Erasure (album)
| Erasure | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 24 October 1995 | |||
| Recorded | 1995 | |||
| Studio | ||||
| Genre | ||||
| Length | 71:25 | |||
| Label | Mute | |||
| Producer | ||||
| Erasure chronology | ||||
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| Singles from Erasure | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| Cash Box | (favorable)[3] |
| Music & Media | (favorable)[4] |
| NME | 6/10[5] |
Erasure is the seventh studio album by English synth-pop duo Erasure, released on 23 October 1995 by Mute Records. It was produced by Thomas Fehlmann (of the Orb) and Gareth Jones.
An overtly experimental and introspective album, Erasure contains 11 mostly mid-tempo tracks that differed from their past output of shiny, three-minute pop songs. Most tracks clocked in at five minutes or more, several contained long synth interludes, and guest artists included the London Community Gospel Choir and performance artist Diamanda Galás.
Although appreciated for its experimental nature, Erasure marked the beginning of Erasure's slide from the peak of their popularity in the mainstream music world.[citation needed] Coming off four consecutive number-one albums in the UK, this album failed to hit the top 10, and two single releases also missed the UK top ten. After a successful top 20 debut on the Billboard 200 for their previous album I Say I Say I Say, Erasure debuted and peaked at number 82 in the US and generated no Hot 100 singles. In Germany the album also peaked lower than previous albums, at number 87.
In an interview with DJ Ron Slomowicz circa 2006, Erasure were asked for their favourite album from their own catalogue. Bell stated "it's a toss-up between Chorus and the self-titled Erasure album from 1995."[6]
Critical reception
[edit]Upon its release, Paul Moody of NME considered Erasure to be "almost more of the same" from the duo, except "there's a darker hue to their electronic meanderings this time around". He felt Clarke was "intent on making [a] serious-minded electronic piece" which, in turn, "makes their more heart-warming indulgences altogether less accessible" and resulted in "neither a ground-breaking slide into ambience or a fan-pleasing stomp over familiar ground". He concluded, "The overall impression is of Clarke spending endless weeks in his studio fully believing himself to be orbiting Ursa Minor while Bell blubs and bellows his way through the tormented pages of his diary whenever he gets the chance."[5] Paul Lester of Melody Maker was negative in his review, calling the album "cheesy" and "a bit flat". He remarked the album was like "a Tim Rice/Andrew Lloyd Webber extravaganza set to an electro beat", "soundtrack music for Star Wars 6" and "handbag techno-pop featuring Bell's I-wanna-be-Judy-Garland impressions". He singled out "Stay with Me" as the exception, commenting that "you forget about Bell's grating neo-operatic warble and wonder instead at one of those breathtaking chord sequences Clarke seems to contrive every few years".[7]
Track listing
[edit]All tracks are written by Andy Bell and Vince Clarke
| No. | Title | Length |
|---|---|---|
| 1. | "Intro: Guess I'm into Feeling" | 3:38 |
| 2. | "Rescue Me" | 6:10 |
| 3. | "Sono Luminus" | 7:51 |
| 4. | "Fingers & Thumbs (Cold Summer's Day)" | 6:44 |
| 5. | "Rock Me Gently" | 10:01 |
| 6. | "Grace" | 5:54 |
| 7. | "Stay with Me" | 6:43 |
| 8. | "Love the Way You Do So" | 6:43 |
| 9. | "Angel" | 5:32 |
| 10. | "I Love You" | 6:29 |
| 11. | "A Long Goodbye" | 5:34 |
2016 "Erasure 30" 30th anniversary BMG reissue LP
[edit]Subsequent to their acquisition of Erasure's back catalog, and in anticipation of the band's 30th anniversary, BMG commissioned reissues of all previously released UK editions of Erasure albums up to and including 2007's Light at the End of the World. All titles were pressed and distributed by Play It Again Sam on 180-gram vinyl and shrinkwrapped with a custom anniversary sticker.
