing and sound design is a series of works for two-time Olympic champion Yuzuru Hanyu. Their first encounter was the edit of Hanyu's Olympic free skate program Romeo and Juliet in 2013. Hanyu's recognition of a minor connecting noise in the sound recording made Yano realize the skater's high degree of musical sensitivity and seriousness about sound, which motivated Yano for later works.[3]: 2 Among their most memorable collaborations were Hanyu's following two Olympic free skate programs Seimei and Heaven and Earth (天と地と). While Yano usually creates two to three versions of the music edit for a skating program, it was 33 different versions for Seimei (2015–2020) and 18 versions for Heaven and Earth (2021).[3][4] Since Hanyu's move from competitive to professional skating in July 2022, Yano has also been involved in his solo ice show productions Prologue and Gift among others.[5]
Collaborations in figure skating
[edit]References
[edit]Citations
[edit]- ^ a b c d 対談企画 ゲスト：矢野桂一さん [Interview guest: Keiichi Yano]. Utako's Room (in Japanese). Minato, Tokyo: Fuji TV. November 19, 2021. pp. 1–3. Archived from the original on November 19, 2021.
- ^ a b c d e ヤマハミュージック 名古屋店 [Yamaha Music Nagoya]. Yamaha Corporation (in Japanese). Nagoya. November 28, 2021. Archived from the original on February 25, 2024.
- ^ a b c d e f g h Noguchi, Yoshie (January 22, 2021). 伊藤みどり、荒川静香…歴戦のプログラム編曲者が語る羽生結弦「なぜ羽生君の『SEIMEI』は音にピタリとハマるのか」 [The veteran program music editor who worked with Midori Ito and Shizuka Arakawa explains "why Hanyu-kun's SEIMEI looks perfectly in one with the music"]. Number (in Japanese). Chiyoda, Tokyo: Bungeishunjū. pp. 1–5. Archived from the original on January 22, 2021.
- ^ FS Life 2015, ch. 8.
- ^ a b Matsubara, Takaomi (January 23, 2023). 「たぶん、彼はずっと挑戦し続ける」羽生結弦と関係の深い音響デザイナー・矢野桂一が、「羽生の演技には絶対的なものがある」と語る理由 ["Maybe he'll keep trying," says sound designer Keiichi Yano, who is closely related to Yuzuru Hanyu, "There is something absolute in Hanyu's performance"]. Number (in Japanese). Chiyoda, Tokyo: Bungeishunjū. pp. 1–3. Archived from the original on January 23, 2023.
Print works cited
[edit]- FS Life (December 24, 2015). ニッポンのフィギュアスケートをつくる人・支える人「サウンドデザイナー 矢野桂一」 ["Sound Designer Keiichi Yano" who makes and supports Japanese figure skating]. フィギュアスケートLife (Figure Skate Life) (mook) (in Japanese). Vol. 4. Minato, Tokyo: Fusosha Publishing. ch. 8. ISBN 978-4594610234.
