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John H. Lee (musician)

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For other people named John Lee, see John Lee (disambiguation).
John Haley
John H. Lee, 1886.
Background information
Also known asJohn H. Lee
Born1847 [1]
Phillipsburg, New Jersey[1]
DiedSeptember 7, 1890(1890-09-07) (aged 42–43) [1]
San Diego, California[1]
Genresminstrel, instrumental
Occupation(s)composer, performer
Instrument(s)5-string banjo, 6-string banjo, banjeaurine

John H. Lee (1847 – September 7, 1890) was the stage name for John D. Haley, an American banjoist, composer and author of the late 19th century.[2][3][4] He was known as a harmonist, writing lessons for playing harmony on the five-string banjo and employing "remarkeable fingering" to construct chords.[5] He promoted three new types of banjo for S. S. Stewart, the banjeaurine, Little Wonder picolo banjo, and six-string banjo, performing on the instruments alongside William A. Huntley.[6][7]

Biography

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Prior to working in the music business, John Haley lived in San Francisco, California, where he made shoes, "but having musical talent of the highest order, he decided to make it his business."[3] In 1873 he won a small "silver banjo" for his playing in a local community social event.[8] He left San Francisco after 1873, not appearing in the San Francisco city directory after then. Lee's next steps haven't been documented, but he is known to have worked as a treasurer at Madison Square Theatre in New York City.[1]

As early as 1875, he performed with James E. Adams in a minstrel show known as "Adams and Lee."[2][9] The two became headliners in other acts, including Bryant's Minstrels by 1875 and Haverly's minstrels by 1878.[9][10] While performing with Haverly's in the United States, he "directed a team of 14 banjoists."[11] In 1879, he joined the J. H. Haverly's Minstrels group that performed in England in 1880.[2] He and Adams stayed with Haverly's into 1883 after returning to the United States.

He met banjoist William A. Huntley while with Haverly's.[2] The two performed together later as a duo from 1885 to 1887, and he taught with Huntley in Providence, Rhode Island.[2][1] He edited a method book for Huntley, titled Wm. A. Huntley’s Complete School of Harmony, Embracing Chord Construction and Modulation for the Banjo, published in 1887. About the same time he had his own banjo methods published by S. S. Stewart: Chord Construction for the Banjo was published as a serial in Stewart's Banjo and Guitar Journal, and The Eclectic School for the Banjo was published as sheet music.[12][13]

His partnership with Huntley lasted until June 24, 1887, when Lee formed a banjo trio with Dan Emerson and L. A. Burrit in New York.[2] Less than a year later, his health began to deteriorate and he became a patient at St. Vincent's Asylum in New York in September 1888. However he was transferred to National City, California, in hope that the more congenial climate would help him to recover.[3][1] He moved to San Diego, California where he started the "San Diego Banjo and Guitar Club."[2][1] He died from tuberculosis September 7, 1890 in San Diego.[2][3][1]

Playing style

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Lee was characterized by banjo educator Thomas A. Armstrong as a "harmonist devoted to the interest of the banjo" whose "playing consists almost entirely of difficult compositions of his own, abounding in chords and remarkable fingering for the left hand".[5]

He played his banjo with what was then "the usual way", a bare-fingered technique of playing known today as classic banjo.[5] The technique used the right-hand fingertips or pads of the first two fingers and thumb to fingerpick the strings.[5] Lee also used his thumbnail for the deep bass notes "that are required to be played with force," to sound the string "clearer and louder."[5]

