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Karl Fritsch (jeweller)

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Karl Fritsch
Karl Fritsch in his Wellington studio, 2021
Born1963
Sonthofen, Germany
NationalityGerman
EducationGoldschmiedeschule Pforzheim, Akademie der Bildenden Künste, München (1987-1994)
Known forJewellery, metalwork
SpouseLisa Walker

Karl Fritsch (born 1963) is a German-born contemporary jeweller who has since 2009 been based in New Zealand.[1]

Early life and education

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Fritsch was born in 1963 in Sonthofen, Germany. He originally intended to study woodcarving but missed the application deadline, and his mother encouraged him to apply to a jewellery school.[2] Fritsch trained as a goldsmith at the Goldschmiedeschule Pforzheim and worked for a jeweller before attending the Akademie der Bildenden Künste, München between 1987 and 1994, studying under Hermann Junger and Otto Kunzli.[3][4]

Career and work

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In 1994 Fritsch established a jewellery workshop in Munich.[5] In 2006 he received the Françoise van den Bosch Award, given every 2 years to 'an international jewellery and object maker who is recognised for his/ her oeuvre, influence and contribution to the field'.[6] In 2009 Fritsch moved to New Zealand with his partner, New Zealand contemporary jeweller Lisa Walker.[7]

Fritsch primarily focuses on making rings, although he occasionally makes other pieces of jewellery and objects.[8] His work is characterised by rough finishes, visible fingerprints, the use of oxidised silver, and mixing high and low materials, such as precious stones, plastic pearls, and glass gemstones.[9] He uses lost wax casting, moulding, and reshaping of found materials to make his jewellery.[10]

In a 2015 interview Fritsch stated:

A key moment was while studying at the Munich academy around 1991/92 when instead of melting down the old jewellery I bought for casting, I started to fix the pieces instead. It was a revelation to be able to use those pre-existing often conventional pieces of jewellery. I had learnt to make conventional jewellery in Pforzheim and conventional jewellery is what was around in Sonthofen where I grew up. From that moment on I understood how to access all the conventional jewellery skills I had learnt and use them in my own way, I started to really own what I had been taught. I could suddenly set a stone, saw, file , hammer , cast, solder, the way I wanted and not just the way I had been taught .[11]

Fritsch is known for a playful and unconventional approach to creating displays of his work.[12] Critic Mark Amery wrote of a 2012 exhibition:

As the exhibition title Scenes from the Munich Diamond Disaster suggests, the pristine presentation of gems has been upturned, as if some artist jester has been at work after hours. There is a precarious profusion of divergent materials in explosive clusters, sprouting like fungi from brightly coloured lumps of plasticine. That might sound ugly, yet it is both beautiful and original in the way it builds new ideas out of both championing and questioning the old.[12]

As critici Warren Feeney noted in 2016, Fritsch's influence, along with that of fellow jeweller Lisa Walker and ceramicist Paul Maseyk, has been important in the positioning of contemporary jewellery and ceramics, which have 'increasingly sustained an influence in the contemporary art world that has been without precedent in New Zealand for more than a century.'[13]

Fritsch has taught at art schools around the world.[14][15] He also works collaboratively with a range of artists, including Feierabend (2009, Kate MacGarry, London) and Gesamtkunsthandwerk (2011, Govett-Brewster Art Gallery) with artist Francis Upritchard and furniture designer Martino Gamper, and several projects with photographer Gavin Hipkins.[5][16][17]

Fritsch's work is held in many international museum collections, including the Stedelijk Museum Amsterdam, Neue Pinakothek Munich, the Metropolitan Museum in New York, the Museum of Arts and Design New York and the Museum of New Zealand Te Papa Tongarewa.[6][18][19][20][21]

Exhibitions

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Fritsch's recent group shows include

Recent solo exhibitions include

Curatorial projects

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In 2010 Fritsch was invited as guest curator for a new installation of international jewellery for the Danner-Rotunda at the Die Neue Sammlung. Previous curators for the space were Otto Kunzli and Hermann Jünger.[32]

In 2012 Fritsch curated the exhibition Candelerium at Hamish McKay Gallery in Wellington, bringing together visual artists, jewellers and other makers.[33]

In 2014 Fritsch co-curated Wunderrūma: New Zealand Jewellery with Warwick Freeman, a touring exhibition of New Zealand jewellery that showed at Galerie Handwerk in Munich as part of the Schmuck festival, at The Dowse Art Museum in Lower Hutt and at Auckland Art Gallery.[34][35][36]

In 2015 Fritsch attended Talente and Schmuck, the international jewellery events held annually in Munich, as a curator as part of the New Zealand delegation of artists and curators supported by Creative New Zealand.[37]

Further information

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  • Damian Skinner and Kevin Murray, Place and adornment : a history of contemporary jewellery in Australia and New Zealand, Honolulu : University of Hawaiʻi Press, 2014. ISBN 9781454702771
  • Interview with Karl Fritsch and Warwick Freeman, Saturday Mornings with Kim Hill, Radio New Zealand National, June 2014
  • Interview with Warwick Freeman and Karl Fritsch on the exhibition Wunderruma, Auckland Art Gallery Toi o Tamaki, 2015
  • Toni Greenbaum Grabbed by the fingers, ArtJewelryForum, December 2015

