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Karin Hansson

From Wikipedia, the free encyclopedia

Karin Margareta Kjellsdotter Hansson (1967, Gothenburg) is a Swedish artist and researcher.

Life

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Karin Hansson graduated in 1994 from the Royal Institute of Art in Stockholm.[1][2] 2015 she defender her thesis Accommodating differences Power, belonging, and representation online[3] at the Department of Computer and Systems Sciences, Stockholm University.

She is an Associate Professor in Computer and Systems Sciences and researcher at The School of Natural Sciences, Technology and Environmental Studies at Södertörn University. In her research practice she combines a critical perspective with applied design research, contributing to research in areas such as net activism,[4][5] crowdsourcing,[6][7] digital heritage,[8][9] participatory research methods,[10][11][12] and artistic research.[13][14]

Career

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Hansson is one of the Swedish pioneers in political art and new media.[1][15][16] In her work as an artist and art curator she has given the development of the information society a critical artistic comment, with art projects such as Best Before,[17] Money,[18] Public Opinion,[19] Performing the Common,[20] and Work a Work.[21] Karin Hansson founded the artists' group Association for Temporary Art [a: t] (1996) together with Åsa Andersson Broms, Nils Claesson, Astrid Trotzig, and Josefin Ericsson.[22] She was also active in CRAC (Creative Room for Art and Computing), a media lab for artist that opened in Stockholm 1998.[23]

