Draft:Rauf Adu
Submission declined on 1 May 2024 by Princess of Ara (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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Submission declined on 8 April 2024 by Umakant Bhalerao (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. Declined by Umakant Bhalerao 5 months ago. |
- Comment: Subject does not meet the general notability guidelines Princess of Ara 13:18, 1 May 2024 (UTC)
Rauf Adu (1943 - 2022) was a Ghanaian-born poet, musician, playwright, and critic.[1] He was of Asante heritage and was born in the Asante region of Ghana. Adu's work dealt with the African and Afro-Caribbean experience in Britain; it has been cited as part of Pan-African literature and the 1970s and 1980s dub poetry movement.[2] [3] His subversive work engaged and experimented with genre and form.[4] Adu was a politically active artist and resident of Brixton.[5]
Music
[edit]He wrote, produced and released his first solo track, Echoes From Telentia, in 1981 under Arro Muzik Ltd.[6] His second single, Burkino Faso[7] was released on Copasetic Records in 1982. Rauf Adu produced for Arthur Brown, Aliki Ashman, and Dan-I. He released his debut album Human 2 Human in 1985 on Modtone Records. [8] He toured the album with his band, Adu, and was broadcast on ITV's Rock on the Dock and German television. [9] His musical style was described as "a slice of classy reggae based modern soul/pop music which delves into Adu's African, American and Caribbean influences".[10]
Poetry, Plays and Writing
[edit]Rauf Adu's first poetry anthology, The Rise and Rise of General Gun[11] was published by Karnak House in 1981 and has been cited as a part of Pan-African literature. [12] Rauf Adu's poetry is also noted as a part of the rap and dub poetry that represented social and racial tensions of 1970s and 80s Britain; he is cited alongside poets such as Benjamin Zepaniah, John Agard, and Linton Kwesi Johnson[13] His second collection The Nim Tree Chants was published by Ram Books in 1990. [14]
Rauf Adu's first play, Musa, Rhumatu and The Seven-Eyed God premiered and ran at the Keskidee Centre in 1983.[15] It has been cited as a pioneering part of Black and Asian theatre within Britain.[16] His play The Day in the Life of an Onion was based on transcultural adoption and ran at The Southwark Playhouse in 1999. [17]
He was a fixture at the Africa Centre in London. He engaged in cultural events with contemporaries such as Kwesi Owusu and Ngugi Wa' Thiongo.[18] [19] Rauf Adu was also a literary and art critic for The Voice, Root, West Africa Magazine, City Limits and Time Out.[20]
References
[edit]- ^ Blues & Soul (1985). United Kingdom: Napfield Limited.
- ^ The Journal of Commonwealth Literature. (1984). United Kingdom: Hans Zell Publishers.
- ^ Black theatre and performance: a pan-African bibliography. (1990). United Kingdom: Bloomsbury Academic.
- ^ Alternative Comedy Now and Then: Critical Perspectives. (2022). Switzerland: Springer International Publishing.
- ^ Concord Weekly. (1985). United Kingdom: Concord Press of Nigeria.
- ^ https://www.discogs.com/release/7822074-Adu-Echoes-From-Teletania
- ^ "ADU - Burkina Faso (Feat Jura Soundsystem mix) Vinyl at Juno Records".
- ^ Cross, Di. (1985) ‘Adu’, Record Mirror, 8 June 1985, pp.2-3. Available at: https://www.worldradiohistory.com/UK/Record-Mirror/80s/85/Record-Mirror-1985-06-08.pdf#search=%22rauf%20adu%22 (Accessed: 8 April 2024).
- ^ RPL-TV (1985) Adu Rock in the Dock. Available at: https://www.c4327324.myzen.co.uk/adu-rockinthedock.html (Accessed: 8 April 2024).
- ^ Chris, W. (1985). ‘Tracking’, Music Week, p.23. Available at: https://worldradiohistory.com/UK/Music-Week/1985/Music-Week-1985-05-04.pdf (Accessed 8 April 2024).
- ^ "Rauf Adu's The Rise & Rise of General Gun." In the digital collection Chez Baldwin Writer's House Digital Collection. https://quod.lib.umich.edu/b/baldwin1ic/x-353/jb00795. University of Michigan Library Digital Collections. Accessed April 08, 2024.
- ^ The Companion to African Literatures. United Kingdom: James Currey, 2010.
- ^ Killam, Douglas, and Kerfoot, Alicia L.. Student Encyclopedia of African Literature. Ukraine, ABC-CLIO, 2007.
- ^ Rauf, A. (1990) The Nim Tree Chants. Mitchum, Surrey: Ram Books (Poetry Series).
- ^ Centre for African Literary Studies (1983) BBC African Service: Arts and Africa. Available at: https://disa.ukzn.ac.za/sites/default/files/DC%20Metadata%20Files/Centre%20for%20African%20Literary%20Studies/ALS%204_5_5_1_22/ALS%204_5_5_1_22.pdf (Accessed: 8 April 2024).
- ^ Chambers, C. (2020). Black and Asian Theatre In Britain: A History. United Kingdom: Taylor & Francis.
- ^ Hatts, J. (1999). ‘Theatre’, in SE1, October, p.2. Available at: https://www.inse1.co.uk/issues/inSE1-16.pdf (Accessed: 8 April 2024).
- ^ "About Us".
- ^ Owusu, K. (2022). An Astonishing History that reads Like the Bible. [online] kwesinews.com. Available at: https://kwesinews.com/a-phenomenal-book-is-out-cheers-ishmahil/ [Accessed 8 Apr. 2024].
- ^ Blues & Soul. (1985). United Kingdom: Napfield Limited.