Josip Hatze
Josip Hatze | |
---|---|
Born | 1879 Split, Triune Kingdom, Austro-Hungarian empire |
Died | 1959 |
Nationality | Croatian |
Other names | Joseph Hatze |
Citizenship | Austro-Hungarian Empire |
Occupation | Composer |
Years active | 1912-1932 |
Spouse | Gilda Hatze (?-1914) |
Family | Ruben Radica (grandson) |
Joseph Hatze (1879–1959) was one of the first and most prominent Croatian composers [1] at the beginning of the 20th century.
Hatze was born in Split (then Austro-Hungarian Empire, now Croatia) to a family of craftsmen from Split. Whilst still at school he attended musical events, especially of sacred music and folk songs. Upon discovering his musicality, and with family support, he attended all the performances in the newly opened Municipal Theater in Split. His strong response to orchestral and choir performances in the Split theater encouraged the 16-year-old Hatze to sing at Chapel Mass. During that time he wrote "Misa a Kapela" (in Croatian text), which was performed with great success. Later other Dalmatian school choirs started performing his musical work.
He completed his studies in composition in 1902 at the Rossini Conservatory in Pesaro with the operatic composer Pietro Mascagni. Returning home to Split, he worked as a choir teacher at the Central Technical School in Split and was the choirmaster at the choral society Zvonimir.
During World War I, he was at the front, away from home, and did not know that his wife Gilda had died of the Spanish flu. Gilda was from the patrician Marulić family (related to Marko Marulić). Afterwards he was the choirmaster of the choral society Guslar. During World War II Hatze became a refugee in El Shatt in Egypt. There he organized a camp choir. Hatze taught the basics of music to his grandson, Ruben Radica (b. 1941), who became a professional musician, teacher and composer.[2]
Hatze wrote about 60 songs, cantatas "Night at Una" (verses by Hugo Badalić), "Exodus" (1912) and "Golemi Pan" (1917). The work "Golemi Pan" (Huge Pan) was written to the poetry of Vladimir Nazor. Hatze's sense of dramaturgy is evident in both of his operas The Return (1910) and Adel and Mara (1932). The Return is the story of a Croatian peasant who had to go to a foreign land and then return to his family home. Adel and Mara, based on the true events from the 16th century, deals with loyalty and love that are impossible to exist due to religious and cultural conflicts.
Joseph Hatze died in Split at the age of 80.
On the 125th Anniversary of the birth of Josip Hatze, Croatia issued a stamp in his honor.[3] In Split, a secondary music school, Glazbena Škola Josipa Hatzea (Josip Hatze Music School), is named in his honor, as is Hatzeov Perivoj (Hatze Park).[4]
See also
[edit]References
[edit]- ^ Don Michael Randel (2003). The Harvard Dictionary of Music. Harvard University Press. p. 227. ISBN 9780674011632.
- ^ Gligo, Nikša. "Radica, Ruben", Grove Music Online, Oxford University Press, 2001, retrieved 10 May 2018 (subscription required)
- ^ "Croatian music, 125th Anniversary of the Birth of Josip Hatze". Croatian Post. Archived from the original on February 10, 2015. Retrieved October 21, 2009.
- ^ "Naslovna". Glazbena škola Josipa Hatzea (in Croatian). Retrieved 2023-05-22.
External links
[edit]- Ljuven Sanak by Josip Hatze on YouTube performed in HNK Split on a concert dedicated to Hatze's birth. The piece was done by Split's music school's choir and string orchestra.
- European composer stubs
- Croatian music biography stubs
- 1879 births
- 1959 deaths
- Croatian composers
- Croatian male composers
- Romantic composers
- Musicians from Split, Croatia
- People from the Kingdom of Dalmatia
- Austro-Hungarian military personnel of World War I
- Croatian male classical composers
- Croatian refugees
- 20th-century male musicians
- 19th-century male musicians
- Burials at Lovrinac Cemetery
- Composers from Austria-Hungary