Jump to content

Glenna Gordon

Add links
From Wikipedia, the free encyclopedia

Glenna Gordon
Born (1981-05-03) May 3, 1981 (age 43)
Brooklyn, New York[1]
NationalityAmerican
OccupationPhotographer
Websiteglennagordon.com

Glenna Gordon (born 3 May 1981) is an American documentary photographer, photojournalist, editor, and educator based in New York City. She is known for documenting such event as the Ebola outbreak, ISIS and Al Qaeda's hostage situations, and the kidnapping of more than two hundred and fifty Nigerian school girls.[2] She is also known for her documentation of Nigerian weddings.[3] Her work has been commissioned by The New York Times Magazine, Time, The Wall Street Journal, and Smithsonian. Gordon is an adjunct professor at the New School in New York City and an editor at Red Hook Editions.[4]

Biography

[edit]

In 2006, Gordon earned a master's degree in print journalism from the Columbia University School of Journalism.[3] She then made her first trip to Africa where she photographed images of the developing world.[3] Her work has been shown in museums in New York City, Washington D.C., Nigeria, and London.[3] She lectures at the New School in New York City in the graduate program for international affairs.[3]

Works

[edit]

ISIS and Al Qaeda hostages

[edit]

In 2014, Gordon was commissioned by The New York Times to take photographs for an article on ISIS hostages by Rukmini Callimachi. The article "The Horror Before the Beheadings" focused on the experiences of people held hostage by ISIS.[5] The photographs were also featured in Callimachi's articles "Paying Ransoms, Europe Bankrolls Qaeda Terror".[6] In this series, Gordon photographed objects the freed hostages held onto during and after their captivity. The objects reveal pieces of individual hostage's stories unknown to the public.[7]

Mass abduction in Nigeria

[edit]

In 2014, the jihadist terrorist organization, Boko Haram kidnapped 276 girls from their boarding school in Chibok in northeast Nigeria. Although there was media coverage about the incident, little mentioned the kidnapped girls themselves. Gordon photographed some of their belongings sent to her by family members. The photographs were published in The New York Times, The Wall Street Journal, and Time.[8] The work was given the 2015 World Press Award.[9]

Diagram of the Heart

[edit]

Gordon's Diagram of the Heart captures female novelists living in Kano, a city in Northern Nigeria. The novelists write in the genre of Littattafan Soyayya, which roughly translates to love literature.[10] Published in 2016 Diagram of the Heart was awarded photo book of the year by The New York Times Magazine, Pictures of the Year International and PDN (Photo District News). The book was also featured in Moving Walls 23: Journeys and the Museum of Contemporary African Diasporan Arts.

American Women of the Far Right 

[edit]

American Women of the Far Right is an investigative photo essay wherein Gordon explores the views of women who participate in extremist politics and hate groups. She had found that white supremacy was largely portrayed in the media through a male dominated lens. Gordon captured portraits of women who also hold these politic views. Some of these women identified as white supremacists, conservative extremists, racists, Klansmen, and Nazis.[11][12]

American Women

[edit]

In 2019, Gordon won the Aftermath Grant[13] for her proposed project American Women. This project is an expansion of American Women of the Far Right. The project will cover women who live in the same areas but who instead work for social justice.[14]

Liberia: Traces of America's Ghosts

[edit]

Liberia: Traces of America's Ghosts is an ongoing project to documenting the after effects of Liberia's civil war. Gordon has been working in Liberia as a photojournalist since 2009.[15]

Nigeria Ever After

[edit]

Published in 2012, Nigeria Ever After is a collection of photographs from Nigerian weddings. The collection explores the style and cost of marriage in the country.[16][17]

Indonesia: The End is the Beginning

[edit]

Gordon's photographic series Indonesia: The End is the Beginning depicts the different kinds of funeral rites and burial practices in Indonesia. Gordon captures the celebration of death and transition to the afterlife on the island of Bali. Another photo follows a long funeral procession and slow mourning process on the island of Sumba.[18]

Achievements

[edit]