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  • 1875. Adams and Lee toured with Bryant's Minstrels in 1875.
    1875. Adams and Lee toured with Bryant's Minstrels in 1875.
  • 1870s. James E. Adams and John H. Lee. After Haverly's, Lee left the group. Adams performed as a soloist with Barlow, Wilson and Rankin's Mammoth Minstrels in 1886.[14]
    1870s. James E. Adams and John H. Lee. After Haverly's, Lee left the group. Adams performed as a soloist with Barlow, Wilson and Rankin's Mammoth Minstrels in 1886.[14]
  • October 1878. Adams and Lee played with Haverly's United Mastodon Minstrels.
    October 1878. Adams and Lee played with Haverly's United Mastodon Minstrels.
  • March 1880. John H. Lee and James Adams, William A. Huntley and Dan Emerson, whom he performed with elsewhere.
    March 1880. John H. Lee and James Adams, William A. Huntley and Dan Emerson, whom he performed with elsewhere.
  • John H Lee, S.S.Stewart's Banjo and Guitar Journal, August 1886.
    John H Lee, S.S.Stewart's Banjo and Guitar Journal, August 1886.
  • 1886. Program, William A. Huntley's Concert Company.
    1886. Program, William A. Huntley's Concert Company.
  • 1886. Eclectic School for the Banjo, part 1.
    1886. Eclectic School for the Banjo, part 1.
  • 1887. Eclectic School for the Banjo. S. S. Stewart published this work and many of Lee's compositions.
    1887. Eclectic School for the Banjo. S. S. Stewart published this work and many of Lee's compositions.
  • 1887. W. A. Huntley's Complete School of Harmony for the Banjo, compiled and edited by John H. Lee
    1887. W. A. Huntley's Complete School of Harmony for the Banjo, compiled and edited by John H. Lee
  • November 1888. Banjo club at National City, California
    November 1888. Banjo club at National City, California
  • Death announcement for banjoist John H. Lee.
    Death announcement for banjoist John H. Lee.
  • Funeral, John H. Lee, San Diego, 9 September 1890. Members of the San Diego Banjo Club were present.
    Funeral, John H. Lee, San Diego, 9 September 1890. Members of the San Diego Banjo Club were present.
  • 1890. Obituary John H. Lee, Catcomb's Banjo and Guitar Journal
    1890. Obituary John H. Lee, Catcomb's Banjo and Guitar Journal
  • 1891. Advertisement in Sydney, Australia, for banjo classes using materials by S S Stewart, John H Lee and William A Huntley.
    1891. Advertisement in Sydney, Australia, for banjo classes using materials by S S Stewart, John H Lee and William A Huntley.

Works

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Books and instructional works

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  • 1886 Chord Construction for the Banjo, series published in S. S. Stewart's Banjo and Guitar Journal
    • April–May 1886. Chapter 1: Degrees of scale, doctrine of intervals, the construction of simple triads[13]
    • August–September 1886. Chapter 3: Brief rules for all chords in all keys[15]
    • October–November 1886. Chapter 4: Chords in keys of E major and C♯ minor[16]
  • September 1886. Eclectic School for the Banjo part 1, published by S. S. Stewart
  • 1887. Eclectic School for the Banjo part 2, published by S. S. Stewart
  • 1887 W. A. Huntley's Complete School of Harmony for the Banjo, compiled and edited by John H. Lee[17]

Sheet music

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  • 1876 I'se gwine home. Words by Sam. Murdy, music by John H. Lee.[18]
  • 1882 Mastodon Waltz.  Music for banjo by John H. Lee.[19]
  • 1883 Florence Polka. Music for banjo by John H. Lee.[20]
  • 1883 J. E. Brewster's Waltz. Arranged for banjo by John J. Lee.[21]
  • 1885 Amy Schottische. Music for banjo by John H. Lee.[22]
  • 1885 Claudine Waltz. Music for banjo by John H. Lee.[23]
  • 1885 Damon and Pythias Polka. Composed for banjo by John H. Lee.[24]
  • 1885 "Frisco" galop. Music for banjo by John H. Lee.[25]
  • 1885 Marie March. Arranged for banjo by John H. Lee[26]
  • 1885 Winifred Waltz. Composed by John H. Lee for nanjo with piano accompaniment by Thomas J. Armstrong.[27]
  • 1886 Banjo duet. Arranged by John H. Lee.[28]
  • 1886 Picanniny Jig. By John H. Lee.[29]

