File:Joanna Pousette-Dart Untitled -7 1976.tif
Joanna_Pousette-Dart_Untitled_-7_1976.tif (448 × 223 pixels, file size: 319 KB, MIME type: image/tiff)
Summary
[edit]This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. | |
Description |
Painting by Joanna Pousette-Dart, Untitled #7 (sand and acrylic on canvas, 7' x 14', 1976). The image illustrates a very early period and body of work in Joanna Pousette-Dart's career in the 1970s, when she first produced large-scale paintings employing expressive paint handling, velvety sand-textured surfaces, and soft-edged, interwoven rectangular areas of dark, close-valued colors that critics likened in atmosphere to the work of artists such as Klee, Rothko and Braque. This series of work has been publicly exhibited in prominent venues, discussed widely in national art and daily press publications, and collected by major art institutions. |
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Source |
Artist Joanna Pousette-Dart. Copyright held by the artist. |
Article | |
Portion used |
Entire artwork |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a very early period and body of work in Joanna Pousette-Dart's career in the 1970s when she first gained recognition: her large-scale paintings consisting of soft-edged, interwoven rectangular areas of dark, close-valued colors, which employed expressive paint handling and velvety surfaces that were textured with sand. Critics suggest that these works explored tensions between the architectonic, rectilinear structure of the panel and grid and the freely expressive, space-evoking possibilities of painting; their atmospheres were likened to the work of Klee, Rothko and Braque. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize a key developmental phase in her art, which brought initial recognition from art journals, daily press publications, and museums. Pousette-Dart's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Joanna Pousette-Dart, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Joanna Pousette-Dart//en.wikipedia.org/wiki/File:Joanna_Pousette-Dart_Untitled_-7_1976.tiftrue |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:31, 22 September 2020 | 448 × 223 (319 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Joanna Pousette-Dart | Description = Painting by Joanna Pousette-Dart, ''Untitled #7'' (sand and acrylic on canvas, 7' x 14', 1976). The image illustrates a very early period and body of work in Joanna Pousette-Dart's career in the 1970s, when she first produced large-scale paintings employing expressive paint handling, velvety sand-textured surfaces, and soft-edged, interwoven rectangular areas o... |
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