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James Saunders (dancer)

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James Saunders

James Saunders (14 July 1946 in Wilmington, Delaware – 24 August 1996 in Cologne, Germany) was an American dancer, choreographer and movement teacher.

Personal life

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Born and raised as the son of Mary Lee and Major Saunders in Wilmington, Delaware, Saunders studied painting and sculpture at the Philadelphia College of Art (bachelor's degree). In 1968, at the age of 22, Saunders took his first dance class.[1] and studied thereafter ballet with the Pennsylvania Ballet Company under the teachers Benjamin Harkavy, Edward Caton and Manuel Héctor Zaraspe. He was later a student of Irene Bartos, Rosella Hightower and Anna Price. In 1973 Saunders left the United States and settled in Europe. Saunders had a fatal accident on August 24, 1996, during an upswing on a stair banister as part of his performance "Basstanz - Bilderwelten" which he performed with the musician Enrique Dias in the Museum Ludwig in Cologne. Saunders is buried at Gracelawn Memorial Park cemetery in Wilmington, Delaware.

James Saunders, 1986 Koh Samui, Thailand

Career

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Watercolor by James Saunders: Portrait of Kajo Nelles, 1986

Saunders was a member of the Pennsylvania Ballet (1972–1973), in Maurice Béjart's Ballet des XX. Century (1973), in the Tanz-Forum Cologne (1973–1977)[2] and most recently in his dance cariere first soloist in the Frankfurt Ballet (1977–1980).[3] He has danced leading roles in works by George Balanchine, Hans van Manen, Heinz Spoerli, Glen Tetley, Christopher Bruce and Talley Beatty.

Tombstone on Gracelawn Memorial Park, Wilmington DE

After further educational training with Gabriela Taub Darvash[4] in New York, James Saunders ended his solo career in 1980 and worked as a visiting professor at the Darvash School in New York. In the early 1980s he became artistic director of the Deutsche Ballett-Bühne e.V.,[5] the founding association of Ballet International magazine. In 1984 he founded the Tanzprojekte Cologne with Christiane Ruff and Kajo Nelles - Creativity through Movement. He brought amateurs[6] with dancers and choreographers together on stage and worked with his holistic approach to art: everyone is a dancer, a mover. Thousands of people participated in those projects from 1984 to 1994.[7] From 1985 to 1991 he directed his own dance training projects in-house, which contributed significantly to the development of a lively dance scene in Germany. From 1989 to 1994 he carried out the Creating Movement Projects[8] in Johannesburg and Soweto a long-term project supporting young leaders in the field of art. This was the first cultural project in southern Africa sponsored by the Goethe Institute.[9] Beside his regularly teachings in his own studio (Tanzprojekte Köln) Saunders taught at Dance Institutes in Johannesburg,[10] Soweto, New York, Jerusalem, Osaka, Arnhem, Vienna and he developed Solo works for himself and for dance colleagues. 1992 he became a member of the Board of Advisers of the "Soweto Community Dance Project". Saunders developed the "Body as Heart" exercises; a preparatory exercise series for dance training. After his death, BMW South Africa donated a scholarship for young African dance talents.

Since autumn 2024, an initiative has been campaigning for the renaming of Wissmann Street in Cologne to James Saunders Street[11].

The Wim Wenders Foundation[12] is awarding a scholarship to the young artists Hildegard Alina Oehler (NRW) and Valerie-Malin Schmid (Bavaria)[13] for research into their experimental documentary film "Echoes of Movement" [14]about the dancer James Saunders.

Awards

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In 1996, he received the Cologne Dance Theater Prize from the SK-Stiftung Kultur,[15] Cologne, for his life's work post mortem, which was accepted by his partner Kajo Nelles.

Selected works

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  • The unanswered question (1976)
  • Animus (with a composition of Volker Blumenthaler, 1977)
  • Horla (with Ilka Doubek, 1979)
  • Birds (with members of the Ballet Basel, 1980)
  • Songs, 1991
  • Aura (with body sculptures of Noam ben Jacov, 1991)[16]
  • Eye (with sculpture of Martin Schilken, 1994)[17]
  • Wanderer - Spaces like Home (with a composition of Mashiro Miwa)[18]
  • Basstanz ( with the musicians Jean-Claude Jones, Nicolaus Hoffmann, Enrique Dias and Peter Kowald, 1995/96)
  • Observation Suite, 1996[19]