References

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  1. ^ a b c d e f g h i "Obituary" (PDF). S. S. Stewart's Banjo and Guitar Journal. Vol. 7, no. 4. Boston: S. S. Stewart. October 1890. p. 1.
  2. ^ a b c d e f g h Schreyer, Lowell H. (2007). The Banjo Entertainers: Roots to Ragtime, A Banjo History. Mankato, Minnesota: Minnesota Heritage Publishing. pp. 153–154. ISBN 978-0-9713168-9-8.
  3. ^ a b c d "Obituary". Catcomb's Banjo and Guitar Journal. Boston: L. B. Catcomb Company. November 1890. p. 3. His real name was John Haley, and he followed for a time the business of shoe-making in San Francisco, but having musical talent of a high order he decided to make it his business.
  4. ^ "U.S. City Directories, 1822–1995 for John D Haley, California, San Francisco, 1873, San Francisco Directory, 1873". ancestry.com. [page] 278, Haley, John D., U. W. M. C. Boot and Shoe Co., dwl 16 Langton
  5. ^ a b c d e Armstrong, Thomas A. (1889). The Crown Banjo Method. Boston: Oliver Ditson Company. p. 72. [Copyright notice to publishers F. A. North & Company]
  6. ^ "The progress of banjo music" (PDF). S. S. Stewart's Banjo and Guitar Journal. Philadelphia: S. S. Stewart. February 1889. p. 1. It was during his association with William A. Huntley, of Providence, R. I., that Mr. Lee did so much towards the introduction of the Stewart Improved Banjo, known as the Imperial Banjeaurine; and the use of this instrument in the hands of Mr. Huntley, with an accompaniment upon the six string banjo, by Mr. Lee, did a great deal for the banjo, in transforming that instrument into a harp, as far as musical times are concerned.
  7. ^ Lee, John H. (April 1886). "A Lesson Chord Construction for the Banjo Chapter I" (PDF). S. S. Stewart's Banjo and Guitar Journal, April–May 1886. Philadelphia: S. S. Stewart. p. 9. Introducing S. S. Stewart's "Little Wonder," the smallest banjo ever played apon... (Introducing the latest banjo novelty—the "Banjeaurine,"...Messrs. Huntley and Lee
  8. ^ "The Festive Seals". The San Francisco Examiner. San Francisco, California. 22 Jul 1873. p. 3. The out-door sports and games were hotly contested, and during the day the following prizes were awarded: A silver banjo, to John Haley, for the best playing...
  9. ^ a b "Amusements. Haverly's Theater". Chicago Tribune. Chicago, Illinois. 20 Oct 1878. p. 1. [James Adams' first name was identified from this newspaper clipping.]
  10. ^ "Opera House". Daily Press and Herald. Knoxville, Tennessee. 31 Dec 1875. p. 2.
  11. ^ "Plectrum Playing". B.M.G. July 1953. p. 243.
  12. ^ Lee, John H. (August 1886). "The Eclectic School for the Banjo" (PDF). S. S. Stewart's Banjo and Guitar Journal, August 1886. Philadelphia: S. S. Stewart. p. 16.
  13. ^ a b Lee, John H. (April 1886). "A Lesson Chord Construction for the Banjo Chapter I" (PDF). S. S. Stewart's Banjo and Guitar Journal, April–May 1886. Philadelphia: S. S. Stewart. p. 9.
  14. ^ "Barlow, Wilson and Rankin's Mammoth Minstrels". Chicago Tribune. Chicago, Illinois. 25 Apr 1886. p. 11.
  15. ^ Lee, John H. (August 1886). "A Lesson Chord Construction for the Banjo Chapter III" (PDF). S. S. Stewart's Banjo and Guitar Journal, August–September 1886. Philadelphia: S. S. Stewart. p. 12.
  16. ^ Lee, John H. (October 1886). "A Lesson Chord Construction for the Banjo Chapter IV" (PDF). S. S. Stewart's Banjo and Guitar Journal, October–November 1886. Philadelphia: S. S. Stewart. p. 18.
  17. ^ Lee, John H., ed. (1887). W. A. Huntley's Complete School of Harmony for the Banjo. W. F. Shaw.
  18. ^ Lee, John H. (1875). "I'se gwine home". loc.gov. New York: C. H. Ditson & Company.
  19. ^ Lee, John H. (1882). "Mastodon Waltz". loc.gov. Philadelphia: S. S. Stewart.
  20. ^ Lee, John H. (1883). "Florence Polka". loc.gov. Philadelphia: S. S. Stewart.
  21. ^ Lee, John H. (1883). "J. E. Brewster's Waltz". loc.gov. Philadelphia: S. S. Stewart.
  22. ^ Lee, John H. (1885). "Amy Schottische". loc.gov. Philadelphia: S. S. Stewart.
  23. ^ Lee, John H. (1885). "Claudine Waltz". loc.gov. Philadelphia: S. S. Stewart.
  24. ^ Lee, John H. (June 1885). "Damon and Pythias Polka" (PDF). digitalguitararchive.com. Philadelphia: S. S. Stewart. p. 6. [S. S. Stewart's Banjo and Guitar Journal, June–July 1885]
  25. ^ Lee, John H. (1885). ""Frisco" galop". loc.gov. Philadelphia: S. S. Stewart.
  26. ^ Lee, John H. (1885). "Marie March". loc.gov. Philadelphia: S. S. Stewart.
  27. ^ Lee, John H. (1885). "Winifred Waltz". loc.gov. Philadelphia: S. S. Stewart.
  28. ^ Lee, John H. (1886). "Banjo Duet (Lee, John H.)". imslp.org. Philadelphia: S. S. Stewart.
  29. ^ Lee, John H. (June 1885). "Picanniny Jig" (PDF). digitalguitararchive.com. Philadelphia: S. S. Stewart. p. 3. [S. S. Stewart's Banjo and Guitar Journal, February–March 1886]
  • October and November 1890, S.S.Stewart's Banjo and Guitar Journal.
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