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Ishmael Marika

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Ishmael Marika
Born1991 (age 32–33)
Nhulunbuy, Eastern Arnhem Land, Australia
Occupation(s)Musician, Filmmaker
Parents
  • Gary Waninya (also written "Wanyubi") Marika (father)
  • Yalmakany Marawili (mother)

Ishmael Marika (born 1991) is a Yolngu (also written Yolŋu) musician, filmmaker, director and producer. His installations have been exhibited in many of Australia's most important museums, including the Museum of Contemporary Art in Sydney and the Art Gallery of South Australia in Adelaide.[1] He is currently the Creative Director for the pre-eminent Indigenous media unit in Australia, the Mulka Project, based at Buku-Larrnggay Mulka Art Centre at Yirrkala in Northeast Arnhem Land.[1] The Mulka Project seeks to preserve and disseminate the sacred languages and cultural practices of the Yolngu people by collecting and archiving photographs, audio and video.[1]

Life

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Ishmael was born in Nhulunbuy, Australia, to mother Yalmakany Marawili, and father Gary Waninya (also written Wanyubi) Marika.[2] His mother is a Yirralka Ranger and exhibited artist, and sister to Djambawa Marawili.[2] His father is a prominent artist who has an Order of Australia for services to Indigenous Health.[3] His mother's side of the family belongs to the Madarrpa clan and his father's side belongs to the Rirratjingu clan.[2] His maternal grandmother is Dhudu Djapu.[2] His paternal grandfather's side is Dhalwangu.[2] Ishmael's father is also an elder of the Rirratjingu clan and his grandfather, Milirrpum, represented his people as the lead plaintiff in the first Land Rights case —Milirrpum v Nabalco Pty Ltd, also known as the Gove Land Rights Case, in 1971.[3]   

Marika spent his youth in Yilpara, a school in the East Arnhem Region, Australia.[3] He attended Nhulubuy Primary School before moving to Melbourne, Australia to complete years 8 and 9.[3] He then attended a school in Darwin, the capital of Australia's Northern Territory, finishing years 10 to 12.[3] In 2009, he returned to Yirrkala in the East Arnhem Shire in the Northern Arnhem Territory of Australia.[3] Here he spent 6 months working as ranger before beginning his work with the Mulka Project in 2010, where he currently is Creative Director.[3]

Career

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Ishmael Marika grew up with traditional music and began singing at the age of 10.[4] He has continued to write songs that tell the traditional stories of his people about the creation of the world, the relationship between man and his natural environment, behaviours and etiquette of his people, and more.[5] In 2016, Marika earned critical acclaim for his song “Two Sisters Journey.” [4] In addition to songwriting, Ishmael has worked on numerous cultural productions for the Yolngu people, with the permission of the elders, including documentations of various ceremonial traditions such as the dhapi and baparru ceremonies.[3] His first and most widely-known documentary, is titled Wanga Watangumirri Dharuk (2010), about Yolngu land rights—a subject with familial importance to him.[3] This documentary has appeared at several music festivals, and was privately screened for East Timor former President José Ramos-Horta.[3] In 2013, Marika created a work titled My Grandfather Passing on a Message, which features a tape recording of his grandfather and English subtitles.[6] The goal of this display was not only to catalogue important Yolngu knowledge for future generations, but also to share culture with outsiders.[6] In 2014, he released a second film, Galka, a drama film about Yolŋu sorcery.[3] Galka appeared at the Garma Festival of Traditional Cultures in 2014, where it received a standing ovation.[3] Since this, Marika has produced a number of other films including Gapu Ga Gunda: The Art of Nongirrngga Marawili (2015), and a 5 episode installment titled Wunya’Gali (The Other Side) in 2017, commissioned by Transport for NSW.[3] Working within the Mulka Project's goal to facilitate culture in Arnhem Land, Marika collaborated with Martu artist Curtis Taylor, learning how to make spears from clan elders in order to create a work of art that crosses language groups.[7] In all, 70 spears were crafted and displayed at Fremantle Arts Centre from November 2017 until January 2018.[7] He has also created other large-screen film projects, including a piece in 2017 that is displayed at Wynyard Station in Sydney.[8] Also in 2017, for the Tarnanthi Festival—a yearly Aboriginal art showcase—Marika developed a moving-image to accompany a work by artist Nawurapu Wunungmurra.[9] Marika’s display depicted traditional Yolngu dance that is performed to greet fishermen arriving in northeast Arnhem Land.[9] Starting in 2022, Marika began traveling to the United States as part of the Yolngu curatorial staff for the Madayin exhibition, which features 8 decades of bark paintings, as well as two video installations created by Marika and the Mulka Project.[10]

Awards and nominations

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Telstra Youth of the Year at the National Aboriginal & Torres Strait Islander Awards (NATSIA) for Sunlight Energy in 2016.[1][4][11]

NT Traditional Song of the Year at the National Indigenous Music Awards (NIMA) with a recording of "Two Sisters Journey."[1][4]

NT Young Achiever of the Year Award in 2015 [8]

Further reading

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  • Wanambi, Wukun, Marika, Ishmael, "The mulka project," Artlink, v.36, no.2, Jun 2016, p. 82-84 (ISSN: 0727–1239), Jun 2016. Journal Article.
  • "In a winning painting, the stolen generations," The Age (Melbourne, Australia), 2016 August 6, p. 16 (ISSN: 0312–6307), Newspaper article.

References

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  1. ^ a b c d e "The Mulka Project | Mellon Indigenous Arts Program". indigenousarts.as.virginia.edu. Retrieved 3 May 2020.
  2. ^ a b c d e Hodgson, Travis. "Wukun Wanambi & Ishmael Marika: In conversation, Buku-Larrnggay Mulka, Yirrkala N.T." (PDF). Latrobe.
  3. ^ a b c d e f g h i j k l m NSW, Transport for (3 October 2017). "Ishmael Marika". www.transport.nsw.gov.au. Retrieved 3 May 2020.
  4. ^ a b c d Barrass, Tony (10 August 2016). "Ishmael and his Two Sisters walk with major music award". National Indigenous Times. Archived from the original on 3 January 2021. Retrieved 3 May 2020.
  5. ^ "Mulka Archive". Issuu. 16 November 2011. Retrieved 3 May 2020.
  6. ^ a b Lazarus, Robert (2022). "Circulating cassettes of ceremony: Indigenous peer-to-peer networks in Arnhem Land". Media, Culture & Society. 44 (1): 141–160. doi:10.1177/01634437211045543. ISSN 0163-4437. Retrieved 20 April 2024.
  7. ^ a b Coleman, Sheridan (November 2017). "'Yolngu and Martu coming together': Curtis Taylor and 'In Cahoots'". Art Monthly Australia. No. 303. p. 26. ProQuest 1957136783.
  8. ^ a b "About – the Mulka Project". Buku-Larrŋgay Mulka Centre. Retrieved 20 April 2024.
  9. ^ a b "Tarnanthi at AGSA". AGSA - The Art Gallery of South Australia. Retrieved 20 April 2024.
  10. ^ "Ishmael Marika reflects on MADAYIN: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala". Kluge-Ruhe: Madayin. 12 January 2023. Retrieved 5 May 2024.
  11. ^ Scholes, Luke (September 2016). "Connection and Belonging". Art Monthly Australasia. No. 292. pp. 18–25.
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