References

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  1. ^ Area man member of Pa. BalletThe Morning News, Wilmington, Delaware,17 June 1972
  2. ^ Traguth, Fred (1992). Modern Jazz Dance (in German). Heinrichshofen's Verlag. p. 40. ISBN 3-7959-0444-7.
  3. ^ Heil, Helga (1986). Frankfurter Ballett von 1945 bis 1985 (in German). Konrad Theiss Verlag. p. 9. ISBN 3-8062-0460-8.
  4. ^ Dunning, Jennifer (2002-04-28). "DANCE; Before Dancers There Must Be Dance Teachers (Published 2002)". The New York Times. ISSN 0362-4331. Retrieved 2020-12-13.
  5. ^ Bringing up Dance, Interview Rolf Garske mit James Saunders, ballet international 07/08/ 1986
  6. ^ Wie Laien „Lebenstänze“ üben Kölnische Rundschau, 31 March 1982
  7. ^ Kurzportrait Kreativität durch Bewegung/Tanzprojekte Köln, Ballet International, 4/88
  8. ^ Encouraging local growth (Marilyn Jenkins) The Citizen, Johannesburg, 03 April 1992
  9. ^ Dancing back to his roots, Adrienne Sichel, The Star, Johannesburg, 26 Feb. 1991
  10. ^ Diverse techniques in dance workshop, Adrienne Sichel, The Star Tonight, 21 Feb. 1991
  11. ^ "James Saunders Straße | Beteiligungsportal der Stadt Köln". meinungfuer.koeln (in German). 2024-08-15. Retrieved 2024-12-06.
  12. ^ "Verleihung 11. Wim Wenders Stipendium: Film- und Medienstiftung NRW vergibt 100.000 Euro für fünf außergewöhnliche Projekte". Film und Medien Stiftung NRW (in German). Retrieved 2024-12-06.
  13. ^ "sync:in studio". sync:in studio (in German). Retrieved 2024-12-06.
  14. ^ Goldlücke, Regina (2024-11-29). "Wim-Wenders-Stipendium: Was beschäftigt junge Filmemacher? KI, Familie und Identität". RP ONLINE (in German). Retrieved 2024-12-06.
  15. ^ KölnBonn, Stiftung Kultur der Sparkasse (2014-09-24). "Die bisherigen Gewinner der Kölner Tanz- und Theaterpreise". www.sk-kultur.de (in German). Retrieved 2024-12-06.
  16. ^ Posen in Zeitlupe (bi), in: Kölner Stadtanzeiger 22. 10. 1991
  17. ^ To Reach Every Spectator, Yael Efratti in: Ha'aretz, Jerusalem, Nov. 1994
  18. ^ Wearied by the Narcissistic Side of Dance, Josef Schlossmacher in: ballett international / tanz aktuell 12/1995
  19. ^ Der Rückzug auf den eigenen Körper, Josef Schoßmacher in: Kölner Stadtanzeiger (KStA), 9. 2. 1996

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16]

Further reading

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[edit]
  1. ^ Area man member of Pa. BalletThe Morning News, Wilmington, Delaware,17 June 1972
  2. ^ Traguth, Fred. Modern Jazz Dance (in German). Heinrichshofen's Verlag. p. 40. ISBN 3-7959-0444-7
  3. ^ Heil, Helga (1986). Frankfurter Ballett von 1945 bis 1985 (in German). Konrad Theiss Verlag. p. 9. ISBN 3-8062-0460-8
  4. ^ Dunning, Jennifer (2002-04-28) "DANCE; Before Dancers There Must Be Dance Teachers (Published 2002)". The New York Times. ISSN 0362-4331. Retrieved 2020-12-13
  5. ^ Bringing up Dance, Interview Rolf Garske mit James Saunders, ballett international 07/08/ 1986
  6. ^ Wie Laien „Lebenstänze“ üben Kölnische Rundschau, 31 March 1982
  7. ^ Kurzportrait Kreativität durch Bewegung/Tanzprojekte Köln, Ballett International, 4/88
  8. ^ Encouraging local groth (Marilyn Jenkins)The Citizen, Johannesburg, 03 April 1992
  9. ^ Dancing back to his roots, Adrienne Sichel, The Star, Johannesburg, 26 Feb. 1991
  10. ^ Diverse techniques in dance workshop, Adrienne Sichel, The Star Tonight, 21 Feb. 1991
  11. ^ Lessons on a ladder of life, Adrienne Sichel, The Star, Johannesburg, 13 March 1997
  12. ^ "James Saunders - Deutsches Tanzarchiv Köln".
  13. ^ Posen in Zeitlupe (bi), in: Kölner Stadtanzeiger 22. 10. 1991
  14. ^ To Reach Every Spectator, Yael Efratti in: Ha'aretz, Jerusalem, Nov. 1994
  15. ^ Wearied by the Narcissistic Side of Dance, Josef Schlossmacher in: ballett international / tanz aktuell 12/1995
  16. ^ Der Rückzug auf den eigenen Körper, Josef Schoßmacher in: Kölner Stadtanzeiger (KStA), 9. 2. 1996
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