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Julius Otto Grimm

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Photograph c. 1900

Julius Otto Grimm (6 March 1827 in Pernau, Livonia, now Pärnu, Estonia – 7 December 1903 in Münster) was a German composer, conductor and musician who spent the majority of his professional life in Westphalia. He is most-often remembered today as one of the best friends of Johannes Brahms, whom he met in Leipzig in 1853.[1] Brahms went on to dedicate his 4 Ballades, Op. 10 to Grimm in 1854.

Life and career

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After studying philology and philosophy at the University of Tartu (then the University of Dorpat), concluding his exams in 1848, Grimm began his career and avocation as a tutor in Saint Petersburg. His first compositions were published around this time. From 1851/2, he pursued further studies in Dresden.

In 1855, Grimm took the position of Professor of Music and Choral Conductor in Göttingen. In 1860, he accepted the post of conductor of the Musikverein (Music Association) of Münster. During his 40-year-long career in Münster, he received many honors and appointments.[2] Amongst these is an honorary doctorate, which he received in 1897.[3]

At his death, "hundreds of letters from Madame Schumann, Brahms and Dr. Joachim" were found in Grimm's possession. In addition to this collection of correspondence, he owned several of Brahms' manuscripts, which were (presumably) gifted to him. These included Brahms' first Piano Sonata Op. 1, a song from his Op. 3, and his unfinished Missa Canonica, WoO 18. Material from this mass went into his Op. 74 motets (which have been recorded).[4]

Grimm's compositions include a Violin Sonata in A major, three orchestral suites,[3] and a Symphony in D minor published in 1875.[5] One of his suites, Op. 10 "in the Form of a Canon", is positively mentioned and described in some detail in a review (of a performance by the Boston Symphony under Theodore Thomas, in March 1869) in American music critic John Sullivan Dwight's journal.[6]

Works

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Orchestral

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  • Orchestral Suite No. 1 in the Form of a Canon, Op. 10
  • Orchestral Suite No. 2 in the Form of a Canon, Op. 16
  • Two Marches, Op. 17
  • Symphony in D minor, Op. 19
    1. Sostenuto - Allegro
    2. Trauermarsch: Andante
    3. Scherzo: Presto
    4. Finale: Allegro vivace
  • Orchestral Suite No. 3, Op. 25

Chamber music

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  • Violin Sonata in A major, Op. 14

Piano music

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  • Five Piano Pieces, Op. 2
  • Three Elegies, Op. 6
  • Two Scherzos for Four-Hand Piano
  • Four Piano Pieces in freier canonischer Weise

Choral music

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  • An die Musik for Soloists, Choir, and Orchestra, Op. 12
  • Kaiserhymne for Male Choir and Orchestra, Op. 21
  • Zum Geburtsfeste des Kaisers for Male Choir and Wind Orchestra, Op. 27
  • Abendfeier
  • Frühlingslied

Lieder

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  • Sechs Lieder, Op. 1
  • Sechs Lieder, Op. 3
  • Sechs Lieder, Op. 11
  • Sechs Lieder, Op. 15
  • Deutsche Volkslieder

References

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  1. ^ Avins, Styra (1997). Johannes Brahms: Life and Letters. Oxford, New York: Oxford University Press. p. 36. ISBN 0-19-924773-0. OCLC 36316001.
  2. ^ Werra, Monika (1995). Franz-Josef Jakobi (ed.). "Stadtgesellschaft im Wandel. Untersuchungen zur Sozialgeschichte Münsters im 19. und 20. Jahrhundert" (in German). Münster: 357–394. {{cite journal}}: Cite journal requires |journal= (help)
  3. ^ a b Baker, Theodore; Remy, Alfred (1919). Baker's Biographical Dictionary of Music and Musicians (3rd ed.). New York: Schirmer. p. 339. OCLC 752566. Retrieved 2008-02-10.
  4. ^ "Occasional Notes". The Musical Times. 47 (757). Novello: 174–8, especially 175. March 1, 1906. Retrieved 2009-01-09.
  5. ^ Frisch, Walter. Brahms: The Four Symphonies. pp. 7–10.
  6. ^ Dwight, John Sullivan (1871-published journal). Dwight's Journal of Music: A Paper of Art and Literature, volumes 29-30, 1869-71 at Google Books. Houghton, Mifflin. 29(1): 6 (March 27, 1869).
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