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Hang 'Em High

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Hang 'Em High
Theatrical release poster by Sandy Kossin
Directed byTed Post
Written by
Produced byLeonard Freeman
Starring
Cinematography
Edited byGene Fowler Jr.
Music byDominic Frontiere
Production
companies
Distributed byUnited Artists
Release date
  • July 31, 1968 (1968-07-31)
Running time
114 minutes
CountryUnited States
LanguageEnglish
Budget$1.6 million[1][2]
Box office$10.8 million

Hang 'Em High is a 1968 American revisionist Western film directed by Ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood as Jed Cooper, an innocent man who survives a lynching; Inger Stevens as a widow who helps him; Ed Begley as the leader of the gang that lynched Cooper; and Pat Hingle as the federal judge who hires him as a Deputy U.S. Marshal.

Hang 'Em High was the first production of The Malpaso Company, Eastwood's production company. It was processed in DeLuxe Color.

Hingle portrays a fictional judge who mirrors Judge Isaac C. Parker, labeled the "Hanging Judge" due to the large number of men he sentenced to be executed during his service in the late 1800s as District Judge of the United States District Court for the Western District of Arkansas.

The film also depicts the dangers of serving as a Deputy U.S. Marshal during that period, as many federal marshals were killed while serving under Parker. The fictional Fort Grant, base for operations for that district judge seat, is also a mirror of the factual Fort Smith, Arkansas, where Judge Parker's court was located.

Plot

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In Oklahoma Territory in 1889, retired lawman Jed Cooper is surrounded by a posse of nine men: Captain Wilson, Reno, Miller, Jenkins, Stone, Maddow, Tommy, Loomis, and Charlie Blackfoot. They demand the receipt for the cattle Cooper is driving. The cattle seller is a robber who killed the rancher. Cooper explains that he knew nothing about the murder, but only Jenkins expresses doubts about his guilt. After Reno takes Cooper's horse and saddle and Miller takes his wallet, the men hang him from a tree and ride away.

Shortly afterwards, Marshal Dave Bliss rescues a half-dead Cooper and takes him to Fort Grant, where the territorial judge, Adam Fenton, determines that Cooper is innocent, sets him free, and warns him not to take his revenge. As an alternative, Fenton offers Cooper a job as a marshal. Cooper accepts, and Fenton warns him not to kill the lynchers, but to bring them in for trial.

While picking up a prisoner, Cooper sees his horse and saddle in front of a local saloon. He finds Reno inside and tries to arrest him, but Reno draws on him, forcing Cooper to gun him down. Jenkins, learning of Reno's death at the hands of a marshal with a hanging scar, turns himself in and provides the names of the rest of the posse. Cooper finds Stone in the town of Red Creek, arrests him, and has the local sheriff, Ray Calhoun, put him in jail. Most of the men Cooper seeks are respected citizens of Red Creek, but Calhoun honors Cooper's warrants for their arrest.

While en route to arrest the other men, Cooper and Calhoun come across the murder of two men and the rustling of their herd. Forming a posse of his own, Cooper pursues the stolen herd and discovers that the rustlers are Miller and two teenage brothers, Ben and Billy Joe. He prevents the rustlers from being lynched by the posse, who desert him. He frees Ben and Billy Joe from their bonds after they insist that only Miller committed the murders, and brings all three to Fort Grant. Fenton sentences the three rustlers to be hanged, despite Cooper's defense of the teenagers. Fenton insists that the public will resort to lynching if they see rustlers going unpunished, threatening Oklahoma's bid for statehood.

Sometime later, Calhoun arrives at Fort Grant and offers to pay Cooper for his lost cattle with money from Captain Wilson and the other lynchers. Cooper rejects the offer and makes it clear he intends to arrest them all. Blackfoot and Maddow flee, while Tommy and Loomis stick with Wilson and agree to help kill Cooper.

