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Biblioteca_Marciana-Sala_sansoviniana-17.tif (519 × 519 pixels, file size: 1.04 MB, MIME type: image/tiff)

Summary

Artist
Paolo Veronese  (1528–1588)  wikidata:Q9440 q:en:Paolo Veronese
 
Paolo Veronese
Alternative names
Birth name: Paolo Caliari Paolo Cagliari / Paolo Caliari
Description Italian painter, drawer, architectural draftsperson and visual artist
Date of birth/death 1528 Edit this at Wikidata 19 April 1588 / 9 April 1588 Edit this at Wikidata
Location of birth/death Verona Edit this at Wikidata Venice Edit this at Wikidata
Work location
Venice, Rome, Padua
Authority file
artist QS:P170,Q9440
Title
Italiano: la Geometria & l’Arithmetica co i loro segni
(Sansovino, Francesco, Venetia città nobilissima et singolare descritta in 14 libri, 1581, Venetia, Iacomo Sansovino, c. 114v)
English: Geometry & Arithmetic with their symbols
Alternative titles
InfoField
"Music" (Lorenzetti-1926), "Music, Astronomy and Deceit" (Hope-1990),[1] "Arithmetic, Geometry, and Music" (Broderick-2016)
Object type painting
object_type QS:P31,Q3305213
Date 1556–1557
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions diameter: 230 cm (90.5 in)
dimensions QS:P2386,230U174728
institution QS:P195,Q578460
Place of creation Venice
Object history One of three roundels by Paolo Veronese commissioned in 1556 by the Procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana. All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria.
Notes
  1. ↑ Hope’s reinterpretation is based on two visual errors. He considers the numbers on the page of the book held by the standing figure to be astronomical tables. They are in reality a simple numerical listing of 1 to 25. Also, he sees the figure in the background as having two faces, confusing the folds of the turban as a second face.
References Vasari, Giorgio, Le vite de' piv eccellenti pittori, scvltori, et architettori, Parte III, vol. 2, 1568, Fiorenza, i Giunti, p. 526; Sansovino, Francesco, Venetia città nobilissima et singolare descritta in 14 libri, 1581, Venetia, Iacomo Sansovino, c. 114v; Ridolfi, Carlo, Le marauiglie dell'arte, ouero Le vite de gl'illustri pittori veneti, e dello Stato, 1648, Venetia, Gio. Battista Sgava, Parte I, p. 292; Macedo, Francesco, Pictura Venetae vrbis, eiusque partium in tabulis Latinis, coloribus oratorijs expressa, & pigmentis poeticis colorata, 1670, Venetiis, Cieras, p. 56; Zanetti, Antonio Maria, Della pittura veneziana e delle opere pubbliche de' veneziani maestri, 1771, Venezia, Giambatista Albrizzi, p. 182; Lorenzetti, Giulio, Venezia e il suo estuario: guida storico-artistica, 1926, Venezia, Bestetti & Tuminelli, p. 161; Ivanoff, Nicola, La libreria Marciana: arte e iconologia, «Saggi e Memorie», 6, 1967, Firenze, L. S. Olschki, p. 40; Paolucci, Antonio, La sala della libreria e il ciclo pittorico in Da Tiziano a El Greco: per la storia del Manierismo a Venezia 1540–1590, 1981, Milano, Electa, p. 294; Hope, Charles, The Ceiling Paintings in the Libreria Marciana in Nuovi Studi su Paolo Veronese, 1990, Venezia, Arsenale Editrice, p. 298; Broderick, Jarrod, M., Custodian of Wisdom: The Marciana Reading Room and the Transcendent Knowledge of God, «Studi veneziani», LXXIII, 2016, pp. 70–73
Source/Photographer Biblioteca Nazionale Marciana Prot. 191-23.01.20
Permission
(Reusing this file)
Italy-MiBAC-disclaimer Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture.
This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. 		Italy

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