Il est né, le divin Enfant

Il est né, le divin Enfant
Il est né, le divin Enfant
English	He is born, the divine Child
Genre	Christmas carol
Text	Traditional 19th century French carol
Based on	Luke 2:6
Meter	7.8.7.7 with refrain
	Il est né, le divin Enfant Performed by the US Army Band Chorus in a bilingual French-and-English version Problems playing this file? See media help.

"Il est né, le divin Enfant" (English: He is born, the divine Child) is a traditional French Christmas carol.

History

The melody was published for the first time in 1863 by Jean-Romary Grosjean [fr], organist of the Cathedral of Saint-Dié-des-Vosges, in a collection of carols entitled Airs des noëls lorrains.^[1] The text of the carol was published for the first time in a collection of ancient carols, published in either 1875 or 1876 by Dom G. Legeay.^[2]

Lyrics

The text of the carol details the birth of Jesus and the wait of 4000 years for this event, as foretold by the prophets. It both observes the humility of Christ's birth in a stable and calls on the Kings of the Orient to attend the child.

The text of the carol has been translated into English numerous times. One translation that is close in meaning is that by Edward Bliss Reed (1930):^[3]

Gabriel Fauré wrote several arrangements, including for solo voice and organ (1888), for choir and organ (1923), and for children's choir and chamber orchestra (1938). David Willcocks, John Rutter and Kurt Suttner wrote modern choral versions.^[4]

Refrain:
—Il est né le divin enfant,
—Jouez hautbois, résonnez musettes !
—Il est né le divin enfant,
—Chantons tous son avènement !

Depuis plus de quatre mille ans,
Nous le promettaient les prophètes
Depuis plus de quatre mille ans,
Nous attendions cet heureux temps. Refrain

Ah ! Qu'il est beau, qu'il est charmant !
Ah ! que ses grâces sont parfaites !
Ah ! Qu'il est beau, qu'il est charmant !
Qu'il est doux ce divin enfant ! Refrain

Une étable est son logement
Un peu de paille est sa couchette,
Une étable est son logement
Pour un dieu quel abaissement ! Refrain

Partez, grands rois de l'Orient !
Venez vous unir à nos fêtes
Partez, grands rois de l'Orient !
Venez adorer cet enfant ! Refrain

Il veut nos cœurs, il les attend :
Il est là pour faire leur conquête
Il veut nos cœurs, il les attend :
Donnons-les-lui donc promptement ! Refrain

O Jésus ! O Roi tout-puissant
Tout petit enfant que vous êtes,
O Jésus ! O Roi tout-puissant,
Régnez sur nous entièrement ! Refrain

Chorus:
–He is born, the Heav'nly Child,
–Oboes play; set bagpipes sounding.
–He is born, the Heav'nly Child,
–Let all sing His nativity.

'Tis four thousand years and more,
Prophets have foretold His coming.
'Tis four thousand years and more,
Have we waited this happy hour. Chorus

Ah, how lovely, Ah, how fair,
What perfection is His graces.
Ah, how lovely, Ah, how fair,
Child divine, so gentle there. Chorus

In a stable lodged is He,
Straw is all He has for cradle.
In a stable lodged is He,
Oh how great humility! Chorus

Jesus Lord, O King with power,
Though a little babe You come here.
Jesus Lord, O King with power,
Rule o'er us from this glad hour. Chorus

