Jing Tsu
Jing Tsu | |
|---|---|
石静远 | |
 Tsu in 2019 | |
| Born | February 23, 1973 |
| Alma mater | Harvard University |
| Employer | Yale University |
Jing Tsu (Chinese: 石静远;[1] born 23 February 1973) is a Taiwanese-American author and professor of East Asian studies. Born in Taiwan, she immigrated to New Mexico at the age of nine; there, her mother taught her and her siblings Chinese calligraphy and writing. After receiving a PhD from Harvard University in East Asian Languages and Civilizations in 2001, she became a professor at Yale University. At Yale, she was later named the chair of the Council on East Asian Studies at the MacMillan Center for International and Area Studies and Jonathan D. Spence Professor of Comparative Literature and East Asian Languages and Literatures in 2024. Tsu has published three books; her third, Kingdom of Characters: A Tale of Language, Obsession, and Genius in Modern China, was a finalist for the 2023 Pulitzer Prize and a nominee for the Baillie Gifford Prize for Non-Fiction.
Early life
[edit]Jing Tsu was born in Taiwan on 23 February 1973.[1][2] In primary school, Tsu was a troublesome student; in a 2023 interview, she recalled her teachers referring to her as "female tiger" due to the lack of effect punishment had on her.[2] At the age of nine, she moved with her mother Sue and her siblings to a small New Mexico town. Her father did not accompany them to the United States. Tsu's mother, who had previously been a teacher, taught her and her siblings Chinese calligraphy and writing, and drove them to Albuquerque for weekly piano lessons.[2]
Career
[edit]Academia
[edit]Tsu graduated from the University of California, Berkeley with a bachelor's degree in comparative literature and a master's degree in rhetoric. In 2001, she earned her PhD from Harvard University in Chinese Studies, and was a junior fellow of the Harvard Society of Fellows until 2004.[3][4] She also held fellowships at Stanford University and Princeton University,[5][6] and was later awarded a Guggenheim Fellowship in 2016.[7] She became an assistant professor at Yale University in 2006, teaching post-20th century Chinese culture and literature.[3][8] Tsu later became the chair of the Council on East Asian Studies at the MacMillan Center for International and Area Studies at Yale, and in 2019, she was named the John M. Schiff Professor of East Asian Languages and Literatures and of Comparative Literature.[8] She was subsequently named the Jonathan D. Spence Professor of Comparative Literature and East Asian Languages and Literatures in 2024.[9]
Authorship
[edit]Tsu published her first book, Failure, Nationalism, and Literature: The Making of Modern Chinese Identity, 1895-1937, in 2005.[9] The book, published by Stanford University Press, received praise;[9] in a 2008 review, James Leibold called it "innovative and provocative".[10] She followed it with Sound and Script in Chinese Diaspora, released in 2010 by Harvard University Press, which was described as "groundbreaking" and "captivating".[9]
In 2022, Tsu released her third book, Kingdom of Characters: A Tale of Language, Obsession, and Genius in Modern China, with Penguin Press.[11] The book begins focused upon the period of decline that China suffered at the beginning of the 20th century, and covers the subsequent innovations and developments of the Chinese language made in order to standardize and modernize it. It additionally follows the lives of the individuals who spearheaded said innovations.[12][13] The book was very positively received; it was a finalist for the 2023 Pulitzer Prize[9][4] and a nominee for the Baillie Gifford Prize for Non-Fiction.[9][11] It was also named a New York Times Notable Book in 2022.[9] In a review for The New York Times, Deirdre Mask praised Tsu's ability to weave linguistic and historical fact in a colorful manner.[13]
In addition to books, Tsu has also published articles in multiple newspapers, including the New York Times and Financial Times. Her writings usually comprise discussions of modern Chinese geopolitics[14][15] as well as book reviews.[16]
Bibliography
[edit]- Failure, Nationalism, and Literature: The Making of Modern Chinese Identity, 1895-1937 (2005)
- Sound and Script in Chinese Diaspora (2010)
- Kingdom of Characters: A Tale of Language, Obsession, and Genius in Modern China (2022)
References
[edit]- ^ a b "Tsu, Jing". Library of Congress. Retrieved 24 October 2024.
- ^ a b c Yang, Yuan (10 February 2023). "Jing Tsu: 'The days of armchair scholarship are over if you're studying China'". Financial Times. Retrieved 24 October 2024.
- ^ a b "Jing Tsu". Harvard Radcliffe Institute. Retrieved 24 October 2024.
- ^ a b "Finalist: Kingdom of Characters: The Language Revolution That Made China Modern, by Jing Tsu (Riverhead Books)". The Pulitzer Prizes. Retrieved 24 October 2024.
- ^ "Jing Tsu". Yale University. Retrieved 24 October 2024.
- ^ "Jing Tsu". Penguin Random House. Retrieved 24 October 2024.
- ^ "Jing Tsu". John Simon Guggenheim Memorial Foundation. Retrieved 24 October 2024.
- ^ a b "Jing Tsu appointed the Schiff Professor". YaleNews. 27 August 2019. Retrieved 24 October 2024.
- ^ a b c d e f g "Jing Tsu appointed Spence Professor". YaleNews. 13 February 2024. Retrieved 24 October 2024.
- ^ Leibold, James (December 2008). "Tsu, Failure, Nationalism, and Literature: The Making of Modern Chinese Identity, 1895-1937, 2005". USC US-China Institute. Retrieved 24 October 2024.
- ^ a b "Kingdom of Characters: A Tale of Language, Obsession, and Genius in Modern China". The Baillie Gifford Prize for Non-Fiction. Retrieved 24 October 2024.
- ^ Dorren, Gaston (22 January 2022). "Kingdom of Characters by Jing Tsu review – Chinese writing's near death experience". The Guardian. Retrieved 24 October 2024.
- ^ a b Mask, Deirdre (18 January 2022). "They Wanted to Write the History of Modern China. But How?". New York Times. Retrieved 24 October 2024.
- ^ Tsu, Jing (24 October 2016). "China's Digital Soft Power Play". New York Times. Archived from the original on 27 October 2016. Retrieved 26 October 2024.
- ^ Tsu, Jing (29 May 2020). "Why sci-fi could be the secret weapon in China's soft-power arsenal". Financial Times. Retrieved 26 October 2024.[dead link]
- ^ Tsu, Jing (23 March 2023). "Everything, Everywhere, in One Big Book". New York Times. Archived from the original on 10 May 2023. Retrieved 26 October 2024.