Jump to content

Gordon Bennett (artist)

From Wikipedia, the free encyclopedia

Gordon Bennett
Born9 October 1955 (1955-10-09)
Monto, Queensland, Australia
Died3 June 2014(2014-06-03) (aged 58)
NationalityAustralian
EducationQueensland College of Art
Known forPainting, printmaking
MovementUrban indigenous art
AwardsMoët & Chandon Australian Art Fellowship (1991)
John McCaughey Memorial Art Prize (1997)

Gordon Bennett (9 October 1955 – 3 June 2014)[1] was an Australian artist of Aboriginal and Anglo-Celtic descent. Born in Monto, Queensland, Bennett was a significant figure in contemporary Indigenous Australian art.

Early life

[edit]

Born in Monto, Queensland, in 1955, of Anglo-Celtic and Aboriginal ancestry,[2] Gordon Bennett grew up in Victoria from the age of four, when his family moved back to Queensland, to the town of Nambour.[3] He attended Nambour State High School.[1] He left school at fifteen and worked in a variety of trades[3] before undertaking formal art studies at the Queensland College of Art, Brisbane between 1986 and 1988.[4]

Career

[edit]

Some of his work is about what he saw when he was young. His 1991 painting Nine Ricochets won the prestigious Moët & Chandon Australian Art Fellowship, and he rapidly established himself as a leading figure in the Australian art world. Bennett lived and worked in Brisbane, where he created paintings, prints and worked in multi-media.

In 2004, Bennett, together with Peter Robinson, had a two-person exhibition Three Colours, which showed at several Victorian art galleries including Heide Museum of Modern Art, Shepparton Art Gallery, Bendigo Art Gallery and the Ballarat Fine Art Gallery.[3] In late 2007 he had a solo exhibition at the National Gallery of Victoria, that set his works on colonialism in an international context.[5]

Bennett exhibited his work in biennales in numerous cities, including Sydney, Venice, Gwangju, Shanghai, Prague and Berlin.[6]

Views

[edit]

Bennett expressed his discomfort with being seen as spokesman for Aboriginal peoples, and in a manifesto (or 'manifest toe' as he called it) published in 1996 he spoke of his wish "to avoid banal containment as a professional Aborigine, which both misrepresents me and denies my upbringing and Scottish/English heritage,"[7] while simultaneously expressing his wish that his young daughter could grow up in a society where her life would not be defined by her race.[3] The confrontation of Australian racism is a regular theme in works by Bennett.[8]

Death

[edit]

Gordon Bennett died in Brisbane on 3 June 2014, of natural causes.[9] He was 58.

Legacy

[edit]

Judith Ryan, senior curator from the National Gallery of Victoria in 2004 described Bennett as "an artist's artist" and "like no other artist currently working".[3] Noting the influence of Jackson Pollock, Piet Mondrian and Basquiat, she considered Bennett's style to be theoretical and confronting, and intended to encourage critical reflection on national identity.[3]

Bennett is represented in most major public collections in Australia, including the Queensland Art Gallery,[10] as well as in several important overseas collections.

In September 2017, Bennett's 1991 Possession Island was unveiled at London's Tate Modern.[11]

See also

[edit]

References

[edit]

Notes

  1. ^ a b Bell, Richard. "Gordon Bennett: Richard Bell's tribute to the passing of an Australian art great". The Guardian. Retrieved 14 November 2018.
  2. ^ "Gordon Bennett Introduction". Schools resources. National Gallery of Victoria. Retrieved 15 June 2014.
  3. ^ a b c d e f Coslovich, Gabriella (28 April 2004). "Bennett puts on brave face". The Age. Retrieved 15 June 2014.
  4. ^ "Gordon Bennett". Design & Art Australia Online. 2014. Retrieved 15 June 2014.
  5. ^ "Exhibitions: Gordon Bennett". National Gallery of Victoria. 2007. Archived from the original on 21 February 2014. Retrieved 15 June 2014.
  6. ^ "Gordon Bennett". Museum of Contemporary Art Australia.
  7. ^ *Roberts, Jo (10 September 2007). "Confronting and uncompromising". The Age. Retrieved 15 June 2014.
  8. ^ Grishin 2013, p. 500.
  9. ^ "Death Notice for Gordon Bennett". Milani Gallery. Retrieved 6 June 2014.
  10. ^ Bennett, Gordon. "Triptych: Requiem, Of Grandeur, Empire 1989". Collection: Contemporary Australian art. Queensland Art Gallery. Archived from the original on 15 March 2012. Retrieved 15 June 2014. Purchased 1989
  11. ^ Miller, Nick (20 September 2017). "London's Tate Modern takes possession of iconic Australian art". The Sydney Morning Herald. Retrieved 21 September 2017.

Bibliography

  • Grishin, Sasha (2013). Australian Art: A History. Carlton, VIC: The Miegunyah Press. ISBN 978-0-522-85652-1.
  • McLean, Ian; Gordon Bennett (1996). The Art of Gordon Bennett. Roseville East, NSW: Craftsman House. ISBN 90-5703-221-X.
[edit]
  • "Gordon Bennett". Trove Guide to Australian Cultural Collections. National Library of Australia. Retrieved 15 June 2014.
  • "Gordon Bennett" (Essay which accompanied exhibit on the bicentenary of the slave trade act consisting of 6 digital prints, 2 acrylics on canvas and one performance DVD). Museum of Archeology and Anthropology. 2007. Retrieved 15 June 2014.
  • "Gordon Bennett" (Artist Biography, 18 Artworks and 6 Exhibitions). Sutton Gallery. 1990–2013. Retrieved 8 June 2014.
  • "Gordon Bennett". Greenway Gallery. 2002–2008. Archived from the original (Artist Biography, 33 Artworks, 5 Essays, Solo and Selected Group Shows, Collections, Selected Bibliography) on 30 May 2014. Retrieved 8 June 2014.
  • Bennett, Gordon. "Number Nine 2008" (acrylic on linen 182.5 × 304 cm (diptych)). Artabase. Retrieved 8 June 2014.
  • Bennett, Gordon (17 November – 10 December 2010). "Abstraction (Citizen) Exhibition". Gallery Barry Keldoulis. Archived from the original (12 acrylic images on linen or paper each 121 x 80 cm (unframed)) on 23 February 2014. Retrieved 8 June 2014.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Gordon_Bennett_(artist)&oldid=1220828035"