2022 "Expanded" edition
[edit]In September 2022, Erasure announced the re-release of their self-titled 7th album in a special hardback book edition, with a bonus CD of remixes, released on 18 November 2022 through Mute/BMG records.[8]
| No. | Title | Length |
|---|---|---|
| 1. | "Fingers & Thumbs (Cold Summer's Day)" (SoundFactory remix radio edit) | |
| 2. | "Angel" (Love Eternal remix by TSF) | |
| 3. | "Rock Me Gently" (Stubbleman remix) | |
| 4. | "Stay with Me" (guitar mix) | |
| 5. | "Sono Luminus" (live acoustic version) | |
| 6. | "True Love Wars" | |
| 7. | "Hi NRG" | |
| 8. | "Chertsey Endlos" | |
| 9. | "Fingers & Thumbs (Cold Summer Day)" (Daybreakers mix) | |
| 10. | "Stay with Me" (NY mix) | |
| 11. | "True Love Wars" (Omni mix) | |
| 12. | "Rock Me Gently" (demo) | |
| 13. | "Sono Luminus" (demo) | |
| 14. | "Cold Summer's Day" (Wigstock version) | |
| 15. | "Rock Me Gently" (Glen Nicholls & Nick Squires remix) |
Personnel
[edit]- Andy Bell – vocals
- Vince Clarke – synthesizers, programming
- Diamanda Galás – vocals
- Paul Hickey – background vocals
- Ruby James – background vocals
- London Community Gospel Choir – choir, chorus
Production
[edit]- Dave Bascombe – mixing
- Blaise Dupuy – engineer
- Thomas Fehlmann – producer
- George Holt – engineer
- Ian Huffam – mixing assistant
- Gareth Jones – producer
- François Kevorkian – mixing
- Mike Marsh – mastering
- Patrick McGovern – mixing assistant
- Ashley Potter – illustrations
- Lloyd Puckitt – mixing
- Sly Smith – artwork
- Andy Strange – mixing assistant
Charts
[edit]| Chart (1995) | Peak position |
|---|---|
| Australian Albums (ARIA)[9] | 175 |
| Austrian Albums (Ö3 Austria)[10] | 33 |
| Canada Top Albums/CDs (RPM)[11] | 43 |
| European Albums (Music & Media)[12] | 80 |
| German Albums (Offizielle Top 100)[13] | 87 |
| Scottish Albums (OCC)[14] | 25 |
| Swedish Albums (Sverigetopplistan)[15] | 26 |
| UK Albums (OCC)[16] | 14 |
| UK Independent Albums (OCC)[17] | 2 |
| US Billboard 200[18] | 82 |
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI)[19] | Silver | 60,000‡ |
|
‡ Sales+streaming figures based on certification alone. | ||
References
[edit]- ^ Miller, Jonathan. "Erasure - Under Cover". Garethjones.com. Archived from the original on 23 January 2013. Retrieved 26 November 2020.
- ^ "AllMusic ((( Erasure > Review )))". AllMusic. Retrieved 24 January 2010.
- ^ Baltin, Steve (20 January 1996). "Pop Albums" (PDF). Cash Box. p. 9. Retrieved 11 November 2022.
- ^ "New Releases: Albums" (PDF). Music & Media. 28 October 1995. p. 10. Retrieved 18 May 2021.
- ^ a b Moody, Paul (21 October 1995). "Long Play: 'Sure Fire Hit". New Musical Express. p. 52. ISSN 0028-6362.
- ^ Slomowicz, Ron (2006). "Erasure - Union Street Interview". About Entertainment. Archived from the original on 24 October 2015. Retrieved 16 June 2023.
- ^ Lester, Paul (28 October 1995). "Albums". Melody Maker. p. 41. ISSN 0025-9012.
- ^ "Erasure announce deluxe reissue of there self-titled seventh album".
- ^ Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt. Martha, VIC, Australia: Moonlight Publishing. p. 95.
- ^ "Austriancharts.at – Erasure – Erasure" (in German). Hung Medien. Retrieved 24 June 2012.
- ^ "Top RPM Albums: Issue 2800". RPM. Library and Archives Canada. Retrieved 4 January 2022.
- ^ "European Top 100 Albums" (PDF). Music & Media. Vol. 12, no. 45. 11 November 1995. p. 20. OCLC 29800226 – via World Radio History.
- ^ "Offiziellecharts.de – Erasure – Erasure" (in German). GfK Entertainment Charts. Retrieved 4 January 2022.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved 4 January 2022.
- ^ "Swedishcharts.com – Erasure – Erasure". Hung Medien. Retrieved 24 June 2012.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved 4 January 2022.
- ^ "Independent Albums" (PDF). Music Week. 11 November 1995. p. 22. ISSN 0265-1548 – via World Radio History.
- ^ "Erasure Chart History (Billboard 200)". Billboard. Retrieved 4 January 2022.
- ^ "British album certifications – Erasure – Erasure". British Phonographic Industry. Retrieved 26 November 2022.