References

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  1. ^ Freeman, Warwick (2014). Wunderrūma. Wellington: Hook and Sinker Publications. ISBN 9780987668530.
  2. ^ "Interview with jewellery designer Karl Fritsch". I Lobo You. 9 June 2015. Retrieved 11 June 2015.
  3. ^ a b Webb, Penny (31 July 2014). "No straight edges in jeweller's damaged beauties". SMH.com.au. Retrieved 20 December 2014.
  4. ^ "Karl Fritsch". Fingers Gallery. Retrieved 20 December 2014.
  5. ^ a b "Gavin Hipkins and Karl Fritsch". Govett-Brewster Art Gallery. Archived from the original on 20 December 2014. Retrieved 20 December 2014.
  6. ^ a b "Karl Fritsch". The National. Retrieved 20 December 2014.
  7. ^ Hart, Anna (23 June 2010). "The art of jewellery". New Zealand Herald. Retrieved 20 December 2014.
  8. ^ a b c "Karl Fritsch: Rings without end". Objectspace. Retrieved 20 December 2014.
  9. ^ "Karl Fritsch". Salon 94. Retrieved 20 December 2014.
  10. ^ Olsen, Justine (30 April 2012). "Materials and process: Karl Fritsch". Museum of New Zealand Te Papa Tongarewa. Retrieved 20 December 2014.
  11. ^ "Karl Fritsch 2014 – on the year that passed and breakthrough moments". Klimt02. 13 January 2015. Retrieved 17 January 2015.
  12. ^ a b c Amery, Mark (9 December 2010). "Diamond in the Rough". The Big Idea. Retrieved 20 December 2014.
  13. ^ Feeney, Warren (5 July 2016). "Exhibition Reviews: Hi Cranky! and International Food Court/Global Classic". The Press. Retrieved 5 July 2016.
  14. ^ "Karl Fritsch". Klimt02. Retrieved 20 December 2014.
  15. ^ "Mr Karl Fritsch". RMIT. Retrieved 20 December 2014.
  16. ^ "Karl Fritsch and Gavin Hipkins". Starkwhite. Archived from the original on 20 December 2014. Retrieved 20 December 2014.
  17. ^ D'Agostino, Kristin; Foltz, Craig (Spring 2010). "Bold, new and curious forms". Art News New Zealand: 95.
  18. ^ "Karl Fritsch". Stedelijk. Retrieved 17 March 2015.
  19. ^ "Karl Fritsch – Ring". Metropolitan Museum. Retrieved 17 March 2015.
  20. ^ "Karl Fritsch". Museum of Art and Design. Retrieved 17 March 2015.
  21. ^ "Karl Fritsch". Museum of New Zealand Te Papa Tongarewa. Retrieved 17 March 2015.
  22. ^ "A Glass Act – The Museum of Arts and Design Exhibits Pioneering Glass Jewelry from around the World in 'Glasswear: Glass in Contemporary Jewelry'". The Museum of Arts and Design. Retrieved 17 March 2015.
  23. ^ Meakin, Victoria (11 May 2024). "Cow-pat Art Could Cost You Thousands". The Press (Christchurch). Retrieved 11 May 2024.
  24. ^ "Karl Fritsch: Scenes from the Munich Diamond Disaster". City Gallery Wellington. Retrieved 5 July 2016.
  25. ^ "Karl Fritsch – Jewellery". Manchester Art Gallery. Retrieved 17 March 2015.
  26. ^ Riggs, Kellie. "Karl Fritsch: NO FUSS". Retrieved 17 March 2015.
  27. ^ "Karl Fritsch: Love and Technique". Hamish McKay Gallery. Retrieved 20 June 2015.
  28. ^ "Love and Technique". Art Aurea. Retrieved 22 June 2015.
  29. ^ "A Retrospective". Salon 94. Retrieved 7 December 2015.
  30. ^ "Der Tiefenglanz". The National. Retrieved 5 July 2016.
  31. ^ "Hi Cranky | Karl Fritsch". The National. Retrieved 5 July 2016.
  32. ^ "The Danner Rotunda – Jewelry Arts in the Pinakothek der Moderne in Munich curated by Karl Fritsch". Vernissage TV. Retrieved 13 March 2015.
  33. ^ "Candelerium – curated by Karl Fritsch". Hamish McKay Gallery. Retrieved 13 March 2015.
  34. ^ "Wunderrūma: New Zealand Jewellery". The Dowse Art Museum. Retrieved 5 December 2014.
  35. ^ "Wunderruma: New Zealand Jewellery". Auckland Art Gallery. Retrieved 20 June 2015.
  36. ^ Jameson, Emma (15 October 2015). "Wunderrūma at AAG". EyeContact. Retrieved 27 October 2015.
  37. ^ "New Zealand designers and craft/object makers to exhibit in Munich". Creative New Zealand. 17 February 2015. Retrieved 13 March 2015.
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