Folklore of the Dominican Republic

Folklore of the Dominican Republic analyses the cultural phenomena of the Dominican Republic going back to the period of colonization, when Christopher Columbus set foot on land and the aborigines were already on the island. From that moment on, a process of rational relations between the two began. From the beginning, these relations were conflictive, and led to the disappearance of the first settlers of the Island of Santo Domingo (as it used to be called). Later, the Spanish inhabitants of the island brought African slaves, giving rise to yet another mixture of customs and ethnicities.

Etymology

In the Dominican Republic, the word folklore (Folclore for Spanish) appeared for the first time on February 10, 1884, nearly several decades after its independence from Haiti. (Interestingly, the word had also appeared 38 years after it appeared in Europe, when it was used by William John Thoms on August 22, 1846). It was used for the first time in a newspaper in Santiago de los Caballeros, called El Eco del Pueblo, in a letter sent by a person known only by the name Valle de Gracia. Afterwards, other people continued to use it, until it gained prominence in both Dominican literature and Dominican culture.

Carnivals

Main article: Carnival in the Dominican Republic

The Dominican Carnival has its roots in colonial times. Some historians believe that the first Carnival celebrations came with the visit of Fray Bartolomé de las Casas, when the inhabitants dressed up as Moors and Christians. Over time, the Carnival evolved and merged with African traditions, creating a unique celebration that is characteristic of Dominican culture. After Dominican independence on February 27, 1844, the month of February was established as the Dominican Carnival month.

An essential aspect of the Dominican carnival is its traditional characters. These characters include the robalagallina, diablos cojuelos, califé, tiznaos africanas and monos de Simonico. Each of these characters has its own story and personality, and are an integral part of the celebration. A little about some of the most popular ones:

• The Robalagallina is a traditional character of the Dominican carnival. The story goes that when someone is caught stealing chickens, they are covered in tar and made to walk around the town. Today, during the carnival, he is a very picturesque character. He dances and sings in the parades. It is very common to hear the public sing “robalagallina, palo con ella.”
• The lame devil is a character that represents evil and mischief. He is characterized by his mask and his red and black clothing. During the carnival, the lame devil usually plays jokes and acts out antics to entertain the crowd. Legend has it that this character exhausted the devil's patience, who threw him to Earth and in the fall he was left lame (hence the term "lame").

Mythology, urban legends and beliefs

Mythical figures in Dominican culture include Ciguapa, Jupías, Biembienes, Galipote, Bacá, Marimantas, and the Cuco.

The earliest Urban legend is of the Tapao, a faceless man from the 16th-century who was said to have once been an inhabitant of the Coloinial City. The story of El Negro Comegente, remains one of he darkest urban legends in the Dominican Republic. Other legends include Brujas and Botija.

Folk heroes

Throughout the historical development of the Dominican Republic in its struggles for independence, equality, and political reforms, many figures have been highlighted for having took part in these struggles and even recognized as folk heroes. Such examples include:

• Enriquillo - Taíno chief who rebelled against Spanish colonists.
• Sebastián Lemba - African rebel who went down in history for leading the first Maroon rebellion in the Americas.

See also

• Culture of the Dominican Republic
• Religion in the Dominican Republic
• Music of the Dominican Republic
• History of the Dominican Republic
• Literature of the Dominican Republic