During a public hanging (for Miller, the Joe brothers, and three other men), the three lynchers ambush Cooper in a brothel, seriously wounding him. Cooper survives and is slowly nursed back to health by a widow, Rachel Warren. Rachel reveals she is hunting for the outlaws who killed her husband and raped her. She and Cooper begin an affair; he says that she might never find her rapists. Cooper tries to resign, but Judge Fenton gives him the location of Wilson's ranch, where Wilson, Tommy, and Loomis are hiding.

The three men try to ambush Cooper as he approaches the ranch house. Cooper survives, and subsequently stabs Loomis to death and shoots Tommy. He tries but fails to capture Wilson, who hangs himself.

Returning to Fort Grant, Cooper hands in his marshal's star and demands that Fenton sign a pardon for Jenkins, who is both contrite and seriously ill. The two men debate the merits of territorial justice. Fenton insists that he is doing as well as he can, cursing the fact that his is the only court in the territory with little recourse for plaintiffs; and tells Cooper that if he disagrees with him, the best thing he can do is to help Oklahoma become a state (and thus get proper courts) by continuing to serve as a U.S. marshal. Cooper takes back his star in exchange for Jenkins' release. Fenton then gives Cooper fresh warrants for Blackfoot and Maddow, telling him, "The law still wants 'em." Cooper nods and rides off.

Cast

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Production

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Eastwood spent much of late 1966 and 1967 dubbing for the English-language version of the Dollars Trilogy and being interviewed, something which left him feeling angry and frustrated.[3] Stardom brought more roles in the "tough guy" mould, and Irving Leonard, his business manager, gave him a script to a new film, the American revisionist Western Hang 'Em High, a cross between Rawhide and Leone's westerns, written by Mel Goldberg and produced by Leonard Freeman.[3] However, the William Morris Agency had wanted him to star in a bigger picture, Mackenna's Gold, with a cast of notable actors such as Gregory Peck, Omar Sharif, and Telly Savalas. Eastwood, however, did not approve and preferred the script for Hang 'Em High, but had one complaint which he voiced to the producers: the scene before the six-man hanging, where the hero is attacked by the enemies. Eastwood believed that the scene would not be believable if set in a saloon. They eventually agreed to introduce a scene with Cooper taking a prostitute upstairs during the hanging, and having the attack take place afterwards as Eastwood enters the bordello's bar.[4] Eastwood signed for the film with a salary of $400,000 and 25% of the net earnings of the film, playing the character of Jed Cooper, a man accused by vigilantes of a rancher's murder, lynched and left for dead, who later seeks revenge.[1][2][4]

With the wealth generated by the Dollars trilogy, Irving Leonard helped set up Eastwood's long-desired new production company, The Malpaso Company, named after Malpaso Creek, which flows through property Eastwood owned at the time in Monterey County, California.[5][6] Leonard became the company's president and arranged for Hang 'Em High to be a joint production with United Artists.[6] Directors Robert Aldrich and John Sturges were considered as director, but on the request of Eastwood, old friend Ted Post was brought in to direct. He was signed against the wishes of Freeman, whom Eastwood overruled.[7] Post was important in casting for the film and arranged for Inger Stevens of The Farmer's Daughter fame to play the role of Rachel Warren. She had not heard of Eastwood or Sergio Leone at the time, but instantly took a liking to Eastwood and accepted.[7] Clint Eastwood and Inger Stevens began a short relationship during filming.

Score

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Composer Dominic Frontiere was given eight days to compose an Ennio Morricone type score. His theme appeared in a large number of cover versions ranging from Hugo Montenegro to Booker T and the M.G.s.[8] It was also covered by Wall of Voodoo in a medley with other "spaghetti western" music.[9]

Filming

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Although the film is purportedly set in Oklahoma Territory, Freeman arrived in Las Cruces, New Mexico, on May 25, 1967, to scout locations. That same day, Freeman located the tree to be used for the hanging in the opening scene, about 12 miles north of Las Cruces.[10] Filming began June 27, 1967, in the Las Cruces area, with additional scenes shot at White Sands.[7][10] The interiors were shot at MGM studios.[1][11] The opening lynching scene was filmed June 29, 1967, next to the Rio Grande.[1][10] The tree used for the hanging is no longer standing and the riverbed is now overgrown with thick brush.[10] Eastwood had considerable leeway in the production, especially in the script, which was altered in parts such as the dialogue and setting of the barroom scene to his liking.[12]

