"I Want to Thank You" is a song by American singer Alicia Myers, released in 1981, originally as a track from her debut album, Alicia (1981). The song was later included as a single on her 1982 album, I Fooled You This Time, due to its heavy rotation in clubs by DJs in the United States and United Kingdom.[1] The song was written by Kevin McCord, who also produced it alongside Irene Perkins. It debuted on the Hot Black Singles chart, where it ran for 11 weeks, peaking at number 37 in November 1982.[2]
In June 1994, the song's writer, Kevin McCord, sued singer Mariah Carey and her music team for incorporating significant musical elements from "I Want to Thank You" into her 1991 song "Make It Happen". McCord stated, "If you listen to the chords at the beginning of the song, the similarity is obvious. It's the exact same chords in a different key"; he also noted lyrical similarities.[3] Carey's side initially claimed McCord had no standing to sue, but McCord's attorney showed the song's copyright owners had transferred their legal interest in "I Want to Thank You" to McCord "in an effort to adjudicate their claims".[3] Though a Carey spokesperson maintained the copyright infringement allegations were false, McCord said he had turned down settlement offers from Carey's camp.[3] McCord eventually accepted a settlement offer of about US$500,000.[4]
"I Want to Thank You" was later re-recorded as a house track by American singer and songwriter Robin S., released in March 1994 as the fourth single from her debut album, Show Me Love (1993). This version was produced by Allen George, Fred McFarlane, and Junior Vasquez. It was a minor hit in Europe, peaking at number 39 in Belgium and number 48 on the UK Singles Chart. On the US BillboardBubbling Under Hot 100 chart, it reached number three.
Larry Flick from Billboard wrote, "Thanks in large part to the eternally golden remix hand of David Morales, the voice behind the massive "Show Me Love" is poised to flood dancefloors again. Her solid rendition of this gospel-tinged disco evergreen is enhanced by Morales' savvy blend of groove and slick synths. Junior Vasquez, the track's original co-producer, drops a couple of sturdy versions that are darker and geared more toward underground tastes."[6] British magazine Music Week's RM Dance Update declared it as a "smooth soulful cover version".[7] An editor, James Hamilton, described it as a "incredibly coincidental almost Degrees of Motion ["Shine On"] answering 'thank you Heavenly Father for shining your light on me' inspirational loper".[8] Chuck Arnold from Philadelphia Daily News complimented it as a "spiritual stomper".[9]
