E-awase
| 絵合 | |
|---|---|
-_Tamatori-ama,%E2%80%9D_from_the_series_Scenes_amid_Genji_Clouds_Matched_with_Ukiyo-e_Pictures_(Genji-gumo_ukiyo_e-awase)_MET_DP-18165-001.jpg) An Ukiyo-e print from Utagawa Kuniyoshi’s e-awase series. The image depicts Tamatori, Fujiwara no Kamatari’s driver, fighting an octopus, 1845-6 | |
| Years active | Kamakura period |
| Players | 2 teams |
| Skills | Painting |
E-awase (絵合, painting contest) was a pastime popular among Japanese nobles during the Kamakura period,[1] although its history dates back to the Heian.[2]
In an e-awase contest, participants were divided into two teams,[1] and created paintings on a predetermined topic, which were then judged by their peers,[3] as in the older uta-awase poetry contests.[4] It was a popular entertainment at parties and social gatherings.[5] An e-awase contest of this type appears in The Tale of Genji, forming the central theme of chapter 17.[6]
An alternative version of the picture contest was simpler, with players matching or associating pre-painted images.[7] This was a development of an older game known as kai-awase (貝合 "shell matching"). Matching scenes would be painted on the inner surfaces of a number of clam shells; these would then be spread on the floor, image side down, and turned over by competitors who would attempt to match the corresponding images.[8]
References
[edit]- ^ a b Louis Frédéric (2002). Japan Encyclopedia. Harvard University Press. ISBN 978-0-674-01753-5. Retrieved 11 May 2012.
- ^ Allen Hockley; Koryūsai Isoda (2003). The Prints of Isoda Koryūsai: Floating World Culture and Its Consumers in Eighteenth-century Japan. University of Washington Press. p. 50. ISBN 978-0-295-98301-1. Retrieved 29 May 2012.
- ^ Samuel L. Leiter (2002). A Kabuki Reader: History and Performance. M.E. Sharpe. p. 122. ISBN 978-0-7656-0704-1. Retrieved 11 May 2012.
- ^ Miyeko Murase; New York Public Library (1986). Tales of Japan: scrolls and prints from the New York Public Library. Oxford University Press. p. 57. ISBN 978-0-19-504020-3. Retrieved 11 May 2012.
- ^ Jacob Raz (1983). Audience and Actors: A Study of Their Interaction in the Japanese Traditional Theatre. Brill Archive. p. 67. ISBN 978-90-04-06886-5. Retrieved 11 May 2012.
- ^ Murasaki Shikibu (24 April 2003). The Tale of Genji. Penguin Books Limited. p. 561. ISBN 978-0-14-192796-1. Retrieved 11 May 2012.
- ^ Mary Flanagan (30 September 2009). Critical Play: Radical Game Design. MIT Press. p. 74. ISBN 978-0-262-06268-8. Retrieved 29 May 2012.
- ^ Asahi Shinbunsha (1996). Japan quarterly. Asahi Shimbun. p. 73. Retrieved 29 May 2012.