Melody

$\header { tagline = ##f } \layout { indent = 0 \set Score.tempoHideNote = ##t \context { \Score \remove "Bar_number_engraver" } \context { \Voice \remove "Dynamic_engraver" } } global = { \key g \major \time 2/4 } chordNamesC = \chordmode { \global \set ChordNames.midiInstrument = #"acoustic guitar (nylon)" g2\pp | g | g | g | g | g | d | d | g | | g | g | g | g | g | d:7 | g \bar "||" } chordNamesV = \chordmode { \set ChordNames.midiInstrument = #"acoustic guitar (nylon)" g2 | g | d:7 | g | g | g | g | d:7 | g | g | d:7 | g | g| g| d4:7 g | d2:7 \bar "|." } sopranoC = \relative c' { \global \autoBeamOff \set Staff.midiPanPosition = -1 \set midiInstrument = "flute" d4 g | g b8 g | d4 g | g2 | g4 g8 a | b4 c8 b | a4 g4 | a8 [fis] d4 | d g | g b8 g | d4 g | g2 | g4 a b c8 b | a4 d | g,2 % This works in native LilyPond but not on Wikipedia %{ \once \override Score.RehearsalMark.break-visibility = #end-of-line-visible \once \override Score.RehearsalMark.self-alignment-X = #RIGHT \mark "Fine" \bar "||" %} ^"Fine" \bar "||" } sopranoV = \relative c' { \autoBeamOff \set Staff.midiPanPosition = -1 \set midiInstrument = "flute" b'4 c | d c8 b | c4 e | d2 | b4 c | d e8 d | c4 b | b a | b c | d c8 b | c4 e | d2 | b4 c | d e8 d | c4 b | a2 \once \override Score.RehearsalMark.break-visibility = #end-of-line-visible \once \override Score.RehearsalMark.self-alignment-X = #RIGHT \mark "D.C. al Fine" \bar "|." } altoC = \relative c' { \global \set Staff.midiPanPosition = -0.5 \set midiInstrument = "clarinet" b2~ | b2 | b2~ | b2 | b4 d | g a8 g | fis4 e | d s | b2~ | b |b~ | b | b4 d | g a8 g | fis4 fis | d2 \bar "|." } altoV = \relative c' { \set Staff.midiPanPosition = -0.5 \set midiInstrument = "clarinet" g'4 a | b a8 g | a4 c | b2 | g4 a | b c8 b | a4 g | g fis | g a | b a8 g | a4 c | b2 | g4 a b c8 b | a4 g | fis2 \bar "|." } tenorC = \relative c { \global \set Staff.midiPanPosition = 1 \set midiInstrument = "bassoon" <d g,>2~\pp | <d g,> | <d g,>2~ | <d g,> | g,4 g'8 fis | g2 | \tieDown <a d,>2~ | <c d,> | \tieNeutral <d, g,>~ | <d g,> | <d g,>~ | <d g,> | g,4 fis' | g a8 b | <c d,>2 | <b g> \bar "||" } tenorV = \relative c { \set Staff.midiPanPosition = 1 \set midiInstrument = "bassoon" R2 | << { r4 d'~ | \repeat unfold 13 { d d~ | } d c4 } \\ { g2~ | g~ | g~ | g | g~ | g | d~ | d | g~ | g~ | g~ | g | g~ | g | g } >> \bar "|." } verseOne = \lyricmode { Il est né le di -- vin En -- fant, jou -- ez haut -- bois, ré -- son -- nez mu -- set -- tes! Il est né, le di -- vin En -- fant, chan -- tons tous son a -- vè -- ne -- ment! De -- puis plus de qua -- tre mille ans, nous le pro -- met -- taient les pro -- phè -- tes, de -- puis plus de qua -- tre mille ans, nous at -- ten -- dions cet heu -- reux temps. } verseTwo = \new Lyrics \lyricmode { He is born, the __4 ho -- ly Child, play the __4 o -- boe and bag -- pipes merri -- ly! He is born, the __4 ho -- ly Child, sing we all of the Sav -- ior mild! Through long a -- ges __4 of the past, Proph -- ets have fore --4 __ told His com -- ing. Through long a -- ges __4 of the past, now the time has __4 come at last. } \score { \new ChoirStaff << \new ChordNames { \chordNamesC \chordNamesV } \new Staff << \new Voice = "soprano" { \voiceOne \sopranoC \sopranoV } \new Voice { \voiceTwo \altoC \altoV } >> \new Lyrics \lyricsto "soprano" \verseOne \new Lyrics \lyricsto "soprano" \verseTwo \new Staff << \clef bass \new Voice { \tenorC \tenorV } >> >> \layout { } } \score { \unfoldRepeats { << \chordNamesC \\ \sopranoC \\ \altoC \\ \tenorC >> << \chordNamesV \\ \sopranoV \\ \altoV \\ \tenorV >> << \chordNamesC \\ \sopranoC \\ \altoC \\ \tenorC >> } \midi { \tempo 4. = 102 \context { \Score midiChannelMapping = #'instrument } \context { \Staff \remove "Staff_performer" } \context { \Voice \consists "Staff_performer" } } }$

Source^[5]

References

^ "No. 20. Noël – Il est né, le divin Enfant, ancien air de chasse", p. 20 – via Gallica
^ "Il est né, le divin Enfant". The Hymns and Carols of Christmas. Retrieved 2019-12-03.
^ Anderson, Douglas. "He is Born, the Heav'nly Child". Hymns and Carols of Christmas. Retrieved 24 December 2013.
^ "Il est né le divin enfant" (Fauré): Scores at the International Music Score Library Project
^ Walter Ehret; George K. Evans, eds. (1980) [1963]. The International Book of Christmas Carols. Prentice Hall, Walton Music. pp. 94–95 – via Internet Archive.

[1] "No. 20. Noël – Il est né, le divin Enfant, ancien air de chasse", p. 20 – via Gallica

[2] "Il est né, le divin Enfant". The Hymns and Carols of Christmas. Retrieved 2019-12-03.

[3] Anderson, Douglas. "He is Born, the Heav'nly Child". Hymns and Carols of Christmas. Retrieved 24 December 2013.

[4] "Il est né le divin enfant" (Fauré): Scores at the International Music Score Library Project

[5] Walter Ehret; George K. Evans, eds. (1980) [1963]. The International Book of Christmas Carols. Prentice Hall, Walton Music. pp. 94–95 – via Internet Archive.

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