Draft:Tracks from the Attic

• Comment: Fails WP:NALBUM, noting Deezer, Discogs and Qobuz are not reliable secondary sources. Dan arndt (talk) 22:38, 29 December 2024 (UTC)

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Tracks From The Attic
Studio album by Whitey Pines
Released	October 4, 1999 (1999-10-04)
Recorded	1999
Studio	The Attic
Genre	Dirty South Country Rap
Length	35:24
Label	Lost City Music
Producer	Whitey Pines (also exec.)
Whitey Pines chronology
Tracks From The Attic (1999) Lost City (2001)
Singles from Tracks From The Attic
"Rukkuz" Released: October 4, 1999 "God Damn Women" Released: October 4, 1999

Tracks from the Attic is the debut studio album by American rapper and producer Whitey Pines, released in 1999 under his independent label, Lost City Music. Recorded at the age of 15 in Whitey Pines’ attic in Auburn/Russellville, Kentucky, the album blends elements of country rap and hip hop, marking the beginning of Whitey Pines’ musical career and his influence in the emerging country rap scene.

Background and Recording

At just 15 years old, Whitey Pines set up his own makeshift recording studio in his attic, where he produced, recorded, mixed, and mastered the entire album using a 16-track recorder and a Roland 1880. Tracks from the Attic was created entirely by Whitey, with no outside production help, reflecting his DIY ethos. The album was named after the attic where it was recorded, giving it a raw, unpolished feel that became a defining characteristic of Whitey’s early music.

The album was released under Lost City Music, the label Whitey founded in 1999, which was named after his street in Auburn, Kentucky, located on land historically believed to be an ancient burial ground of Native American artifacts. Whitey embraced the local history, incorporating elements of his environment into his music and the album’s themes.

Music and Lyrics

Tracks from the Attic features a blend of country rap and hip hop, which was a unique sound at the time, especially in Kentucky, where few white rappers were emerging. The album’s music combines hip hop beats with southern country influences, setting the stage for the country rap genre Whitey would later help pioneer.

The album’s lyrics are marked by Whitey’s candid and often unfiltered style, touching on themes of personal experience, relationships, and his local environment. The lead single, “God Damn Women,” is an indirect diss track aimed at an ex-girlfriend, expressing frustration and heartbreak. Another standout track, “Rukkuz,” became a local hit and helped build Whitey’s early following.

Impact and Reception

Despite being released as an independent project with limited initial distribution, Tracks from the Attic gained significant attention in Whitey Pines’ hometown of Auburn/Russellville, KY. Whitey sold 100 copies of the album by hand, which helped to generate buzz and build a local fan base. The album’s underground success led to Whitey gaining recognition in Kentucky and the surrounding region.

The album’s breakthrough moment came in December 1999, when Whitey performed “Rukkuz” at a talent show at Logan County High School. After a drummer from a local band stayed behind to play, Whitey grabbed the microphone and performed his verse from the song, which led to a huge reaction from the audience. This performance helped solidify Whitey’s place in the local music scene and sparked further interest in his music.

Track listing

No.	Title	Writer(s)	Producer(s)	Length
1.	"Rukkuz"	Whitey Pines	Whitey Pines	3:53
2.	"The World"	Whitey Pines	Whitey Pines	3:31
3.	"Stayin Alive"	Whitey Pines	Whitey Pines	3:56
4.	"Hella Smokin"	Whitey Pines	Whitey Pines	2:51
5.	"Amazin Grace"	Whitey Pines	Whitey Pines	2:22
6.	"Sirens"	Whitey Pines	Whitey Pines	4:32
7.	"Talkin"	Whitey Pines	Whitey Pines	4:37
8.	"Trashbags"	Whitey Pines	Whitey Pines	3:17
9.	"Money Pains"	Whitey Pines	Whitey Pines	3:16
10.	"God Damn Women"	Whitey Pines	Whitey Pines	3:29
Total length:				36:15

Legacy

Tracks from the Attic is considered an underground classic in the country rap genre, and it remains a significant milestone in Whitey Pines’ career. The album not only launched Whitey’s career but also helped pave the way for the development of country rap in Kentucky.

Whitey’s blend of southern hip hop and country influences would become a defining feature of his later work, and the success of Tracks from the Attic set the stage for future releases under the Lost City Music label. The album remains a testament to Whitey’s early dedication to his craft and his influence on the genre.