Florence Maude Ewart
Florence Maude Ewart | |
|---|---|
 Florence Maude Ewart in 1912 | |
| Born | 16 November 1864 London, England |
| Died | c.8 November 1949 |
| Occupation(s) | Composer, violinist, music educator |
| Spouse | Alfred James Ewart |
Florence Maude Ewart (16 November 1864 – c.8 November 1949) was an English violinist, music educator and composer who lived and worked in Australia.
Biography
[edit]Florence Donaldson was born in Kentish Town, London, the daughter of accountant Frederick William Donaldson and his wife Elizabeth Lewis. Ewart studied violin with John Carrodus and made her début as a violinist at age 14 at the Albert Hall, London. She won one of the first twelve Birmingham scholarships to the South Kensington National Training School, later the Royal College of Music, and continued her studies in Leipzig and Berlin with Joseph Joachim. After completing her studies, she worked in Birmingham as a conductor, violinist and music lecturer. In December 1898, she married Alfred James Ewart, whom she had met in Leipzig, at the parish Church of St. Paul, Oxford. The couple settled in Birmingham and had two sons born in 1900 and 1902.
In 1906 the Ewart family moved to Melbourne, Australia, and a rheumatic condition ended Florence's career as a violinist. In 1907 she served as co-conductor for the first Australian Women's Work Exhibition, and won first prize for her composition "God Guide Australia",[1] an anthem with words by Annie Rattray Rentoul.[2]
Ewart travelled abroad, and in 1920-21 visited Italy and Paris and became influenced by Debussy's music. She asked for a separation from her husband and studied composition intensively in Europe from 1924-28 with composer Ottorino Respighi. Her husband petitioned for a divorce, granted in December 1929. Ewart expanded her work as a composer, producing six opera and a number of songs and instrumental works. Her music was performed for the Musical Society of Victoria and at the Melbourne University Conservatorium. Ewart died at her home in South Yarra. [3]
Works
[edit]Ewart composed for voice, orchestra, instrumental performance, and opera. Her papers are archived at the Grainger Museum at the University of Melbourne. Selected works include:
- Ekkart, opera (1926)
- The Courtship of Miles Standish, opera (1931)
- Mateo Falcone, opera
- Nala's Wedding, opera, under the pseudonym "Sonia Aldon"
- A Game of Chess, opera
- Pepita's Miracle, opera (1945)[3]
References
[edit]- ^ Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers. W. W. Norton & Company. ISBN 9780393034875. Retrieved 4 October 2010.
- ^ "Madame Florence Ewart". Farmers' Advocate (Melbourne, Vic. : 1917 - 1924). 17 April 1924. p. 12. Retrieved 31 May 2019.
- ^ a b Radic, Maureen Thérèse. "Florence Maud Ewart (1864–1949)". Ewart, Florence Maud (1864 - 1949?) (Excerpt from Australian Dictionary of Biography, Volume 8). Melbourne University Press. Retrieved 23 October 2010.
| Artists | |
|---|---|
| People | |
- 1864 births
- 1949 deaths
- 19th-century British classical composers
- 20th-century English classical composers
- Australian music educators
- Australian women classical composers
- English classical composers
- British women classical composers
- English classical violinists
- Australian classical composers
- 20th-century English women musicians
- 19th-century English composers
- Australian women music educators
- 19th-century Australian women
- 19th-century British women composers
- 20th-century British women composers
- 20th-century Australian women composers