File:The Coast at Gréville (Jean-François Millet) - Nationalmuseum - 18592.tif
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Jean-François Millet: The Coast at Gréville | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q148458 |
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Title |
English: The Coast at Gréville Svenska: Havsstrand vid Gréville |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | marine art | ||||||||||||||||||||||||||
Description |
English: Coastal scenes from northern France became increasingly common in the second half of the 19th century. As the region became popular as a resort, the market for this type of images increased. Millet’s coastal seascape is a study for a larger painting. It is not clear whether the lines in the painting are part of a sketch that the artist intended to paint over – or if they were intended to outline the cliffs, as an aid to memory when working on the larger painting. Millet was best known for his paintings of rural life and harsh farm labour. Svenska: Kustmotiven från norra Frankrike blev allt vanligare under 1800-talets lopp. I takt med att dessa trakter blev populära utflyktsmål, växte en marknad för den här typen av bilder fram. Millets kustlandskap är en studie för en större målning. Det oklart om linjerna i målningen är underteckning som konstnären egentligen haft för avsikt att måla över – eller om de var avsedda att tydligt ange klippornas former som stöd i arbetet med den större målningen. Millet var annars mest känd för sina skildringar av landsbygden och det hårda jordbruksarbetet. |
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Original caption InfoField | English: Coastal scenes from northern France became increasingly common in the second half of the 19th century. As the region became popular as a resort, the market for this type of images increased. Millet’s coastal seascape is a study for a larger painting. It is not clear whether the lines in the painting are part of a sketch that the artist intended to paint over – or if they were intended to outline the cliffs, as an aid to memory when working on the larger painting. Millet was best known for his paintings of rural life and harsh farm labour. Svenska: Kustmotiven från norra Frankrike blev allt vanligare under 1800-talets lopp. I takt med att dessa trakter blev populära utflyktsmål, växte en marknad för den här typen av bilder fram. Millets kustlandskap är en studie för en större målning. Det oklart om linjerna i målningen är underteckning som konstnären egentligen haft för avsikt att måla över – eller om de var avsedda att tydligt ange klippornas former som stöd i arbetet med den större målningen. Millet var annars mest känd för sina skildringar av landsbygden och det hårda jordbruksarbetet. |
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Date | Unknown date | ||||||||||||||||||||||||||
Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 1588 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: J. F. Millet [med schablon] |
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References | Nationalmuseum Sweden artwork ID: 18592 | ||||||||||||||||||||||||||
Source/Photographer | Erik Cornelius / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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Items portrayed in this file
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:40, 7 October 2016 | 3,957 × 3,260 (36.94 MB) | AndreCostaWMSE-bot | {{Artwork |other_fields_1 = |artist = {{Creator:Jean-François Millet (II)}} |title = {{en|The Coast at Gréville}} {{sv|Havsstrand vid Gréville}} |wikidata = Q18574286 |object_type = paint... |
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Metadata
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Camera manufacturer | NIKON CORPORATION |
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Author | Nationalmuseum / The National Museum of Fine Arts |
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Date and time of data generation | 15:10, 6 March 2007 |
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