References

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  1. ^ a b Bydler, Charlotte (2003). "Markerat kroppslig: Om fysiska möten med digital konst" [Marked Corporeal: On Physical Encounters with Digital Art]. In Eriksson, Yvonne; Göthlund, Anette (eds.). Från modernism till samtidskonst: Svenska kvinnliga konstnärer [From Modernism to Contemporary art: Swedish Women Artists] (in Swedish). Lund, Sweden: Bokförlaget Signum. pp. 129–154. ISBN 91-87896-53-2. OCLC 56924959.
  2. ^ Jansson, Mathias (2004) ”Konstnärerna och internet” [The Artists and Internet], Konstperspektiv (2)04. Available on Internet: http://www.konstperspektiv.nu
  3. ^ Hansson, Karin (2014). Accommodating differences Power, belonging, and representation online. Love Ekenberg, Ina Wagner, Stockholms universitet. Samhällsvetenskapliga fakulteten. Stockholm: Department of Computer and Systems Sciences, Stockholm University. ISBN 9789176490846. OCLC 1023238760.
  4. ^ Hansson, Karin; Pargman, Teresa Cerratto; Bardzell, Shaowen (2021-12-01). "Materializing activism". Computer Supported Cooperative Work. 30 (5): 617–626. doi:10.1007/s10606-021-09412-5. ISSN 1573-7551. S2CID 239977767.
  5. ^ Hansson, Karin; Sveningsson, Malin; Ganetz, Hillevi (2021-12-01). "Organizing Safe Spaces: #MeToo Activism in Sweden". Computer Supported Cooperative Work. 30 (5): 651–682. doi:10.1007/s10606-021-09410-7. ISSN 1573-7551. S2CID 243827441.
  6. ^ Hansson, Karin; Ludwig, Thomas (2019-09-01). "Crowd Dynamics: Conflicts, Contradictions, and Community in Crowdsourcing". Computer Supported Cooperative Work. 28 (5): 791–794. doi:10.1007/s10606-018-9343-z. ISSN 1573-7551. S2CID 254419331.
  7. ^ Hansson, Karin; Ludwig, Thomas; Aitamurto, Tanja (2019-09-01). "Capitalizing Relationships: Modes of Participation in Crowdsourcing". Computer Supported Cooperative Work. 28 (5): 977–1000. doi:10.1007/s10606-018-9341-1. ISSN 1573-7551. S2CID 254424241.
  8. ^ Hansson, Karin; Pargman, Teresa Cerratto; Bardzell, Shaowen (2021-12-01). "Materializing activism". Computer Supported Cooperative Work. 30 (5): 617–626. doi:10.1007/s10606-021-09412-5. ISSN 1573-7551. S2CID 239977767.
  9. ^ Hansson, Karin; Dahlgren, Anna Näslund (2022-03-01). "Crowdsourcing historical photographs: autonomy and control at the Copenhagen City Archives". Computer Supported Cooperative Work. 31 (1): 1–32. doi:10.1007/s10606-021-09418-z. ISSN 1573-7551. S2CID 244854585.
  10. ^ Hansson, Karin (2020). "Remembering (Art)Work: Collective Memory-Work in Higher Arts Education and Research". Other Education. 9 (1): 112–135.
  11. ^ Love Ekenberg; et al. (18 January 2017). Deliberation, Representation, Equity: Research Approaches, Tools and Algorithms for Participatory Processes. Open Book Publishers. pp. 55–. ISBN 978-1-78374-306-3.
  12. ^ Hansson, Karin; Forlano, Laura; Choi, Jaz Hee-jeong; DiSalvo, Carl; Pargman, Teresa Cerratto; Bardzell, Shaowen; Lindtner, Silvia; Joshi, Somya (2018-10-01). "Provocation, Conflict, and Appropriation: The Role of the Designer in Making Publics". Design Issues. 34 (4): 3–7. doi:10.1162/desi_a_00506. ISSN 0747-9360. S2CID 57559508.
  13. ^ Hansson, Karin. "Artist Salary Now!". Parse Journal. Spring 2019 (9).
  14. ^ Hansson, Karin (2013). "Konst som deltagande metodologi [Art as participatory research]". Tidskrift för Genusvetenskap (in Swedish) (1): 25–47. doi:10.55870/tgv.v34i1.3400. ISSN 2001-1377. S2CID 154061789.
  15. ^ Orrghen, Anna (2015). "ICT in Art in Sweden 1993–2011: Tool, Medium and Theme". History of Nordic Computing 4. IFIP Advances in Information and Communication Technology. Vol. 447. pp. 78–89. doi:10.1007/978-3-319-17145-6_9. ISBN 978-3-319-17144-9. S2CID 42755459.
  16. ^ Ekeberg, Jonas (2019). Postnordisk : den nordiske kunstscenens vekst og fall 1976-2016. Elin Maria Olaussen, Karen Christine Tandberg. [Oslo]. ISBN 978-82-93104-22-3. OCLC 1149279404.{{cite book}}: CS1 maint: location missing publisher (link)
  17. ^ Association for temporary art (1999). Bäst före : Best before. Stockholm: Konstnärsnämnden. ISBN 91-630-8445-7. OCLC 186286298.
  18. ^ Money. Karin Hansson, Nils Claesson, Jan Steen. Stockholm: Swedish Institute. 2002. ISBN 91-631-2137-9. OCLC 938669901.{{cite book}}: CS1 maint: others (link)
  19. ^ "Den allmänna opinionen". www.temporaryart.org. Retrieved 2022-06-02.
  20. ^ Föreställningar om det gemensamma = Performing the common. Karin Hansson, Love Ekenberg, Moderna museet. Berlin: Revolver Publishing. 2015. ISBN 978-3-95763-268-5. OCLC 933211804.{{cite book}}: CS1 maint: others (link)
  21. ^ Hansson, Karin; Claesson, Nils; Kentros, George (2022). After Work A book about the meaning of Work (1 ed.). Stockholm. ISBN 9789188241177. OCLC 1310756648.{{cite book}}: CS1 maint: location missing publisher (link)
  22. ^ Sara Arrhenius; Daniel Birnbaum; John Peter Nilsson (1999). Like virginity, once lost: five views of Nordic art now. Propexus. ISBN 9789187952173.
  23. ^ Ekeberg, Jonas (2019). Postnordisk : den nordiske kunstscenens vekst og fall 1976-2016. Elin Maria Olaussen, Karen Christine Tandberg. [Oslo]. ISBN 978-82-93104-22-3. OCLC 1149279404.{{cite book}}: CS1 maint: location missing publisher (link)


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