Grants

[edit]
  • 2019: Aftermath project grant
  • 2017–2018: The New School, Faculty Research Fund
  • 2017: Economic Hardship Reporting Project
  • 2017: Pulitzer Center Grant, Nigeria
  • 2016: Indonesia, Festival PhotoReporter Grant
  • 2012: Nigeria, African Artists Foundation Residency

Awards

[edit]

References

[edit]
  1. ^ "Glenna Gordon | Stories". phmuseum.com. Retrieved March 10, 2020.
  2. ^ Cole, Teju (November 13, 2014). "Photographing the Unphotographable". The New Yorker. Archived from the original on July 22, 2019. Retrieved February 23, 2020.
  3. ^ a b c d e "Glenna Gordon | World Press Photo". www.worldpressphoto.org. Archived from the original on September 23, 2020. Retrieved March 10, 2020.
  4. ^ "Glenna Gordon". Pulitzer Center. Archived from the original on May 18, 2020. Retrieved March 10, 2020.
  5. ^ Callimachi, Rukmini (October 2, 2014). "The Horror Before the Beheadings". The New York Times. ISSN 0362-4331. Archived from the original on March 16, 2016. Retrieved April 9, 2020.
  6. ^ Callimachi, Rukmini (July 2, 2014). "Paying Ransoms, Europe Bankrolls Qaeda Terror". The New York Times. ISSN 0362-4331. Archived from the original on March 8, 2017. Retrieved April 9, 2020.
  7. ^ "Artifacts of a Kidnapping | The Aftermath Project". www.theaftermathproject.org. Archived from the original on February 12, 2020. Retrieved April 9, 2020.
  8. ^ "Photographer of Missing Nigerian Girls' Belongings: Our Attention Was Not Enough". Time. 2015. Archived from the original on January 26, 2021.
  9. ^ Cole, Teju (November 13, 2014). "Photographing the Unphotographable". The New Yorker. Archived from the original on July 22, 2019. Retrieved March 10, 2020.
  10. ^ Brook, Pete. "Anatomy of a Photobook: 'Diagram of the Heart' by Glenna Gordon". Time. Archived from the original on October 21, 2020.
  11. ^ "American Women | The Aftermath Project". www.theaftermathproject.org. Archived from the original on February 18, 2020. Retrieved March 10, 2020.
  12. ^ Gordon, Glenna (December 1, 2018). "American Women of the Far Right". The New York Review of Books. Archived from the original on January 8, 2021. Retrieved April 9, 2020.
  13. ^ "Aftermath Why We Serve Grant". June 5, 2019. Archived from the original on April 22, 2020.
  14. ^ "Glenna Gordon: Winner of the 2019 Aftermath Grant". LENSCRATCH. January 1, 2019. Archived from the original on January 30, 2020. Retrieved April 14, 2020.
  15. ^ Harris, Neil. "Living with the Past in Liberia". Time. Archived from the original on April 16, 2021. Retrieved April 14, 2020.
  16. ^ Gordon, Glenna. "My Most Important Photo: Glenna Gordon, Nigeria, 2012". Time. Archived from the original on October 20, 2020. Retrieved March 10, 2020.
  17. ^ "Musings: Glenna Gordon's Nigeria Ever After". Photography. February 2, 2014. Archived from the original on October 2, 2019. Retrieved March 10, 2020.
  18. ^ "The end is the beginning: Journey to the afterlife in Indonesia". Baie de Saint-Brieuc Photo Festival. Archived from the original on August 3, 2020.
  19. ^ "Flash Forward 2015". The Magenta Foundation. Archived from the original on October 19, 2020. Retrieved April 2, 2020.
  20. ^ "60 Years of Photography". Communication Arts. August 2, 2019. Archived from the original on December 3, 2019. Retrieved April 2, 2020.
  21. ^ "Prix de la Photographie Winners". PX3 Photography Awards. Archived from the original on June 15, 2020. Retrieved April 2, 2020.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Glenna_Gordon&oldid=1227705809"