Reception

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The film became a major success after release in August 1968, and with an opening-day revenue of $5,241 in Baltimore alone, it became the biggest United Artists opening in history, exceeding all of the James Bond films at that time.[13] It debuted at number five on Variety's weekly survey of top films and had recouped production expenses within two weeks of screening.[13] It eventually grossed $6.8 million in the United States[14][15] and $4 million abroad,[16] for a total of $10.8 million grossed worldwide.

It was praised by critics, including Arthur Winsten of the New York Post, who described Hang 'Em High as "a Western of quality, courage, danger and excitement."[12] Variety gave the film a negative review, calling it "a poor American-made imitation of a poor Italian-made imitation of an American-made western."[17] George Tashman wrote in Berkeley Gazette that it was, "all intents and purposes," an "apple pie" western, "a Spaghetti Western made in Hollywood."[16]

As of February 2022, Hang 'Em High has a 92% freshness rating on Rotten Tomatoes.[18]

Legacy

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The band Wall of Voodoo used the movie's theme music as a part of its medley "The Good the Bad and the Ugly / Hang 'em High".[19] The song "Hang 'Em High" by American rock band My Chemical Romance is named after the film.[20]

See also

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Bibliography

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  • Hughes, Howard (2009). Aim for the Heart. London: I.B. Tauris. ISBN 978-1-84511-902-7.
  • McGilligan, Patrick (1999). Clint: The Life and Legend. Perseus Books Group. ISBN 978-0-7867-0843-7.
  • Munn, Michael (1992). Clint Eastwood: Hollywood's Loner. London: Robson Books. ISBN 0-86051-790-X.

References

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  1. ^ a b c d Hughes, p. 18.
  2. ^ a b Munn, p. 69.
  3. ^ a b McGillagan (1999), p. 159.
  4. ^ a b McGillagan (1999), pp. 160–1.
  5. ^ "Rancho Cañada Village" (PDF). Carmel Pine Cone. Archived from the original (PDF) on December 20, 2016. Retrieved December 7, 2016.
  6. ^ a b McGillagan (1999), p. 162.
  7. ^ a b c McGillagan (1999), p. 163.
  8. ^ Larson, Randall D. Pushing the Envelope-Dominic Frontiere Interview Randall D. Larson's Soundtracks Interviews
  9. ^ The Good, the Bad, and the Ugly / Hang 'Em High"; accessed May 12, 2023.
  10. ^ a b c d Thomas, David G. (2015). Screen With A Voice - A History of Moving Pictures in Las Cruces, New Mexico. Doc45 Publications. pp. 126–127. ASIN B018CYWZ4O.
  11. ^ Toole, Michael T. "Hang 'Em High". Turner Classic Movies. Retrieved September 26, 2022.
  12. ^ a b McGillagan (1999), p. 164.
  13. ^ a b McGillagan (1999), p. 165.
  14. ^ "Hang 'em High (1968) Theatrical Performance". the-numbers.com. Retrieved August 20, 2017.
  15. ^ "All-time Film Rental Champs", Variety, January 7, 1976, p. 44.
  16. ^ a b Tashman, George (May 5, 1978). "Piedmont's Claim to Fame". Berkeley Gazette. p. 11. Retrieved April 21, 2022 – via Newspapers.com.
  17. ^ Hughes, p. 19.
  18. ^ "Hang 'Em High (1968)". Rotten Tomatoes. Retrieved August 20, 2017.
  19. ^ "The Good the Bad and the Ugly / Hang 'em High"; accessed April 1, 2024.
  20. ^ My Chemical Romance – Hang 'Em High, retrieved June 25, 2023
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