Karin Schneider
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Karin Schneider (born 1970) is an American/Brazilian artist.[1] She was born in Brazil.[2][3]
Schneider has lived and worked in New York since October 1996. In 1997, Schneider and the artist Nicolás Guagnini an experimental film company called Union Gaucha Productions. Their first film Phantom Limb made in 1997 is a 30-minute 16 mm fictional documentary that traces through formal analogies the history of Concrete Art from Argentina and Brazil, Neoconcretism from Brazil and Unicism from Poland.
Schneider's work has a strong play impulse and sometimes invites the audience to invert the logic of the art object bringing functionality to it. Her architecture models were transformed critically into domestic apparatus, her oil paintings became exhibition displays for projections. There is always a program inserted in her installations to connect the work with the present tense and with the reality outside the exhibition space.
Further reading
[edit]- Holland Cotter (January 12, 2007). "Who Needs Objects? Rev Up the Flashing Sign, and Run the Video". The New York Times. Retrieved December 11, 2008.
- Roberta Smith (November 2, 2007). "KARIN SCHNEIDER: Image Coming Soon". The New York Times. Retrieved December 11, 2008.
References
[edit]- ^ "Ritesinstitute | Institute for Research and Creation of Rituals and Ceremonies". ritesinstitute.org. Retrieved October 3, 2015.
- ^ "Karin Schneider, Critic". Yale School of Art. Retrieved March 22, 2015.
- ^ "Página/12". pagina12.com.ar. Retrieved October 3, 2015.
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